Jon M. Chu’s long-awaited film adaptation of Lin-Manuel Miranda’s “In the Heights” should have debuted to critical acclaim. From the dynamic musical numbers to the film’s stars, which include “Hamilton” standout Anthony Ramos, “Orange Is The New Black” star Dasha Polanco, and “Straight Outta Compton” breakout Corey Hawkins, all the signs pointed to another progressive hit on par with Chu’s “Crazy Rich Asians.”
Instead, in a film that was supposed to immortalize present-day Washington Heights — in a community called the Little Dominican Republic — the lack of Black and brown faces on screen was glaring. After all, 90 percent of Dominicans are of African descent. Unfortunately, as it is with “In the Heights,” colorism is pervasive in Latinidad. As a result, exhausting conversations about skin color, an entire market for skin lightening creams, and generation-long skin color preferences within families persist. All of this stems from rampant racism,...
Instead, in a film that was supposed to immortalize present-day Washington Heights — in a community called the Little Dominican Republic — the lack of Black and brown faces on screen was glaring. After all, 90 percent of Dominicans are of African descent. Unfortunately, as it is with “In the Heights,” colorism is pervasive in Latinidad. As a result, exhausting conversations about skin color, an entire market for skin lightening creams, and generation-long skin color preferences within families persist. All of this stems from rampant racism,...
- 6/25/2021
- by Aramide A Tinubu
- Indiewire
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