Rachel Chu, an American-born Chinese NYU professor, travels with her boyfriend, Nick to his hometown of Singapore for his best friend's wedding. Before long, his secret is out: Nick's family is wealthy, and he's considered the most eligible bachelor in Asia. Every single woman is incredibly jealous of Rachel and wants to bring her down.Written by
The tiger in the foyer of Tyersall Park (where Nick and Astrid would hide their cigarettes) was an interesting movie prop. Per the Hollywood Reporter, "The mansion's taxidermied tiger was problematic. The best specimen was in London, and the production designer realized he'd have trouble getting it across international borders. Instead, he hired sculptors in Thailand, to create a tiger out of foam and fur, only to have it held up in Thai customs because agents thought it was the real thing. 'We finally got it installed the night before we filmed the scene,' he says." See more »
At the movie beginning when Rachel and Nick are eating in the restaurant in New York (seemingly in the afternoon), someone snaps their photo and sends it on a long journey that eventually reaches Eleanor. She is in a Bible study class, but interrupts to call Nick on the phone. He receives her call before they have even left the restaurant. However Singapore is 13 hours ahead of New York, and it would be the middle of the night there. See more »
[as they walk through the food market]
Each of these hawker stalls sells pretty much one dish, and they've been perfecting it for generations. You know, this is one of the only places in the world where street food vendors actually earn Michelin stars.
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There's a mid-credit scene in which Astrid exchanges glances with a man. See more »
In Australia, the film was passed uncut with an M rating for coarse language. The filmmakers then opted to reduce the language in order to obtain a PG classification. For the home video release the film was returned to its uncut M rating. See more »
Hold On Together
Written by Enric Bosser and Koko-Jean Davis (as Koko Jean Davis)
Performed by The Excitements featuring Koko-Jean Davis (as Koko Jean Davis), Albert Cariteu, Adrià Gual, Daniel Segura, Nicolás Rodríguez-Jáuregui, Jordi Blanch and José Luis Garrido
Courtesy of Penniman Records See more »
Basic, but well done.
As I was going to the movies the other night to see BlackkKlansman, a woman stopped me. She was an Asian woman. She looked at me sheepishly and said, "Pardon me, I've never been to the movies before. Would you help me buy my ticket?" I assisted her on the machine. She was so grateful, smiled, and shook my hand as she walked into her showing of Crazy Rich Asians. This is why minority representation in Hollywood is important.
Crazy Rich Asians tells the classic Cinderella story and takes it to modern times. Boy meets girl, girl falls in love with boy, boy turns out to be rich as hell. The film indulges in all of the luxuries from Kevin Kwan's novel, on which the film is adapted. There's the first class flights, the expensive weddings, and other various obvious showings of that great Asian wealth that Yeung family has procured. The real twist here is that the film features the first all Asian cast in a Hollywood film in over 25 years.
Crazy Rich Asians opens brilliantly with the perfect middle finger to all of the racism and backlash it has received. A racist hotel manager refuses to believe that the Yeung family has enough money to stay in the hotel. It shows the family scared, all huddle in the phone booth outside as rain falls upon them. When the family returns, entirely drenched, they are now the owners and proprietors of the hotel, as Eleanor Young (Micheel Yeoh) smiles to the audience. It is the perfect opening to a film that takes on such a difficult yet amazing task of inclusion and diversity.
The film has its moments of absolute brilliance as previously mentioned. Seeing Asian culture and sensibilities portrayed in such an honorable and non-stereotypical way is refreshing. However, the film failed to escape from the classic romantic comedy tropes that we have seen time and times again as viewers. The leading lady is pretty, but not gorgeous. She is insecure about how she presents to her boyfriend, who is ungodly attractive and has been with tons of beautiful, yet interpersonally unappealing women. He finds the one he wants, despite their differences in social class and standing. All along the way, the girl is increasing her external beauty, as a total loss of complete feminism. This tells the female viewer that if you aren't wearing the right clothes, and look the part, you have no success at love. All along the way, the oddball, yet humorous and encouraging friend steals every scene as the far more interesting and in-depth character. This isn't to say that Awkwafina isn't absolutely brilliant at her role, and doesn't have one of the brightest young futures of anyone in show business, but it feels overplayed.
The madcap insanity of this movie, followed by its basic poignancy is something to be appreciated. The film has been a smash hit at the box office, proving that diversity really does sell. Pay attention, Hollywood! Overall, Crazy Rich Asians is an enjoyable movie, but no great feat to write home about.
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