Nostalgia may be based in the past, but it’s the future of entertainment. That’s how the media landscape has felt of late, with decades-old film franchises like “Star Wars” coming back to a very prosperous life, revivals like “Gilmore Girls” and “Will & Grace” dominating television, and everything from superhero movies to “Stranger Things” mining our childhoods for fresh material.
So as “When the Street Lights Go On” began and a familiar ’80s melody played over a montage of well-known events from 1983, wariness was the first feeling to set in: Here comes another attempt at manipulating our shared memories into “new” entertainment built on old ideas. But the deliberate and distinctive pacing combined with a uniquely mysterious presentation elevates the Paramount pilot above more overt nostalgia traps. And, more shocking still, its clever blend of on-the-nose songs from 1983 and lesser known numbers of the same year quickly and decisively help ground the pilot.
So as “When the Street Lights Go On” began and a familiar ’80s melody played over a montage of well-known events from 1983, wariness was the first feeling to set in: Here comes another attempt at manipulating our shared memories into “new” entertainment built on old ideas. But the deliberate and distinctive pacing combined with a uniquely mysterious presentation elevates the Paramount pilot above more overt nostalgia traps. And, more shocking still, its clever blend of on-the-nose songs from 1983 and lesser known numbers of the same year quickly and decisively help ground the pilot.
- 1/20/2017
- by Ben Travers
- Indiewire
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