Playtime has boarded sales on Francois Ozon’s upcoming feature film When Fall Is Coming and released fresh details about the production which has largely been under wraps.
When Fall Is Coming marks the prolific French director’s 24th feature and follows hot on the tail of hit dramaThe Crime Is Mine which was one of Ozon’s most successful movies at the French box office to date.
Ozon has said previously cryptically said that When Fall Is Coming is inspired by a childhood memory and revolves around a crime family dinner.
As per a new synopsis sent out in a wide release by Playtime on Wednesday, the film revolves around grandmother, Michelle, who is enjoying a peaceful retirement in a charming Burgundy village, close to her long-time friend Marie-Claude.
She is looking forward to her grandson spending the school vacation. However, when her Parisian daughter, with whom she has a conflictual relationship,...
When Fall Is Coming marks the prolific French director’s 24th feature and follows hot on the tail of hit dramaThe Crime Is Mine which was one of Ozon’s most successful movies at the French box office to date.
Ozon has said previously cryptically said that When Fall Is Coming is inspired by a childhood memory and revolves around a crime family dinner.
As per a new synopsis sent out in a wide release by Playtime on Wednesday, the film revolves around grandmother, Michelle, who is enjoying a peaceful retirement in a charming Burgundy village, close to her long-time friend Marie-Claude.
She is looking forward to her grandson spending the school vacation. However, when her Parisian daughter, with whom she has a conflictual relationship,...
- 1/31/2024
- by Melanie Goodfellow
- Deadline Film + TV
Playtime (“Son of Saul”) is reteaming with celebrated French directors François Ozon (“By the Grace of God”) and sister duo Delphine and Muriel Coulin (“17 Girls”) on their respective upcoming films, “When Fall Is Coming” and “The Quiet Son.”
“When Fall is Coming” marks Ozon’s follow up to “The Crime Is Mine.” The film stars Hélène Vincent (“The Specials”), Josiane Balasko (“Back to Mom’s”), Ludivine Sagnier (“Lupin”) and Pierre Lottin (“Notre-Dame on Fire”).
The film tells the story of Michelle, who is enjoying a peaceful retirement in a charming Burgundy village near her longtime friend Marie-Claude. She eagerly anticipates her grandson Lucas spending the school vacation with her, but things don’t go as planned. Feeling lonely, Michelle loses her sense of purpose, until Marie-Claude’s son gets out of prison.
The film is self-produced by Ozon through his vehicle Foz. Diaphana Distribution will release it in France.
“When Fall is Coming” marks Ozon’s follow up to “The Crime Is Mine.” The film stars Hélène Vincent (“The Specials”), Josiane Balasko (“Back to Mom’s”), Ludivine Sagnier (“Lupin”) and Pierre Lottin (“Notre-Dame on Fire”).
The film tells the story of Michelle, who is enjoying a peaceful retirement in a charming Burgundy village near her longtime friend Marie-Claude. She eagerly anticipates her grandson Lucas spending the school vacation with her, but things don’t go as planned. Feeling lonely, Michelle loses her sense of purpose, until Marie-Claude’s son gets out of prison.
The film is self-produced by Ozon through his vehicle Foz. Diaphana Distribution will release it in France.
- 1/31/2024
- by Elsa Keslassy
- Variety Film + TV
French film promotional organization Unifrance put talent in the spotlight at this year’s Rendez-Vous in Paris, where the 10 actors and filmmakers selected as 2024’s Talents to Watch were fêted with flutes of champagne at France’s Ministry of Culture before being introduced to the international press at a dedicated event.
For more than a decade, the 10 to Watch program has pinpointed the creative talents breathing modernity and vitality into contemporary French cinema. Think of a Gallic artist that’s made international waves over the past decade, and chances are they made this list. Here are the voices taking the industry forward in the years to come.
Sofia Alaoui
Sofia Alaoui
Franco-Moroccan filmmaker Sofia Alaoui will build on the rugged eeriness of her 2023 Sundance jury prize winner “Animalia” with “Tarfaya” – a slow-burn thriller that mines Morocco’s sweeping landscapes for ambient unease.
The upcoming film will follow Meryam, a 40-something...
For more than a decade, the 10 to Watch program has pinpointed the creative talents breathing modernity and vitality into contemporary French cinema. Think of a Gallic artist that’s made international waves over the past decade, and chances are they made this list. Here are the voices taking the industry forward in the years to come.
Sofia Alaoui
Sofia Alaoui
Franco-Moroccan filmmaker Sofia Alaoui will build on the rugged eeriness of her 2023 Sundance jury prize winner “Animalia” with “Tarfaya” – a slow-burn thriller that mines Morocco’s sweeping landscapes for ambient unease.
The upcoming film will follow Meryam, a 40-something...
- 1/23/2024
- by Ben Croll
- Variety Film + TV
Like writers penning their memoirs, making movies about making movies is a rite of passage for many a director. Fellini famously did it with 8 ½, Truffaut with Day for Night, Godard with Contempt and Fassbinder with Beware of a Holy Whore. More recently, Tarantino gave us Once Upon a Time in Hollywood, Spielberg The Fabelmans, Michel Hazavanicius made Final Cut and Damien Chazelle, Babylon.
Almost all behind-the-scenes movies share the same theme: Filmmaking is tough, high-stress work that weighs heavily on everyone involved, especially the directors themselves. That’s certainly one of the main takeaways from Cédric Kahn’s very French variation on the subject, Making Of, which premiered out of competition in Venice.
Kahn is both an actor (he played the douchey Gallic lover in Pawel Pawikowski’s Cold War) and talented director, with a series of strong features under his belt that include hard-hitting thrillers like L’Ennui,...
Almost all behind-the-scenes movies share the same theme: Filmmaking is tough, high-stress work that weighs heavily on everyone involved, especially the directors themselves. That’s certainly one of the main takeaways from Cédric Kahn’s very French variation on the subject, Making Of, which premiered out of competition in Venice.
Kahn is both an actor (he played the douchey Gallic lover in Pawel Pawikowski’s Cold War) and talented director, with a series of strong features under his belt that include hard-hitting thrillers like L’Ennui,...
- 9/5/2023
- by Jordan Mintzer
- The Hollywood Reporter - Movie News
Orange Studio is launching several French projects at the Cannes Film Market, including Simon Bouisson’s “Drone,” a thriller produced by Haut et Court (“The Night of the 12th”), and “Miss Violet,” a period drama directed by Eric Besnard (“Delicious”) and starring Alexandra Lamy (“Rolling to You”).
Bouisson, who is directing “Drone,” previously penned and directed the short-format series “Stalk” which was hit on France Televisions’ youth-centered service and has been optioned for a remake in the U.S. The thriller stars Marion Barbeau, the dancer-turned-actor who broke through in Cedric Klapisch’s “Rise,” as well as Eugénie Derouand (“Paris Police”), Cédric Kahn (“November”) and Stefan Crepon (“Peter Von Kant”)
“Drone” follows Emilie who has freshly arrived in Paris to study architecture. At night, to make ends meet, she works as a cam-girl, something which she keeps to herself. One evening, a mysterious drone appears at her apartment window. From then on,...
Bouisson, who is directing “Drone,” previously penned and directed the short-format series “Stalk” which was hit on France Televisions’ youth-centered service and has been optioned for a remake in the U.S. The thriller stars Marion Barbeau, the dancer-turned-actor who broke through in Cedric Klapisch’s “Rise,” as well as Eugénie Derouand (“Paris Police”), Cédric Kahn (“November”) and Stefan Crepon (“Peter Von Kant”)
“Drone” follows Emilie who has freshly arrived in Paris to study architecture. At night, to make ends meet, she works as a cam-girl, something which she keeps to herself. One evening, a mysterious drone appears at her apartment window. From then on,...
- 5/12/2023
- by Elsa Keslassy
- Variety Film + TV
The 46th César Awards, France’s top film honors, have been handed out in Paris, with Dominik Moll’s crime thriller The Night of the 12th winning the best picture trophy.
Moll’s The Night of the 12th, which premiered in Cannes last year, scored 10 César noms coming into the awards show, just behind Louis Garrel’s The Innocent, which picked up 11 nominations. Moll also won for best director, and Bouli Lanners earned the best supporting actor trophy for his performance in The Night of the 12th.
Cédric Klapisch’s Rise, about a ballet dancer (Marion Barbeau) who, after an injury, seeks a new future in contemporary dance, was up for 9 Césars, as was Albert Serra’s Pacifiction, a thriller featuring Benoît Magimel as a morally-challenged Haut-Commissaire on an island in French Polynesia.
Valeria Bruni Tedeschi’s dramedy Forever Young, Cedric Jimenez’s terrorism drama November, Eric Gravel’s family...
Moll’s The Night of the 12th, which premiered in Cannes last year, scored 10 César noms coming into the awards show, just behind Louis Garrel’s The Innocent, which picked up 11 nominations. Moll also won for best director, and Bouli Lanners earned the best supporting actor trophy for his performance in The Night of the 12th.
Cédric Klapisch’s Rise, about a ballet dancer (Marion Barbeau) who, after an injury, seeks a new future in contemporary dance, was up for 9 Césars, as was Albert Serra’s Pacifiction, a thriller featuring Benoît Magimel as a morally-challenged Haut-Commissaire on an island in French Polynesia.
Valeria Bruni Tedeschi’s dramedy Forever Young, Cedric Jimenez’s terrorism drama November, Eric Gravel’s family...
- 2/24/2023
- by Scott Roxborough and Etan Vlessing
- The Hollywood Reporter - Movie News
Dominik Moll’s The Night of The 12th has won best film at the 28th edition of France’s Lumière Awards in Paris on Monday evening.
The investigative drama, which was nominated in six categories, also won Best Screenplay.
The film, which debuted in the Cannes Film Festival’s non-competitive Cannes Première section, stars Bastien Bouillon as a police detective who becomes obsessed with a case involving a complex female murder victim.
Best director went to Albert Serra for French Polynesia-set drama Pacification. The feature also clinched two other prizes: Best Actor for Benoît Magimal and Best Cinematography for Artur Tort.
Virginie Efira won Best Actress for her performance in Rebecca Zlotowski’s Other People’s Children about the challenge of navigating the stepmother role.
Nadia Tereszkiewicz won Best Female Revelation for her performance in Forever Young and Dimitri Doré, Best Male Revelation for Bruno Reidal.
Alice Diop clinched best documentary category for We,...
The investigative drama, which was nominated in six categories, also won Best Screenplay.
The film, which debuted in the Cannes Film Festival’s non-competitive Cannes Première section, stars Bastien Bouillon as a police detective who becomes obsessed with a case involving a complex female murder victim.
Best director went to Albert Serra for French Polynesia-set drama Pacification. The feature also clinched two other prizes: Best Actor for Benoît Magimal and Best Cinematography for Artur Tort.
Virginie Efira won Best Actress for her performance in Rebecca Zlotowski’s Other People’s Children about the challenge of navigating the stepmother role.
Nadia Tereszkiewicz won Best Female Revelation for her performance in Forever Young and Dimitri Doré, Best Male Revelation for Bruno Reidal.
Alice Diop clinched best documentary category for We,...
- 1/16/2023
- by Melanie Goodfellow
- Deadline Film + TV
Lockdown Tower has sold to UK, Ireland, Australia and New Zealand, Latin America, and German-speaking Europe
Paris-based sales company Elle Driver has closed a slew of sales for Guillaume Nicloux’s Lockdown Tower and Yann Samuell’s The Lulus ahead of Unifrance’s annual Rendez-Vous in Paris.
Lockdown Tower has sold to Signature Entertainment for the UK, Ireland, Australia and New Zealand, to California Filmes for Latin America and to Capelight for German-speaking Europe. Other sales include Vie Vision Pictures for Taiwan, Klockworks in Japan, Media4Fun in Poland, Nk Contents in Korea and Capella Film for Cis and the Baltics.
Paris-based sales company Elle Driver has closed a slew of sales for Guillaume Nicloux’s Lockdown Tower and Yann Samuell’s The Lulus ahead of Unifrance’s annual Rendez-Vous in Paris.
Lockdown Tower has sold to Signature Entertainment for the UK, Ireland, Australia and New Zealand, to California Filmes for Latin America and to Capelight for German-speaking Europe. Other sales include Vie Vision Pictures for Taiwan, Klockworks in Japan, Media4Fun in Poland, Nk Contents in Korea and Capella Film for Cis and the Baltics.
- 1/5/2023
- by Rebecca Leffler
- ScreenDaily
Dominik Moll’s The Night of The 12th, which world premiered in Cannes in May, has topped the nominations for the 28th edition of France’s Lumière Awards.
The awards are voted on by members of the international press corp hailing from 36 countries based in France.
The Night Of The 12th was nominated in six categories including best film, director and screenplay. The film debuted in the Cannes Film Festival’s non competitive Cannes Première section.
The investigative drama is Moll’s seventh feature. It stars Bastien Bouillon, with support from Bouli Lanners, as a police detective who becomes obsessed with a case involving a complex female murder victim.
Other multi-nominated titles include Albert Serra’s French Polynesia-set drama Pacification five nominations.
Four films received four nominations each: Alice Diop’s Saint-Omer; Rebecca Zlotowski’s Other People’s Children; Louis Garrel’s The Innocent and Gaspar Noé’s Vortex.
Diop,...
The awards are voted on by members of the international press corp hailing from 36 countries based in France.
The Night Of The 12th was nominated in six categories including best film, director and screenplay. The film debuted in the Cannes Film Festival’s non competitive Cannes Première section.
The investigative drama is Moll’s seventh feature. It stars Bastien Bouillon, with support from Bouli Lanners, as a police detective who becomes obsessed with a case involving a complex female murder victim.
Other multi-nominated titles include Albert Serra’s French Polynesia-set drama Pacification five nominations.
Four films received four nominations each: Alice Diop’s Saint-Omer; Rebecca Zlotowski’s Other People’s Children; Louis Garrel’s The Innocent and Gaspar Noé’s Vortex.
Diop,...
- 12/15/2022
- by Melanie Goodfellow
- Deadline Film + TV
Selected actors will vie for five coveted spots in each of the most promising actor and actress categories.
France’s Academy of Cinema Arts and Techniques, which runs the prestigious César awards, has unveiled its annual Revelations shortlist of local rising stars. They will vie for five coveted spots in each of the most promising actor and actress categories that will make the official nominees selection ahead of the 48th annual Cesars ceremony in Paris on February 24.
Among this year’s breakout stars are Saint Omer actresses Guslagie Malanda and Kayije Kagame, Cannes’ title Forever Young stars Nadia Tereszkiewicz, Clara Bretheau and Sofiane Bennacer,...
France’s Academy of Cinema Arts and Techniques, which runs the prestigious César awards, has unveiled its annual Revelations shortlist of local rising stars. They will vie for five coveted spots in each of the most promising actor and actress categories that will make the official nominees selection ahead of the 48th annual Cesars ceremony in Paris on February 24.
Among this year’s breakout stars are Saint Omer actresses Guslagie Malanda and Kayije Kagame, Cannes’ title Forever Young stars Nadia Tereszkiewicz, Clara Bretheau and Sofiane Bennacer,...
- 11/17/2022
- by Rebecca Leffler
- ScreenDaily
Peter (Denis Ménochet) is a famous filmmaker living in Cologne, Germany in the 1970s. He lives in a beautiful, colorful apartment with his assistant Karl (Stefan Crepon), a tall, thin, mustachioed man who dutifully does everything asked of him, all while never saying a word. Peter is hard at work on his next script — or not so hard, as he seems to spend most of his time lounging around, drinking, and listening to music while Karl types away. While his professional life is extremely successful, his personal life is far less so. There's an emptiness eating away at his soul — despite having it all, he has nobody to share it with. That might change, however, when a gorgeous young man appears at his door, at the request of his friend, who might finally make Peter's life bearable.
If this all sounds a bit familiar to you, then you're onto something.
If this all sounds a bit familiar to you, then you're onto something.
- 10/24/2022
- by Barry Levitt
- Slash Film
Rainer Werner Fassbinder died as he lived: at many frames per second. The cinephile’s errand of trying to watch everything the German filmmaker made in his lifetime, from all 10 hours of “Berlin Alexanderplatz” to more modestly scaled melodramas like “The Bitter Tears of Petra von Kant,” often feels like an act of running in place. Reports of his “contradictory” and “complex” nature reveal what we already know: He was a self-medicating, workaholic perfectionist who drove himself into the ground, completing more than 40 films in his short life, and died because of it. He also did not believe in love, or so say his latest collaborators in absentia, director François Ozon and Fassbinder’s longtime muse Hanna Schygulla.
Ozon has made his best film in years with “Peter von Kant,” one that will be seen by few but relished by all who do. The movie is both a response to...
Ozon has made his best film in years with “Peter von Kant,” one that will be seen by few but relished by all who do. The movie is both a response to...
- 9/2/2022
- by Ryan Lattanzio
- Indiewire
More than 20 years after adapting a Rainer Werner Fassbinder play called “Waters Drops on Burning Rocks” into a movie, François Ozon has made this gender-flipped adaptation of one of Fassbinder’s greatest films, “The Bitter Tears of Petra von Kant,” in an attempt to understand Fassbinder’s real-life struggle with the power plays of love.
Fassbinder’s “Petra von Kant” was shot very quickly on a very low budget, and he used a lot of long takes; every camera movement in Fassbinder’s version of this material feels so ultra-controlled that watching it is like getting tied up in an S & M dungeon or getting slowly strangled by a python. Ozon shoots his own “Peter von Kant” with a casualness that can feel frivolous, and he uses very conventional short takes for shot/reverse shot conversations.
Fassbinder’s “Petra von Kant” revolves around a lesbian love triangle that consists of...
Fassbinder’s “Petra von Kant” was shot very quickly on a very low budget, and he used a lot of long takes; every camera movement in Fassbinder’s version of this material feels so ultra-controlled that watching it is like getting tied up in an S & M dungeon or getting slowly strangled by a python. Ozon shoots his own “Peter von Kant” with a casualness that can feel frivolous, and he uses very conventional short takes for shot/reverse shot conversations.
Fassbinder’s “Petra von Kant” revolves around a lesbian love triangle that consists of...
- 9/2/2022
- by Dan Callahan
- The Wrap
He seems like a nice person, doesn't he? Strand Releasing has debuted an official US trailer for the French-German indie drama Peter von Kant, one of the latest features from prolific French filmmaker François Ozon. This first premiered at the 2022 Berlin Film Festival earlier this year. Based on the Rainer Werner Fassbinder cult play, The Bitter Tears of Petra Von Kant, François Ozon’s unique retelling finds "Peter von Kant", a successful, famous director (obviously Rwf), who lives with his assistant Karl, whom he likes to mistreat and humiliate. Through the great actress Sidonie, he meets and falls in love with Amir, a handsome young man of modest means. He offers to share his apartment and help Amir get into the world of cinema. Beyond that, there's not much more to this. The cast features Denis Ménochet as von Kant, Isabelle Adjani, Khalil Gharbia, Hanna Schygulla, Stéfan Crépon, and Aminthe Audiard.
- 6/27/2022
- by Alex Billington
- firstshowing.net
François Ozon is one of France’s most prolific filmmakers, directing 21 features and a handful of shorts since 1997. But his latest, “Peter von Kant,” is one of the most unique films of the director’s career. The playful spin on Rainer Werner Fassbinder’s “The Bitter Tears of Petra von Kant” is more than just a gender-swapped remake of Fassbinder’s classic German film about an abusive fashion designer.
Ozon made waves by reimagining Fassbinder’s film as an experimental biography of the director himself, casting Denis Menochet as a thinly veiled allegory for the legendary director, and replacing other characters in the film with members of his inner circle. The resulting movie was a hit at the 2022 Berlin International Film Festival and is set to make its North American theatrical debut this weekend. Watch the exclusive trailer below.
“The Bitter Tears of Petra von Kant” starred Margit Carstensen as the eponymous fashion designer,...
Ozon made waves by reimagining Fassbinder’s film as an experimental biography of the director himself, casting Denis Menochet as a thinly veiled allegory for the legendary director, and replacing other characters in the film with members of his inner circle. The resulting movie was a hit at the 2022 Berlin International Film Festival and is set to make its North American theatrical debut this weekend. Watch the exclusive trailer below.
“The Bitter Tears of Petra von Kant” starred Margit Carstensen as the eponymous fashion designer,...
- 6/24/2022
- by Christian Zilko
- Indiewire
The breath of life and beating heart at the center of countless, Russian nesting doll layers of artifice and art-house reference, actor Denis Menochet doesn’t just anchor “Peter von Kant,” he makes the Francois Ozon project a film. Because without its venerable lead, this twenty-first feature from France’s most prolific modern director might be something of a lark — and wrangles it into a deep-in-the-weeds pseudo-biopic of the German filmmaker himself.
In some ways a sort of spiritual — if admittedly much less audacious — cousin to Todd Haynes’ “I’m Not There,” “Peter von Kant” looks to explore an artist through the prism of his own creations, pulling up the script to Fassbinder’s 1972 film (itself adapted from an earlier play) and Ctrl+H-ing each character with analogues for the director and those in his orbit. And so, in this telling, Peter von Kant is a hard-partying, West German director at...
In some ways a sort of spiritual — if admittedly much less audacious — cousin to Todd Haynes’ “I’m Not There,” “Peter von Kant” looks to explore an artist through the prism of his own creations, pulling up the script to Fassbinder’s 1972 film (itself adapted from an earlier play) and Ctrl+H-ing each character with analogues for the director and those in his orbit. And so, in this telling, Peter von Kant is a hard-partying, West German director at...
- 2/10/2022
- by Ben Croll
- Indiewire
It’s a neat conceit, making the directing colossus of 1970s German cinema into the star of his own show. Peter Von Kant, the opening film of the Berlin Film Festival, is “freely adapted” by French director François Ozon from The Bitter Tears Of Petra Von Kant, Rainer Werner Fassbinder’s highly stylized 1972 story of three women locked in a toxic triangle of love, jealousy, domination and submission. The storyline and much of the dialogue, is the same; where Ozon shakes it up is by making the trio all men.
Ozon has tangled with Fassbinder before. His 2000 film, Water Drops On Burning Rocks, which also dealt with power struggles within sexual relationships, was adapted from a Fassbinder play. Taking on The Bitter Tears Of Petra Von Kant, a recognized landmark of European cinema, is a bolder move, made at a different moment in Ozon’s career. This is maestro on...
Ozon has tangled with Fassbinder before. His 2000 film, Water Drops On Burning Rocks, which also dealt with power struggles within sexual relationships, was adapted from a Fassbinder play. Taking on The Bitter Tears Of Petra Von Kant, a recognized landmark of European cinema, is a bolder move, made at a different moment in Ozon’s career. This is maestro on...
- 2/10/2022
- by Stephanie Bunbury
- Deadline Film + TV
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