In what has turned out to be the most competitive animated Oscar race since the Academy instituted the category 15 years ago, we have a record 27 entries — most of them indies — and the greatest range of diversity ever on display in terms of themes and techniques.
Read More: Annie Awards: ‘Zootopia’ with 11 Nominations Takes Lead in Oscar Race
From talking and singing animals to female empowerment, to both extraordinary and ordinary rites of passage, to cycle of life exploration, animation speaks with relevance and urgency about and how we must grow closer together in these divisive times.
In terms of the race itself, the animation committee remains dedicated to nominating two or three indies, so look for that trend to continue. Which means no more than one or two big studio CG movies, along with significant representation of 2D and stop-motion. But while Gkids has dominated the indie field the last several years,...
Read More: Annie Awards: ‘Zootopia’ with 11 Nominations Takes Lead in Oscar Race
From talking and singing animals to female empowerment, to both extraordinary and ordinary rites of passage, to cycle of life exploration, animation speaks with relevance and urgency about and how we must grow closer together in these divisive times.
In terms of the race itself, the animation committee remains dedicated to nominating two or three indies, so look for that trend to continue. Which means no more than one or two big studio CG movies, along with significant representation of 2D and stop-motion. But while Gkids has dominated the indie field the last several years,...
- 12/7/2016
- by Bill Desowitz
- Indiewire
Miss Hokusai, opened to more than 80 theaters in the U.S. last week. Since its opening, AnimeNewsNetwork reports that the film has racked in $105,459 in U.S. box office gross.
Distribution company GKids and production company Production I.G are hopeful that the critically acclaimed animated gem can reach more audiences outside Japan.
Miss Hokusai boasts historical themes, emotional arcs, and stunning animation. Since it premiered in Japan last May 2015, the film has bagged the Best Animated Feature award in several illustrious festivals including the Asian Pacific Screen Awards, the Sitges International Fantastic Film Festival, as well as the Fantasia International Film Festival. Miss Hokusai was also nominated for Animation of the Year by the Japan Academy Prize Association.
Miss Hokusai is directed by Keiichi Hara (from Summer Days with Coo and Colorful) and is inspired by Hinako Sugiura’s manga Sarusuberi. Yutaka Matsushige (from Last Life in the Universe...
Distribution company GKids and production company Production I.G are hopeful that the critically acclaimed animated gem can reach more audiences outside Japan.
Miss Hokusai boasts historical themes, emotional arcs, and stunning animation. Since it premiered in Japan last May 2015, the film has bagged the Best Animated Feature award in several illustrious festivals including the Asian Pacific Screen Awards, the Sitges International Fantastic Film Festival, as well as the Fantasia International Film Festival. Miss Hokusai was also nominated for Animation of the Year by the Japan Academy Prize Association.
Miss Hokusai is directed by Keiichi Hara (from Summer Days with Coo and Colorful) and is inspired by Hinako Sugiura’s manga Sarusuberi. Yutaka Matsushige (from Last Life in the Universe...
- 10/26/2016
- by Ella Palileo
- AsianMoviePulse
One of the biggest reasons why 2D animation is still alive and well in other parts of the world is that some countries never got the memo that all animated films needed to be about talking animals or singing princesses. Only in America do we seem to believe that animation should exclusively be used to capture things that cannot be placed in front of a camera — this, even at a time when the dominant live-action films are basically cartoons with celebrity stand-ins. Hollywood has completely resigned itself to the idea that seeing is inherently better than imagining, each newly announced “live-action” remake a reaffirmation of the idea that every drawing wants to be a photograph.
That isn’t (and has never been) the case in Japan, however, where animated movies are so often about people — not the secret lives of their pets, or their action figures, or their sex-crazed foodstuffs,...
That isn’t (and has never been) the case in Japan, however, where animated movies are so often about people — not the secret lives of their pets, or their action figures, or their sex-crazed foodstuffs,...
- 10/14/2016
- by David Ehrlich
- Indiewire
It’s difficult at first to reckon with the jarring opening minutes of Miss Hokusai, Keiichi Hara’s anime adaptation of the Hinako Sugiura manga series. Named for the daughter of famed Japanese artist Katsushika Hokusai, the film starts with with O-Ei Hokusai narrating a brief scene illustrating her father’s manic creativity. She recalls how he’d dazzle his patrons with paintings the size of a wall, and then would follow that up by spending days etching onto grains of rice, just on a whim. As O-Ei finishes her anecdote, the soundtrack fills with slashing hard rock. The animator’s “camera” pulls back from her striding confidently down the street to reveal a bustling seaside metropolis, then a caption: “Edo, Summer 1814.”
The sudden eruption of electric guitar is a relative anomaly in Miss Hokusai, happening only once more. But as the film plays out, the reasons for framing ...
The sudden eruption of electric guitar is a relative anomaly in Miss Hokusai, happening only once more. But as the film plays out, the reasons for framing ...
- 10/12/2016
- by Noel Murray
- avclub.com
Based on the Japanese historical manga series by Hinako Sugiura, the gorgeous, hand-drawn “Miss Hokusai,” from director Keiichi Hara (“Colorful”) and Production I.G (“Ghost in the Shell”), tells the poignant story of real-life painter O-Ei, who worked in the shadow of her famous father Hokusai. He was a master of ukiyo-e, a school of Japanese art depicting subjects from everyday life in the 17th–19th centuries.
While O-Ei dutifully finishes her father’s work (including dragons and erotic sketches), she experiences a dangerous rite of passage as both woman and artist, trying to find her own individuality and artistic style. Ukiyo-e (“pictures of the floating world”) therefore becomes the perfect expression for animation: both realistic in its depiction of bustling pre-Tokyo Edo and supernatural with its intrusion of demons and goblins.
“I first discovered Sugiura’s work in my late 20s, and fell in love with her talent instantly,...
While O-Ei dutifully finishes her father’s work (including dragons and erotic sketches), she experiences a dangerous rite of passage as both woman and artist, trying to find her own individuality and artistic style. Ukiyo-e (“pictures of the floating world”) therefore becomes the perfect expression for animation: both realistic in its depiction of bustling pre-Tokyo Edo and supernatural with its intrusion of demons and goblins.
“I first discovered Sugiura’s work in my late 20s, and fell in love with her talent instantly,...
- 10/4/2016
- by Bill Desowitz
- Indiewire
Adding to what is already an extremely crowded animation season— at least 26 entries are vying for the five Oscar slots— a few strong indie contenders will arrive this fall.
Ever since Cannes, leading the indie pack is Studio Ghibli’s “The Red Turtle” (November 18, Sony Pictures Classics), the exquisite and compelling 2D castaway drama from Michael Dudok De Wit, director of the Oscar-winning “Father and Daughter” short. It starts screening September 8 at the Toronto Film Festival.
A man shipwrecked on a lush tropical island inhabited by crabs, turtles and birds tries to escape by building and rebuilding a raft, continually wrecked by a mysterious red turtle, which transforms into a beautiful red-headed woman who becomes his companion and soul mate. The two have a son and live happily together as a family.
“The film tells the story in a both linear and circular manner,” De Wit said in an interview with “Positif’s” Bernard Genin.
Ever since Cannes, leading the indie pack is Studio Ghibli’s “The Red Turtle” (November 18, Sony Pictures Classics), the exquisite and compelling 2D castaway drama from Michael Dudok De Wit, director of the Oscar-winning “Father and Daughter” short. It starts screening September 8 at the Toronto Film Festival.
A man shipwrecked on a lush tropical island inhabited by crabs, turtles and birds tries to escape by building and rebuilding a raft, continually wrecked by a mysterious red turtle, which transforms into a beautiful red-headed woman who becomes his companion and soul mate. The two have a son and live happily together as a family.
“The film tells the story in a both linear and circular manner,” De Wit said in an interview with “Positif’s” Bernard Genin.
- 9/8/2016
- by Bill Desowitz
- Indiewire
New Japanese feature animation ‘Miss Hokusai’ is hitting the theatres in Los Angeles, New York and various North American cities starting from October 14.
Film distributer Gkids has released an list of currently confirmed theatres here.
Award-winning director Keiichi Hara and creators of Ghost in the Shell Production I.G produced a remarkable story of O-Ei, the coming-of-age daughter of Japanese legendary illustrator Hokusai.
Synopsis:
When all of Edo swarm to see the works of famous painter Hokusai, his daughter O-Ei strives inside his studio, unknown to the public. Her masterful portraits, dragons and erotic sketches, sold under her father’s name, are popular among the upper class. Totally different from her image in public, O-Ei is as brash and uninhibited as her father when she is at home. But despite her talent and fiercely independent spirit, O-Ei struggles under the domineering influence of her father and is ridiculed for lacking...
Film distributer Gkids has released an list of currently confirmed theatres here.
Award-winning director Keiichi Hara and creators of Ghost in the Shell Production I.G produced a remarkable story of O-Ei, the coming-of-age daughter of Japanese legendary illustrator Hokusai.
Synopsis:
When all of Edo swarm to see the works of famous painter Hokusai, his daughter O-Ei strives inside his studio, unknown to the public. Her masterful portraits, dragons and erotic sketches, sold under her father’s name, are popular among the upper class. Totally different from her image in public, O-Ei is as brash and uninhibited as her father when she is at home. But despite her talent and fiercely independent spirit, O-Ei struggles under the domineering influence of her father and is ridiculed for lacking...
- 9/1/2016
- by Ruiting W
- AsianMoviePulse
There’s this nutty old man who painted a huge Dharma on a huge sheet of paper and draws sparrows on tiny rice grains. Some may know him as Hokusai the painter, but his daughter, O-Ei, knows him as Tetsuzo.
A new trailer for Keiichi Hara’s animated coming-of-age tale, “Miss Hokusai,” has just been released, courtesy of Gkids and Japanese powerhouse Production I.G. The film follows the remarkable story of the daughter behind one of history’s most famous artists.
As all of Edo flocks to see the work of the revered painter Hokusai (voiced by Yutaka Matsushige), his daughter O-Ei (Anne Watanabe) toils diligently inside his studio. The latest trailer shows her as she begins to work on her own masterful portraits – sold under the name of her father – which are coveted by upper crust Lords and journeyman print makers alike.
Read More: ‘Kubo and the Two Strings...
A new trailer for Keiichi Hara’s animated coming-of-age tale, “Miss Hokusai,” has just been released, courtesy of Gkids and Japanese powerhouse Production I.G. The film follows the remarkable story of the daughter behind one of history’s most famous artists.
As all of Edo flocks to see the work of the revered painter Hokusai (voiced by Yutaka Matsushige), his daughter O-Ei (Anne Watanabe) toils diligently inside his studio. The latest trailer shows her as she begins to work on her own masterful portraits – sold under the name of her father – which are coveted by upper crust Lords and journeyman print makers alike.
Read More: ‘Kubo and the Two Strings...
- 8/26/2016
- by Liz Calvario
- Indiewire
The New York distributor has bought North American rights to Keiichi Hara’s award-winning animated coming-of-age tale.
New York-based Gkids has bought North American distribution rights to Keiichi Hara’s Miss Hokusai and has set the award-winning animated coming-of-age tale for an October release.
The film, the latest feature from Japanese animation house Production I.G (whose A Letter To Momo was also handled by Gkids), will open in New York and Los Angeles on October 14, with a North American expansion to follow.
Miss Hokusai, adapted from Hinako Sugiura’s manga Sarusuberi by Miho Maruo, won the Jury Prize at last year’s Annecy festival and was named best animated feature at the Sitges festival. Set in Edo period Japan, the film tells the story of O-Ei, daughter and artistic collaborator of renowned Japanese artist Katsushika Hokusai, as she struggles with her identity as an artist and her emerging sexuality.
Gkids is set...
New York-based Gkids has bought North American distribution rights to Keiichi Hara’s Miss Hokusai and has set the award-winning animated coming-of-age tale for an October release.
The film, the latest feature from Japanese animation house Production I.G (whose A Letter To Momo was also handled by Gkids), will open in New York and Los Angeles on October 14, with a North American expansion to follow.
Miss Hokusai, adapted from Hinako Sugiura’s manga Sarusuberi by Miho Maruo, won the Jury Prize at last year’s Annecy festival and was named best animated feature at the Sitges festival. Set in Edo period Japan, the film tells the story of O-Ei, daughter and artistic collaborator of renowned Japanese artist Katsushika Hokusai, as she struggles with her identity as an artist and her emerging sexuality.
Gkids is set...
- 7/7/2016
- ScreenDaily
The New York distributor has bought North American rights to Keiichi Hara’s award-winning animated coming-of-age tale.
New York-based Gkids has bought North American distribution rights to Keiichi Hara’s Miss Hokusai and has set the award-winning animated coming-of-age tale for an October release.
The film, the latest feature from Japanese animation house Production I.G (whose A Letter To Momo was also handled by Gkids), will open in New York and Los Angeles on October 14, with a North American expansion to follow.
Miss Hokusai, adapted from Hinako Sugiura’s manga Sarusuberi by Miho Maruo, won the Jury Prize at last year’s Annecy festival and was named best animated feature at the Sitges festival. Set in Edo period Japan, the film tells the story of O-Ei, daughter and artistic collaborator of renowned Japanese artist Katsushika Hokusai, as she struggles with her identity as an artist and her emerging sexuality.
Gkids is set...
New York-based Gkids has bought North American distribution rights to Keiichi Hara’s Miss Hokusai and has set the award-winning animated coming-of-age tale for an October release.
The film, the latest feature from Japanese animation house Production I.G (whose A Letter To Momo was also handled by Gkids), will open in New York and Los Angeles on October 14, with a North American expansion to follow.
Miss Hokusai, adapted from Hinako Sugiura’s manga Sarusuberi by Miho Maruo, won the Jury Prize at last year’s Annecy festival and was named best animated feature at the Sitges festival. Set in Edo period Japan, the film tells the story of O-Ei, daughter and artistic collaborator of renowned Japanese artist Katsushika Hokusai, as she struggles with her identity as an artist and her emerging sexuality.
Gkids is set...
- 7/7/2016
- ScreenDaily
New York-based animation company Gkids has acquired North American rights to the Japanese animated film “Miss Hokusai,” an adult-oriented and strongly feminist coming-of-age story based on the manga “Sarusuberi” by Hinako Sugiura. Gkids plans to release the film on Oct. 14 in New York and Los Angeles for an Oscar-qualifying run, with a later expansion throughout North America. The company, which specializes in distributing select international animated films, has been extremely successful at landing Oscar nominations in the Best Animated Feature category. Gkids films have captured eight nominations in the last seven years, including three years in which it had two of.
- 7/7/2016
- by Steve Pond
- The Wrap
Director Keiichi Hara’s award-winning anime Miss Hokusai has been acquired by Gkids and will be coming to North America in limited release beginning October 14 in New York and Los Angeles. An expanded release to other cities in North America will follow. Based on the historical manga series Sarusuberi, written and illustrated by Hinako Sugiura, the episodic story is set during Japan’s Edo period (which lasted from 1603-1968) and focuses on O-Ei, daughter of the legendary…...
- 7/7/2016
- Deadline
An interesting, delicate animation about the relationship between Katsushika Hokusai – the 19th-century artist famous for The Great Wave – and his daughter
Katsushika Hokusai is the Japanese artist whose famous work is The Great Wave Off Kanagawa (1830): an elegant and mysterious vision of a huge wave in mid-break, droplets of spray fixed like icicles, endlessly reproduced on T-shirts, posters, etc. This interesting and unexpectedly complex anime, based on Hinako Sugiura’s manga series Sarusaberi, or Crape Myrtle, is about Hokusai’s daughter and assistant O-Ei, voiced by Anne Watanabe.
The movie persuasively speculates that she was effectively his collaborator and artistic co-creator, and the film combines the sentimental, the erotic and the simply strange. Father and daughter here have a very frank attitude to their lucrative erotica output, and there are intriguing leftfield moments, such as a visit to a courtesan, who is tricked into revealing her mystical ability to...
Katsushika Hokusai is the Japanese artist whose famous work is The Great Wave Off Kanagawa (1830): an elegant and mysterious vision of a huge wave in mid-break, droplets of spray fixed like icicles, endlessly reproduced on T-shirts, posters, etc. This interesting and unexpectedly complex anime, based on Hinako Sugiura’s manga series Sarusaberi, or Crape Myrtle, is about Hokusai’s daughter and assistant O-Ei, voiced by Anne Watanabe.
The movie persuasively speculates that she was effectively his collaborator and artistic co-creator, and the film combines the sentimental, the erotic and the simply strange. Father and daughter here have a very frank attitude to their lucrative erotica output, and there are intriguing leftfield moments, such as a visit to a courtesan, who is tricked into revealing her mystical ability to...
- 2/4/2016
- by Peter Bradshaw
- The Guardian - Film News
Cast: Anne Watanabe, Michitaka Tsutsui, Yutaka Matsushige, Kumiko Asô, Shion Shimizu, Gaku Hamada, Kengo Kôra | Written by Miho Maruo | Based on the manga by Hinako Sugiura | Directed by Keiichi Hara
Choosing to depict an artist’s life in a form close to their own can be a tightrope walk. Miss Hokusai dares to examine the work and lives of two Japanese artists in the form of anime, but this turns out to be a natural fit: the broad brushstrokes of its principals stand in harmonious contrast to the considerably less stylised but no less lovely animation of the film. It’s a shame that this is the only aspect of the film that really strikes a chord.
Set in 19th-century Edo (later known as Tokyo), Miss Hokusai centers on talented young artist O-Ei and her father, the Hokusai of the film’s title, also a painter but with far greater success.
Choosing to depict an artist’s life in a form close to their own can be a tightrope walk. Miss Hokusai dares to examine the work and lives of two Japanese artists in the form of anime, but this turns out to be a natural fit: the broad brushstrokes of its principals stand in harmonious contrast to the considerably less stylised but no less lovely animation of the film. It’s a shame that this is the only aspect of the film that really strikes a chord.
Set in 19th-century Edo (later known as Tokyo), Miss Hokusai centers on talented young artist O-Ei and her father, the Hokusai of the film’s title, also a painter but with far greater success.
- 2/4/2016
- by Mark Allen
- Nerdly
The 19th annual Toronto Reel Asian International Film Festival (Reel Asian) is set to run from November 5 – 15, 2015 in Toronto and Richmond Hill. The festival highlights contemporary Asian cinema as well as work from the Asian Diaspora. Reel Asian also features a series of industry events in areas such as pitching and screenwriting to help guide and inspire creative minds.
After meticulously going over every synopsis, trailer, and bio that this year’s festival has to offer, I’ve put together a list of several can’t miss films at Reel Asian 2015.
Seoul Searching
During the 1980s, the Korean government instituted a policy which created summer camps aimed at enticing the country’s gyopo (foreign born) teenagers to visit their motherland. The plan seemed to be a win-win; parents could send their kids away on the Korean government’s dime, the kids would gain a first-hand cultural experience, and the country...
After meticulously going over every synopsis, trailer, and bio that this year’s festival has to offer, I’ve put together a list of several can’t miss films at Reel Asian 2015.
Seoul Searching
During the 1980s, the Korean government instituted a policy which created summer camps aimed at enticing the country’s gyopo (foreign born) teenagers to visit their motherland. The plan seemed to be a win-win; parents could send their kids away on the Korean government’s dime, the kids would gain a first-hand cultural experience, and the country...
- 11/4/2015
- by Victor Stiff
- SoundOnSight
Following their recent animated masterpieces A Letter to Momo and Giovanni’s Island, the legendary studio Production I.G return with Miss Hokusai. Directed by Keiichi Hara (Colorful), the film adapts Hinako Sugiura’s acclaimed historical manga Sarusuberi. Anne Watanabe will star in the role of O-Ei, daughter of acclaimed ukiyo-e painter Hokusai.
We’ve only heard great things about Miss Hokusai, a film that not only honours a great work of literature but bursts with energy and stunning animation. The film will open the Fantasia Film Festival on July 14. Watch the trailer below.
Synopsis: The story begins in Japan in 1814. Edo is the city currently known as Tokyo. Tetsuzo old of great fifties, is already a recognized artist in his country. In his workshop where there is a monstrous mess, he spends his time creating magnificent works of art. He is a man with moody, sarcastic, which is not...
We’ve only heard great things about Miss Hokusai, a film that not only honours a great work of literature but bursts with energy and stunning animation. The film will open the Fantasia Film Festival on July 14. Watch the trailer below.
Synopsis: The story begins in Japan in 1814. Edo is the city currently known as Tokyo. Tetsuzo old of great fifties, is already a recognized artist in his country. In his workshop where there is a monstrous mess, he spends his time creating magnificent works of art. He is a man with moody, sarcastic, which is not...
- 7/9/2015
- by Ricky
- SoundOnSight
Halloween is coming to Montreal this summer, as the star-studded (both in front of and behind the camera) anthology horror film, Tales of Halloween, is scheduled to make its world premiere at the festival. JeruZalem, Turbo Kid, Deathgasm, and many more movies are also slated to screen:
Press Release -- "Montreal, May 6, 2015 – The 19th annual Fantasia International Film Festival is gearing up to rush Montreal with three weeks of cinematic inspiration and fantastical visions from across the world from July 14 until August 4, 2015.
Our complete lineup of programming and special events will be revealed in the coming weeks, but in the meantime, here’s an early First Wave Announcement of selected highlights and info to whet your appetite for the exciting things to come!
Unveiling Our 2015 Poster Art: Fantasia Continues Its Celebration Of Regional Folklore With The Wendigo
In recent editions, Fantasia has showcased poster art informed by various regional legends and myths,...
Press Release -- "Montreal, May 6, 2015 – The 19th annual Fantasia International Film Festival is gearing up to rush Montreal with three weeks of cinematic inspiration and fantastical visions from across the world from July 14 until August 4, 2015.
Our complete lineup of programming and special events will be revealed in the coming weeks, but in the meantime, here’s an early First Wave Announcement of selected highlights and info to whet your appetite for the exciting things to come!
Unveiling Our 2015 Poster Art: Fantasia Continues Its Celebration Of Regional Folklore With The Wendigo
In recent editions, Fantasia has showcased poster art informed by various regional legends and myths,...
- 5/6/2015
- by Derek Anderson
- DailyDead
The Fantasia International Film Festival in Montreal, now in its 19th year, is one of our favorite festivals around and a fan favorite for Sound on Sight readers for several years now. This year’s festival runs July 14 to August 4, and the first wave of films on the lineup has just been revealed.
Marvel’s highly anticipated Ant-Man, with Paul Rudd, will be the opening night film, along with the Japanese animated film Miss Hokusai. Miss Hokusai comes from Production I.G., known for its other classics including A Letter to Momo and Giovanni’s Island.
Fantasia ’15 will also be home to several World Premieres, including Tales of Halloween, a collection of 10 short horror stories, and Jeruzalem, a horror film from Israeli directors and Tiff honorees Yoav and Doron Paz (Phobidilia).
The Canadian indie Turbo Kid, which we first caught up with at Sundance this year, will also be having its...
Marvel’s highly anticipated Ant-Man, with Paul Rudd, will be the opening night film, along with the Japanese animated film Miss Hokusai. Miss Hokusai comes from Production I.G., known for its other classics including A Letter to Momo and Giovanni’s Island.
Fantasia ’15 will also be home to several World Premieres, including Tales of Halloween, a collection of 10 short horror stories, and Jeruzalem, a horror film from Israeli directors and Tiff honorees Yoav and Doron Paz (Phobidilia).
The Canadian indie Turbo Kid, which we first caught up with at Sundance this year, will also be having its...
- 5/6/2015
- by Brian Welk
- SoundOnSight
Ghibli to give master-class at lakeside Annecy International Animation Festival.
Japanese animator Isao Takahata will make a rare international appearance this week at the 38th Annecy International Animation Festival which opens today [June 9] with The Tale of Princess Kaguya, the first feature overseen by the Studio Ghibli co-founder in more than a decade.
The 78-year animator will give a master-class at the festival on Tuesday in which he will discuss his 50-year career that began at Toei Animation in the 1970s where he met long-time collaborator and Ghibli co-founder Hayao Miyazaki.
The master-class is part of a packed programme of talks and conferences at the lakeside animation festival, running June 9-14, a key date in the calendar for professionals and students from across the animation world.
Other highlights include a sneak preview of by Monsters Inc. director Pete Docter of his upcoming Pixar-produced Inside Out. The film, probing inside the human mind, is set for...
Japanese animator Isao Takahata will make a rare international appearance this week at the 38th Annecy International Animation Festival which opens today [June 9] with The Tale of Princess Kaguya, the first feature overseen by the Studio Ghibli co-founder in more than a decade.
The 78-year animator will give a master-class at the festival on Tuesday in which he will discuss his 50-year career that began at Toei Animation in the 1970s where he met long-time collaborator and Ghibli co-founder Hayao Miyazaki.
The master-class is part of a packed programme of talks and conferences at the lakeside animation festival, running June 9-14, a key date in the calendar for professionals and students from across the animation world.
Other highlights include a sneak preview of by Monsters Inc. director Pete Docter of his upcoming Pixar-produced Inside Out. The film, probing inside the human mind, is set for...
- 6/9/2014
- ScreenDaily
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