A secret military project endangers Neo-Tokyo when it turns a biker gang member into a rampaging psychic psychopath that only two teenagers and a group of psychics can stop.
In the year 2032, Batô, a cyborg detective for the anti-terrorist unit Public Security Section 9, investigates the case of a female robot--one created solely for sexual pleasure--who slaughtered her owner.
When a machine that allows therapists to enter their patients' dreams is stolen, all Hell breaks loose. Only a young female therapist, Paprika, can stop it.
Director:
Satoshi Kon
Stars:
Megumi Hayashibara,
Tôru Emori,
Katsunosuke Hori
On a journey to find the cure for a Tatarigami's curse, Ashitaka finds himself in the middle of a war between the forest gods and Tatara, a mining colony. In this quest he also meets San, the Mononoke Hime.
A high-school girl named Makoto acquires the power to travel back in time, and decides to use it for her own personal benefits. Little does she know that she is affecting the lives of others just as much as she is her own.
It is the year 2029. Technology has advanced so far that cyborgs are commonplace. In addition, human brains can connect to the internet directly. Major Motoko Kasunagi is an officer in Section 9, an elite, secretive police division that deals with special operations, including counter terrorism and cyber crime. She is currently on the trail of the Puppet Master, a cyber criminal who hacks into the brains of cyborgs in order to obtain information and to commit other crimes.Written by
grantss
The director, Mamoru Oshii, was so obsessed with realistic movement in every frame, especially the shooting scene in the movie that he took the production in Guam to shoot gun in different material to see how they reacted. See more »
Goofs
In the opening assassination scene, after the police infiltrate the building, a number of policemen do not have "Police" written on their helmets like the other officers do. It is safe to assume this is an error, seeing as there are no other visual distinctions between officers with and without "Police" written on their helmet. See more »
Quotes
[first lines]
Title Card:
In the near future: Corporate networks reach out to the stars, electrons and light flow throughout the universe. - The advance of computerisation, however, has not yet wiped out nations and ethnic groups.
Dispatcher:
[on radio]
To all units: Code 2-0-8 in district C-13, Newport City. Air space is closed. I repeat...
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One Minute Warning Passengers (Brian Eno and U2)
Featuring vocals by Holi
Engineering by Dave Danton Supple
Assisted by Rob Kinwan
Published by Blue Mountain Music (UK), Mother music (Rep. of Ireland), Taiyo Music (Japan)
Polygram Music International Music Publishing B.V.
(R.O.W)/Opel Music except in North America by Upala Music Inc./BMI
P 1995 Polygram International Music B.B.
Holi appears courtesy of Resurgence and Funhouse Inc., Japan
Licenced courtesy of Records Ltd. See more »
That anime could be this good. I'd thought I'd seen good anime when a friend brought me 'Akira', but this one is just awesome.
It has everything that one could want. An interesting plot, deep thoughts, nice dialog, hot chicks, cool action, neat tech, and animation that puts everything to shame which has ever been produced in the western world.
Now when I watch anime I usually expect (and dread) the scene which will explain something about the fundamental nature of life, the universe, or whatever. This is (the only part) where 'Akira' failed. This is where 'Final Fantasy' went down the drain. But 'Ghost in the Shell' shines here brightly.
While watching it for the first time I had always this nagging feeling that some such scene would turn up and ruin the truly stunning visuals. Not so. After the '2501' monologue the story really comes together and you start to be eager for story development instead of just looking for the many details and extravagant action sequences.
A word on the story: No, you will probably not 'get' the story the first time around. Especially in the English version you will have to make the connection between MoFA, MF, MFA and Ministry of Foreign Affairs, that is easy to get confused over. The whole storyline might not be quite as complicated as understanding some 'Aeon Fluxx' episodes, but you have to rewatch the story to get a feel for the interconnection of the different players - especially if you are not familiar with the Ghost in the Shell literature. The story,thank god, is not dumbed down for the average viewer. This is what makes rewatching it so enjoyable. It has also some nice reflections on what it means to be human - things you may ask of yourself after the movie finishes ('Who knows what's inside our heads. Have you ever seen your own brain?').
The animation is superb, and used to unusual effect. The details are exquisite - especially cloth effects and character motions. There are a few scenes that only have music or an accentuating sound effect in the background while the animators show off their full artistic talent. But it's not just show-off time, the visuals are tied in with the subject and leave the viewer time to reflect on the philosophical/sociological messages (like showing the cybernetic heroine look at tailors' dummies)
In short: This is a must see for anybody who likes anime. Definitely a movie for grown-ups, though, because the graphic violence may disturb kids and the philosophy will go right over their heads.
10/10
47 of 52 people found this review helpful.
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That anime could be this good. I'd thought I'd seen good anime when a friend brought me 'Akira', but this one is just awesome.
It has everything that one could want. An interesting plot, deep thoughts, nice dialog, hot chicks, cool action, neat tech, and animation that puts everything to shame which has ever been produced in the western world.
Now when I watch anime I usually expect (and dread) the scene which will explain something about the fundamental nature of life, the universe, or whatever. This is (the only part) where 'Akira' failed. This is where 'Final Fantasy' went down the drain. But 'Ghost in the Shell' shines here brightly.
While watching it for the first time I had always this nagging feeling that some such scene would turn up and ruin the truly stunning visuals. Not so. After the '2501' monologue the story really comes together and you start to be eager for story development instead of just looking for the many details and extravagant action sequences.
A word on the story: No, you will probably not 'get' the story the first time around. Especially in the English version you will have to make the connection between MoFA, MF, MFA and Ministry of Foreign Affairs, that is easy to get confused over. The whole storyline might not be quite as complicated as understanding some 'Aeon Fluxx' episodes, but you have to rewatch the story to get a feel for the interconnection of the different players - especially if you are not familiar with the Ghost in the Shell literature. The story,thank god, is not dumbed down for the average viewer. This is what makes rewatching it so enjoyable. It has also some nice reflections on what it means to be human - things you may ask of yourself after the movie finishes ('Who knows what's inside our heads. Have you ever seen your own brain?').
The animation is superb, and used to unusual effect. The details are exquisite - especially cloth effects and character motions. There are a few scenes that only have music or an accentuating sound effect in the background while the animators show off their full artistic talent. But it's not just show-off time, the visuals are tied in with the subject and leave the viewer time to reflect on the philosophical/sociological messages (like showing the cybernetic heroine look at tailors' dummies)
In short: This is a must see for anybody who likes anime. Definitely a movie for grown-ups, though, because the graphic violence may disturb kids and the philosophy will go right over their heads.
10/10