Being a year where everyone was trapped indoors glued to their screens meant, for moviegoers, that smaller films were able to sneak onto the radar, and that especially extended to queer storytelling in 2020.
From unlikely romances like Miranda July’s “Kajillionaire” to genre-pushing nonfiction portraits like David France’s “Welcome to Chechnya” and Rachel Mason’s “Circus of Books,” there were plenty of enjoyable and inspiring LGBTQ movies to engage with in an otherwise dour and painful year.
In “Monsoon,” Henry Golding burst out of the matinee idol image he established in “Crazy Rich Asians.” Mart Crowley’s scandalous 1960s play “The Boys in the Band” lived again on Netflix. In “Lingua Franca,” Isabel Sandoval wrote, directed, and starred in a breakout indie about an undocumented trans Filipina worker. In “Shirley,” Elisabeth Moss once again burned down the screen in her sly and kinky turn as gothic writer Shirley Jackson.
From unlikely romances like Miranda July’s “Kajillionaire” to genre-pushing nonfiction portraits like David France’s “Welcome to Chechnya” and Rachel Mason’s “Circus of Books,” there were plenty of enjoyable and inspiring LGBTQ movies to engage with in an otherwise dour and painful year.
In “Monsoon,” Henry Golding burst out of the matinee idol image he established in “Crazy Rich Asians.” Mart Crowley’s scandalous 1960s play “The Boys in the Band” lived again on Netflix. In “Lingua Franca,” Isabel Sandoval wrote, directed, and starred in a breakout indie about an undocumented trans Filipina worker. In “Shirley,” Elisabeth Moss once again burned down the screen in her sly and kinky turn as gothic writer Shirley Jackson.
- 12/27/2020
- by Ryan Lattanzio and Jude Dry
- Indiewire
Over the last decade, trans actors and creators have gradually become a powerful force in Hollywood. The still nascent trans canon has moved past simply telling trans stories; mounting critical pressure finally showed the powers that be that trans stories must above all center on trans people — both in front of and behind the camera.
This year saw the release of several quality films and TV shows steeped in authenticity, joy, and a genuine grappling with the complexities of the trans experience. There’s no better time to visit these projects than during Transgender Awareness Week, a week of celebration that culminates with Transgender Day of Remembrance on November 20, which memorializes victims of transphobic violence.
A decent place to start is the Laverne Cox-produced Netflix documentary “Disclosure,” which offers a comprehensive overview of trans folks onscreen, as well an impassioned argument for why representation matters. Continuing on the educational bent,...
This year saw the release of several quality films and TV shows steeped in authenticity, joy, and a genuine grappling with the complexities of the trans experience. There’s no better time to visit these projects than during Transgender Awareness Week, a week of celebration that culminates with Transgender Day of Remembrance on November 20, which memorializes victims of transphobic violence.
A decent place to start is the Laverne Cox-produced Netflix documentary “Disclosure,” which offers a comprehensive overview of trans folks onscreen, as well an impassioned argument for why representation matters. Continuing on the educational bent,...
- 11/18/2020
- by Jude Dry
- Indiewire
Like nearly every other film festival in this wild year, NewFest, New York’s leading LGBTQ+ film festival, is going virtual for its 2020 edition. Running October 16 through 27, the event boasts more than 120 new movies you can watch at home from anywhere the United States, plus plenty of scintillating conversations, virtual soirees, and more in celebration of this year’s festival storytellers. Below, IndieWire rounds up 12 must-see films to get your NewFest journey started.
In additional to the virtual offerings, a few in-person events can be enjoyed from the convenience of your car. The opening night film this year is a special drive-in presentation of Francis Lee’s “Ammonite,” starring Kate Winslet and Saoirse Ronan, taking place at the Queens Drive-In in Corona Park. For New Yorkers, this is your chance to catch the buzzy romantic drama before it opens theatrically on November 13 from Neon.
Also receiving drive-in screenings throughout the...
In additional to the virtual offerings, a few in-person events can be enjoyed from the convenience of your car. The opening night film this year is a special drive-in presentation of Francis Lee’s “Ammonite,” starring Kate Winslet and Saoirse Ronan, taking place at the Queens Drive-In in Corona Park. For New Yorkers, this is your chance to catch the buzzy romantic drama before it opens theatrically on November 13 from Neon.
Also receiving drive-in screenings throughout the...
- 10/16/2020
- by Ryan Lattanzio and Jude Dry
- Indiewire
While independent filmmakers have taken a hit with all the festival postponements, cancelations, and re-imaginings, there is a silver lining to upending business as usual. In the past, LGBTQ cinephiles hungry for quality films that represent the breadth and depth of queer life would have to go to a queer film festival to see the international titles or small comedies that may never make their way to Netflix. This year, they can stream some of the freshest films from all across the globe at home.
Which is why the 2020 Outfest Film Festival is more exciting than ever, with drive-ins, a streaming platform, and plenty of world premieres. In this year’s lineup, 70 percent of the films are directed by women or filmmakers of color. Beginning August 20 and lasting for 11 days, the films will be available to stream via Vimeo’s Ott platform. In addition, the festival will host six nights...
Which is why the 2020 Outfest Film Festival is more exciting than ever, with drive-ins, a streaming platform, and plenty of world premieres. In this year’s lineup, 70 percent of the films are directed by women or filmmakers of color. Beginning August 20 and lasting for 11 days, the films will be available to stream via Vimeo’s Ott platform. In addition, the festival will host six nights...
- 8/21/2020
- by Jude Dry
- Indiewire
Outfest Los Angeles is going virtual this year and they have unveiled their stacked lineup for the 11-day festival which kicks off August 20.
The LGBTQ film fest fest will include over 160 films with 35 world premieres, 10 North American premieres and 4 U.S. premieres to Los Angeles for 2020. The fest will live on http://www.outfestla2020.com and there will also be “Outfest LA Under the Stars”, a drive-in experience will take place at the stunning Calamigos Ranch in Malibu, where for two extended weekends the Festival will be hosting a series of drive-in screenings across six-nights on two lots, including both kick-off and closing events. The drive-in screenings will start with the Sundance pic The Nowhere Inn starring musicians Annie Clark and Carrie Brownstein. Other screenings will be announced in the upcoming weeks.
Over 70% of films at Outfest LA directed by female, trans, and Poc filmmakers. The Breakthrough Centerpiece will be...
The LGBTQ film fest fest will include over 160 films with 35 world premieres, 10 North American premieres and 4 U.S. premieres to Los Angeles for 2020. The fest will live on http://www.outfestla2020.com and there will also be “Outfest LA Under the Stars”, a drive-in experience will take place at the stunning Calamigos Ranch in Malibu, where for two extended weekends the Festival will be hosting a series of drive-in screenings across six-nights on two lots, including both kick-off and closing events. The drive-in screenings will start with the Sundance pic The Nowhere Inn starring musicians Annie Clark and Carrie Brownstein. Other screenings will be announced in the upcoming weeks.
Over 70% of films at Outfest LA directed by female, trans, and Poc filmmakers. The Breakthrough Centerpiece will be...
- 8/11/2020
- by Dino-Ray Ramos
- Deadline Film + TV
Competition
“All the Dead Ones”
Caetano Godardo, Marco Dutra
Following up on their Locarno-prized “Good Manners,” genre auteur Dutra and Gotardo deliver a lushly turned-out family drama that converts ghostliness into political metaphor, conflating 1899 Sao Paulo with its high-rise present, asking if the uneasy relationship between Brazil’s white elite and black majority has essentially changed.
Sales: Indie Sales
Encounters
“Los Conductos”
Camilo Restrepo
Pinky, on the run from a sect, takes to squatting, making T-shirts for a living, taking drugs and spinning images of the Apocalypse, damnation, revenge. A spectral, crazed allegory of Colombian post-civil conflict reinsertion that won Mar del Plata’s 2019 Works in Progress.
Sales: Best Friend Forever
Panorama
“A Common Crime”
Francisco Márquez
Set in class-riven Argentina and packing, reportedly, a great finale and commanding performance from lead Elisa Carricajo as an Argentine university teacher who fails to help her maid’s son, with literally haunting consequences.
“All the Dead Ones”
Caetano Godardo, Marco Dutra
Following up on their Locarno-prized “Good Manners,” genre auteur Dutra and Gotardo deliver a lushly turned-out family drama that converts ghostliness into political metaphor, conflating 1899 Sao Paulo with its high-rise present, asking if the uneasy relationship between Brazil’s white elite and black majority has essentially changed.
Sales: Indie Sales
Encounters
“Los Conductos”
Camilo Restrepo
Pinky, on the run from a sect, takes to squatting, making T-shirts for a living, taking drugs and spinning images of the Apocalypse, damnation, revenge. A spectral, crazed allegory of Colombian post-civil conflict reinsertion that won Mar del Plata’s 2019 Works in Progress.
Sales: Best Friend Forever
Panorama
“A Common Crime”
Francisco Márquez
Set in class-riven Argentina and packing, reportedly, a great finale and commanding performance from lead Elisa Carricajo as an Argentine university teacher who fails to help her maid’s son, with literally haunting consequences.
- 2/21/2020
- by John Hopewell and Jamie Lang
- Variety Film + TV
Final titles revealed for the Generation Kplus and Generation 14plus strands.
The Berlin International Film Festival (Feb 20-Mar 1) has revealed the final raft of titles that will comprise its Generation strand and confirmed that 58% of the features and shorts in the youth section are directed by women.
Scroll down for full list of titles
It follows a recent announcement that more than 50% of the films in the official project selection of the Berlinale Co-Production Market are from female directors.
The 43rd edition of Berlin’s Generation sidebar will comprise 59 competition entries from 34 countries, including 29 world premieres.
After revealing 20 films in the strand last month,...
The Berlin International Film Festival (Feb 20-Mar 1) has revealed the final raft of titles that will comprise its Generation strand and confirmed that 58% of the features and shorts in the youth section are directed by women.
Scroll down for full list of titles
It follows a recent announcement that more than 50% of the films in the official project selection of the Berlinale Co-Production Market are from female directors.
The 43rd edition of Berlin’s Generation sidebar will comprise 59 competition entries from 34 countries, including 29 world premieres.
After revealing 20 films in the strand last month,...
- 1/22/2020
- by 1100453¦Michael Rosser¦9¦
- ScreenDaily
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.