Addison Heath.s Under a Kaleidoscope and Timothy Spanos.s Sizzler .77 tied for best film at the 16th annual Melbourne Underground Film Festival.
Named as best international film was Terry McMahon.s Patrick.s Day, the chronicle of a young man with mental health issues who becomes intimate with a suicidal flight attendant, prompting his obsessive mother to enlists a dysfunctional cop to separate them, featuring Kerry Fox, Moe Dunford, and Philip Jackson.
Under a Kaleidoscope stars Kenji Shimada, Kristen Condon, Aston Elliot, Tim Jason Wicks and Glenn Maynard in the saga of two brothers and a female neighbour who begin a voyage of discovery through the small hole in the wall that secretly joins the two apartments.
Sizzler .77 follows a crime war on Melbourne.s streets as two cops are forced to don frocks and go undercover as trannies in order to infiltrate a gang, featuring Alan King, Teri Yeboah,...
Named as best international film was Terry McMahon.s Patrick.s Day, the chronicle of a young man with mental health issues who becomes intimate with a suicidal flight attendant, prompting his obsessive mother to enlists a dysfunctional cop to separate them, featuring Kerry Fox, Moe Dunford, and Philip Jackson.
Under a Kaleidoscope stars Kenji Shimada, Kristen Condon, Aston Elliot, Tim Jason Wicks and Glenn Maynard in the saga of two brothers and a female neighbour who begin a voyage of discovery through the small hole in the wall that secretly joins the two apartments.
Sizzler .77 follows a crime war on Melbourne.s streets as two cops are forced to don frocks and go undercover as trannies in order to infiltrate a gang, featuring Alan King, Teri Yeboah,...
- 9/21/2015
- by Don Groves
- IF.com.au
Indie filmmaker Timothy Spanos has been described as "one of the unsung heroes of Australian independent cinema". With seven films under his belt - including Nancy Nancy, Prisoner Queen, and the ode to suburban life in Victoria that was Boronia Boys - that description is not so far off.Spanos has yet another film set for release next year, the campy riff on 70s cop movies Sizzler '77, shot and set in the Melbourne suburbs.Here's the synopsis:Sizzler '77 is set in the summer of 1977. Two detective inspectors are on a quest to apprehend a mysterious and depraved criminal who has been infiltrating the prostitution rackets in Melbourne. While on the case the prostitutes, tired of the abuse, have ideas of their own.Cue the outrageous fashions...
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- 11/18/2014
- Screen Anarchy
Movies were destroyed and awards given to the destructors at the 12th annual Melbourne Underground Film Festival, which was held back on Aug. 19-28.
The Best Film of the fest, as chosen by jury head Jimmy the Exploder in in consultation with The Muff team, was the controversial A Serbian Film by Srdjan Spasojevic, which has been banned in some parts of the country, but now available on DVD in others.
Other big winners are: Larry Wessel who took home Best Director and Best Documentary for his epic 4-hour profile of cult figure Boyd Rice, Iconoclast (Watch the trailer.); Viva Bianca and Hanna Mangan Lawrence appropriately shared the Best Actress award for their starring roles in Jon Hewitt‘s X (Watch the trailer); and John V. Soto”s Needle took home numerous awards such as Best Actor (Michael Dorman), Best Cinematography (D.P. Stephen F. Windon), Best Poster (Horror Version) and the Special Jury Prize.
The Best Film of the fest, as chosen by jury head Jimmy the Exploder in in consultation with The Muff team, was the controversial A Serbian Film by Srdjan Spasojevic, which has been banned in some parts of the country, but now available on DVD in others.
Other big winners are: Larry Wessel who took home Best Director and Best Documentary for his epic 4-hour profile of cult figure Boyd Rice, Iconoclast (Watch the trailer.); Viva Bianca and Hanna Mangan Lawrence appropriately shared the Best Actress award for their starring roles in Jon Hewitt‘s X (Watch the trailer); and John V. Soto”s Needle took home numerous awards such as Best Actor (Michael Dorman), Best Cinematography (D.P. Stephen F. Windon), Best Poster (Horror Version) and the Special Jury Prize.
- 8/31/2011
- by Mike Everleth
- Underground Film Journal
Movies will be destroyed once and for all! The 12th annual Melbourne Underground Film Festival is upon us with their great theme of Destroy All Movies. The fest runs Aug. 19-28 and to mark the anarchic occasion, filmmaker Palomar has created two official festival trailers, embedded above and below.
MUFF12 opens on the 19th with the highly controversial A Serbian Film by Srdjan Spasojevic, which has been banned all over the world, including most recently in South Australia! So, if you’re an Australian citizen living in or near Melbourne, take this rare opportunity to see this movie that many of your fellow countrymen won’t be able to.
Other films screening at the fest include the epic documentary on the world’s most dangerous artist, Boyd Rice, Iconoclast directed by Larry Wessel. Plus, there are homegrown flicks like Chris Sun’s Come and Get Me, Boronia Backpackers by Timothy Spanos,...
MUFF12 opens on the 19th with the highly controversial A Serbian Film by Srdjan Spasojevic, which has been banned all over the world, including most recently in South Australia! So, if you’re an Australian citizen living in or near Melbourne, take this rare opportunity to see this movie that many of your fellow countrymen won’t be able to.
Other films screening at the fest include the epic documentary on the world’s most dangerous artist, Boyd Rice, Iconoclast directed by Larry Wessel. Plus, there are homegrown flicks like Chris Sun’s Come and Get Me, Boronia Backpackers by Timothy Spanos,...
- 8/18/2011
- by Mike Everleth
- Underground Film Journal
Destroy All Movies! That’s the cheeky theme to the 12th annual Melbourne Underground Film Festival, which will run on August 19-28.
Festival director Richard Wolstencroft lays out his philosophy for this year’s Muff in an excellent Director’s Statement, which is published in the fest’s program guide. He explains his provocative statement as thus:
“Destroy All Movies” can be taken as a query, a question and even a complaint about cinema itself. Most of us love movies. I still do, of course. I am obsessed by them as ever. Making, watching and showing them. But how often do we question our passion in this kind of ontological sense?
In that regard, Muff is a much more focused and scaled back event this year with less films screening, but with a tighter consideration of local talent, as well as a larger, more provocative stance as ever.
Muff has...
Festival director Richard Wolstencroft lays out his philosophy for this year’s Muff in an excellent Director’s Statement, which is published in the fest’s program guide. He explains his provocative statement as thus:
“Destroy All Movies” can be taken as a query, a question and even a complaint about cinema itself. Most of us love movies. I still do, of course. I am obsessed by them as ever. Making, watching and showing them. But how often do we question our passion in this kind of ontological sense?
In that regard, Muff is a much more focused and scaled back event this year with less films screening, but with a tighter consideration of local talent, as well as a larger, more provocative stance as ever.
Muff has...
- 7/29/2011
- by Mike Everleth
- Underground Film Journal
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