The sudden nature of last year’s pandemic meant many filmmakers who had begun work on projects were immediately forced to navigate a new climate of production and distribution.
Parish Malfitano’s directorial debut Bloodshot Heart had completed principal photography and was in the process of being edited when Covid-19 hit last year, meaning the latter stages of post-production were conducted amidst the initial lockdown.
Filmed on location in Sydney, the psychological thriller stars Richard James Allen as Hans, a middle-aged man who lives with his mother Catherine (Dina Panozzo) and soon becomes infatuated with young tenant Matilda (Emily David), hatching a dangerous plan to win her affection.
Allen, who also produces with Martin Thorne and writer/director Malfitano, told If the pandemic meant they worked out of a “ghost-town-like Fox Studios”, and were forced to limit numbers in and out of the sound suites at Trackdown Studios, and also Vandal Studios in Redfern.
Parish Malfitano’s directorial debut Bloodshot Heart had completed principal photography and was in the process of being edited when Covid-19 hit last year, meaning the latter stages of post-production were conducted amidst the initial lockdown.
Filmed on location in Sydney, the psychological thriller stars Richard James Allen as Hans, a middle-aged man who lives with his mother Catherine (Dina Panozzo) and soon becomes infatuated with young tenant Matilda (Emily David), hatching a dangerous plan to win her affection.
Allen, who also produces with Martin Thorne and writer/director Malfitano, told If the pandemic meant they worked out of a “ghost-town-like Fox Studios”, and were forced to limit numbers in and out of the sound suites at Trackdown Studios, and also Vandal Studios in Redfern.
- 9/3/2021
- by Sean Slatter
- IF.com.au
Australian film Black & White & Sex has been voted in the top three favourite films in its opening weekend at the International Film Festival of Rotterdam.
Producer John Winter (Rabbit-Proof Fence, Doing Time for Patsy Cline), in his directorial debut . a film-within-a-film about a sex worker who is determined to set the record straight about sex . secured an outstanding response from audience members for his provocative film which speaks honestly and openly about sex and sexuality.
The Upc Audience Award, which is voted by the public, saw Martin Scorsese's Hugo at number one and Les géants (translated as The Giants) at number two.
Written and directed by Winter and produced by Melissa Beauford, the Titan View-distributed film had a positive response last year when it screened at the Sydney Film Festival. In a forthright discussion between a documentary filmmaker (Matthew Holmes) and a sex worker, Angie, the different facets of...
Producer John Winter (Rabbit-Proof Fence, Doing Time for Patsy Cline), in his directorial debut . a film-within-a-film about a sex worker who is determined to set the record straight about sex . secured an outstanding response from audience members for his provocative film which speaks honestly and openly about sex and sexuality.
The Upc Audience Award, which is voted by the public, saw Martin Scorsese's Hugo at number one and Les géants (translated as The Giants) at number two.
Written and directed by Winter and produced by Melissa Beauford, the Titan View-distributed film had a positive response last year when it screened at the Sydney Film Festival. In a forthright discussion between a documentary filmmaker (Matthew Holmes) and a sex worker, Angie, the different facets of...
- 1/30/2012
- by Aleksandra Popovic
- IF.com.au
Three Australian feature films and one short have been selected to screen at the 41st International Film Festival Rotterdam, 25 january – 5 February.
Two films, writer/director John Winter’s Black & White & Sex and writer/director Amiel Courtin-Wilson’s Hail will feature in the Bright Future section of the festival which presents debut or second feature films.
Black & White & Sex stars Katherine Hicks, Anya Beyersdorf, Dina Panozzo, Saskia Burmeister and Matthew Holmes to explore sex and sexuality.
Blurring the lines between fact and fiction, Hail is the story of love and loss based on real life partners, and actors in the film, Daniel P Jones and Leanne Letch. Hail had its world premiere at Venice International Film Festival.
Selected to screen the festival’s closing night is The Hunter, produced by Vincent Sheehan and directed by Daniel Nettheim and written by Alice Addison, its the story of a mercenary (Willem Dafoe) hunting the last remaining Tasmanian Tiger.
Two films, writer/director John Winter’s Black & White & Sex and writer/director Amiel Courtin-Wilson’s Hail will feature in the Bright Future section of the festival which presents debut or second feature films.
Black & White & Sex stars Katherine Hicks, Anya Beyersdorf, Dina Panozzo, Saskia Burmeister and Matthew Holmes to explore sex and sexuality.
Blurring the lines between fact and fiction, Hail is the story of love and loss based on real life partners, and actors in the film, Daniel P Jones and Leanne Letch. Hail had its world premiere at Venice International Film Festival.
Selected to screen the festival’s closing night is The Hunter, produced by Vincent Sheehan and directed by Daniel Nettheim and written by Alice Addison, its the story of a mercenary (Willem Dafoe) hunting the last remaining Tasmanian Tiger.
- 1/17/2012
- by Colin Delaney
- Encore Magazine
Today's pick for the Sydney Film Festival Trailer of the Day is Black & White & Sex. Here's what the Sff Program says about the film: Australian producer John Winter (Rabbit-Proof Fence, Doing Time for Patsy Cline) makes his directorial debut with a conceptually daring work that adopts a film-within-a-film structure. Angie (played alternately by Katherine Hicks, Anya Beyersdorf, Valerie Bader, Roxane Wilson, Michelle Vergara Moore, Dina Panozzo, Saskia Burmeister and Maia Thomas) is a sex worker being interviewed by a director (Matthew Holmes) who is making a film about sex. Determined to set the record straight about love, seduction and power, Angie's interview is erotic, funny and confronting. Her intellectual striptease and no-holes-barred approach to talking about sex ultimately turns the tables, exposes...
- 6/19/2011
- Screen Anarchy
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