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Hugo (2011)

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In Paris in 1931, an orphan named Hugo Cabret, who lives in the walls of a train station, is wrapped up in a mystery involving his late father and an automaton.

Director:

Martin Scorsese

Writers:

John Logan (screenplay by), Brian Selznick (based on the book entitled "The Invention of Hugo Cabret" by)
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Popularity
1,579 ( 474)
Won 5 Oscars. Another 57 wins & 187 nominations. See more awards »

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Cast

Cast overview, first billed only:
Ben Kingsley ... Georges Méliès
Sacha Baron Cohen ... Station Inspector
Asa Butterfield ... Hugo Cabret
Chloë Grace Moretz ... Isabelle
Ray Winstone ... Uncle Claude
Emily Mortimer ... Lisette
Christopher Lee ... Monsieur Labisse
Helen McCrory ... Mama Jeanne
Michael Stuhlbarg ... Rene Tabard
Frances de la Tour ... Madame Emilie
Richard Griffiths ... Monsieur Frick
Jude Law ... Hugo's Father
Kevin Eldon ... Policeman
Gulliver McGrath ... Young Tabard
Shaun Aylward ... Street Kid
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Storyline

Hugo is an orphan boy living in the walls of a train station in 1930s Paris. He learned to fix clocks and other gadgets from his father and uncle which he puts to use keeping the train station clocks running. The only thing that he has left that connects him to his dead father is an automaton (mechanical man) that doesn't work without a special key. Hugo needs to find the key to unlock the secret he believes it contains. On his adventures, he meets George Melies, a shopkeeper, who works in the train station, and his adventure-seeking god-daughter. Hugo finds that they have a surprising connection to his father and the automaton, and he discovers it unlocks some memories the old man has buried inside regarding his past. Written by napierslogs

Plot Summary | Plot Synopsis

Taglines:

An Extraordinary Adventure! See more »


Motion Picture Rating (MPAA)

Rated PG for mild thematic material, some action/peril and smoking | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site | See more »

Country:

USA | UK | France

Language:

English

Release Date:

23 November 2011 (USA) See more »

Also Known As:

The Invention of Hugo Cabret See more »

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Box Office

Budget:

$150,000,000 (estimated)

Opening Weekend USA:

$11,364,505, 18 November 2011, Wide Release

Gross USA:

$73,864,507, 12 April 2012

Cumulative Worldwide Gross:

$185,770,160, 12 April 2012
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Emily Mortimer and Sir Ben Kingsley worked together on Transsiberian (2008). See more »

Goofs

The Montparnasse Train Station where most of the action is supposed to take place is alternatively shown on the same side of the river as the Eiffel tower, and on the other side. It actually is on the same side. See more »

Quotes

Isabelle: This might be an adventure, and I've never had one before - outside of books, at least.
See more »

Crazy Credits

There is only one opening credit, the film's title, which does not appear until nearly 15 minutes into the film. See more »

Connections

References La Grande Illusion (1937) See more »

Soundtracks

Trois Morceaux en Forme de Poire: Manière de Commencement (Allez Modérément)
Written by Erik Satie
Performed by Aldo Ciccolini & Gabriel Tacchino
Courtesy of EMI Music France
Under license from EMI Film & Television Music
See more »

Frequently Asked Questions

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User Reviews

 
The D in 3D stands for dimensions
22 November 2011 | by E CanuckSee all my reviews

What Martin Scorcese has managed to do is add story dimensionality to a family film that has 3D technology. Some of the dimensions he's included which don't always make into Hollywood blockbusters are an imaginative and original concept, thematic unity and resonance and deft homage to film itself, in the story of Georges Méliès, French film pioneer.

Saw the film in an advance screening and we were among the many there who were obviously not standard family film consumers. This being a Scorcese film is likely to bring lots of adults to Hugo and I would think many of them, like me, will feel the film stands up as entertainment for all age groups.

I especially enjoyed the resonance and intricacy of the theme of clocks, clockworks, animatronics and "the ghost in the machine"--our fear, in the post industrial age that perhaps we are just a rather complex machine, rather than a divine creation. This is all beautifully rendered cinematically. I doubt the little ones will be bewildered while older viewers can pick out levels and layers in the film.

Good fun and visually interesting throughout. The 3D is used in service of the story. I hope Hollywood is watching and notices that special effects are only special when they get the heart of the machine working, like Hugo's little man.


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