In Paris in 1931, an orphan named Hugo Cabret who lives in the walls of a train station is wrapped up in a mystery involving his late father and an automaton.
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Wallace and his loyal dog, Gromit, set out to discover the mystery behind the garden sabotage that plagues their village and threatens the annual giant vegetable growing contest.
Directors:
Steve Box,
Nick Park
Stars:
Peter Sallis,
Helena Bonham Carter,
Ralph Fiennes
Hugo is an orphan boy living in the walls of a train station in 1930s Paris. He learned to fix clocks and other gadgets from his father and uncle which he puts to use keeping the train station clocks running. The only thing that he has left that connects him to his dead father is an automaton (mechanical man) that doesn't work without a special key. Hugo needs to find the key to unlock the secret he believes it contains. On his adventures, he meets George Melies, a shopkeeper, who works in the train station, and his adventure-seeking god-daughter. Hugo finds that they have a surprising connection to his father and the automaton, and he discovers it unlocks some memories the old man has buried inside regarding his past.Written by
napierslogs
When Hugo (in his dream) sees the key on the tracks, it is in the gravel next to the cross tie, when he jumps down to retrieve it it is laying in the middle of the cross tie. See more »
Quotes
Isabelle:
I think we should be very... clandestine!
Hugo Cabret:
[not knowing what "clandestine" means]
Um, okay...
See more »
Crazy Credits
There is only one opening credit, the film's title, which does not appear until nearly 15 minutes into the film. See more »
Without spoiling, consider a motion picture whose last 30 minutes are equal to the last 4 minutes of Cinema Paradiso. To be in a theater with people tearing up over images of vintage and historic cinema, so beautifully integrated into a dazzling and heartfelt story is something special indeed. Absolutely knock-out use of 3D, fantastic performances by everyone involved, glorious set design, music, costumes and state -of-the-art CGI that propel a story rather than being superficial, stand alone tricks makes HUGO a film for moviegoers world wide. Absolutely do not miss this film in a theater. The images are transporting and need to be experienced on the big screen.
Thanks Marty, for bringing to us all such a gift. This is truly one for the ages
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Without spoiling, consider a motion picture whose last 30 minutes are equal to the last 4 minutes of Cinema Paradiso. To be in a theater with people tearing up over images of vintage and historic cinema, so beautifully integrated into a dazzling and heartfelt story is something special indeed. Absolutely knock-out use of 3D, fantastic performances by everyone involved, glorious set design, music, costumes and state -of-the-art CGI that propel a story rather than being superficial, stand alone tricks makes HUGO a film for moviegoers world wide. Absolutely do not miss this film in a theater. The images are transporting and need to be experienced on the big screen.
Thanks Marty, for bringing to us all such a gift. This is truly one for the ages