In 1931 Paris, an orphan living in the walls of a train station gets wrapped up in a mystery involving his late father and an automaton.In 1931 Paris, an orphan living in the walls of a train station gets wrapped up in a mystery involving his late father and an automaton.In 1931 Paris, an orphan living in the walls of a train station gets wrapped up in a mystery involving his late father and an automaton.
- Director
- Writers
- John Logan(screenplay by)
- Brian Selznick(based on the book entitled "The Invention of Hugo Cabret" by)
- Stars
Top credits
- Director
- Writers
- John Logan(screenplay by)
- Brian Selznick(based on the book entitled "The Invention of Hugo Cabret" by)
- Stars
- Won 5 Oscars
- 61 wins & 192 nominations total
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- Director
- Writers
- John Logan(screenplay by)
- Brian Selznick(based on the book entitled "The Invention of Hugo Cabret" by)
- All cast & crew
- See more cast details at IMDbPro
Storyline
Hugo is an orphan boy living in the walls of a train station in 1930s Paris. He learned to fix clocks and other gadgets from his father and uncle which he puts to use keeping the train station clocks running. The only thing that he has left that connects him to his dead father is an automaton (mechanical man) that doesn't work without a special key. Hugo needs to find the key to unlock the secret he believes it contains. On his adventures, he meets George Melies, a shopkeeper, who works in the train station, and his adventure-seeking god-daughter. Hugo finds that they have a surprising connection to his father and the automaton, and he discovers it unlocks some memories the old man has buried inside regarding his past. —napierslogs
- Taglines
- One of the most legendary directors of our time takes you on an extraordinary adventure.
- Genres
- Motion Picture Rating (MPAA)
- Rated PG for mild thematic material, some action/peril and smoking
- Parents guide
Did you know
- TriviaMartin Scorsese and Sir Christopher Lee were very good friends, but up until 2010, had never worked together. Lee's response when he was asked by Scorsese to appear in Hugo was: "It's about time!"
- GoofsGeorges Méliès was a real person, but the credits state that all persons in the film are fictional. However, this is not unusual for fictionalized stories even when there are characters based on real historical figures. The character is "fictional" in the sense that the things that character does and says within the film are not necessarily claimed to be actual actions and words the real person did.
- Quotes
Hugo Cabret: I'd imagine the whole world was one big machine. Machines never come with any extra parts, you know. They always come with the exact amount they need. So I figured, if the entire world was one big machine, I couldn't be an extra part. I had to be here for some reason. And that means you have to be here for some reason, too.
- Crazy creditsThere is only one opening credit, the film's title, which does not appear until nearly 15 minutes into the film.
- ConnectionsFeatured in Maltin on Movies: The Muppets (2011)
Top review
A Treat For Movie Buffs
Like many, I suspect, I went into this film ready to be dazzled by the cinematography and a rare, nice clean story by Director Martin Scorcese. I wasn't disappointed although I found the story lagging in a few brief spots. Cutting the film another 10 minutes might have solved that. Having said that, though, a month later I'm all ready to view it again!
To me, the most interesting and amazing scenes were not involving the two young main characters and the railroad station, but the ones in the last 30-or-so minutes which dealt with very early films and how they made them. It was incredibly colorful and an education to film buffs everywhere. Anyone who loves movies and appreciates the history of the art should love the last part of this story.
Meanwhile, the bulk of the story still offers many great sights and sounds and I have no quibbles with any of the actors. Youngsters Asa Butterfield ("Hugo") and Cholë Grace Moretz ("Isabelle") were both about 13 when they made this and seem to have good careers ahead of them. I didn't recognize Sacha Baron Cohen as the station inspector. He was great in that role. As for Ben Kingsley, when is he ever bland?
This is one of those "family films" that can be enjoyed just as much - and probably more - by adults. I wish Scorcese would make more of this kind of material.
To me, the most interesting and amazing scenes were not involving the two young main characters and the railroad station, but the ones in the last 30-or-so minutes which dealt with very early films and how they made them. It was incredibly colorful and an education to film buffs everywhere. Anyone who loves movies and appreciates the history of the art should love the last part of this story.
Meanwhile, the bulk of the story still offers many great sights and sounds and I have no quibbles with any of the actors. Youngsters Asa Butterfield ("Hugo") and Cholë Grace Moretz ("Isabelle") were both about 13 when they made this and seem to have good careers ahead of them. I didn't recognize Sacha Baron Cohen as the station inspector. He was great in that role. As for Ben Kingsley, when is he ever bland?
This is one of those "family films" that can be enjoyed just as much - and probably more - by adults. I wish Scorcese would make more of this kind of material.
helpful•339
- ccthemovieman-1
- Mar 20, 2012
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- The Invention of Hugo Cabret
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $150,000,000 (estimated)
- Gross US & Canada
- $73,864,507
- Opening weekend US & Canada
- $11,364,505
- Nov 27, 2011
- Gross worldwide
- $185,770,310
- Runtime2 hours 6 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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