It's 1922; somewhere in Australia. When a Native Australian man is accused of murdering a white woman, three white men (The Fanatic, The Follower and The Veteran) are given the mission of ... See full summary »
An Aboriginal student on the west coast of Australia in the late '60s runs away from a Catholic boarding school with his cruel headmaster in hot pursuit, meeting eccentric characters along the journey back to his home town.
GOOD AFTERNOON is a unique dual-screen documentary of the Aquarius Arts Festival of 1971, an 8 day 'happening' at the Australian National University, which featured arts, music and dance, ... See full summary »
Western Australia, 1931. Government policy includes taking half-white, half-Aboriginal children from their Aboriginal mothers and sending them a thousand miles away to what amounts to indentured servitude, "to save them from themselves." Molly, Daisy, and Grace (two sisters and a cousin who are fourteen, ten, and eight) arrive at their Gulag and promptly escape, under Molly's lead. For several days they walk north, following a fence that keeps rabbits from settlements, eluding a native tracker and the regional constabulary. Their pursuers take orders from the government's "Chief Protector of Aborigines", A.O. Neville, blinded by Anglo-Christian certainty, evolutionary world view, and conventional wisdom. Can the girls survive?Written by
Executive Producer Jeremy Thomas said that what gives the movie such enormous potential is the power of the story. "It's an incredible adventure of these three children who are being chased. They are plucked from their surroundings and chased across the landscape. The story and the compassion for the characters that you see, and the wrong thinking of other characters gives the film universal appeal." See more »
The speech in the film to a Perth ladies charity society by actor Kenneth Branagh, playing A.O. Neville, was never made by the real Neville. The words did not come from a transcript found in any historical archive but were created for the film by screenwriter Christine Olsen. See more »
This film has quite a few remarkable features. First of all is its title which is rather unusual and immediately grabs one's interest. Next there is the fence itself which runs for thousands of miles to protect what few green plants there are in these desert regions from the voracious appetites of millions of wild rabbits. This fence plays an important role in this true story. Then there is the diector who not only scoured the continent to find three suitable aboriginal girls to play theleads but moulded these inexperienced beginners into the believable characters of Molly, Daisy and Gracie. The director Phillip Noyce has achieved remarkable success in creating three good little performers and should be given full credit for his difficult task.
For those who do not know the desert regions of Australia, it must be said that the "outback" country is harsh and cruel and can only be crossed by those with experience...those with a knowledge of the land. I think the camera makes it clear that the hostile environment is very much like a fence in itself...almost impossible to cross. All the more remarkable therefore that these girls accomplished what they set out to do. May be it was a reckless decision they made but thanks to the fence they found their way back to family and friends.
The film is largely a record of the long trek and the manner in which the children are able to survive. There are not many dramatic moments on their journey south. The children are mainly concerned with avoiding the blacktracker who is following them. The most unforgettable scene comes early in the film when the children are forcibly torn from their mothers. This is truly heart-wrenching stuff.
This thoughtful presentation is worth watching. It is part of Australian history.
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