You Axed for it, as Forry would say: the grade Z horror movie that launched a thousand bad puns is also an unbeatable party favorite. Idiotic island natives clash with condescending Anglo scientists, when a death curse initiates the hell- spawning of a horrifying, vengeance-seeking pagan demon-monster. Sounds great — but what we get is Tabonga, a walking rubber tree stump with knotholes for eyes and a permanent scowl on its teakwood face. The excellent, flawless scan allows us to appreciate the mighty Tabonga for what it is — absurd, lovable, awful.
From Hell it Came
Blu-ray
Warner Archive Collection
1957 / B&W / 1:78 widescreen / 71 min. / Street Date April 25, 2017 / available through the WBshop / 21.99
Starring: Tod Andrews, Tina Carver, Linda Watkins, John McNamara, Gregg Palmer, Suzanne Ridgeway.
Cinematography: Brydon Baker
Film Editor: Jack Milner
Original Music: Darrell Calker
Written by Richard Bernstein, Dan Milner
Produced by Jack Milner
Directed by Dan Milner
“You say Tomayto,...
From Hell it Came
Blu-ray
Warner Archive Collection
1957 / B&W / 1:78 widescreen / 71 min. / Street Date April 25, 2017 / available through the WBshop / 21.99
Starring: Tod Andrews, Tina Carver, Linda Watkins, John McNamara, Gregg Palmer, Suzanne Ridgeway.
Cinematography: Brydon Baker
Film Editor: Jack Milner
Original Music: Darrell Calker
Written by Richard Bernstein, Dan Milner
Produced by Jack Milner
Directed by Dan Milner
“You say Tomayto,...
- 4/15/2017
- by Glenn Erickson
- Trailers from Hell
A few years ago, in commemoration of the 10th anniversary of the death of influential film critic Pauline Kael, I wrote the following:
“I think (Kael) did a lot to expose the truth… that directors, writers and actors who often work awfully close to the surface may still have subterranean levels of achievement or purpose or commentary that they themselves may be least qualified to articulate. It’s what’s behind her disdain for Antonioni’s pontificating at the Cannes film festival; it’s what behind the high percentage of uselessness of proliferating DVD commentaries in which we get to hear every dull anecdote, redundant explication of plot development and any other inanity that strikes the director of the latest Jennifer Aniston rom-com to blurt out breathlessly; and it is what’s behind a director like Eli Roth, who tailors the subtext of something like Hostel Part II almost as...
“I think (Kael) did a lot to expose the truth… that directors, writers and actors who often work awfully close to the surface may still have subterranean levels of achievement or purpose or commentary that they themselves may be least qualified to articulate. It’s what’s behind her disdain for Antonioni’s pontificating at the Cannes film festival; it’s what behind the high percentage of uselessness of proliferating DVD commentaries in which we get to hear every dull anecdote, redundant explication of plot development and any other inanity that strikes the director of the latest Jennifer Aniston rom-com to blurt out breathlessly; and it is what’s behind a director like Eli Roth, who tailors the subtext of something like Hostel Part II almost as...
- 4/2/2017
- by Dennis Cozzalio
- Trailers from Hell
Douglas Sirk's first American movie came out so well that Prc sold it to MGM, earning Sirk a promotion out of the Poverty Row studios. John Carradine is excellent - and underplays! -- as the Hangman of Prague who moonlights as a depraved sex criminal. But the context in this wartime propaganda movie is serious -- it commemorates the Nazi murder of an entire Czech town. Hitler's Madman DVD-r The Warner Archive Collection 1943 / B&W / 1:37 flat Academy / 84 min. / Street Date December 1, 2015 / available through the WBshop / 18.95 Starring Patricia Morrison, John Carradine, Alan Curtis, Howard Freeman, Ralph Morgan, Ludwig Stössel, Edgar Kennedy, Al Shean, Elizabeth Russell, Jimmy Conlin, Ava Gardner, Natalie Draper, Victor Kilian, Otto Reichow, Peter van Eyck, Hans Heinrich von Twardowski, Blanch Yurka. Cinematography (Eugen Schüfftan, credited as Technical Advisor), Jack Greenhalgh Film Editor Dan Milner Second unit and uncredited production designer Edgar G. Ulmer Original Music...
- 12/22/2015
- by Glenn Erickson
- Trailers from Hell
Minimalist 'Z' monster movies really took off in the 1950s, earning good money on tiny outlays of time, money, and sometimes talent. Dan Milner's directing is competent, to be kind, but the 'nothing happens' script is a sure-fire soporific -- Roger Corman surely didn't worry about the competition. The good news is Richard Harland Smith's commentary, which delivers more illuminating info on this show than we thought existed. The Phantom from 10,000 Leagues Blu-ray Kl Studio Classics 1956 / B&W / 1:85 widescreen / 80 min. / Street Date January 5, 2016 / available through Kino Lorber / 29.95 Starring Kent Taylor, Cathy Downs, Michael Whalen, Helene Stanton, Phillip Pine, Rodney Bell, Vivi Janiss, Michael Garth, Pierce Lyden . Cinematography Brydon Baker Film Editor Dan Milner Original Music Ronald Stein Written by Lou Rusoff, Dorys Lukather Produced by Jack Milner Directed by Dan Milner
Reviewed by Glenn Erickson
In his trailer commentary for The Phantom from 10,000 Leagues, Joe Dante remarks that...
Reviewed by Glenn Erickson
In his trailer commentary for The Phantom from 10,000 Leagues, Joe Dante remarks that...
- 12/19/2015
- by Glenn Erickson
- Trailers from Hell
Between 1970 and 1975—and the ages of 53 and 58—Robert Mitchum made six films. The beginning of the decade found him in Ireland taking on the role of schoolteacher Charles Shaughnessey in David Lean’s epic Ryan’s Daughter (1970) and five years later he was starring as Philip Marlowe in Raymond Chandler adaptation Farewell My Lovely (1975). In between, he made the father-son melodrama Going Home (1971), an eccentric western called The Wrath of God (1972) and two crime dramas made back-to-back in 1973 and 1974. While they have a couple of other elements in common besides Mitchum—actor Richard Jordan, composer Dave Grusin—The Friends of Eddie Coyle (1973) and The Yakuza (1974) are poles apart in terms of tone. Broadly speaking, the first is low-key, downbeat and domestic, the second is glossy and globetrottingly exotic.
The Friends of Eddie Coyle is based on the debut novel by George V. Higgins, a lawyer and former Assistant Attorney General...
The Friends of Eddie Coyle is based on the debut novel by George V. Higgins, a lawyer and former Assistant Attorney General...
- 11/18/2014
- by Pasquale Iannone
- MUBI
His Kind of Woman!
Directed by John Farrow
Written by Frank Fenton, Jack Leonard
U.S.A., 1951
John Farrow’s His Kind of Woman! has it all, and so, so much more. Sometimes the best entries in a film genre or series are the ones that need to add different ingredients to spice things up a little bit. Certain conventions must be adhered to, but the development of some less expected qualities may prove to be much welcomed additions. With a movie that tries to be so big, brilliant and perfect, it is small wonder that the famous Howard Hughes filled the role of producer. What we end up with is a hybrid between a traditional film noir entry and something out of left field.
The story evolves slowly, with a strong sense of mystery hanging around as to the real objectives until the final lap. Better still, Farrow reveals...
Directed by John Farrow
Written by Frank Fenton, Jack Leonard
U.S.A., 1951
John Farrow’s His Kind of Woman! has it all, and so, so much more. Sometimes the best entries in a film genre or series are the ones that need to add different ingredients to spice things up a little bit. Certain conventions must be adhered to, but the development of some less expected qualities may prove to be much welcomed additions. With a movie that tries to be so big, brilliant and perfect, it is small wonder that the famous Howard Hughes filled the role of producer. What we end up with is a hybrid between a traditional film noir entry and something out of left field.
The story evolves slowly, with a strong sense of mystery hanging around as to the real objectives until the final lap. Better still, Farrow reveals...
- 4/6/2012
- by Edgar Chaput
- SoundOnSight
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