Tune in to Investigation Discovery at 9:00 Pm on Wednesday, May 8, 2024, for an intriguing episode of “Murder in the Heartland” Season 6 titled “Money is a Motive.” This gripping installment takes viewers to Casey, Illinois, where a seemingly tragic house fire reveals a shocking truth: Scott Collins was murdered.
As investigators delve deeper into Scott’s life, they uncover a web of secrets and deceit that suggest his death was not a random act. Despite the revelations about Scott’s past, authorities struggle to identify his killer. However, a surprising twist emerges when it’s revealed that Scott’s German Shepherd holds the key to solving the case.
With suspenseful twists and turns, “Money is a Motive” promises to keep viewers on the edge of their seats as they follow the investigation unfold in the heartland of America. Don’t miss out on this captivating episode of “Murder in the Heartland...
As investigators delve deeper into Scott’s life, they uncover a web of secrets and deceit that suggest his death was not a random act. Despite the revelations about Scott’s past, authorities struggle to identify his killer. However, a surprising twist emerges when it’s revealed that Scott’s German Shepherd holds the key to solving the case.
With suspenseful twists and turns, “Money is a Motive” promises to keep viewers on the edge of their seats as they follow the investigation unfold in the heartland of America. Don’t miss out on this captivating episode of “Murder in the Heartland...
- 5/1/2024
- by Jules Byrd
- TV Everyday
20) Road Signs
The only thing we know about the future is that it will be different.
Peter Drucker
Home Box Office has dodged more bullets than Wyatt Earp at the Ok Corral. Going on the satellite in 1975 turned the company from a regional possibility into a national success; then came “hitting the wall” and the challenge of VCRs in the 1980s; and then there was the late 1990s course correction which turned the service into an original series king; and then there was the struggle of the Chris Albrecht years and the WGA strike.
Today, HBO has its big hits – Game of Thrones and True Blood, and its second tier, buzz-making winners like Girls, The Newsroom, Veep and Treme. Medical dramedy Getting On, and Looking – often described as a gay Sex and the City – show the service hasn’t gotten any shyer about trying to tackle provocative subject matter in risky ways.
The only thing we know about the future is that it will be different.
Peter Drucker
Home Box Office has dodged more bullets than Wyatt Earp at the Ok Corral. Going on the satellite in 1975 turned the company from a regional possibility into a national success; then came “hitting the wall” and the challenge of VCRs in the 1980s; and then there was the late 1990s course correction which turned the service into an original series king; and then there was the struggle of the Chris Albrecht years and the WGA strike.
Today, HBO has its big hits – Game of Thrones and True Blood, and its second tier, buzz-making winners like Girls, The Newsroom, Veep and Treme. Medical dramedy Getting On, and Looking – often described as a gay Sex and the City – show the service hasn’t gotten any shyer about trying to tackle provocative subject matter in risky ways.
- 2/14/2014
- by Bill Mesce
- SoundOnSight
Dialogue with Hugh and Christie Hefner
Fifty years ago this month, the centerfold became a staple of American culture. Once a frequent target for feminists and conservatives, Playboy has now grown into an adult-entertainment empire encompassing 20 international TV networks as well as lucrative licensing and online divisions. The Hollywood Reporter Los Angeles TV editor Scott Collins recently spoke with Hugh Hefner, the company's 77-year-old founder, and his daughter, Christie, chairman and CEO of Playboy Enterprises, about the company's 50th anniversary and future plans.
- 12/4/2003
- The Hollywood Reporter - Movie News
Dialogue with Warner Bros. TV Group's Rosenblum
As the 2002-03 TV season wraps tonight, Warner Bros. already has a keen eye on the 2003-04 campaign. The studio will field a record 28 primetime network series, and with other Warner Bros.-owned entities factored in, the volume of TV production for network, syndication and cable rises to more than 50 series for the coming season. The Hollywood Reporter Los Angeles TV editor Scott Collins sat down in New York last week with the man who oversees it all, Warner Bros. TV Group executive vp Bruce Rosenblum, to find out why the studio is producing so many new shows and how it plans to hedge its bets.
- 5/21/2003
- The Hollywood Reporter - Movie News
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