Carrie has lunch with Petrovsky's ex Juliette B. who tells her he always gives priority to his art above his partner- she finds that true and has a generally bad time. Charlotte prepares with Anthony...
Three of the girls deal with loved ones from their past. For Carrie it's trying to become just good friends again with Mr. Big, who now is with Natasha and even tells her they are already engaged. ...
While Carrie and Stanford hang out at the bar of Brasserie 8 1/2 in midtown Manhattan, they run into Lynn Cameron, an old friend, who is producing a NY fashion show featuring real models and famous ...
A New York City writer on sex and love is finally getting married to her Mr. Big. But her three best girlfriends must console her after one of them inadvertently leads Mr. Big to jilt her.
Director:
Michael Patrick King
Stars:
Sarah Jessica Parker,
Kim Cattrall,
Cynthia Nixon
While wrestling with the pressures of life, love, and work in Manhattan, Carrie, Miranda, and Charlotte join Samantha for a trip to Abu Dhabi (United Arab Emirates), where Samantha's ex is filming a new movie.
Director:
Michael Patrick King
Stars:
Sarah Jessica Parker,
Kim Cattrall,
Kristin Davis
A troubled youth becomes embroiled in the lives of a close-knit group of people in the wealthy, upper-class neighborhood of Newport Beach, Orange County, California.
Half-brothers Lucas and Nathan Scott trade between kinship and rivalry both on the basketball court and in the hearts of their friends in the small, but not so quiet town of Tree Hill, North Carolina.
Stars:
Chad Michael Murray,
James Lafferty,
Hilarie Burton
Four friends band together against an anonymous foe who threatens to reveal their darkest secrets, while also investigating the disappearance of their best friend.
Stars:
Troian Bellisario,
Ashley Benson,
Lucy Hale
New Yorker and new doctor Zoe Hart accepts an offer from a stranger, Dr. Harley Wilkes, to work in his medical practice in Bluebell, Alabama. She arrives to find he has died and left half the practice to her in his will.
Kristin Davis was offered the role of Carrie Bradshaw but she turned it to down to play Charlotte York. See more »
Goofs
In the earlier series, the exterior the Carrie's apartment was another apartment block (in one episode we see a couple having sex through this windows). In later series, the exterior changes to the street outside and the other apartment seems to have moved. See more »
Quotes
Carrie:
It's a slippery slope. First you're going once a week, and then it's three times a week, and then the next thing you know, you're starting every sentence with, "My shrink says".
Miranda:
My shrink says thats a very common fear.
See more »
Alternate Versions
The producers cut a scene featuring a terrorist alert from the fifth season after deciding it was inappropriate. The show's main character Carrie Bradshaw - played by Sarah Jessica Parker - was to be seen being blocked when she tried to get onto a roped off New York subway which had been closed by the authorities. See more »
I first caught SATC in the late nineties, and thought it was great. At the time the show really captured a certain nineties sensibility - it was cynical, tongue-in-cheek, adult. Though not your average SATC fan - heterosexual, thirty-something male working in IT - I became obsessed, and was sure to see each new episode the first time it aired. However, over time I became disillusioned with the series.
First, I eventually read the book. Despite the author's reluctance to say anything, the show never was much like the book, and has - over the years - strayed far far away. The book is, like most of Candace Bushnell's work, insightful and witty, with its humor derived from a certain urbane severity; it shares more with the works of Carrie Fischer and Tama Janowitz than any of the stuff now labeled Chick Lit.
Bushnell's characters may fall in love, even marry. They may have Manolos and Birkin bags, but this is all background noise of sorts. Bushnell is an under-rated pop-anthropologist, depicting the tribes that inhabit the big city. We may no longer be hunting our food, or struggling to keep the fire going, but it is still all about survival. Bushnell is great at depicting the primal hunger that, while it once made man fight to the death over territory or a fresh kill, now makes women deck themselves out in top gear and hunt down that Banker or Fortune 500 Executive, or fight tooth-and-nail to break through the glass ceiling.
Second, somewhere midlife, SATC, the show, got lost. All that incidental stuff - the shoes and bags, and places-to-be-seen - moved from the background to the foreground. The show became one long glossy luxury goods advertisement, the kind found in Vanity Fair. The movie underlines this - while there are great story lines, etc, the theatrical release is one obscene orgy of consumerism and decadence.
Too bad. The last years of SATC is an insult to both the book and the early years of the show. It is certainly an insult to the public, but - considering SATC was most popular in its later years - maybe the insult is much deserved.
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I first caught SATC in the late nineties, and thought it was great. At the time the show really captured a certain nineties sensibility - it was cynical, tongue-in-cheek, adult. Though not your average SATC fan - heterosexual, thirty-something male working in IT - I became obsessed, and was sure to see each new episode the first time it aired. However, over time I became disillusioned with the series.
First, I eventually read the book. Despite the author's reluctance to say anything, the show never was much like the book, and has - over the years - strayed far far away. The book is, like most of Candace Bushnell's work, insightful and witty, with its humor derived from a certain urbane severity; it shares more with the works of Carrie Fischer and Tama Janowitz than any of the stuff now labeled Chick Lit.
Bushnell's characters may fall in love, even marry. They may have Manolos and Birkin bags, but this is all background noise of sorts. Bushnell is an under-rated pop-anthropologist, depicting the tribes that inhabit the big city. We may no longer be hunting our food, or struggling to keep the fire going, but it is still all about survival. Bushnell is great at depicting the primal hunger that, while it once made man fight to the death over territory or a fresh kill, now makes women deck themselves out in top gear and hunt down that Banker or Fortune 500 Executive, or fight tooth-and-nail to break through the glass ceiling.
Second, somewhere midlife, SATC, the show, got lost. All that incidental stuff - the shoes and bags, and places-to-be-seen - moved from the background to the foreground. The show became one long glossy luxury goods advertisement, the kind found in Vanity Fair. The movie underlines this - while there are great story lines, etc, the theatrical release is one obscene orgy of consumerism and decadence.
Too bad. The last years of SATC is an insult to both the book and the early years of the show. It is certainly an insult to the public, but - considering SATC was most popular in its later years - maybe the insult is much deserved.