The man is not in black. He is in nothing at all. Wearing his nakedness calmly, like a fact so obvious it requires no explanation, an 86-year-old Chinese male stands up slowly in the otherwise empty gallery of Paris’ famous Bouffes du Nord theatre. The artfully peeling, faded-grandeur interior, dim but for gathered pools of warm light, booms with the sound of his wooden seat swinging back into place, then with the creaks of the floorboards under his bare feet. This is the arresting opening to Chinese documentarian Wang Bing’s other Cannes 2023 film, “Man in Black,” a project so diametrically different from his Competition entry “Youth: Spring” that it feels hard to credit them both to the same person. Perhaps we shouldn’t. This brief but profoundly moving film represents such a consummate collaboration between director, cinematographer, editor and subject that its authorship could be recorded as a four-way tie.
- 7/1/2023
- by Jessica Kiang
- Variety Film + TV
Éric Baudelaire on Une Fleur À La Bouche and When There Is No More Music to Write, and Other Roman Stories: “These two flower stories were sort of overlapping in my mind subconsciously, but it wasn’t a conscious thing.”
In my conversation with Eric Baudelaire, the director of When There Is No More Music to Write, and Other Roman Stories also screened) and A Flower In The Mouth (Une Fleur À La Bouche) co-written with Anne-Louise Trividic, starring Oxmo Puccino and Dali Benssalah, we discussed his work with editor Claire Atherton, music historian Maxime Guitton connecting him to composer Alvin Curran, a Luigi Pirandello play, Michelangelo Antonioni’s Zabriskie Point, Robert Musil and Young Törless (Der junge Törless).
Éric Baudelaire with Anne-Katrin Titze on When There Is No More Music To Write, And Other Roman Stories: “The flower vendor in Rome has been a subject of preoccupation for me since 2017 …”
From Paris,...
In my conversation with Eric Baudelaire, the director of When There Is No More Music to Write, and Other Roman Stories also screened) and A Flower In The Mouth (Une Fleur À La Bouche) co-written with Anne-Louise Trividic, starring Oxmo Puccino and Dali Benssalah, we discussed his work with editor Claire Atherton, music historian Maxime Guitton connecting him to composer Alvin Curran, a Luigi Pirandello play, Michelangelo Antonioni’s Zabriskie Point, Robert Musil and Young Törless (Der junge Törless).
Éric Baudelaire with Anne-Katrin Titze on When There Is No More Music To Write, And Other Roman Stories: “The flower vendor in Rome has been a subject of preoccupation for me since 2017 …”
From Paris,...
- 4/6/2022
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Claire Atherton is one of the most influential, yet least well-known, movie editors. A close collaborator with Chantal Akerman, Éric Baudelaire, Elsa Quinette, Noëlle Pujol, Andreas Bolm and many others, she has worked on some of the most significant experimental films in recent memory. As the recipient of this year’s 2019 Vision Award Ticinomoda, the award given by the Locarno Festival to artists “working out of the spotlight,” she makes history as the first woman to receive the prestigious honor.In celebration of her work the festival presented La vie est ailleurs, D’est, and Noëlle Pujol and Andreas Bolm's Alle Kinder bis auf eines.. Atherton’s presence in these features is felt through their negative spaces: their stillness, their lack of dialogue, their brave leap into the unknown. Yet, as Life Is on the Other Side tells us, those who are absent have never really left. Atherton’s animation...
- 9/5/2019
- MUBI
The Golden Leopard goes to Portugal for Pedro Costa’s Vitalina Varela.
Portuguese filmmaker Pedro Costa received Locarno Film Festival’s top honour, the Golden Leopard, for his latest feature Vitalina Varela which had its world premiere in the Swiss festival’s international competition.
Scroll down for full list of winners
The international jury headed by French filmmaker and novelist Catherine Breillat also presented the Leopard for best actress to the 55-year-old Cape Verde islander Vitalina Varela for her performance in the film named after herself.
This is the second time Costa had taken home one of the main awards...
Portuguese filmmaker Pedro Costa received Locarno Film Festival’s top honour, the Golden Leopard, for his latest feature Vitalina Varela which had its world premiere in the Swiss festival’s international competition.
Scroll down for full list of winners
The international jury headed by French filmmaker and novelist Catherine Breillat also presented the Leopard for best actress to the 55-year-old Cape Verde islander Vitalina Varela for her performance in the film named after herself.
This is the second time Costa had taken home one of the main awards...
- 8/17/2019
- by Martin Blaney
- ScreenDaily
The 72nd Locarno Film Festival, a longtime beacon of the international indie filmmaking community, is being shaken up under new artistic director Lili Hinstin. She is the Swiss event’s second female chief since it was founded in 1946 and one of the few women to head an A-list fest.
Hinstin takes the reins from Italy’s Carlo Chatrian who went on to become Berlinale co-director after six years at Locarno’s helm, his last edition characterized by movies with women at their center. The Swiss fest will run Aug. 7-17.
In announcing her selection, Hinstin, who previously headed France’s Entrevues Belfort Intl. Film Festival, says she’s aiming to “surprise, perturb and raise questions” and points out that “the choices you make for your first festival all tend to become a kind of manifesto.”
The Locarno opener is clearly significant: “If Only,” a partly autobiographical sentimental comedy about three kids of divorced parents,...
Hinstin takes the reins from Italy’s Carlo Chatrian who went on to become Berlinale co-director after six years at Locarno’s helm, his last edition characterized by movies with women at their center. The Swiss fest will run Aug. 7-17.
In announcing her selection, Hinstin, who previously headed France’s Entrevues Belfort Intl. Film Festival, says she’s aiming to “surprise, perturb and raise questions” and points out that “the choices you make for your first festival all tend to become a kind of manifesto.”
The Locarno opener is clearly significant: “If Only,” a partly autobiographical sentimental comedy about three kids of divorced parents,...
- 8/6/2019
- by Nick Vivarelli
- Variety Film + TV
Titles include Patrick Vollrath’s hijack thriller 7500, starring Joseph Gordon-Levitt, and Dutch actress Halina Reijn’s racy feature debut Instinct.
The Locarno Film Festival’s new artistic director Lili Hinstin unveiled an eclectic inaugural selection on Wednesday (July 17), including world premieres of German director Patrick Vollrath’s hijack thriller 7500, starring Joseph Gordon-Levitt, and Dutch actress Halina Reijn’s racy feature debut Instinct, co-starring Carice van Houten and Marwan Kenzari.
Scroll down for line-up
They are among 12 films due to play to an audience of 8,000 spectators on Locarno’s world-famous Piazza Grande alongside Quentin Tarantino’s Once Upon A Time… In Hollywood,...
The Locarno Film Festival’s new artistic director Lili Hinstin unveiled an eclectic inaugural selection on Wednesday (July 17), including world premieres of German director Patrick Vollrath’s hijack thriller 7500, starring Joseph Gordon-Levitt, and Dutch actress Halina Reijn’s racy feature debut Instinct, co-starring Carice van Houten and Marwan Kenzari.
Scroll down for line-up
They are among 12 films due to play to an audience of 8,000 spectators on Locarno’s world-famous Piazza Grande alongside Quentin Tarantino’s Once Upon A Time… In Hollywood,...
- 7/17/2019
- by Melanie Goodfellow
- ScreenDaily
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSThanks to a donation of Dkk 300 million, the Danish Film Institute will now "digitise, study and disseminate Denmark’s entire silent film heritage, consisting of some 415 titles with a combined running time of around 350 hours." The project is the largest film dissemination effort in Danish history, as the films will be made available in an "online universe" for streaming. The iconoclastic French-Mauritanian filmmaker (and actor!) Med Hondo has died at the age of 82. Tambay Obenson provides a thorough remembrance at Indiewire, which includes this perceptive quote from the auteur: “I decided to make films to bring some black faces to the lily-white French screens, which have been ignoring us and the black contribution to the world for years.” The Tribeca Film Festival has announced the lineup for its 2019 edition, which includes films by Werner Herzog...
- 3/6/2019
- MUBI
Few filmmakers have seen a spike in attention over these past six months quite like Chantal Akerman, albeit for the worst of reasons. Following her passing in October, now widely believed to have been by her own hand, the Belgian icon’s cinema is more widely than ever recognized for the genius of its many approaches to form. And so while we’re reflecting so heavily for, yes, the worst of reasons, now might also be the best time for an in-depth documentary about what she gave us.
I Don’t Belong Anywhere: The Cinema of Chantal Akerman seeks to do just that, with director Marianne Lambert (Akerman’s former unit production manager) following the filmmaker during the making of No Home Movie while stringing together a discussion of the many films in her oeuvre and the numerous places they span — Paris, Brussels, Israel, and New York among them. The...
I Don’t Belong Anywhere: The Cinema of Chantal Akerman seeks to do just that, with director Marianne Lambert (Akerman’s former unit production manager) following the filmmaker during the making of No Home Movie while stringing together a discussion of the many films in her oeuvre and the numerous places they span — Paris, Brussels, Israel, and New York among them. The...
- 3/22/2016
- by Nick Newman
- The Film Stage
The inner turmoil of Chantal Akerman's new documentary, which premiered in the International Competition of the Locarno Film Festival, is clear from its paradoxical title. Brazenly called No Home Movie, it consisting almost entirely of footage of the great Belgian director's elderly mother in her home in Brussels. In this strict confinement, No Home Movie is shot digitally in a far more loose and imprecise technique than Akerman's film-films, but is still composed around the director's characteristic structural motifs of closed and open doors, windows, and other constricting frames within frames. With few external excursions (mysterious intercessions of footage of the Israeli desert, as well as Chantal, while traveling in anonymous hotel rooms, Skyping her mother), No Home Movie is a taut but patient observation of the emptying stillness of a home inhabited by someone getting older and sicker."Your camera, every time," her mother cluckingly, affectionately nags, when...
- 8/27/2015
- by Daniel Kasman
- MUBI
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