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Zabriskie Point (1970)

R | | Drama | March 1970 (Argentina)
At Zabriskie Point, United States' lowest point, two perfect strangers meet; an undergraduate dreamer and a young hippie student who start off an unrestrained romance, making love on the dusty terrain.

Writers:

Michelangelo Antonioni (story), Michelangelo Antonioni (screenplay) | 4 more credits »
Reviews
1 win & 1 nomination. See more awards »

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Cast

Complete credited cast:
Mark Frechette ... Mark
Daria Halprin ... Daria
Paul Fix ... Cafe Owner
G.D. Spradlin ... Lee's Associate
Bill Garaway Bill Garaway ... Morty
Kathleen Cleaver ... Kathleen
Rod Taylor ... Lee Allen
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Storyline

An epic portrait of late Sixties America, as seen through the portrayal of two of its children: anthropology student Daria (who's helping a property developer build a village in the Los Angeles desert) and dropout Mark (who's wanted by the authorities for allegedly killing a policeman during a student riot)... Written by Michael Brooke <michael@everyman.demon.co.uk>

Plot Summary | Add Synopsis

Taglines:

It's where a boy and a girl come together and blow their minds. See more »

Genres:

Drama

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

March 1970 (Argentina) See more »

Also Known As:

Dolina smrti See more »

Filming Locations:

Zzyzx, California, USA See more »

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Box Office

Budget:

$7,000,000 (estimated)

Cumulative Worldwide Gross:

$83,827
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (alternate)

Sound Mix:

Mono

Color:

Color (Metrocolor)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Included among the "1001 Movies You Must See Before You Die", edited by Steven Schneider. See more »

Goofs

When Mark is stealing the airplane in L.A., the shadow of the camera equipment mounted atop the engine compartment can be seen briefly as he makes a turn while taxiing. See more »

Quotes

Daria: You want some smoke?
Mark: You know, you're taking to a guy under discipline.
Daria: What's that?
Mark: Dope, I guess. But, this group I was in had rules against smoking. They were into a reality trip.
Daria: What a drag!
See more »

Alternate Versions

In the original version, the song that's playing when Daria drives away at the very end and over the closing "End" title card is a Roy Orbison song, but in the 1984 MGM/UA Home Video version it's a continuation of the Pink Floyd song. The 1991 MGM/UA Home Video version restores the Orbison song. See more »

Connections

Referenced in Inferno: Reflections of Rose with Irene Miracle (2011) See more »

Soundtracks

Dance of Death
Written and performed by John Fahey
Courtesy Takoma Records
See more »

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User Reviews

 
Unique, underrated, unforgettable!
25 May 2007 | by ajji-2See all my reviews

This is the film in Antonioni's middle period that most critics dismiss quickly, as a 'flawed' look at 60s American youth culture/politics. For what it's worth, I found it more touching and memorable than his more acclaimed films like L'AVVENTURA, perhaps because he shows more emotion & empathy here than anywhere else. The story is simple, but it is used as a frame for Antonioni's brilliant observations of, and critique on American consumerist culture, student life, the counter-culture, and the whole anti-establishment, anti-war backlash that was so prominent then.

Even from a purely technical point of view, it is a remarkably crafted film; from the opening credits sequence to the bizarre desert 'love-in', to the use of billboards, and right down to that jaw-dropping, cathartic finale that used 17 camera set-ups (in it's own way, as powerful as the climax of The Wild Bunch). Also, Antonioni chose one hell of a leading lady with Daria Halperin, one of the most beautiful ever to grace the screen. There isn't much 'acting' involved, as this feels more like a docu-drama, and so the use of non- professionals as the lead couple works quite effectively within that context. And the soundtrack is not only filled with marvelous music, its use is impressive as well (I can't forget the start of the film, mostly due to the selection of music - by Pink Floyd - that grooms the visuals so well).

Contrary to popular opinion, this is quite an achievement in cinema, and one I would enthusiastically recommend to anyone with a taste or tolerance for the off- beat. Well worth seeking out, and one of those key films of the 60s that demands a DVD restoration/release.


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