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Zabriskie Point (1970)

R | | Drama | March 1970 (Argentina)
At Zabriskie Point, United States' lowest point, two perfect strangers meet; an undergraduate dreamer and a young hippie student who start off an unrestrained romance, making love on the dusty terrain.

Writers:

Michelangelo Antonioni (story), Michelangelo Antonioni (screenplay) | 4 more credits »
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1 win & 1 nomination. See more awards »

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Cast

Complete credited cast:
Mark Frechette ... Mark
Daria Halprin ... Daria
Paul Fix ... Cafe Owner
G.D. Spradlin ... Lee's Associate
Bill Garaway Bill Garaway ... Morty
Kathleen Cleaver ... Kathleen
Rod Taylor ... Lee Allen
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Storyline

An epic portrait of late Sixties America, as seen through the portrayal of two of its children: anthropology student Daria (who's helping a property developer build a village in the Los Angeles desert) and dropout Mark (who's wanted by the authorities for allegedly killing a policeman during a student riot)... Written by Michael Brooke <michael@everyman.demon.co.uk>

Plot Summary | Add Synopsis

Taglines:

Zabriskie Point- How you get there depends on where you're at See more »

Genres:

Drama

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

March 1970 (Argentina) See more »

Also Known As:

Dolina smrti See more »

Filming Locations:

Zzyzx, California, USA See more »

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Box Office

Budget:

$7,000,000 (estimated)

Gross USA:

$891,918, 31 December 1971
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (alternate)

Sound Mix:

Mono

Color:

Color (Metrocolor)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

The old car that Daria is driving is a 1952 Buick Special De Luxe. See more »

Goofs

When Mark is stealing the airplane in L.A., the shadow of the camera equipment mounted atop the engine compartment can be seen briefly as he makes a turn while taxiing. See more »

Quotes

Mark: Hear any news about the strike?
Daria: Not much. I prefer music.
Mark: It's getting like they don't even report it unless two or three hundred people get hurt.
Daria: Yeah, some kind of record.
Mark: Or, a cop.
Daria: Oh, a cop did get killed and some bushes were trampled. I was trying to find a rock station. I think they said the guy who killed the cop was white.
Mark: Oo, white man takin' up arms for the blacks, huh? Just like old John Brown.
See more »

Alternate Versions

The 1991 MGM/UA Home Video version has the original Roy Orbison song intact over the closing "End" title card. The 1984 MGM/UA Home Video version just features a continuation of the Pink Floyd song. See more »

Connections

Referenced in Unrequited Love (2006) See more »

Soundtracks

Mickey's Tune
Written by David Lindley (uncredited)
Performed by the Kaleidoscope
See more »

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User Reviews

 
A Rare Treat
19 August 2000 | by harry-76See all my reviews

About two hundred members of a Cleveland, Ohio USA film society, named Cinematheque, gathered on August 19, 2000 to view a pristine Cinemascope print of Michelangelo Antonioni's 1970 film, "Zabriskie Point." Cinematheque Director John Ewing, who does a superlative job of obtaining the finest prints for his series, shared with the audience beforehand that this print was specially flown over from Italy for this one showing only.

The audience was held spellbound as the film unfolded its artisty on the huge panoramic screen. Watching this superb print, shown the way Antonioni intended, made one aware that this is indeed a modern art work. It was all the more fitting that the series is housed in the Cleveland Insititue of Art in University Circle.

Antonioni's compositions are created for the Cinemascope landscape. His beautiful balancing of images, striking use of colors, sweeping choreographic movements, all are the work of a genuine artist, using the screen as his canvas.

At last the audience could understand "Zabriskie Point." As its narrative unfolded, it became obvious that this work is not about story per se, but rather an artist's impressionistic rendering of fleeting images of his subject. The setting of some of the more turbulent activities of the sixties provides only a dramatic motor for the artist's sweeping collage.

Antonioni is not bound by conventional narrative standards, and can pause at any point to creatively embroider an event with grandiose embellishments. The audience willingly went with the flow of his remarkable imagination, as his huge images on the massive canvas held one in rapt attention. While the audience may have been only tangentially involved in character relationships, it realized the theme here is human aleination, the director's recurring theme.

It was also realized that no print any smaller or of lesser quality than this original one in Cinemascope can do justice to this particular rendering. The audience was therefore all the more appreciative of viewing "Zabriskie Point" in its original, breathtaking format, and broke into thunderous applause at the end.


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