At a time of chronic civil unrest in the USA, at Zabriskie Point in Death Valley, California, a young revolutionary and an anthropology student meet and start an unrestrained relationship by... Read allAt a time of chronic civil unrest in the USA, at Zabriskie Point in Death Valley, California, a young revolutionary and an anthropology student meet and start an unrestrained relationship by making love on the dusty terrain.At a time of chronic civil unrest in the USA, at Zabriskie Point in Death Valley, California, a young revolutionary and an anthropology student meet and start an unrestrained relationship by making love on the dusty terrain.
IMDb RATING
7.0/10
16K
YOUR RATING
- Director
- Writers
- Michelangelo Antonioni(story)
- Franco Rossetti(screenplay)
- Sam Shepard(screenplay)
- Stars
Top credits
- Director
- Writers
- Michelangelo Antonioni(story)
- Franco Rossetti(screenplay)
- Sam Shepard(screenplay)
- Stars
- Awards
- 1 win & 1 nomination
Videos1
Martin Abrahams
- Radical Studentas Radical Student
- (uncredited)
Lee Duncan
- Highway Patrolmanas Highway Patrolman
- (uncredited)
George Dunn
- Airport Mechanicas Airport Mechanic
- (uncredited)
Harrison Ford
- Arrested Studentas Arrested Student
- (uncredited)
Jim Goldrup
- College Studentas College Student
- (uncredited)
Norman Grabowski
- Man in Delias Man in Deli
- (uncredited)
Philip Baker Hall
- Diner Owneras Diner Owner
- (uncredited)
Bill Hickman
- Gun store owneras Gun store owner
- (uncredited)
- …
- Director
- Writers
- Michelangelo Antonioni(story) (screenplay)
- Franco Rossetti(screenplay)
- Sam Shepard(screenplay)
- All cast & crew
- See more cast details at IMDbPro
Storyline
An epic portrait of late-1960s America as seen through the portrayal of two of its children: anthropology student Daria who's helping a property developer build a village in the Los Angeles desert, and dropout Mark who's wanted by the authorities for allegedly killing a policeman during a student riot. —Michael Brooke <michael@everyman.demon.co.uk>
- Taglines
- Zabriskie Point- How you get there depends on where you're at
- Genre
- Certificate
- R
- Parents guide
Did you know
- TriviaIn real life, Mark Frechette led a counterculture life much like his character's in the film. Three years after the release of this film, he was imprisoned for his part in a bank hold-up in Boston. He died in prison in 1975 during a weightlifting exercise when a barbell fell on his neck.
- GoofsZabriskie Point, in Death Valley National Park (California, USA) is not actually the lowest-elevation point in the United States. That would be Badwater Basin, at a depth of 282 feet below sea level, which is also located in Death Valley National Park about 20 miles away.
- Quotes
[booking a protester]
Cop: Occupation?
William S. Polit, protester: Associate professor of history.
Cop: That's too long, Bill. I'll just put down clerk.
- Alternate versionsIn the original version, the song that's playing when Daria drives away at the very end and over the closing "End" title card is a Roy Orbison song, but in the 1984 MGM/UA Home Video version it's a continuation of the Pink Floyd song. The 1991 MGM/UA Home Video version restores the Orbison song.
- ConnectionsEdited into Histoire(s) du cinéma: La monnaie de l'absolu (1999)
Top review
A Rare Treat
About two hundred members of a Cleveland, Ohio USA film society, named Cinematheque, gathered on August 19, 2000 to view a pristine Cinemascope print of Michelangelo Antonioni's 1970 film, "Zabriskie Point." Cinematheque Director John Ewing, who does a superlative job of obtaining the finest prints for his series, shared with the audience beforehand that this print was specially flown over from Italy for this one showing only.
The audience was held spellbound as the film unfolded its artisty on the huge panoramic screen. Watching this superb print, shown the way Antonioni intended, made one aware that this is indeed a modern art work. It was all the more fitting that the series is housed in the Cleveland Insititue of Art in University Circle.
Antonioni's compositions are created for the Cinemascope landscape. His beautiful balancing of images, striking use of colors, sweeping choreographic movements, all are the work of a genuine artist, using the screen as his canvas.
At last the audience could understand "Zabriskie Point." As its narrative unfolded, it became obvious that this work is not about story per se, but rather an artist's impressionistic rendering of fleeting images of his subject. The setting of some of the more turbulent activities of the sixties provides only a dramatic motor for the artist's sweeping collage.
Antonioni is not bound by conventional narrative standards, and can pause at any point to creatively embroider an event with grandiose embellishments. The audience willingly went with the flow of his remarkable imagination, as his huge images on the massive canvas held one in rapt attention. While the audience may have been only tangentially involved in character relationships, it realized the theme here is human aleination, the director's recurring theme.
It was also realized that no print any smaller or of lesser quality than this original one in Cinemascope can do justice to this particular rendering. The audience was therefore all the more appreciative of viewing "Zabriskie Point" in its original, breathtaking format, and broke into thunderous applause at the end.
The audience was held spellbound as the film unfolded its artisty on the huge panoramic screen. Watching this superb print, shown the way Antonioni intended, made one aware that this is indeed a modern art work. It was all the more fitting that the series is housed in the Cleveland Insititue of Art in University Circle.
Antonioni's compositions are created for the Cinemascope landscape. His beautiful balancing of images, striking use of colors, sweeping choreographic movements, all are the work of a genuine artist, using the screen as his canvas.
At last the audience could understand "Zabriskie Point." As its narrative unfolded, it became obvious that this work is not about story per se, but rather an artist's impressionistic rendering of fleeting images of his subject. The setting of some of the more turbulent activities of the sixties provides only a dramatic motor for the artist's sweeping collage.
Antonioni is not bound by conventional narrative standards, and can pause at any point to creatively embroider an event with grandiose embellishments. The audience willingly went with the flow of his remarkable imagination, as his huge images on the massive canvas held one in rapt attention. While the audience may have been only tangentially involved in character relationships, it realized the theme here is human aleination, the director's recurring theme.
It was also realized that no print any smaller or of lesser quality than this original one in Cinemascope can do justice to this particular rendering. The audience was therefore all the more appreciative of viewing "Zabriskie Point" in its original, breathtaking format, and broke into thunderous applause at the end.
helpful•7629
- harry-76
- Aug 19, 2000
Details
Box office
- Budget
- $7,000,000 (estimated)
- Gross worldwide
- $84,879
- Runtime1 hour 53 minutes
- Sound mix
- Aspect ratio
- 2.35 : 1
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