Hello everyone! A new month is upon us and we have an eclectic array of films heading to Blu-ray and DVD this week to kick things off. Arrow Video has put together a 4-Disc Limited Edition Collector’s Set celebrating Bill Rebane called Weird Wisconsin, and Code Red is releasing The Love Butcher on Blu-ray as well. Paramount is showing some love to the cult film Mommie Dearest as well with a brand new Blu in 4K, and we also have a few new indie titles arriving on June 1st—Spare Parts and Sorority House.
The Love Butcher
A string of murders in a posh neighborhood has the police department stumped and the local press is breathing down their necks. Strangely, nobody notices that several victims share the same gardener, a bent, elderly man with a crippled arm named Caleb. Even though all of the murder weapons are lawn care tools,...
The Love Butcher
A string of murders in a posh neighborhood has the police department stumped and the local press is breathing down their necks. Strangely, nobody notices that several victims share the same gardener, a bent, elderly man with a crippled arm named Caleb. Even though all of the murder weapons are lawn care tools,...
- 6/2/2021
- by Heather Wixson
- DailyDead
Let’s give three cheers for, well, three things: special effects people, cartoonishly terrorizing punks, and Tab Hunter showing up to save the day. This trifecta (and much more) is brought to you by Grotesque (1988), a truly loopy home invasion thriller with enough turns for two films and enough B movie savvy to have you laughing along with it.
Given a limited theatrical run by Empire Pictures in September, Grotesque wasn’t even embraced by horror fans, who were thoroughly thrown off by the tonal whiplash present in the final product; I get it, but at the same time it gives you so much movie for your money that it can’t be faulted on its ambitions.
An interminable opening kicks us off, as we watch a maiden locked in a castle get accosted by a cloaked monster. The film suddenly cuts, and we find ourselves in a Hollywood screening room,...
Given a limited theatrical run by Empire Pictures in September, Grotesque wasn’t even embraced by horror fans, who were thoroughly thrown off by the tonal whiplash present in the final product; I get it, but at the same time it gives you so much movie for your money that it can’t be faulted on its ambitions.
An interminable opening kicks us off, as we watch a maiden locked in a castle get accosted by a cloaked monster. The film suddenly cuts, and we find ourselves in a Hollywood screening room,...
- 12/19/2020
- by Scott Drebit
- DailyDead
Prepare to be corrupted and depraved once more as Nucleus Films releases the sequel to the definitive guide to the Video Nasties phenomenon – the most extraordinary and scandalous era in the history of British film. Video Nasties: The Definitive Guide Part 2, a three-disc collector’s edition box set, is being released on DVD on July 14th 2014, to tie in with the 30th Anniversary of the Video Recordings Act 1984.
For the first time ever on DVD, all 82 films that fell foul of the Director of Public Prosecutions “Section 3” list are trailer-featured with specially filmed intros for each title, alongside a brand new documentary – Video Nasties: Draconian Days (review), directed by Jake West.
And to celebrate the release, Film4 FrightFest is hosting a special event – the world exclusive London Premiere of the finalised unseen extended 97 minute cut of Video Nasties: Draconian Days at The Prince Charles Cinema on Thurs 3 July, 8.30pm. The...
For the first time ever on DVD, all 82 films that fell foul of the Director of Public Prosecutions “Section 3” list are trailer-featured with specially filmed intros for each title, alongside a brand new documentary – Video Nasties: Draconian Days (review), directed by Jake West.
And to celebrate the release, Film4 FrightFest is hosting a special event – the world exclusive London Premiere of the finalised unseen extended 97 minute cut of Video Nasties: Draconian Days at The Prince Charles Cinema on Thurs 3 July, 8.30pm. The...
- 5/21/2014
- by Phil Wheat
- Nerdly
There is a fine line between stereo-typing and the honest portrayal of criminals in cinema. Films such as Public Enemy (1931), Goodfellas, and both versions of Scarface (1932 and 1983) are examples of films both under attack and praised for its portrayal of criminals. Brian De Palma’s version of Scarface especially divides audiences and critics as to whether the character of Cuban import Tony Montana is a racial caricature or an honest look at greed and corruption. Blaxploitation cinema’s portrayal of criminals is no different drawing criticism from the African-American community, especially Rev. Jesse Jackson and the NAACP. The pimps and drug pushers in Blaxploitation cinema are considered just the same, walking the line of stereo-type and being socially conscious.
#5 The Candy Tangerine Man (1975)
Written by Mikel Angel
Directed by Matt Cimber
“Your cash ain’t nothin’ but trash.”
The Baron is a Sunset Blvd pimp that pushes his women to...
#5 The Candy Tangerine Man (1975)
Written by Mikel Angel
Directed by Matt Cimber
“Your cash ain’t nothin’ but trash.”
The Baron is a Sunset Blvd pimp that pushes his women to...
- 11/4/2012
- by Gregory Day
- SoundOnSight
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