Mommie Dearest (1981)

The abusive and traumatic adoptive upbringing of Christina Crawford at the hands of her mother, screen queen Joan Crawford, is depicted.

Director:

Frank Perry

Writers:

Christina Crawford (book), Frank Yablans (screenplay)

Stars:

Faye Dunaway, Diana Scarwid, Steve Forrest

9 wins & 11 nominations.

Cast

Cast overview, first billed only:
Faye Dunaway	...	Joan Crawford
Diana Scarwid	...	Christina Crawford (Adult)
Steve Forrest	...	Greg Savitt
Howard Da Silva	...	L.B. Mayer
Mara Hobel	...	Christina Crawford (Child)
Rutanya Alda	...	Carol Ann
Harry Goz	...	Al Steele
Michael Edwards	...	Ted Gelber
Jocelyn Brando	...	Barbara Bennett
Priscilla Pointer	...	Mrs. Chadwick
Joe Abdullah	...	Captain
Gary Allen	...	Jimmy (Photographer)
Selma Archerd	...	Connie
Adrian Aron	...	Wedding Guest
Xander Berkeley	...	Christopher Crawford (Adult)

Storyline

The relationship between Christina Crawford and her adoptive mother Joan Crawford is presented from Christina's view. Unable to bear children, Joan, in 1940, was denied children through regular adoption agencies due to her twice divorced status and being a single working person. Her lover at the time, Metro-Goldwyn-Mayer lawyer Greg Savitt, was able to go through a brokerage to adopt a baby girl, who would be Christina, the first of Joan's four adoptive children. Joan believes that her own difficult upbringing has made her a stronger person, and decides that, while providing the comforts that a successful Hollywood actress can afford, she will not coddle Christina or her other children, she treating Christina more as a competitor than a daughter. Joan's treatment of Christina is often passive-aggressive, fueled both by the highs and lows of her career, the narcissism that goes along with being an actress, and alcohol abuse especially during the low times. However, Joan sees much of ...

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Plot Keywords:

actress | adopted daughter | strict mother | borderline personality disorder | bad mother | 

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Taglines:

Faye Dunaway is Joan Crawford, a star...a legend...and a mother...The illusion of perfection.

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Genres:

Biography | Drama

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Certificate:

R

Details

Country:

USA

Language:

English

Release Date:

25 September 1981 (USA)

Also Known As:

Mommie Dearest

Filming Locations:

417 Amapola Lane, Bel Air, Los Angeles, California, USA

Box Office

Budget:

$5,000,000 (estimated)

Opening Weekend USA:

$905,920, 20 September 1981, Limited Release

Gross USA:

$19,032,261

Cumulative Worldwide Gross:

$25,032,261

Company Credits

Production Co:

Paramount Pictures

Technical Specs

Runtime:

129 min

Sound Mix:

Mono

Color:

Color (Metrocolor)

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

Franco Zeffirelli was approached to direct the film, but Christina Crawford disliked his vision of Joan as a glamorous Hollywood martyr.

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Goofs

At Christina's birthday party, a camera shadow is seen against the backs of those watching the horse rides.

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Quotes

Joan Crawford: [Joan is pouring booze from her flask] Hey, you know where I got this from?
Christina: Uh uh.
Joan Crawford: BATISTA himself.
Christina: Yeah?
Joan Crawford: When I opened a plant outside Havana.
Christina: That's all they gave you?
Joan Crawford: That's it. Cheap bastards.

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Alternate Versions

CBS edited 10 minutes from this film for its 1983 network television premiere.

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Connections

Referenced in The Originals: Exquisite Corpse (2015)

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Soundtracks

Minuet in F (from Water Music)
(uncredited)
Written by George Frideric Handel

User Reviews

"Why can't you treat me like I would be treated by any stranger on the street?"

"Because I am NOT one of your FANS!"

Simply said, this is superb trash. Enjoyable b.s. Faye Dunaway lobbied hard for the role of Joan Crawford (Christina Crawford wanted Anne Bancroft) and she admirably sinks into the part with relish. I loved the opening montage of "Joan" preparing for her day early in the morning: scrubbing her hands and nails, numbing her face in ice cubes, leafing through a script in her car, getting made-up, and then whirling around in her chair and letting loose with a breathy, "Let's go!"... Sadly, Frank Perry's direction is awkward and unsure, cutting off some sequences before they're allowed to build and letting other scenes ramble on. The movie doesn't do justice to the riveting book by Joan's adopted daughter Christina, committing to film the book's highlights, the talked-about bits where Crawford freaked out, but skimping on the details. We learn absolutely nothing about Christina's many tormented years in an L.A. Catholic Boarding School (we see her check in and we see her check out). Joan's marriage to Pepsi czar Alfred Steele and her three other adopted kids are also given the short shrift. What we do get with "Mommie Dearest" is pure, unadulterated Faye. She acts up a storm and revels in these primal opportunities. It's one of the highlights of her spotty career. **1/2 from ****