Film at Lincoln Center has announced the cinephile-favorite Revivals section for the 60th New York Film Festival, coming to NYC September 30 through October 16. The program showcases new restorations and preservations of important works from canonical filmmakers.
This year’s selection includes the hard-to-find “The Mother and the Whore” — which cameoed in the form of a poster featured in 2005’s “The Squid and the Whale” and brought the scandalous Jean Eustache some renewed attention. Starring Jean-Pierre Léaud, Bernadette Lafont, and Françoise Lebrun, the philosophical love triangle set against the sexual revolution divided Cannes audiences in 1973. Earlier this year, the Les Films du Losange restoration opened the Cannes Classics section. It makes its North American premiere at NYFF.
Many of the significant works featured in the lineup include the world premiere restoration of Claire Denis’ “No Fear No Die”; a new 4K restoration of Glauber Rocha’s incendiary, audience-provoking “Black God, White Devil...
This year’s selection includes the hard-to-find “The Mother and the Whore” — which cameoed in the form of a poster featured in 2005’s “The Squid and the Whale” and brought the scandalous Jean Eustache some renewed attention. Starring Jean-Pierre Léaud, Bernadette Lafont, and Françoise Lebrun, the philosophical love triangle set against the sexual revolution divided Cannes audiences in 1973. Earlier this year, the Les Films du Losange restoration opened the Cannes Classics section. It makes its North American premiere at NYFF.
Many of the significant works featured in the lineup include the world premiere restoration of Claire Denis’ “No Fear No Die”; a new 4K restoration of Glauber Rocha’s incendiary, audience-provoking “Black God, White Devil...
- 8/23/2022
- by Ryan Lattanzio
- Indiewire
Following Main Slate, Spotlight, and Currents, the 60th New York Film Festival have now unveiled its final film-focused section with Revivals. Featuring brand-new restorations of works by Claire Denis, Pedro Costa, Edward Yang, Jean Eustache, Manoel de Oliveira, Cauleen Smith, Kira Muratova, and more, it’s quite a stellar lineup of lesser-known works by established auteurs as well as long-underseen films by directors deserving of more acclaim.
“The Revivals section continues to look beyond acknowledged and revered classics, and to challenge the conventions of the canon,” said Florence Almozini, Senior Director of Programming at Film at Lincoln Center. “This year’s lineup proves once again that even relatively recent decades are full of potential cinematic discoveries, by showcasing significant works from artists of diverse backgrounds and origins in striking new restorations.”
See the lineup below ahead of the festival, taking place September 30-October 16.
Beirut the Encounter
Borhane Alaouié, 1981, Lebanon, 97m
Arabic with English subtitles
U.
“The Revivals section continues to look beyond acknowledged and revered classics, and to challenge the conventions of the canon,” said Florence Almozini, Senior Director of Programming at Film at Lincoln Center. “This year’s lineup proves once again that even relatively recent decades are full of potential cinematic discoveries, by showcasing significant works from artists of diverse backgrounds and origins in striking new restorations.”
See the lineup below ahead of the festival, taking place September 30-October 16.
Beirut the Encounter
Borhane Alaouié, 1981, Lebanon, 97m
Arabic with English subtitles
U.
- 8/23/2022
- by Leonard Pearce
- The Film Stage
The Berlin International Film Festival has made a series of additions to its 2022 program, including unveiling the Books At Berlinale industry event lineup and a selection of films for the Forum strand.
As reported yesterday, the festival is slimming down the core days of its film program this year, with all premieres taking place February 10-16, and repeat screenings running 17-20. Cinemas will also be at 50% capacity, among other restrictions.
Also announced yesterday was the opening film, François Ozon’s Peter Von Kant.
Today, the fest has revealed the 10 books that will take part in Books At Berlinale this year, which is part of the Co-Production market and will thus run virtually as per the rest of the industry activity in the European Film Market.
Berlin has also announced a selection of titles in its Forum Special titles, including films that continue the Fiktionsbescheinigung series that began as part of...
As reported yesterday, the festival is slimming down the core days of its film program this year, with all premieres taking place February 10-16, and repeat screenings running 17-20. Cinemas will also be at 50% capacity, among other restrictions.
Also announced yesterday was the opening film, François Ozon’s Peter Von Kant.
Today, the fest has revealed the 10 books that will take part in Books At Berlinale this year, which is part of the Co-Production market and will thus run virtually as per the rest of the industry activity in the European Film Market.
Berlin has also announced a selection of titles in its Forum Special titles, including films that continue the Fiktionsbescheinigung series that began as part of...
- 1/13/2022
- by Tom Grater
- Deadline Film + TV
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