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The Squid and the Whale (2005)

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2:25 | Trailer
Follows two young boys dealing with their parents' divorce in Brooklyn in the 1980s.

Director:

Noah Baumbach

Writer:

Noah Baumbach
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Popularity
2,309 ( 166)
Nominated for 1 Oscar. Another 23 wins & 47 nominations. See more awards »

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Cast

Cast overview, first billed only:
Owen Kline ... Frank Berkman
Jeff Daniels ... Bernard Berkman
Laura Linney ... Joan Berkman
Jesse Eisenberg ... Walt Berkman
William Baldwin ... Ivan
David Benger David Benger ... Carl
Anna Paquin ... Lili
Molly Barton Molly Barton ... Graduate Student
Bo Berkman Bo Berkman ... Graduate Student
Matthew Kaplan Matthew Kaplan ... Graduate Student
Simon Kaplan Simon Kaplan ... Graduate Student
Matthew Kirsch Matthew Kirsch ... Graduate Student
Daniella Markowicz Daniella Markowicz ... Graduate Student
Elizabeth Meriwether ... Graduate Student
Ben Schrank Ben Schrank ... Graduate Student
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Storyline

In 1986, In Brooklyn, New York, the dysfunctional family of pseudo intellectuals composed by the university professor Bernard and the prominent writer Joan split. Bernard is a selfish, cheap and jealous decadent writer that rationalizes every attitude in his family and life and does not accept "philistines" - people that do not read books or watch movies, while the unfaithful Joan is growing as a writer and has no problems with "philistines". Their sons, the teenager Walt and the boy Frank, feel the separation and take side: Walt stays with Bernard, and Frank with Joan, and both are affected with abnormal behaviors. Frank drinks booze and smears with sperm the books in the library and a locker in the dress room of his school. The messed-up and insecure Walt uses Roger Water's song "Hey You" in a festival as if it was of his own, and breaks up with his girlfriend Sophie. Meanwhile Joan has an affair with Frank's tennis teacher Ivan and Bernard with his student Lili. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Add Synopsis

Taglines:

Joint Custody Blows.

Genres:

Comedy | Drama

Motion Picture Rating (MPAA)

Rated R for strong sexual content, graphic dialogue and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

16 December 2005 (USA) See more »

Also Known As:

The Squid and the Whale See more »

Filming Locations:

New York City, New York, USA See more »

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Box Office

Budget:

$1,500,000 (estimated)

Opening Weekend USA:

$129,844, 9 October 2005

Gross USA:

$7,372,734

Cumulative Worldwide Gross:

$11,098,131
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

|

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

In the scene where school official Ms. Lemon discusses Frank's behavior with Bernard & Joan, director Noah Baumbach's father, Jonathan Baumbach, can be seen through the glass window behind her. See more »

Goofs

The shelves of the school library include the 1997 Encyclopedia of Africa South of the Sahara and the "Millennium 2000" World Book encyclopedia. See more »

Quotes

[first lines]
Frank Berkman: Mom and me versus you and Dad.
See more »

Crazy Credits

The end credits include this dedication: "For Mannie". See more »

Connections

Referenced in Chelsea Lately: Episode #6.114 (2012) See more »

Soundtracks

Let's Go
Written by Glenn Mercer (as Glenn K. Sybesma) & Bill Million (as William J. Clayton)
Performed by The Feelies
Courtesy of Pravda Records, Inc.
See more »

Frequently Asked Questions

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User Reviews

 
I've never been so interested in people I don't care about
5 September 2013 | by rooprectSee all my reviews

The opening scene hits us with a bunch of characters who are so unlikeable that you may wonder what's the point in watching their lives for 81 minutes. In hindsight, and after watching the DVD interview with writer/director Noah Baumbach, I'm sure this was deliberate. By disliking (or rather disconnecting from) the characters at the outset, the audience can take a more objective, emotionless view of this dysfunctional family--much the same way the family approaches itself.

So don't expect many weepy scenes where you say to yourself, "I feel exactly like that character!" Because unless you're an egotistical snob of a father who ironically swears like a common sailor at his kids, or unless you're the cluelessly devoted son who parrots everything the father says, or the passive-aggressive mother who has affairs rather than confront her marital problems, or the younger son who seems pretty cool until he inexplicably starts doing disgusting things in the library (and I mean disgusting!), then I don't think you'll immediately associate with any character in the film. Not the way you might in a standard Hollywood crowd pleaser.

If you can make it past that, "The Squid and the Whale" becomes a thoroughly engaging, entertaining, and at times funny experience. It kept me riveted from start to finish, and I found myself wishing it had been longer.

A word about the humor: don't expect any big gags. In fact, in the interview Noah talks about how he had to tell the actors *not* to read their lines as if they're funny. He didn't intend it to be a comedy, but still (owing largely to the fantastic deadpan performances by Jeff Daniels & Jesse Eisenberg) you might find yourself cracking up at how plain bizarre everything is. Jeff Daniels (the father) in particular plays such a satirical caricature of a horrible parent that there's no other way to interpret his character than: a clown.

Something that has to be mentioned is the setting & time period of this film. Brooklyn 1986. Although I'm not a Brooklynite, I can speak as an 80s kid who loved all the minor references... clothes, hairstyles, Burger King collectible glasses at the dinner table, and the music! They picked a few gems I probably haven't heard since '86. All of this adds tremendous authenticity to the story and takes you on a sort of fantasy ride. It's hard to believe they got 21st century Brooklyn to look like 1986 on a small indie budget of $1.5 million, but I thought it was flawless.

On a filmmaking level, I noticed some cute nods to the French New Wave school of film (handheld cameras swinging back & forth for jarring effect à la "Jules & Jim" by Truffaut) and a general Godard-ish, brooding vibe to the whole presentation while not afraid to show bright, vibrant scenes. Whether or not you're a fan of New Wave, if you like unconventional camera work you'll probably get a kick out of Noah's approach.

Film I would compare this to are the excellent "City Island" which is on the lighter side, "The Savages" which is on the darker side, and "The Beaver" which is on the mildly psychotic side. Don't hesitate to see any one of them if you get the chance.


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