What’s a film without distribution? The Popcorn List sets out to make sure that doesn’t happen to the best indies.
Founded by Lela Meadow-Conner and Barbara Twist, the inaugural annual survey spotlights 20 features that debuted at major or regional film festivals this past year and come highly recommended by festival programmers. Nineteen out of the 20 movies have reviews on Letterboxd, despite not yet having theatrical or digital distribution in the U.S. All 20 have won awards — including Audience Awards and Jury Awards — at festivals like Sundance and SXSW.
Billed as being The Black List for undistributed films, the 2024 Popcorn List highlights independent films that are currently still without domestic U.S. distribution, like the documentary “Chasing Chasing Amy” about the making of Kevin Smith’s comedy.
The other 18 are: “Ajoomma,” “American Pot Story: Oaksterdam,” “Art for Everybody,” “Asog,” “Blood Sweat & Beers,” “Caterpillar,” “Citizen Sleuth,” “City of Wind,” “Crows Are White,...
Founded by Lela Meadow-Conner and Barbara Twist, the inaugural annual survey spotlights 20 features that debuted at major or regional film festivals this past year and come highly recommended by festival programmers. Nineteen out of the 20 movies have reviews on Letterboxd, despite not yet having theatrical or digital distribution in the U.S. All 20 have won awards — including Audience Awards and Jury Awards — at festivals like Sundance and SXSW.
Billed as being The Black List for undistributed films, the 2024 Popcorn List highlights independent films that are currently still without domestic U.S. distribution, like the documentary “Chasing Chasing Amy” about the making of Kevin Smith’s comedy.
The other 18 are: “Ajoomma,” “American Pot Story: Oaksterdam,” “Art for Everybody,” “Asog,” “Blood Sweat & Beers,” “Caterpillar,” “Citizen Sleuth,” “City of Wind,” “Crows Are White,...
- 4/2/2024
- by Samantha Bergeson
- Indiewire
Full Circle Lab Philippines, the Southeast Asian project and talent development programme, has revealed the line-up for its upcoming sixth edition, including a drama set against the backdrop of The Beatles infamous visit to Manila in 1966.
The labs will comprise eight projects in development, three films in post-production, eight emerging producers and three story editors. A total of 35 participants and 10 mentors are set to participate in the in-person workshop, held in the Central Luzon region in the north of Manila from March 19-24, followed by online sessions, which run until September.
Scroll down for full list of projects and participants...
The labs will comprise eight projects in development, three films in post-production, eight emerging producers and three story editors. A total of 35 participants and 10 mentors are set to participate in the in-person workshop, held in the Central Luzon region in the north of Manila from March 19-24, followed by online sessions, which run until September.
Scroll down for full list of projects and participants...
- 3/7/2024
- ScreenDaily
One of the most popular events at the 34th Singapore International Film Festival (Sgiff) was a panorama event where six of the country’s leading indie film lights shared a panel to discuss opportunities and challenges.
Opportunities are plentiful, with the festival world embracing Singaporean films and filmmakers warmly. Hong Kong-based Anthony Chen has had a stellar year with his directorial efforts “Drift” and “The Breaking Ice” which premiered at Sundance and Cannes, respectively. The latter was selected as Singapore’s entry to the 2024 Oscars.
Among Chen’s fellow panelists, Jow Zhi Wei’s “Tomorrow is a Long Time” premiered at the Berlinale this year; Nicole Midori Woodford’s “Last Shadow at First Light” at San Sebastian; and Nelson Yeo’s “Dreaming & Dying” won two major awards at Locarno.
Also on the panel were Kelvin Tong and Chai Yee Wei whose “A Year of No Significance” and “Wonderland,” respectively,...
Opportunities are plentiful, with the festival world embracing Singaporean films and filmmakers warmly. Hong Kong-based Anthony Chen has had a stellar year with his directorial efforts “Drift” and “The Breaking Ice” which premiered at Sundance and Cannes, respectively. The latter was selected as Singapore’s entry to the 2024 Oscars.
Among Chen’s fellow panelists, Jow Zhi Wei’s “Tomorrow is a Long Time” premiered at the Berlinale this year; Nicole Midori Woodford’s “Last Shadow at First Light” at San Sebastian; and Nelson Yeo’s “Dreaming & Dying” won two major awards at Locarno.
Also on the panel were Kelvin Tong and Chai Yee Wei whose “A Year of No Significance” and “Wonderland,” respectively,...
- 12/10/2023
- by Naman Ramachandran
- Variety Film + TV
Screen is profiling every submission for best international feature at the 96th Academy Awards.
Entries for the 2024 Oscar for best international feature are underway, and Screen is profiling each one on this page.
The 96th Academy Awards is set to take place on March 10, 2024 at the Dolby Theatre in Los Angeles.
An international feature film is defined as a feature-length motion picture (over 40 minutes) produced outside the US with a predominantly (more than 50%) non-English dialogue track and can include animated and documentary features.
Submitted films must have been released theatrically in their respective countries between December 1, 2022, and October 31, 2023. The deadline...
Entries for the 2024 Oscar for best international feature are underway, and Screen is profiling each one on this page.
The 96th Academy Awards is set to take place on March 10, 2024 at the Dolby Theatre in Los Angeles.
An international feature film is defined as a feature-length motion picture (over 40 minutes) produced outside the US with a predominantly (more than 50%) non-English dialogue track and can include animated and documentary features.
Submitted films must have been released theatrically in their respective countries between December 1, 2022, and October 31, 2023. The deadline...
- 10/5/2023
- by Screen staff
- ScreenDaily
Screen is profiling every submission for best international feature at the 96th Academy Awards.
Entries for the 2024 Oscar for best international feature are underway, and Screen is profiling each one on this page.
The 96th Academy Awards is set to take place on March 10, 2024 at the Dolby Theatre in Los Angeles.
An international feature film is defined as a feature-length motion picture (over 40 minutes) produced outside the US with a predominantly (more than 50%) non-English dialogue track and can include animated and documentary features.
Submitted films must have been released theatrically in their respective countries between December 1, 2022, and October 31, 2023. The deadline...
Entries for the 2024 Oscar for best international feature are underway, and Screen is profiling each one on this page.
The 96th Academy Awards is set to take place on March 10, 2024 at the Dolby Theatre in Los Angeles.
An international feature film is defined as a feature-length motion picture (over 40 minutes) produced outside the US with a predominantly (more than 50%) non-English dialogue track and can include animated and documentary features.
Submitted films must have been released theatrically in their respective countries between December 1, 2022, and October 31, 2023. The deadline...
- 10/2/2023
- by Screen staff
- ScreenDaily
Screen is profiling every submission for best international feature at the 96th Academy Awards.
Entries for the 2024 Oscar for best international feature are underway, and Screen is profiling each one on this page.
The 96th Academy Awards is set to take place on March 10, 2024 at the Dolby Theatre in Los Angeles.
An international feature film is defined as a feature-length motion picture (over 40 minutes) produced outside the US with a predominantly (more than 50%) non-English dialogue track and can include animated and documentary features.
Submitted films must have been released theatrically in their respective countries between December 1, 2022, and October 31, 2023. The deadline...
Entries for the 2024 Oscar for best international feature are underway, and Screen is profiling each one on this page.
The 96th Academy Awards is set to take place on March 10, 2024 at the Dolby Theatre in Los Angeles.
An international feature film is defined as a feature-length motion picture (over 40 minutes) produced outside the US with a predominantly (more than 50%) non-English dialogue track and can include animated and documentary features.
Submitted films must have been released theatrically in their respective countries between December 1, 2022, and October 31, 2023. The deadline...
- 9/29/2023
- by Screen staff
- ScreenDaily
Screen is profiling every submission for best international feature at the 96th Academy Awards.
Entries for the 2024 Oscar for best international feature are underway, and Screen is profiling each one on this page.
The 96th Academy Awards is set to take place on March 10, 2024 at the Dolby Theatre in Los Angeles.
An international feature film is defined as a feature-length motion picture (over 40 minutes) produced outside the US with a predominantly (more than 50%) non-English dialogue track and can include animated and documentary features.
Submitted films must have been released theatrically in their respective countries between December 1, 2022, and October 31, 2023. The deadline...
Entries for the 2024 Oscar for best international feature are underway, and Screen is profiling each one on this page.
The 96th Academy Awards is set to take place on March 10, 2024 at the Dolby Theatre in Los Angeles.
An international feature film is defined as a feature-length motion picture (over 40 minutes) produced outside the US with a predominantly (more than 50%) non-English dialogue track and can include animated and documentary features.
Submitted films must have been released theatrically in their respective countries between December 1, 2022, and October 31, 2023. The deadline...
- 9/29/2023
- by Screen staff
- ScreenDaily
Anthony Chen’s well-regarded Mainland China-set “The Breaking Ice” has found favor with multiple European and Asian buyers in the few days since its Sunday premiere as part of the Cannes Film Festival’s Un Certain Regard.
The film narrates a love triangle story among China’s lost youth generation and is set in the middle of winter in Yanji, a town that is heavily populated by ethnic Koreans. It is headlined by a star-studded Chinese cast of Zhou Dongyu (“Better Days”), Liu Haoran (“Detective Chinatown” franchise) and Qu Chuxiao (“The Wandering Earth”).
“The Breaking Ice” has been newly licensed to Challan for release in South Korea, Trigon-Film for Switzerland, One From the Heart for Greece, Tucker Film for Italy and Edko Films for Hong Kong.
Rights sales are handled by Rediance, Mainland China’s leading indie sales company, which reports that addition territory deals are currently being negotiated.
The film narrates a love triangle story among China’s lost youth generation and is set in the middle of winter in Yanji, a town that is heavily populated by ethnic Koreans. It is headlined by a star-studded Chinese cast of Zhou Dongyu (“Better Days”), Liu Haoran (“Detective Chinatown” franchise) and Qu Chuxiao (“The Wandering Earth”).
“The Breaking Ice” has been newly licensed to Challan for release in South Korea, Trigon-Film for Switzerland, One From the Heart for Greece, Tucker Film for Italy and Edko Films for Hong Kong.
Rights sales are handled by Rediance, Mainland China’s leading indie sales company, which reports that addition territory deals are currently being negotiated.
- 5/26/2023
- by Patrick Frater and Naman Ramachandran
- Variety Film + TV
Warwick Thornton’s “The New Boy” has been set as the opening title of next month’s Sydney Film Festival, which will celebrate its 70th edition, June 7-18. The film, a tale of sprituality and survival in 1940s Australia, starring Cate Blanchett, Deborah Mailman, Wayne Blair and Aswan Reid, will also play in the festival’s competition section.
Other titles in competition include: the world premiere of Australian documentary feature “The Dark Emu Story,” directed by Allan Clarke; Christian Petzold’s previously announced “Afire”; Charlotte Regan’s Sundance Grand Jury Prize winner “Scrapper”; Kore-eda Hirokazu’s “Monster”; Aki Kaurismäki’s compassionate comedy “Fallen Leaves”; Kim Jee-woon’s “Cobweb”; Asmae El Moudir’s “The Mother of All Lies”; Alice Englert’s directorial debut “Bad Behaviour”; Celine Song’s Sundance and Berlinale 2023 selected romance “Past Lives”; Liu Jian’s 2023 Berlinale-selected animation “Art College 1994”; Devashish Makhija’s “Joram,” a thriller about an...
Other titles in competition include: the world premiere of Australian documentary feature “The Dark Emu Story,” directed by Allan Clarke; Christian Petzold’s previously announced “Afire”; Charlotte Regan’s Sundance Grand Jury Prize winner “Scrapper”; Kore-eda Hirokazu’s “Monster”; Aki Kaurismäki’s compassionate comedy “Fallen Leaves”; Kim Jee-woon’s “Cobweb”; Asmae El Moudir’s “The Mother of All Lies”; Alice Englert’s directorial debut “Bad Behaviour”; Celine Song’s Sundance and Berlinale 2023 selected romance “Past Lives”; Liu Jian’s 2023 Berlinale-selected animation “Art College 1994”; Devashish Makhija’s “Joram,” a thriller about an...
- 5/10/2023
- by Patrick Frater
- Variety Film + TV
Johnnie To, Watanabe Hirobumi and Jang Sun-woo set to attend.
The Far East Film Festival (Feff), held in the Italian town of Udine, has revealed the full line-up for its landmark 25th edition, which is set to include appearances from filmmakers Johnnie To, Watanabe Hirobumi and Jang Sun-woo.
Running April 21-29, the festival will open with a double bill: He Shuming’s Ajoomma, the first co-production between Singapore and South Korea; and black comedy Bad Education by Taiwan’s Giddens Ko. It will close with Zhang Yimou’s Chinese blockbuster Full River Red.
The festival will screen 78 Asian films from 14 countries,...
The Far East Film Festival (Feff), held in the Italian town of Udine, has revealed the full line-up for its landmark 25th edition, which is set to include appearances from filmmakers Johnnie To, Watanabe Hirobumi and Jang Sun-woo.
Running April 21-29, the festival will open with a double bill: He Shuming’s Ajoomma, the first co-production between Singapore and South Korea; and black comedy Bad Education by Taiwan’s Giddens Ko. It will close with Zhang Yimou’s Chinese blockbuster Full River Red.
The festival will screen 78 Asian films from 14 countries,...
- 4/6/2023
- by Michael Rosser
- ScreenDaily
Italy’s Far East Film Festival unveiled a power-packed lineup Wednesday for its 25th anniversary edition. The largest cinema event in Europe specializing in popular moviemaking from Asia, Feff will open April 21 with an inspired double bill, He Shuming’s hit Korea-Singapore co-production Ajoomma followed by first-time Taiwanese director Kai Ko’s black comedy Bad Education. And on April 29, the curtain will come down on the festival with the Italy premiere of legendary Chinese director Zhang Yimou’s latest blockbuster, Full River Red. Between those dates, the festival will screen 78 Asian films from 14 countries, including nine world premieres.
The organizers of Feff, founded in 1999 in the picturesque northern Italian city of Udine by festival pioneers Sabrina Baracetti and Thomas Bertacche, say the 2023 selection “aims to showcase the immense complexity of Asia more than ever before.” The lineup indeed presents a compelling snapshot of a wildly diverse content’s commercial cinema in flux.
The organizers of Feff, founded in 1999 in the picturesque northern Italian city of Udine by festival pioneers Sabrina Baracetti and Thomas Bertacche, say the 2023 selection “aims to showcase the immense complexity of Asia more than ever before.” The lineup indeed presents a compelling snapshot of a wildly diverse content’s commercial cinema in flux.
- 4/6/2023
- by Patrick Brzeski
- The Hollywood Reporter - Movie News
The Far East Film Festival in Italy’s Udine will open with a double bill of He Shuming’s “Ajoomma” and Kai Ko’s “Bad Education.” It will close with Zhang Yimou’s blockbuster period epic “Full River Red.”
In between, the festival will showcase a stunning 78-title array of commercial and art-house films from across East Asia. Operating according to a motto of diversity –implying cultural asymmetries and artistic multiplicities – the 25th edition of the festival will run April 21-29.
Organizers say that their selection “shows in real time how the cinemas of East and Southeast Asia have re-emerged from the gruelling period of the pandemic, not all in the same way and not all with the same results.”
They point to the impact of Covid, politics and emigration from Hong Kong, and the recent resurgence of Cantonese-language cinema.
Similarly, Udine’s organizers note the recent box office struggles of South Korean cinema,...
In between, the festival will showcase a stunning 78-title array of commercial and art-house films from across East Asia. Operating according to a motto of diversity –implying cultural asymmetries and artistic multiplicities – the 25th edition of the festival will run April 21-29.
Organizers say that their selection “shows in real time how the cinemas of East and Southeast Asia have re-emerged from the gruelling period of the pandemic, not all in the same way and not all with the same results.”
They point to the impact of Covid, politics and emigration from Hong Kong, and the recent resurgence of Cantonese-language cinema.
Similarly, Udine’s organizers note the recent box office struggles of South Korean cinema,...
- 4/5/2023
- by Patrick Frater
- Variety Film + TV
Writer and director He Shuming has signed with Sugar23, the multimedia and management company founded by Oscar-winning producer, manager and entrepreneur Michael Sugar.
The signing comes following He’s breakout debut feature “Ajoomma,” about a widow obsessed with Korean soap operas who travels abroad for the first time to Seoul, finding more than she had bargained for in the process. That movie collected several nominations and prizes on the film festival circuit. It premiered at the 2022 Busan International Film Festival in the New Currents section; was nominated at the Palm Springs International Film Festival for the Fipresci Prize for Best International Film; received four nominations at the Golden Horse Awards in Taipei, including Best New Director, Best Original Screenplay, Best Leading Actress and Best Supporting Actor; and won the Film AIUla Audience Award for Best Film at the Red Sea International Film Festival.
“Ajoomma” was also Singapore’s entry for...
The signing comes following He’s breakout debut feature “Ajoomma,” about a widow obsessed with Korean soap operas who travels abroad for the first time to Seoul, finding more than she had bargained for in the process. That movie collected several nominations and prizes on the film festival circuit. It premiered at the 2022 Busan International Film Festival in the New Currents section; was nominated at the Palm Springs International Film Festival for the Fipresci Prize for Best International Film; received four nominations at the Golden Horse Awards in Taipei, including Best New Director, Best Original Screenplay, Best Leading Actress and Best Supporting Actor; and won the Film AIUla Audience Award for Best Film at the Red Sea International Film Festival.
“Ajoomma” was also Singapore’s entry for...
- 3/24/2023
- by Brent Lang
- Variety Film + TV
Singaporean filmmaker Anthony Chen wears his producers hat at the Hong Kong — Asia Film Financing Forum (Haf) shepherding two projects from debut directors.
Chen’s feature directorial debut “Ilo Ilo” (2013) won the Caméra d’Or at Cannes. His most recent film as director, “Drift,” bowed at Sundance earlier this year. As a producer, Chen’s recent credits include Locarno selection “Arnold Is a Model Student” and Busan selection and Red Sea winner “Ajoomma.”
First up is the English-language animated feature “Skin Coat,” directed by Singapore’s Tan Wei Keong. Set in the 16th century, it will follow a son who returns to his village to see his aging parents, and his male lover has to put on a woman’s skin coat to accompany him back home.
“‘Skin Coat’ is a story that explores identity, alter egos, and love that endures against all odds. As a gay person who grew...
Chen’s feature directorial debut “Ilo Ilo” (2013) won the Caméra d’Or at Cannes. His most recent film as director, “Drift,” bowed at Sundance earlier this year. As a producer, Chen’s recent credits include Locarno selection “Arnold Is a Model Student” and Busan selection and Red Sea winner “Ajoomma.”
First up is the English-language animated feature “Skin Coat,” directed by Singapore’s Tan Wei Keong. Set in the 16th century, it will follow a son who returns to his village to see his aging parents, and his male lover has to put on a woman’s skin coat to accompany him back home.
“‘Skin Coat’ is a story that explores identity, alter egos, and love that endures against all odds. As a gay person who grew...
- 3/12/2023
- by Naman Ramachandran
- Variety Film + TV
Exclusive: Drift director Anthony Chen is gearing up to direct his first US-set project, Heartbeat: A New York Story, about the rarely-told experiences of the Asian gay community during the AIDS epidemic in 1980s New York.
The English-language feature is based on a short story Tea For Two, by acclaimed Taiwanese writer Pai Hsien-yung, and is described as “an emotional and affecting story of self-discovery, grief and hope through the eyes of a Taiwanese gay man.” Singaporean playwright Joel Tan has adapted the short story for the screen.
Singapore-born Chen recently made his English-language debut on Drift, produced by Emilie Georges, Peter Spears and Naima Abed, which filmed in Greece and the UK and received its world premiere at Sundance Film Festival. Heartbeat: A New York Story, which he hopes to start shooting next year, will be his first project filmed in the U.S.
Chen’s Giraffe Pictures will...
The English-language feature is based on a short story Tea For Two, by acclaimed Taiwanese writer Pai Hsien-yung, and is described as “an emotional and affecting story of self-discovery, grief and hope through the eyes of a Taiwanese gay man.” Singaporean playwright Joel Tan has adapted the short story for the screen.
Singapore-born Chen recently made his English-language debut on Drift, produced by Emilie Georges, Peter Spears and Naima Abed, which filmed in Greece and the UK and received its world premiere at Sundance Film Festival. Heartbeat: A New York Story, which he hopes to start shooting next year, will be his first project filmed in the U.S.
Chen’s Giraffe Pictures will...
- 3/12/2023
- by Liz Shackleton
- Deadline Film + TV
There’s a unique emotional displacement that happens to people who migrated when they were old enough to have forged memories of life in their homeland but still young enough to be remolded by a new environment. As the years mount, and you become someone else somewhere else, that previous existence, now so distant from your current reality, begins to fade into a corner of your subconscious covered in the cobwebs of nostalgia.
But what of the people left behind, for whom you exist only as a frozen memory of somebody that you used to be? And if such a person, who only knew that now-nonexistent version of you, re-entered your life today, who would you be to each other? Former friends turned strangers? Living proof of who you both once were and of the moments lost to time?
In her first foray into film, South Korean–born playwright Celine Song...
But what of the people left behind, for whom you exist only as a frozen memory of somebody that you used to be? And if such a person, who only knew that now-nonexistent version of you, re-entered your life today, who would you be to each other? Former friends turned strangers? Living proof of who you both once were and of the moments lost to time?
In her first foray into film, South Korean–born playwright Celine Song...
- 1/24/2023
- by Carlos Aguilar
- The Wrap
Along with “Return to Seoul” and Kore-eda Hirokazu’s “Broker,” Singaporean comedy film “Ajoomma” joins a growing list of recent foreign movies set in Korea or probing contemporary Korean culture.
“Ajoomma,” which premieres at the upcoming Busan International Film Festival on Friday in the New Currents competition section, tells the story of stereotypical Singaporean middle–aged woman (or “auntie”). Her obsession with Korean TV dramas leads her to visit Korea for the first time and as a result, embarks on a journey of self-discovery.
This week, Singapore announced that “Ajoomma” will be its national representative in the International Feature Film race at the Oscars.
Variety spoke with the movie’s director, He Shuming about the story’s inspiration and cross-border production.
Is it correct that this story was inspired by your mom? How did the journey begin?
I was in LA for graduate school at the American Film Institute so...
“Ajoomma,” which premieres at the upcoming Busan International Film Festival on Friday in the New Currents competition section, tells the story of stereotypical Singaporean middle–aged woman (or “auntie”). Her obsession with Korean TV dramas leads her to visit Korea for the first time and as a result, embarks on a journey of self-discovery.
This week, Singapore announced that “Ajoomma” will be its national representative in the International Feature Film race at the Oscars.
Variety spoke with the movie’s director, He Shuming about the story’s inspiration and cross-border production.
Is it correct that this story was inspired by your mom? How did the journey begin?
I was in LA for graduate school at the American Film Institute so...
- 10/6/2022
- by Rebecca Souw
- Variety Film + TV
The Singapore Film Commission has selected He Shuming’s Singapore-Korea co-production Ajoomma as its submission to the best international feature category at the Oscars.
The film, which is He’s feature directorial debut, traces a middle-aged widow’s obsession with Korean pop culture and her journey to self-discovery on a trip to Korea. Chen is a director-producer, with directing credits including Ilo Ilo and Wet Season.
Billed as the first Singapore-Korea co-production, Ajoomma is making its world premiere in the New Currents competition of the Busan International Film Festival, which kicks off tomorrow (October 5-14).
Produced by Chen’s Giraffe Pictures and co-produced by Korea’s Lee Joonhan, the film was supported by Infocomm Media Development Authority (Imda)’s New Director grant. China’s Rediance is handling international sales.
It received four nominations for the upcoming Golden Horse Awards in Taiwan including Best New Director, Best Original Screenplay, Best Leading...
The film, which is He’s feature directorial debut, traces a middle-aged widow’s obsession with Korean pop culture and her journey to self-discovery on a trip to Korea. Chen is a director-producer, with directing credits including Ilo Ilo and Wet Season.
Billed as the first Singapore-Korea co-production, Ajoomma is making its world premiere in the New Currents competition of the Busan International Film Festival, which kicks off tomorrow (October 5-14).
Produced by Chen’s Giraffe Pictures and co-produced by Korea’s Lee Joonhan, the film was supported by Infocomm Media Development Authority (Imda)’s New Director grant. China’s Rediance is handling international sales.
It received four nominations for the upcoming Golden Horse Awards in Taiwan including Best New Director, Best Original Screenplay, Best Leading...
- 10/4/2022
- by Liz Shackleton
- Deadline Film + TV
Click here to read the full article.
The Busan International Film Festival has unveiled its 10-film selection for New Currents, the event’s main competition section that focuses on Asian cinema. Since the festival launched in 1996, the program has been one of the region’s most important platforms for introducing emerging directors.
This year, two Indian films have been selected for the section including Jaishankar Aryar’s debut film Shivamma (2022), which traces the struggles of a poor and uneducated middle-aged woman; and Aamir Bashir’s The Winter Within (2022), which also depicts the suffering of a woman set in the Kashmir region, where political disputes and terrorist attacks are ongoing.
No End (2022) by Iranian filmmaker Nader Saeivar will also premiere in Busan. The film depicts the story of a man who faces brutal violence as a result of a trivial lie. Singapore’s He Shuming, who has earned widespread recognition by...
The Busan International Film Festival has unveiled its 10-film selection for New Currents, the event’s main competition section that focuses on Asian cinema. Since the festival launched in 1996, the program has been one of the region’s most important platforms for introducing emerging directors.
This year, two Indian films have been selected for the section including Jaishankar Aryar’s debut film Shivamma (2022), which traces the struggles of a poor and uneducated middle-aged woman; and Aamir Bashir’s The Winter Within (2022), which also depicts the suffering of a woman set in the Kashmir region, where political disputes and terrorist attacks are ongoing.
No End (2022) by Iranian filmmaker Nader Saeivar will also premiere in Busan. The film depicts the story of a man who faces brutal violence as a result of a trivial lie. Singapore’s He Shuming, who has earned widespread recognition by...
- 9/5/2022
- by Soomee Park
- The Hollywood Reporter - Movie News
Production has wrapped on the long-gestating “Ajoomma,” a feature film that delves into the fascination that Korean pop culture holds for middle-aged women in Asia.
The story, said to be based on the mother of director He Shuming, involves a K-drama-obsessed widow from Singapore who tries to find new purpose in life and instead ends up getting lost in Korea. The script was co-written by He and Kris Ong.
” ‘Ajoomma’ very nicely touches upon a phenomenon that has been taking place across Asia for over a decade – the fascination of middle-aged women across the region with South Korean culture and media,” Chen told Variety. “Now K-drama and culture has literally exploded all over the world.”
“Ajoomma” filmed principally in Seoul, Korea, at the beginning of the year and has now completed its final leg of production in Singapore. Post-prod has begun, putting the film on course for a delivery in the autumn.
The story, said to be based on the mother of director He Shuming, involves a K-drama-obsessed widow from Singapore who tries to find new purpose in life and instead ends up getting lost in Korea. The script was co-written by He and Kris Ong.
” ‘Ajoomma’ very nicely touches upon a phenomenon that has been taking place across Asia for over a decade – the fascination of middle-aged women across the region with South Korean culture and media,” Chen told Variety. “Now K-drama and culture has literally exploded all over the world.”
“Ajoomma” filmed principally in Seoul, Korea, at the beginning of the year and has now completed its final leg of production in Singapore. Post-prod has begun, putting the film on course for a delivery in the autumn.
- 4/5/2022
- by Patrick Frater
- Variety Film + TV
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