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One from the Heart (1982)
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Overview
User Rating:
Director:
Writers:
Release Date:
6 August 1982 (Sweden)
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Tagline:
The Francis Coppola classic that audiences never had the chance to see [re-release] more
Plot:
Hank and Frannie don't seem to be able to live together anymore. After a five-year relationship, lustful...
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Plot Keywords:
Awards:
Nominated for Oscar.
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NewsDesk:
(7 articles)
Stars in Rewind: Tom Waits, Crystal Gayle, and Francis Ford Coppola
(From Cinematical. 5 November 2009, 11:16 AM, PST)
Tuesday Morning Foreign Region DVD Report: "The State of Things" (Wim Wenders, 1982)
(From The Auteurs. 20 October 2009, 8:17 AM, PDT)
(From Cinematical. 5 November 2009, 11:16 AM, PST)
Tuesday Morning Foreign Region DVD Report: "The State of Things" (Wim Wenders, 1982)
(From The Auteurs. 20 October 2009, 8:17 AM, PDT)
User Comments:
The musical beauty of romance, as only Coppola or Woody Allen could picture it
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Cast
(Cast overview, first billed only)| Frederic Forrest | ... | Hank | |
| Teri Garr | ... | Frannie | |
| Raul Julia | ... | Ray | |
| Nastassja Kinski | ... | Leila (as Nastassia Kinski) | |
| Lainie Kazan | ... | Maggie | |
| Harry Dean Stanton | ... | Moe | |
| Allen Garfield | ... | Restaurant Owner (as Allen Goorwitz) | |
| Jeff Hamlin | ... | Airline Ticket Agent | |
| Italia Coppola | ... | Couple in Elevator | |
| Carmine Coppola | ... | Couple in Elevator | |
| Edward Blackoff | ... | Understudy | |
| James Dean | ... | Understudy | |
| Rebecca De Mornay | ... | Understudy (as Rebecca de Mornay) | |
| Javier Grajeda | ... | Understudy | |
| Cynthia Kania | ... | Understudy |
Additional Details
Parents Guide:
Runtime:
107 min
Country:
Language:
Color:
Color (Technicolor)
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Dolby (35 mm prints) |
70 mm 6-Track (70 mm prints)
Certification:
Iceland:12 |
Australia:M |
USA:R (No. 26579) |
Finland:K-7 (DVD rating: 2003) |
Portugal:M/12 |
Argentina:13 |
Chile:14 |
South Korea:18 |
Sweden:7 |
UK:15 |
West Germany:12
Filming Locations:
Company:
Fun Stuff
Trivia:
Ever the pioneer, with this film Coppola was one of the first directors to use a live, from-the-camera video feed, instant playback, and, ultimately, using that video to enable rough cuts made of each scene shot by the next morning making this movie less of a film than a grand experiment and continuous, collaborative work-in-progress.
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Movie Connections:
Referenced in Dangerous Days: Making Blade Runner (2007) (V)
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Soundtrack:
Presents
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FAQ
This FAQ is empty. Add the first question.more (74 total)
Message Boards
Discuss this movie with other users on IMDb message board for One from the Heart (1982)| Recent Posts (updated daily) | User |
|---|---|
| Aspect ratio | rnmboon |
| batmanz/coppola | jackrenglish |
| heart | jackrenglish |
| Just like Vegas... | geordiebianconeri |
| 'Francis Ford Coppola Presents' Font | nclogan2000 |
| junk | rcarr26946 |
Recommendations
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I have never been in the United States, least of all in New York. But through some directors' works I have built up an image of the city that never sleeps that's made of jazz, petty crooks and gangsters, Godard-lovers, intellectual wanna-be socialite... For all I know, New York is what can be seen through the eyes of Woody Allen, Martin Scorsese... and Francis Ford Coppola.
I would pretty much compare ONE FROM THE HEART to Allen's MANHATTAN, in the sense that both are new-yorkers visions of romance and beauty, filtered through a broadway theatrical and glamorous sensibility. This film, however, unlike MANHATTAN, isn't about New York. It's about spining through the spotlights of a city that parties all night long (cabarets, jazz, dance and magical flirts), only to realize that in the end, it's going to be your simple significant other waiting for you in the backstage.
The staging of the whole movie helps a lot, in the sense that's it's all filmed in studio. Magical skies and dawns that make it easy to pass from a store-window directly to a sunset in Bora-Bora; lust and life and music in what I would consider the last great musical. Every once in a while, Coppola gives us a glimpse of his more passionate side. This would then be the sunny side of the melancholic DRACULA.
Add to the magical staging the nightly cabaret-like musical score by Tom Waits and Crystal Gayle and one can't help but be amazed with it all. And I thought I was surprised by Woody Allen's EVERYONE SAYS I LOVE YOU.
If this is the way new-yorkers see life, that's the city I want to live in.