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No End (1985)
"Bez konca" (original title)

 |  Drama  |  17 June 1985 (Poland)
7.7
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Ratings: 7.7/10 from 2,244 users  
Reviews: 10 user | 13 critic

It's 1982: Poland is under martial law, and Solidarity is banned. Ulla, a translator working on Orwell, suddenly loses her husband, Antek, an attorney. She is possessed by her grief, and ... See full summary »

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Cast

Cast overview, first billed only:
Grazyna Szapolowska ...
Urszula Zyro
Maria Pakulnis ...
Joanna Stach
Aleksander Bardini ...
Lawyer Mieczyslaw Labrador
Jerzy Radziwilowicz ...
Antek Zyro
Artur Barcis ...
Darek Stach
Michal Bajor ...
Miecio (aplikant)
Marek Kondrat ...
Tomek, Antek's friend
Tadeusz Bradecki ...
Hipnotyzator
...
American (as Daniel Webb)
Krzysztof Krzeminski ...
Jacek Zyro
Marzena Trybala ...
Marta Duraj
Adam Ferency ...
Rumcajs
Elzbieta Kilarska ...
Antoni's Mother
Jerzy Kamas ...
Judge Biedron
Hanna Dunowska ...
Justyna
Edit

Storyline

It's 1982: Poland is under martial law, and Solidarity is banned. Ulla, a translator working on Orwell, suddenly loses her husband, Antek, an attorney. She is possessed by her grief, and Antek continues to appear to her. She seeks to free herself in her work, in her relationship with her son, in sex, and in hypnosis. In a subplot, Ulla refers the wife of one of her husband's clients Darek, a jailed Solidarity strike organizer to Labrador, a world-weary, aging attorney, who works to free Darek by various political manipulations and psychological ploys. Written by <jhailey@hotmail.com>

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Genres:

Drama

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Release Date:

17 June 1985 (Poland)  »

Also Known As:

No End  »

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Aspect Ratio:

1.85 : 1
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User Reviews

 
Convoluted and difficult
5 January 2000 | by (Evansville, IN) – See all my reviews

Although there is the obvious plot of the grieving wife, the movie is really about Poland under martial law. Probably unable to directly focus on such political topics, Kieslowski attempts to 'hide' this other side beneath a twisted Ghost subplot.

A dark movie, one that demands attentive viewing, this one will probably never be as successful as some of Kieslowski's other works, which have probably led its viewers to pick up this one.


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