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Good Bye, Dragon Inn (2003)
"Bu san" (original title)

7.1
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Ratings: 7.1/10 from 2,304 users   Metascore: 82/100
Reviews: 27 user | 61 critic | 16 from Metacritic.com

On a dark, wet night a historic and regal Chinese cinema sees its final film. Together with a small handful of souls they bid "Goodbye, Dragon Inn."

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Title: Good Bye, Dragon Inn (2003)

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Cast

Credited cast:
Kang-sheng Lee ...
Shiang-chyi Chen ...
Ticket Woman
Kiyonobu Mitamura ...
Japanese tourist
Tien Miao ...
Himself
Chun Shih ...
Himself
Rest of cast listed alphabetically:
Chao-jung Chen
Kuei-Mei Yang ...
Peanut Eating Woman
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Storyline

A Japanese tourist takes refuge from a rainstorm inside a once-popular movie theater, a decrepit old barn of a cinema that is screening a martial arts classic, King Hu's 1966 "Dragon Inn." Even with the rain bucketing down outside, it doesn't pull much of an audience -- and some of those who have turned up are less interested in the movie than in the possibility of meeting a stranger in the dark. Written by Sujit R. Varma

Plot Summary | Add Synopsis

Genres:

Drama | Comedy

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Details

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Release Date:

12 December 2003 (Taiwan)  »

Also Known As:

Goodbye, Dragon Inn  »

Box Office

Opening Weekend:

$5,322 (USA) (17 September 2004)

Gross:

$34,720 (USA) (1 April 2005)
 »

Company Credits

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Technical Specs

Runtime:

| (Buenos Aires Festival Internacional de Cine Independiente)

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Did You Know?

Trivia

The theater used for the film was actually on the brink of being closed, and shortly before the film was released it was indeed closed, in an strange example of life imitating art. See more »

Quotes

Shih Chun: Teacher Miao. Shih-Chun.
[pause]
Shih Chun: Teacher, you came to see the movie?
Tien Miao: I haven't seen a movie in a long time.
Shih Chun: No one goes to the movies anymore, and no one remembers us anymore.
See more »

Connections

References The Eye (2002) See more »

Soundtracks

Chong Feng
by Ge Lan
See more »

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User Reviews

A haunting elegy for a way of life
6 October 2003 | by (Vancouver, B.C.) – See all my reviews

Only yesterday, the last drive-in theater closed in Vancouver. The old movie palaces of my childhood where patrons paid 25 cents to watch a double bill, plus news and cartoons, while listening to the Wurlitzer organ during intermission, are now shopping malls or revivalist churches. In Goodbye Dragon Inn, set in Taipei, Tsai Ming-liang pays tribute to an experience of cinema that is dying. The decaying Fu-Ho theatre theater is about to be torn down but still welcomes the outcasts of society: old men, gay cruisers, the crippled and the lonely, and the ghosts and spirits from a different age. With the rain coming down heavily outside, the theater still attracts few patrons, and those it does are more interested in furtive sexual contacts than watching the film -- stalking their prey through sterile corridors, looking for any shred of human comfort.

In the audience is a gay Japanese man. Only two other people watch the 1961 kung fu classic Dragon Inn by King Hu, considered one of the best martial arts films of all time. A woman with a clubbed foot runs the ticket booth and hobbles around the empty theater, hoping that the projectionist will notice her, but he makes a special point of looking the other way. We soon discover that the two older men watching the movie were the stars of Dragon Inn, basking in their glory days. It is not clear whether they are real or spirits from the past, yet now they sit in the almost empty theater watching their own movie and begin to cry. When the lights come up, there is only row upon row of empty seats.

Tsai Ming-liang is known for his minimalist style, and this film stretches the style to its outer limits. There is no dialogue until about 45 minutes into the picture, and then no more until about 20 minutes after that. Though the mood is somber, the movie has a deadpan humor that redeems its sense of desperation, and a humanism that raises our hopes. Fashioned with poetic solitude and emotional power, Goodbye Dragon Inn is a haunting elegy for a way of life that survives only in the minds of ghosts and old film critics.


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