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Storyline
In this reworking of "No, No, Nanette," wealthy heiress Nanette Carter bets her uncle $25,000 that she can say "no" to everything for 48 hours. If she wins, she can invest the money in a Broadway show featuring songs written by her beau, and of course, in which she will star. Trouble is, she doesn't realize her uncle's been wiped out by the Stock Market crash. Written by
Daniel Bubbeo <dbubbeo@cmp.com>
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Trivia
In this version of the Broadway musical "No, No, Nanette",
Eve Arden plays Pauline, but in the original 1940 version she played Kitty.
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Goofs
Story takes place in weeks immediately following 1929 stock market crash (which occurred in late October), yet guests at East Coast estate where story is set have a pool party and wear summer clothes.
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Crazy Credits
On the DVD release and Turner Classic Movies showings, beneath the credit "Screen Play by Harry Clork" the credit for the play "No, No, Nanette" and its writers as source material is obscured by a reddish-brown smudge. Furthermore, lyricist Irving Caesar was omitted.
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Connections
Referenced in
My Three Sons: Tea for Three (1968)
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Soundtracks
"The Call of the Sea"
(uncredited)
Music by
Vincent Youmans
Lyrics by
Irving Caesar
Sung and Danced by
Patrice Wymore with Chorus, then sung by
Gordon MacRae during Act II
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In her fifth movie, Doris Day finally achieved top-billing, yet she shares the screen equally with a talented ensemble cast, with everyone working hard to inject some sparkle into a wafer-thin concoction. Inspired by the 1920s stage hit "No, No, Nanette" (itself filmed in 1940), this plays out as sort of the backstage story, with Doris betting her wealthy uncle that she won't say 'yes' for 48 hours in exchange for show-money. Unbeknownst to her, uncle S.Z. Sakall has been nearly ruined by the 1929 stock market crash which, incidentally, hasn't kept all the hoofers from hanging up their tap shoes (they're the merriest group of poor, working dancers I've ever seen!). Pleasant tunes, colorful costumes and fun dance routines (including a hair-raising bit with Gene Nelson on a staircase) can't really add excitement to the proceedings, which seems to have been made as a matinée quickie. Day shines (as usual), but her relationships with the men (Nelson, Gordon MacRae, and Billy De Wolf) are unclear, with De Wolf in particular a real wild card (would you believe him as a ladies' man stage producer?). Eve Arden has some funny asides, and the wrap-up is cute, but "Tea for Two" vanishes from the cup just as quickly as it is poured. ** from ****