| Photos (See all 78 | slideshow) | Videos (see all 11) |
Directed by | |||
| Robert Lorenz | |||
Writing credits(WGA) | ||
| Randy Brown | (written by) | |
Produced by | |||
| Clint Eastwood | .... | producer | |
| Robert Lorenz | .... | producer | |
| Tim Moore | .... | executive producer | |
| Michele Weisler | .... | producer | |
Original Music by | |||
| Marco Beltrami | |||
Cinematography by | |||
| Tom Stern | (director of photography) | ||
Film Editing by | |||
| Joel Cox | |||
| Gary Roach | |||
Casting by | |||
| Geoffrey Miclat | |||
Production Design by | |||
| James J. Murakami | |||
Art Direction by | |||
| Patrick M. Sullivan Jr. | |||
Set Decoration by | |||
| Gary Fettis | |||
Makeup Department | |||
| Luisa Abel | .... | makeup department head | |
| Patricia Dehaney-Le May | .... | hair department head | |
| Tracy Ewell | .... | makeup artist | |
| Tracey L. Miller-Smith | .... | makeup artist (as Tracey L. Miller) | |
| Michelle Vittone | .... | makeup artist: Justin Timberlake | |
| Jay Wejebe | .... | key makeup artist | |
Production Management | |||
| Tim Moore | .... | production manager | |
Second Unit Director or Assistant Director | |||
| David M. Bernstein | .... | first assistant director | |
| Paula Case | .... | second assistant director | |
| Simeon Jones | .... | additional second assistant director | |
| Cody Williams | .... | second second assistant director | |
Art Department | |||
| Taylor Bennett | .... | scenic gang boss (as Franklin T. Bennett) | |
| Danny Brown | .... | set designer | |
| Matthew Butler | .... | key greens foreman | |
| Anthony Carlino | .... | leadman | |
| Harris Forman | .... | set designer | |
| Daniel B. Foster | .... | set dresser | |
| Seth Gardner | .... | propmaker | |
| Lucas Godfrey | .... | set dresser | |
| Nelson Hagood | .... | additional set dresser | |
| Rob Hamby | .... | propmaker | |
| Cindy Ichikawa | .... | art department coordinator | |
| Alphonse A. Lambert Jr. | .... | carpenter | |
| Amy Lehman | .... | set decorating coordinator | |
| Eliot Levin | .... | props assistant | |
| Konrad Lewis | .... | on-set dresser | |
| Chuck McCourt | .... | set dresser | |
| John Micheletos | .... | set dresser buyer | |
| Ruth Mitchell | .... | scenic artist | |
| Michael Muscarella | .... | construction coordinator | |
| Rudy Oblak | .... | construction assistant | |
| Neil Palmer | .... | foreman | |
| Neil Palmer | .... | labor foreman | |
| Brandon Pope | .... | greens gangboss | |
| Kenny Sanford | .... | general foreman | |
| Joey Sisson | .... | set dresser | |
| Shea Soutar | .... | standby painter | |
| Steven Tolbert | .... | art department production assistant | |
| Lisa Yeiser | .... | graphic designer | |
Sound Department | |||
| James Ashwill | .... | foley mixer | |
| Bub Asman | .... | supervising sound editor | |
| Michael Babcock | .... | sound effects editor | |
| Gail Carroll-Coe | .... | boom operator | |
| William Cawley | .... | assistant sound editor | |
| Blake Collins | .... | foley mixer | |
| Greg Crawford | .... | adr mixer: Atlanta | |
| John T. Cucci | .... | foley artist | |
| Michael Dressel | .... | supervising foley editor | |
| Susan Dudeck | .... | dialogue editor | |
| Christopher Flick | .... | foley editor | |
| Jonathan Fuh | .... | boom operator | |
| Jonathan Jory | .... | adr mixer: Atlanta | |
| Jason King | .... | sound effects editor | |
| Walt Martin | .... | sound mixer | |
| Ryan Murphy | .... | sound mix technician | |
| Alan Robert Murray | .... | supervising sound editor | |
| Kevin Murray | .... | assistant sound editor | |
| Dan O'Connell | .... | foley artist | |
| Eric Potter | .... | location sound effects mixer | |
| James Simcik | .... | adr supervisor | |
| Karen Spangenberg | .... | adr editor | |
| Katy Wood | .... | supervising dialog editor | |
| Ryan Young | .... | adr recordist | |
Special Effects by | |||
| Steve Riley | .... | special effects supervisor | |
| Dominic V. Ruiz | .... | special effects | |
Visual Effects by | |||
| Phillip Feiner | .... | visual effects supervisor | |
| Samuel P. Larson | .... | compositor | |
| Darin McCormick-Millett | .... | visual effects producer | |
| Michael Owens | .... | visual effects supervisor | |
| Liz Radley | .... | video & computer graphics supervisor | |
| Brad Sutton | .... | digital restoration | |
| Wilson Tang | .... | digital restoration | |
Stunts | |||
| Alex Duke | .... | stunt double | |
| Cal Johnson | .... | stunt performer | |
Casting Department | |||
| Janella Bersabal | .... | extras casting | |
| Barbara Harris | .... | adr voice casting | |
| John McAlary | .... | casting associate | |
| Eve Streger | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Cha Blevins | .... | costume supervisor | |
| Maria Bradley | .... | costumer: prep | |
| Corey Bronson | .... | set costumer | |
| April Brown | .... | costume production assistant | |
| Chris Burns | .... | baseball costumer | |
| Bren Cook | .... | ager/dyer | |
| Brittany Dier | .... | costume assistant | |
| Mitchell Ray Kenney | .... | key costumer | |
| Erinn Knight | .... | shopper | |
| Branden Marks | .... | baseball costumer | |
| Kendra L. Patterson | .... | additional costumer | |
| Sherrie Peterson | .... | set costumer | |
| Margaret Robbs | .... | costume shopper | |
| Heather Sease | .... | costumer | |
| Jack Taggart | .... | head ager/dyer | |
| Myra N. Foy | .... | seamstress (uncredited) | |
Editorial Department | |||
| Jill Bogdanowicz | .... | digital film colorist | |
| David S. Cox | .... | assistant editor (as David Cox) | |
| Blu Murray | .... | first assistant editor | |
| Bob Peishel | .... | digital intermediate producer | |
| Mark Sahagun | .... | digital intermediate editor | |
| Lee Wimer | .... | color timer | |
| Darin Wooldridge | .... | home video mastering colorist | |
Music Department | |||
| Pete Anthony | .... | conductor | |
| Pete Anthony | .... | orchestrator | |
| George Doering | .... | musician | |
| Rossano Galante | .... | orchestrator | |
| Jim Honeyman | .... | orchestrator | |
| Chris McGeary | .... | supervising music editor | |
| Victor Pesavento | .... | music preparation | |
| Peter Rotter | .... | orchestra contractor | |
| Buck Sanders | .... | score producer | |
| Andrew Synowiec | .... | musician | |
Transportation Department | |||
| Tony Barattini | .... | production van driver operator | |
| Tim Barker | .... | transportation | |
| Robert Brubaker | .... | local transportation captain | |
| Arthur C. Chesser | .... | driver | |
| Linda 'Lil' Johnston | .... | driver | |
| Cody Lies | .... | generator operator/driver | |
| Anthony J. Mignano | .... | driver | |
| Kirk Roberts | .... | driver: Clint Eastwood | |
| Vickie Raynor Robison | .... | driver: John Goodman | |
| Randy Southerland | .... | driver | |
| Alana Stelling | .... | transportation captain | |
| Larry Stelling | .... | transportation coordinator | |
| Timothy Stephens | .... | driver: honeywagon | |
| Hank Van Apeldoorn | .... | driver | |
| Susan Van Apeldoorn | .... | driver | |
Other crew | |||
| Corey Brinn | .... | baseball coordinator assistant | |
| Shelby Davis | .... | additional craft service | |
| Tony X. Deale | .... | assistant to executive producer | |
| Jessica Drake | .... | dialect coach: prep | |
| Christopher Flippo | .... | production assistant | |
| Juls Gabsa | .... | assistant to cast | |
| Allen Gerbino | .... | underwater film stage provider | |
| Corey Gilbert | .... | assistant location manager | |
| Corey Gilbert | .... | key assistant location manager | |
| Larry Gilbert | .... | police security | |
| Drew Giles | .... | key stand-in | |
| Kristin Gomez | .... | first assistant accountant | |
| Jason Gondek | .... | production accountant | |
| Stella L. Holmes | .... | set production assistant | |
| Jennifer Hunt | .... | payroll accountant | |
| Michelle Johnson | .... | assistant: ms. weisler | |
| Andrew C. Kirk | .... | on-set assistant location manager | |
| Kristin Kulyniak Deale | .... | production secretary | |
| Madison Lacerte | .... | office production assistant | |
| Austin Lapierre | .... | assistant production coordinator | |
| Aimee McDaniel | .... | baseball coordinator | |
| Patrick Mignano | .... | location manager | |
| Les Morgan | .... | additional set production assistant | |
| Taryn Nagle | .... | base camp production assistant | |
| Steve Olivera | .... | assistant payroll accountant | |
| Vincent Parker | .... | computer playback graphics | |
| Andrew Paulson | .... | second assistant accountant | |
| Jennifer Pedevilla | .... | payroll accountant | |
| Jon Privett | .... | additional craft service | |
| Morgan Riley | .... | accounting clerk | |
| Robert Severance | .... | police security | |
| Michael C. Smith | .... | police coordinator | |
| John Alexander Stern | .... | production assistant (as John Stern) | |
| Stan Swofford | .... | medic coordinator | |
| Landon Trawny | .... | second assistant accountant | |
Thanks | |||
| Xavier Collin | .... | thanks | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
It pains me to say that I've already heard many people say they will not be seeing Trouble with the Curve because of Clint Eastwood's "antics" at the Republican National Convention just a few weeks ago. Their loss. Not being able to separate the man from the actor is something that took me a while to do, but the way some do it now is childish and immature. I wonder if those same people knew Eastwood was a Libertarian/Republican when he was playing "Dirty Harry." Hard to believe it has been nineteen years since Eastwood himself acted in a film he has not directed. He lends the camera to Robert Lorenz, who assisted him in directing much of Eastwood's filmography, including Flags of Our Fathers and the acclaimed Best Picture winner Million Dollar Baby. Lorenz's captures screenwriter Randy Brown's simple but uplifting, intimate story of a man's devotion to a game and his brewing reconnection with his daughter he seemingly abandoned at a young age.
I'll catch you up; Eastwood plays Gus Lobel, an elderly scout for the Atlanta Braves baseball team, who is becoming increasingly frail and ill-equipped with deteriorating eyesight. The Braves are losing faith in Gus's abilities, because in recent years, baseball has been run more by computer predictions and online statistics rather than physically sitting in the stands and scouting. Gus doesn't hold back on his hatred for computers, making them sound like limited fossils and being unable to predict more detailed outcomes. One wonders if he is mindlessly ranting or wouldn't even like a computer if he knew how to use one.
Pete, played by John Goodman, on a roll now with winning films, is Gus's close friend who is convincing the Braves' organization that despite Gus's poor eyesight, that he is an invaluable asset and needs to stay. He recruits Gus's daughter, Mickey (Amy Adams), to assist him in scouting a young prodigy in North Carolina, who currently plays for a high school team. Mickey's mother died when she was young and shortly after, Gus sent her to live with relatives whom she barely knew. During the scouting trip, Mickey winds up meeting one of Gus's friends whom he used to scout back in the day, named Johnny "The Flame" Flanagan (Justin Timberlake), for his one-hundred mile-an-hour fastball. We can see where this is headed.
We can see where much of the film is headed throughout its runtime but it's scarcely a burden because the warmth and bold character study on three of 2012's most interesting characters is a soothing and efficient one. Eastwood turns in the racism and foul rants he expertly utilized in Gran Torino for some nuanced anger as Gus, and as always, comes off as charismatic and effortlessly likable. Amy Adams does some fine work here, showing us that she is an up-and-coming female actress that is going under the radar, somewhat like Emily Blunt, and fearlessly plays the role of a woman in desperate need of answers, which her father will not give her. And Justin Timberlake continues to show is versatility and heart playing a totally different character from his last one and hitting every note properly.
It would appear that screenwriter Aaron Sorkin could have possibly started a new trend with sports films that was seldom seen before his film Moneyball, and that trend is centering a story around a sport but making the center the characters and not the on-field theatrics. Never are we truly consumed in the story of this young scouter, but we shouldn't be. And never were we truly gripped by the Oakland Athletics players in Moneyball - mainly because we never saw them play or were even formally acquainted with them. Both films center around the same sport, but ones' agenda is to show the gritter business side of baseball, while the other is the story of a father and daughter reconnecting with the sport in the foreground. With both films, it's needless to say, I'm all for this brewing trend.
Starring: Clint Eastwood, Amy Adams, Justin Timberlake, Matthew Lillard, and John Goodman. Directed by: Robert Lorenz.