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Directed by | |||
| Robert Lorenz | |||
Writing credits(WGA) | ||
| Randy Brown | (written by) | |
Produced by | |||
| Clint Eastwood | .... | producer | |
| Robert Lorenz | .... | producer | |
| Tim Moore | .... | executive producer | |
| Michele Weisler | .... | producer | |
Original Music by | |||
| Marco Beltrami | |||
Cinematography by | |||
| Tom Stern | (director of photography) | ||
Film Editing by | |||
| Joel Cox | |||
| Gary Roach | |||
Casting by | |||
| Geoffrey Miclat | |||
Production Design by | |||
| James J. Murakami | |||
Art Direction by | |||
| Patrick M. Sullivan Jr. | |||
Set Decoration by | |||
| Gary Fettis | |||
Makeup Department | |||
| Luisa Abel | .... | makeup department head | |
| Patricia Dehaney-Le May | .... | hair department head | |
| Tracy Ewell | .... | makeup artist | |
| Tracey L. Miller-Smith | .... | makeup artist (as Tracey L. Miller) | |
| Michelle Vittone | .... | makeup artist: Justin Timberlake | |
| Jay Wejebe | .... | key makeup artist | |
Production Management | |||
| Tim Moore | .... | production manager | |
Second Unit Director or Assistant Director | |||
| David M. Bernstein | .... | first assistant director | |
| Paula Case | .... | second assistant director | |
| Simeon Jones | .... | additional second assistant director | |
| Cody Williams | .... | second second assistant director | |
Art Department | |||
| Taylor Bennett | .... | scenic gang boss (as Franklin T. Bennett) | |
| Danny Brown | .... | set designer | |
| Matthew Butler | .... | key greens foreman | |
| Anthony Carlino | .... | leadman | |
| Harris Forman | .... | set designer | |
| Daniel B. Foster | .... | set dresser | |
| Seth Gardner | .... | propmaker | |
| Lucas Godfrey | .... | set dresser | |
| Nelson Hagood | .... | additional set dresser | |
| Rob Hamby | .... | propmaker | |
| Cindy Ichikawa | .... | art department coordinator | |
| Alphonse A. Lambert Jr. | .... | carpenter | |
| Amy Lehman | .... | set decorating coordinator | |
| Eliot Levin | .... | props assistant | |
| Konrad Lewis | .... | on-set dresser | |
| Chuck McCourt | .... | set dresser | |
| John Micheletos | .... | set dresser buyer | |
| Ruth Mitchell | .... | scenic artist | |
| Michael Muscarella | .... | construction coordinator | |
| Rudy Oblak | .... | construction assistant | |
| Neil Palmer | .... | foreman | |
| Neil Palmer | .... | labor foreman | |
| Brandon Pope | .... | greens gangboss | |
| Kenny Sanford | .... | general foreman | |
| Joey Sisson | .... | set dresser | |
| Shea Soutar | .... | standby painter | |
| Steven Tolbert | .... | art department production assistant | |
| Lisa Yeiser | .... | graphic designer | |
Sound Department | |||
| James Ashwill | .... | foley mixer | |
| Bub Asman | .... | supervising sound editor | |
| Michael Babcock | .... | sound effects editor | |
| Gail Carroll-Coe | .... | boom operator | |
| William Cawley | .... | assistant sound editor | |
| Blake Collins | .... | foley mixer | |
| Greg Crawford | .... | adr mixer: Atlanta | |
| John T. Cucci | .... | foley artist | |
| Michael Dressel | .... | supervising foley editor | |
| Susan Dudeck | .... | dialogue editor | |
| Christopher Flick | .... | foley editor | |
| Jonathan Fuh | .... | boom operator | |
| Jonathan Jory | .... | adr mixer: Atlanta | |
| Jason King | .... | sound effects editor | |
| Walt Martin | .... | sound mixer | |
| Ryan Murphy | .... | sound mix technician | |
| Alan Robert Murray | .... | supervising sound editor | |
| Kevin Murray | .... | assistant sound editor | |
| Dan O'Connell | .... | foley artist | |
| Eric Potter | .... | location sound effects mixer | |
| James Simcik | .... | adr supervisor | |
| Karen Spangenberg | .... | adr editor | |
| Katy Wood | .... | supervising dialog editor | |
| Ryan Young | .... | adr recordist | |
Special Effects by | |||
| Steve Riley | .... | special effects supervisor | |
| Dominic V. Ruiz | .... | special effects | |
Visual Effects by | |||
| Phillip Feiner | .... | visual effects supervisor | |
| Samuel P. Larson | .... | compositor | |
| Darin McCormick-Millett | .... | visual effects producer | |
| Michael Owens | .... | visual effects supervisor | |
| Liz Radley | .... | video & computer graphics supervisor | |
| Brad Sutton | .... | digital restoration | |
| Wilson Tang | .... | digital restoration | |
Stunts | |||
| Alex Duke | .... | stunt double | |
| Cal Johnson | .... | stunt performer | |
Casting Department | |||
| Janella Bersabal | .... | extras casting | |
| Barbara Harris | .... | adr voice casting | |
| John McAlary | .... | casting associate | |
| Eve Streger | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Cha Blevins | .... | costume supervisor | |
| Maria Bradley | .... | costumer: prep | |
| Corey Bronson | .... | set costumer | |
| April Brown | .... | costume production assistant | |
| Chris Burns | .... | baseball costumer | |
| Bren Cook | .... | ager/dyer | |
| Brittany Dier | .... | costume assistant | |
| Mitchell Ray Kenney | .... | key costumer | |
| Erinn Knight | .... | shopper | |
| Branden Marks | .... | baseball costumer | |
| Kendra L. Patterson | .... | additional costumer | |
| Sherrie Peterson | .... | set costumer | |
| Margaret Robbs | .... | costume shopper | |
| Heather Sease | .... | costumer | |
| Jack Taggart | .... | head ager/dyer | |
| Myra N. Foy | .... | seamstress (uncredited) | |
Editorial Department | |||
| Jill Bogdanowicz | .... | digital film colorist | |
| David S. Cox | .... | assistant editor (as David Cox) | |
| Blu Murray | .... | first assistant editor | |
| Bob Peishel | .... | digital intermediate producer | |
| Mark Sahagun | .... | digital intermediate editor | |
| Lee Wimer | .... | color timer | |
| Darin Wooldridge | .... | home video mastering colorist | |
Music Department | |||
| Pete Anthony | .... | conductor | |
| Pete Anthony | .... | orchestrator | |
| George Doering | .... | musician | |
| Rossano Galante | .... | orchestrator | |
| Jim Honeyman | .... | orchestrator | |
| Chris McGeary | .... | supervising music editor | |
| Victor Pesavento | .... | music preparation | |
| Peter Rotter | .... | orchestra contractor | |
| Buck Sanders | .... | score producer | |
| Andrew Synowiec | .... | musician | |
Transportation Department | |||
| Tony Barattini | .... | production van driver operator | |
| Tim Barker | .... | transportation | |
| Robert Brubaker | .... | local transportation captain | |
| Arthur C. Chesser | .... | driver | |
| Linda 'Lil' Johnston | .... | driver | |
| Cody Lies | .... | generator operator/driver | |
| Anthony J. Mignano | .... | driver | |
| Kirk Roberts | .... | driver: Clint Eastwood | |
| Vickie Raynor Robison | .... | driver: John Goodman | |
| Randy Southerland | .... | driver | |
| Alana Stelling | .... | transportation captain | |
| Larry Stelling | .... | transportation coordinator | |
| Timothy Stephens | .... | driver: honeywagon | |
| Hank Van Apeldoorn | .... | driver | |
| Susan Van Apeldoorn | .... | driver | |
Other crew | |||
| Corey Brinn | .... | baseball coordinator assistant | |
| Shelby Davis | .... | additional craft service | |
| Tony X. Deale | .... | assistant to executive producer | |
| Jessica Drake | .... | dialect coach: prep | |
| Christopher Flippo | .... | production assistant | |
| Juls Gabsa | .... | assistant to cast | |
| Allen Gerbino | .... | underwater film stage provider | |
| Corey Gilbert | .... | assistant location manager | |
| Corey Gilbert | .... | key assistant location manager | |
| Larry Gilbert | .... | police security | |
| Drew Giles | .... | key stand-in | |
| Kristin Gomez | .... | first assistant accountant | |
| Jason Gondek | .... | production accountant | |
| Stella L. Holmes | .... | set production assistant | |
| Jennifer Hunt | .... | payroll accountant | |
| Michelle Johnson | .... | assistant: ms. weisler | |
| Andrew C. Kirk | .... | on-set assistant location manager | |
| Kristin Kulyniak Deale | .... | production secretary | |
| Madison Lacerte | .... | office production assistant | |
| Austin Lapierre | .... | assistant production coordinator | |
| Aimee McDaniel | .... | baseball coordinator | |
| Patrick Mignano | .... | location manager | |
| Les Morgan | .... | additional set production assistant | |
| Taryn Nagle | .... | base camp production assistant | |
| Steve Olivera | .... | assistant payroll accountant | |
| Vincent Parker | .... | computer playback graphics | |
| Andrew Paulson | .... | second assistant accountant | |
| Jennifer Pedevilla | .... | payroll accountant | |
| Jon Privett | .... | additional craft service | |
| Morgan Riley | .... | accounting clerk | |
| Robert Severance | .... | police security | |
| Michael C. Smith | .... | police coordinator | |
| John Alexander Stern | .... | production assistant (as John Stern) | |
| Stan Swofford | .... | medic coordinator | |
| Landon Trawny | .... | second assistant accountant | |
Thanks | |||
| Xavier Collin | .... | thanks | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
I normally do not like movies about sports. I love sports; just not movies about sports. That being said, this film was not so much about baseball as it was about a father and daughter relationship. It also touched on how technology has taken over the human element of scouting for players. This film is the complete opposite of Money Ball, where technology actually helps in building a team. Gus Lobel (Clint Eastwood) is an aging scout for the Atlanta Braves who is struggling with his eyesight and the front office has doubts about whether or not he is still up to the job of spotting up and coming talent. Because of this affliction, Gus is a grumpy old man which actually adds a lot of humor to the film. His character kind of reminded me of the character that Eastwood played in Grand Torino. His daughter Mickey (Amy Adams) discovers that her father is having difficulty, reluctantly takes on the roll of caregiver and follows her father on his scouting adventure. Incidentally, she knows more about baseball than probably anyone else in this film. Johnny Flanagan (Justin Timberlake) is an aspiring sports announcer who was scouted by Gus years ago. The relationship that develops between Mickey (named for Mickey Mantle) and Johnny is fun to watch and provides some insight to Mickey's reluctance to develop a serious relationship with any man. Pete Klein (John Goodman) plays the mediator role that brings Mickey and Gus together. I really liked his unyielding devotion and trust to Gus. It was also good to once again see Scott Eastwood (Billy Clark) act alongside his father. They have acted together in several films, and it was good to see them spending some family time together. I think that the entire cast definitely made this film better and I am sure that it will draw young viewers to the theater. I do not think that this film was utterly brilliant, but it was thoroughly entertaining. There were aspects of the film that were totally predictable, but I looked forward to seeing it play out. Director Robert Lorenz may not have hit it out of the park (like he did with Million Dollar Baby), but I think that it is a definite triple play. I recommend that you do not sit on the bench and go out and see this film. I give this film a green light.