A hard but mediocre cop is assigned to escort a prostitute into custody from Las Vegas to Phoenix, so that she can testify in a mob trial. But a lot of people are literally betting that they won't make it into town alive.
Philo takes part in a bare knuckle fight - as he does - to make some more money than he can earn from his car repair business. He decides to retire from fighting, but when the Mafia come ... See full summary »
Buddy Van Horn
Wes Block is a detective who's put on the case of a serial killer whose victims are young and pretty women, that he rapes and murders. The killings are getting personal when the killer ... See full summary »
As the film opens on an Oklahoma farm during the depression, two simultaneous visitors literally hit the Wagoneer home: a ruinous dust storm and a convertible crazily driven by Red, the ... See full summary »
The Soviets have developed a revolutionary new jet fighter, called "Firefox". Naturally, the British are worried that the jet will be used as a first-strike weapon, as rumours say that the jet is indetectable on radar. They send ex-Vietnam War pilot Mitchell Gant on a covert mission into the Soviet Union to steal Firefox. Written by
Murray Chapman <email@example.com>
I'm not sure whether Firefox is really a guilty pleasure or simply a film I remember as being one. It's certainly overlong and overfamiliar despite its neat Maguffin Clint Eastwood's flashback-plagued Vietnam vet fighter ace has to steal a state-of-the-art warplane with a thought-controlled weapons system (as long as you remember to think in Russian) from the heart of the Evil Empire but it has a sort of undemanding Cold War charm that the constant stream of clichés only reinforces. Even the old school model effects in the final chase-and-dogfight section are more fun in their way than modern CGI effects, especially when the Firefox is leaving a wall of water in its wake as it races across the sea or causing fallen snow to fill the air as it passes over the mountains, so it's a shame that much of the last third is played in darkened control rooms rather than the skies.
The Russians, naturally, are mostly played by British actors, albeit in this case actors best known for their sitcoms, which adds a different dimension to their scenes as comically humourless KGB types or lemming-like dissidents only too happy to die for the cause, or incorrigible hams like Freddie Jones who simply look like they SHOULD be in a sitcom. There's even an almost admirable perversity into giving most of the explanatory dialogue in the last half-hour to Klaus Löwitsch, an actor with a shaky grasp of spoken English who sounds like a bumblebee caught in a vacuum cleaner pipe. Not good by any means, but strangely watchable, and Maurice Jarre contributes an enjoyable score from the days before he disappeared entirely into atonal electronics.
The Region 1 DVD is the uncut theatrical version before Clint re-edited and trimmed the film by some 12 minutes without visibly improving it, although the Region 2 PAL DVD is the cut version.
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