Nelson Mandela, in his first term as the South African President, initiates a unique venture to unite the apartheid-torn land: enlist the national rugby team on a mission to win the 1995 Rugby World Cup.
Skip tracer Tommy Nowak is tracking Lou Ann McGuinn for a bail bondsman in California. Lou Ann is also being chased by her husband Roy McGuinn and his birth right/neo-nazi friends for ... See full summary »
Gus is a baseball scout. The team he works for thinks he should retire. He asks them to let him do one more scouting job to prove himself. His friend, Pete, asks Gus's estranged daughter, Mickey, if she could go with him to make sure he's OK as his eyes are failing. The doctor tells Gus he should get his eyes treated but he insists on doing his scouting assignment, which takes him to North Carolina. Mickey decides to put her work on hold to go with him and she wants him to explain why he pushed her away. Whilst there he runs into Johnny, a scout from another team who was a promising player Gus once scouted. Johnny and Mickey take an interest in each other. Written by
Baseball coordinator Aimee McDaniel said of working on this movie: "We worked with Amy Adams for four or five days, and by the end of that time, she looked like she'd been catching baseballs her whole life. To have an actress of that caliber just throw herself into something like that made my job easy. And the rest of the cast was equally devoted". See more »
At Ted Turner Field, before Rigo Sanchez pitches to Bo Gentry, a bunch of advertisements are seen, including one for a lottery. The amount up for grabs is $540 million. Then when Mickey goes to talk to Rigo, the same sign is seen behind him, and it now says $500 million. See more »
[at the toilet]
Okay, come on now. Come on, boy. Let's not take your sweet-ass time about this. Jesus. Okay, that's it... Ah, good. Don't laugh, I outlived you, you little bastard.
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Don't Owe You a Thang
Written by Gary Clark Jr. (as Gary Clark Jr)
Performed by Gary Clark Jr. (as Gary Clark Jr)
Courtesy of Warner Bros. Records Inc.
By arrangement with Warner Music Group Film & TV Licensing See more »
I normally do not like movies about sports. I love sports; just not movies about sports. That being said, this film was not so much about baseball as it was about a father and daughter relationship. It also touched on how technology has taken over the human element of scouting for players. This film is the complete opposite of Money Ball, where technology actually helps in building a team. Gus Lobel (Clint Eastwood) is an aging scout for the Atlanta Braves who is struggling with his eyesight and the front office has doubts about whether or not he is still up to the job of spotting up and coming talent. Because of this affliction, Gus is a grumpy old man which actually adds a lot of humor to the film. His character kind of reminded me of the character that Eastwood played in Grand Torino. His daughter Mickey (Amy Adams) discovers that her father is having difficulty, reluctantly takes on the roll of caregiver and follows her father on his scouting adventure. Incidentally, she knows more about baseball than probably anyone else in this film. Johnny Flanagan (Justin Timberlake) is an aspiring sports announcer who was scouted by Gus years ago. The relationship that develops between Mickey (named for Mickey Mantle) and Johnny is fun to watch and provides some insight to Mickey's reluctance to develop a serious relationship with any man. Pete Klein (John Goodman) plays the mediator role that brings Mickey and Gus together. I really liked his unyielding devotion and trust to Gus. It was also good to once again see Scott Eastwood (Billy Clark) act alongside his father. They have acted together in several films, and it was good to see them spending some family time together. I think that the entire cast definitely made this film better and I am sure that it will draw young viewers to the theater. I do not think that this film was utterly brilliant, but it was thoroughly entertaining. There were aspects of the film that were totally predictable, but I looked forward to seeing it play out. Director Robert Lorenz may not have hit it out of the park (like he did with Million Dollar Baby), but I think that it is a definite triple play. I recommend that you do not sit on the bench and go out and see this film. I give this film a green light.
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