| Photos (See all 74 | slideshow) | Videos (see all 25) |
Directed by | |||
| M. Night Shyamalan | |||
Writing credits(WGA) | ||
| M. Night Shyamalan | (written by) | |
Original Music by | |||
| James Newton Howard | |||
Cinematography by | |||
| Andrew Lesnie | |||
Film Editing by | |||
| Conrad Buff IV | (as Conrad Buff) | ||
Casting by | |||
| Douglas Aibel | |||
Production Design by | |||
| Philip Messina | |||
Art Direction by | |||
| Robert Fechtman | |||
| Richard L. Johnson | (supervising art director) | ||
| Patrick M. Sullivan Jr. | |||
| Gerald Sullivan | |||
Set Decoration by | |||
| Larry Dias | |||
Costume Design by | |||
| Judianna Makovsky | |||
Makeup Department | |||
| Sherri Bramlett | .... | assistant hair stylist | |
| Ljiljana Lee Cado | .... | assistant makeup artist | |
| Patrick Conlon | .... | assistant tattoo artist | |
| Diane Dixon | .... | assistant hair stylist | |
| Christine Fennell | .... | key hair stylist | |
| Kelly Golden | .... | sculptor/painter | |
| Diane Heller | .... | makeup artist | |
| Lori Hicks | .... | makeup department head | |
| Sandra Linn Koepper | .... | key makeup artist | |
| Joshua Lord | .... | tattoo designer | |
| Jerry Popolis | .... | hair department head | |
| Ivana Primorac | .... | make-up and hair designer | |
| Frank Vazquez | .... | assistant hair stylist | |
| Wesley Wofford | .... | special effects makeup artist | |
Production Management | |||
| Mouns Overgaard | .... | unit production manager | |
| Gerald Scaife | .... | production supervisor | |
| Lauren Scott | .... | post-production supervisor | |
| Neri Kyle Tannenbaum | .... | production manager | |
Special Effects by | |||
| Ryan Arndt | .... | special effects technician | |
| Thomas D. Bacho Jr. | .... | special effects technician | |
| Christian Beckman | .... | specialty costume producer | |
| Mark Bourque | .... | fabricator: Quantum Creation FX Inc. | |
| Sophia Coronado | .... | specialty costumes: Quantum creation F/x | |
| Steve Cremin | .... | special effects coordinator | |
| Robert Kato DeStefan | .... | Paint Dept: Quantum Creation FX | |
| Megan Flagg | .... | specialty costumer: Quantum Creation FX | |
| Michael Frechette | .... | special effects foreman | |
| Joe Giles | .... | mold maker: Quantum Creations Fx | |
| Brian Goehring | .... | specialty costume crew: Quantum Creation FX | |
| Joe Gomez | .... | mold shop supervisor: Quantum Creation Efx. | |
| Anh Le Hoang | .... | special effects assistant | |
| Anthony Julio | .... | special effects technician | |
| Haukur Karlsson | .... | special effects technician | |
| Pete Kelley | .... | paint dept: Quantum Creation FX | |
| Jay King | .... | special effects technician (as Jay B. King) | |
| Kevin Kirkpatrick | .... | mold maker: Quantum Creations Fx | |
| Elizabeth Kitchens | .... | special effects assistant (as Elizabeth Murtha) | |
| Tom Knott | .... | special effects assistant | |
| William D. Lee | .... | special effects assistant coordinator | |
| Jacqueline Makkee | .... | paint dept: Quantum Creation FX | |
| Wes Mattox | .... | special effects assistant | |
| Lee McConnell | .... | special effects assistant coordinator | |
| Brandon K. McLaughlin | .... | special effects assistant | |
| Andrew Miller | .... | special effects appa project | |
| Michael O'Brien | .... | sculptor: Quantum Creation FX | |
| Luis Ortiz | .... | special effects technician | |
| Dennis Parker | .... | special effects assistant | |
| Ken Rudell | .... | special effects assistant | |
| Ray Shaffer | .... | lab technician: Quantum Creations Fx | |
| John Shea | .... | suit fabricator | |
| Brett Stern | .... | paint dept: Quantum Creation FX | |
| Johannes Sverrisson | .... | special effects technician | |
| Richard Terry Tjelmeland | .... | special effects foreman | |
| Mario Vanillo | .... | special effects | |
| Jill Warner | .... | shipping coordinator: Quantum Creation FX | |
| Patrick Edward White | .... | special effects assistant | |
| Kurt Wunder | .... | special effects technician | |
| Dennis Yeager II | .... | special effects foreman | |
Visual Effects by | |||
| Rehan Abdulovski | .... | roto artist | |
| Akemi Abe | .... | rotoscoping artist | |
| Milton Adamou | .... | consulting stereographer | |
| Lee Allan | .... | digital compositor: CIS Vancouver (as Allan Lee) | |
| Christian Alzmann | .... | visual effects art director | |
| Cameron Anderson | .... | practical effects technician: Kerner Optical | |
| Florent Andorra | .... | senior technical director: ILM | |
| Elizabeth Asai | .... | visual effects coordinator | |
| Patrice Avery | .... | previs producer: HALON | |
| Lance Baetkey | .... | digital paint/roto supervisor | |
| Michael Balog | .... | creature supervisor: ILM | |
| Lluis Barcelo | .... | visual effects artist | |
| Simeon Bassett | .... | sequence supervisor | |
| Carol Bauman | .... | modelmaker: Kerner Optical | |
| Romain Bayle | .... | matte painter | |
| Daniel Bayona | .... | digital matte artist: ILM | |
| Basel Bazlamit | .... | pre-visualization artist | |
| Greg Beaumonte | .... | camera engineer: Kerner Optical | |
| Karina Becker | .... | production coordinator: Stereo D | |
| Terran Benveniste | .... | visual effects production coordinator: Kerner Optical | |
| Patrick Bergeron | .... | digital compositor | |
| Michael Best | .... | visual effects key grip: Kerner Optical | |
| Jason Billington | .... | digital compositor: ILM | |
| Duncan Blackman | .... | visual effects artist | |
| Peter Bogatsky | .... | digital artist: ILM | |
| Jeremy Boissinot | .... | cgi artist | |
| Cody Bosia | .... | practical effects technician: Kerner Optical | |
| Mathieu Boucher | .... | sequence supervisor: ILM | |
| Chris Bowers | .... | previsualisation artist | |
| Tim Bowman | .... | digital compositor | |
| Jason Brackett | .... | practical effects best boy: Kerner Optical | |
| Mark Breakspear | .... | visual effects supervisor: CIS Vancouver | |
| Marty Brenneis | .... | camera engineer: Kerner Optical | |
| Michael Breymann | .... | technical director | |
| Stéphan Brisson | .... | cgi artist | |
| Billy Brooks | .... | digital artist (as William J. Brooks) | |
| Howard Brotine | .... | stereoscopic artist: Stereo D | |
| Ken Bryan | .... | model supervisor | |
| Charles Bunnag | .... | digital artist | |
| Jose Burgos | .... | technical director | |
| Shannan Burkley | .... | matte painter | |
| Daniel Cairnie | .... | digital compositor: CIS Vancouver | |
| Owen Calouro | .... | visual effects artist | |
| Christophe Chabot-Blanchet | .... | digital compositor | |
| Henry Kwok Ho Chan | .... | digital artist: ILM | |
| Kien Geay Chan | .... | digital artist | |
| Kai Chang | .... | digital artist: ILM | |
| Mark Chataway | .... | technical director: ILM | |
| Adam Chazen | .... | visual effects coordinator: Pixomondo | |
| Jong Jin Choi | .... | visual effects | |
| Ian Christie | .... | visual effects artist | |
| Kelvin Chu | .... | creature technical director | |
| Paul Churchill | .... | digital artist: ILM | |
| Patrick Clancey | .... | digital opticals | |
| Tom Cloutier | .... | visual effects grip: Kerner Optical | |
| Brian Connor | .... | sequence supervisor: ILM | |
| Brenton Cottman | .... | digital matte artist: ILM | |
| Robert Cristino | .... | rotoscope artist | |
| Jaime Burés Cuco | .... | digital compositor | |
| Devon Cutler | .... | concept artist: ILM | |
| Nick D'Abo | .... | model/miniature supervisor: Kerner Optical | |
| Todd D'Amario | .... | modelmaker: Kerner Optical | |
| Robin L. D'Arcy | .... | visual effects producer: Ollin Studio | |
| Yves D'Incau | .... | fx / lighting td | |
| Kristijan Danilovski | .... | visual effects | |
| Eileen Dare | .... | visual effects coordinator: DIVE | |
| Patrick David | .... | digital compositor | |
| Evan Davies | .... | visual effects grip: Kerner Optical | |
| Natalia de la Garza | .... | digital compositor: Ollin Studio | |
| Ayse Dedeoglu | .... | visual effects production coordinator: Kerner Optical (as Ayse Arkali) | |
| Bernie Demolski | .... | visual effects grip: Kerner Optical | |
| Simon Devault | .... | digital compositor | |
| Bryan Dewe | .... | modelmaker: Kerner Optical | |
| Nicolas Deziel | .... | digital compositor | |
| Jessica Dhillon | .... | visual effects production: Kerner Optical | |
| Eric J. Dima-ala | .... | matte painter: ILM | |
| Ben Dishart | .... | viewpaint artist: ILM | |
| Brennan Doyle | .... | digital artist supervisor: ILM Singapore | |
| Peter Dudley | .... | compositor | |
| Patricia Rose Duignan | .... | visual effects executive producer: Kerner Optical | |
| Debora Dunphy | .... | digital compositor: CIS Vancouver | |
| Kalene Dunsmoor | .... | digital artist: ILM | |
| Gus Duron | .... | digital opticals editor | |
| Robert Edwards | .... | practical effects best boy: Kerner Optical | |
| Greg Emerson | .... | senior stereoscopic production supervisor | |
| Christian Emond | .... | digital effects artist | |
| John Erik Englund | .... | software engineer: Stereo D | |
| Thilo Ewers | .... | digital matte painter | |
| Steve Fait | .... | visual effects coordinator: ILM | |
| Saeed Faridzadeh | .... | digital compositor | |
| Jay Farrington | .... | digital imaging technician: Kerner Optical | |
| Daniel Fazel | .... | stereo compositor | |
| Dan Feinstein | .... | digital compositor: ILM | |
| Sebastian Feldman | .... | digital compositor | |
| Todd Fellows | .... | modelmaker: Kerner Optical | |
| Jessica Fernandes | .... | department manager: ILM Singapore | |
| Jeremy Fernsler | .... | digital effects artist: DIVE | |
| Adam Figielski | .... | digital environment artist | |
| Marilyne Fleury | .... | matte painter | |
| Marco Foglia | .... | animator: ILM | |
| Mark O. Forker | .... | visual effects consultant: DIVE | |
| Andreas Frickinger | .... | compositing supervisor | |
| Johann Frizon | .... | digital compositor | |
| Carl Frytz | .... | stereoscopic compositor | |
| Kristina Gacova | .... | roto artist | |
| Michael Gaiser | .... | visual effects | |
| Antonio Gallardo | .... | vfx editorial producer: Ollin Studio | |
| Vanessa Galvez | .... | project manager: efilm | |
| Robb Gardner | .... | technical director: ILM | |
| John Gazdik | .... | first assistant camera: Kerner Optical | |
| Willi Geiger | .... | sequence supervisor | |
| Brian Gernand | .... | model/miniatures creative director: Kerner Optical | |
| Angela Giannoni | .... | digital compositor | |
| Tim Gibbons | .... | digital compositor | |
| Gary Gill | .... | visual effects grip: Kerner Optical | |
| Jeff Gilliam | .... | visual effects best boy electric: Kerner Optical | |
| Rocco Gioffre | .... | matte artist | |
| Nathalie Girard | .... | senior compositor: ILM | |
| Sean Goldman | .... | depth artist | |
| Bryant Terrell Griffin | .... | lead matte painter | |
| David E. Groom | .... | stereoscopic supervising producer: StereoD | |
| David E. Groom | .... | supervising producer: stereoscopic conversion | |
| Dimitri Gross | .... | visual effects artist | |
| Branko Grujcic | .... | digital artist | |
| Neal Halter | .... | modelmaker: Kerner Optical | |
| Craig Hammack | .... | visual effects associate supervisor | |
| Brian Hanable | .... | digital effects compositor: ILM | |
| Reginald Harber Jr. | .... | stereoscopic artist: Stereo D | |
| Reginald Harber Jr. | .... | stereoscopic conversion artist | |
| Aisling Harbert | .... | visual effects | |
| Tim Harrington | .... | animation supervisor: ILM | |
| Peter Hart | .... | matchmove lead: CIS Vancouver | |
| David Harter | .... | digital compositor | |
| Geoffrey Harvey | .... | digital effects artist | |
| Daniela Hasenbring | .... | research & development | |
| Trevor Hazel | .... | digital artist | |
| Mike F. Hedayati | .... | visual effects | |
| Oliver Heinrich | .... | digital compositor | |
| Jason Heinze | .... | stereoscopic compositor | |
| Pablo Helman | .... | visual effects supervisor | |
| Andrew Heron | .... | practical effects technician: Kerner Optical | |
| Geoff Heron | .... | practical effects supervisor: Kerner Optical | |
| Geoffrey R. Heron | .... | practical effects technician: Kerner Optical | |
| Matt Heron | .... | practical effects best boy: Kerner Optical | |
| Philip Heron | .... | practical effects technician: Kerner Optical | |
| Clark Higgins | .... | video assist operator: Kerner Optical | |
| Robert Hill | .... | first assistant camera: Kerner Optical | |
| Sebastian Hirsch | .... | digital matte artist | |
| Sherry Hitch | .... | digital compositor: ILM | |
| Finlay Hogg | .... | visual effects compositor | |
| Yap Hon Wui | .... | digital artist | |
| Yap Honwui | .... | digital artist | |
| Ryan Hopkins | .... | sequence supervisor: ILM | |
| Sean House | .... | model maker: Kerner Optical | |
| Jamison Huber | .... | visual effects producer: Svengali Visual Effects | |
| Paul Huston | .... | plate digital matte artist | |
| Ryan Hutchings | .... | digital compositor | |
| Ludovic Iochem | .... | matte painter | |
| Jonna Isotalus | .... | digital artist: ILM | |
| Charlie Iturriaga | .... | visual effects supervisor: Ollin Studio | |
| Cyrus Jam | .... | sequence supervisor: ILM | |
| Stephen James | .... | lead compositor: CIS Vancouver | |
| Mike Jamieson | .... | digital artist | |
| Nick Jushchyshyn | .... | integration artist: DIVE | |
| Jose Julian Karam Lopez | .... | digital compositor | |
| Josh Kent | .... | animator: ILM | |
| Ara Khanikian | .... | digital compositor | |
| Sith Khay | .... | matte painter | |
| Sithiriscient Khay | .... | digital matte painter | |
| Perry M. Kimura | .... | film scanning and recording | |
| Shilpa Kirpalani | .... | digital artist | |
| Ivo Klaus | .... | vfx/cg supervisor | |
| Justin Kosnikowski | .... | digital compositor: ILM | |
| Makoto Koyama | .... | character animator: ILM | |
| Patrick Kreuser | .... | digital compositor | |
| Ernie Kunze | .... | visual effects grip: Kerner Optical | |
| Frankie Kwak | .... | digital artist: ILM | |
| Joshua LaCross | .... | digital compositor | |
| Jessica Lai | .... | matchmove artist | |
| Pat Lun Lam | .... | digital artist: ILM | |
| François Lambert | .... | sequence supervisor: ILM | |
| Lana Lan | .... | digital artist | |
| Alberto Landeros | .... | digital compositor: Ollin Studio | |
| John LaNoue | .... | practical effects best boy: Kerner Optical | |
| Jean Lapointe | .... | digital compositor: ILM | |
| Gary Laurie | .... | matchmove technical director: Svengali Visual Effects | |
| Asier Lavina | .... | digital artist | |
| Thang Le | .... | concept artist: ILM | |
| Tu Le | .... | technical director: ILM | |
| Adam Lee | .... | digital artist: ILM | |
| Alexander K. Lee | .... | animator: ILM | |
| Jaewook Lee | .... | digital artist: ILM | |
| Marvin Lee | .... | stereoscopic artist: Stereo D | |
| Richard S. Lee | .... | digital matte painter | |
| John LeGrande | .... | r&d engineer: ILM | |
| Ryan Leonard | .... | compositor | |
| Letia Lewis | .... | previsualisation artist | |
| Mark Lieberman | .... | rotoscoping artist | |
| Melissa Lin | .... | digital artist: ILM | |
| John Lindstein | .... | visual effects artist | |
| Benjamin Liu | .... | digital artist | |
| Victor Lizarraga | .... | cg supervisor: Ollin VFX | |
| Bob Lowery | .... | visual effects executive producer: Dive | |
| Son Lu | .... | stereoscopic artist | |
| Sean MacKenzie | .... | digital artist: ILM | |
| Brian Magner | .... | previsualisation artist | |
| Travis Mangaoang | .... | stereoscopic artist: Stereo D | |
| Tom Martinek | .... | senior digital effects artist: ILM | |
| Marcel Martinez | .... | digital compositor | |
| Lorenzo Mastrobuono | .... | stereoscopic roto artist | |
| Shelley Matsutani | .... | production coordinator: ILM | |
| Eva Matthes | .... | digital compositor | |
| Jim Maxwell | .... | digital matte painter: Industrial Light & Magic | |
| Kevin May | .... | senior digital compositor: ILM | |
| Björn Mayer | .... | visual effects supervisor | |
| Vicky McCann | .... | visual effects technical director | |
| Brett McConnell | .... | stereoscopic artist: Stereo D | |
| Don Mccoy | .... | stereoscopic artist: Stereo D | |
| Brian McGraw | .... | technical support: ILM | |
| Glen McIntosh | .... | character animator | |
| Allan McKay | .... | visual effects | |
| Ale Melendez | .... | visual effects production assistant | |
| Mark Menaker | .... | desktop administrator | |
| Carlos Mendoza Jr. | .... | stereoscopic artist: Stereo D | |
| Michael Miller | .... | digital compositor | |
| Farhad Mohasseb | .... | compositor: CIS Vancouver | |
| David Mong | .... | visual effects grip: Kerner Optical | |
| Thomas Montminy Brodeur | .... | digital compositor (as Thomas Brodeur) | |
| Jerome Moo | .... | digital artist: ILM | |
| Jentzen Mooney | .... | programmer | |
| Samuel Moore | .... | practical effects technician: Kerner Optical | |
| Sébastien Moreau | .... | lead compositor | |
| Sébastien Moreau | .... | lead digital compositor | |
| Jean-Francois Morissette | .... | matchmover | |
| David Manos Morris | .... | digital effects artist | |
| William Morrison | .... | stereoscopic artist: Stereo D | |
| Anton Moss | .... | digital effects artist: DIVE | |
| Nancy Mott | .... | visual effects executive | |
| Michelle Motta | .... | digital paint & rotoscope artist | |
| Mohsen Mousavi | .... | cg effects supervisor: Pixomondo | |
| Julia Murczek | .... | digital effects artist | |
| Dave Murphy | .... | modelmaker: Kerner Optical | |
| Alexandre Ménard | .... | previsualisation artist | |
| Anita Naufal | .... | stereoscopic digital artist | |
| Mike Navarro | .... | digital artist: title designer | |
| Robert Nederhorst | .... | visual effects supervisor: Svengali FX | |
| Jia-Hao Ng | .... | digital artist: ILM | |
| Sheau Horng Ng | .... | digital compositor: ILM | |
| Yoon See Ng | .... | digital compositor: ILM | |
| Chris Nichols | .... | modeler | |
| Brandy Nightingale | .... | visual effects coordinator | |
| Reika Nishio | .... | visual effects artist | |
| Tony Noel | .... | digital stereoscopic artist | |
| Teni Noravian | .... | digital compositor | |
| Brett Northcutt | .... | digital matte painting sequence supervisor | |
| Philip Nussbaumer | .... | digital compositor | |
| Alison O'Brien | .... | visual effects producer | |
| Josiane O'Rourke | .... | visual effects coordinator | |
| Tim Odell | .... | texture painter: ILM | |
| Khatsho John Orfali | .... | sequence supervisor | |
| Cosku Ozdemir | .... | digital artist: ILM | |
| Michael Parkinson | .... | visual effects editorial and technical support | |
| S. Scott Parrish | .... | lead creature technical director: ILM | |
| Aaron Parry | .... | executive producer: Stereo D | |
| Edie Paul | .... | depth artist | |
| Daniel Pearson | .... | cg supervisor | |
| Benoit Pelchat | .... | matte painter | |
| Cristin Pescosolido | .... | compositor | |
| Goran Petrushevski | .... | paint artist | |
| Frank Losasso Petterson | .... | technical director: ILM | |
| Vance Piper | .... | first assistant camera: Kerner Optical | |
| Anthony Pitone | .... | visual effects editor | |
| Zoltan Pogonyi | .... | digital matte artist: ILM | |
| Vincent Poitras | .... | digital compositor | |
| Mary Poplin | .... | depth artist | |
| Etienne Poulin St-Laurent | .... | matchmover | |
| Mark Prusten | .... | senior stereoscopic compositor | |
| Robert Pyle | .... | technical support: DIVE | |
| Christopher Raimo | .... | visual effects consultant | |
| Lance Ranzer | .... | digital artist | |
| Justin Ray | .... | stereoscopic artist: Stereo D | |
| Mathieu Raynault | .... | lead matte painter | |
| Clint G. Reagan | .... | previz artist | |
| Sarah Reese-Edwards | .... | stereoscopic lead | |
| Spencer Reynolds | .... | clonecam operator: ILM | |
| Daniel Rhein | .... | cgi artist | |
| Rick Rische | .... | matte artist: ILM | |
| Miso Ristov | .... | digital paint supervisor: FX3X | |
| Shane Roberts | .... | digital artist | |
| Ruben Rodas | .... | paint/roto artist: Dive | |
| Francisco Rodriguez | .... | visual effects artist | |
| Casey Rolseth | .... | visual effects artist | |
| Emanuel Rosario | .... | stereoscopic conversion artist | |
| Martin Rosenberg | .... | director of photography: Kerner Optical | |
| Benjamin Ross | .... | matte painter | |
| Brogan Ross | .... | stereoscopic conversion artist: StereoD | |
| Moika Sabourin | .... | matte painter | |
| Barry Safley | .... | digital compositor: ILM | |
| Mike Sanders | .... | digital supervisor | |
| Theodore M. Sandifer | .... | stereoscopic artist | |
| Tiago Santos | .... | digital compositor: CIS Vancouver | |
| Kevin Sarne | .... | assistant to Mr. Parry: Stereo D | |
| Steve Sauers | .... | creature technical director: ILM | |
| Davis Scott Porter Saunders | .... | stereoscopic artist | |
| Boris Schmidt | .... | cg supervisor | |
| Roman Schmidt | .... | vfx/cg supervisor | |
| Crystle Schrecengost | .... | paint & roto artist | |
| Daniel Schrepf | .... | stereoscopic roto artist | |
| Florian Schroeder | .... | digital compositor | |
| Timo Schumacher | .... | visual effects artist | |
| Victor Schutz | .... | technical director: ILM | |
| Jeff Shank | .... | digital effects: ILM | |
| Chris Shellenberger | .... | visual effects best boy electric: Kerner Optical | |
| David Shorey | .... | depth artist | |
| John Sigurdson | .... | digital effects artist | |
| Katherine Simpson | .... | pipeline manager: Stereo D | |
| Emile Edwin Smith | .... | visual effects: ILM | |
| Jason H. Snell | .... | layout lead (as Jason Snell) | |
| Bojana Solomonova | .... | visual effects coordinator | |
| Michael Sommers | .... | stage technician: Kerner Optical | |
| Laurent Spillemaecker | .... | digital compositor | |
| Frederic St-Arnaud | .... | matte painter | |
| Tim Stern | .... | digital compositor | |
| Nickolas Stevens | .... | supervising lead stereoscopic artist | |
| Michael Stewart | .... | digital compositor: CIS Vancouver | |
| Sam Stewart | .... | digital paint and rotoscope artist: ILM | |
| Frank Strzalkowski | .... | visual effects gaffer: Kerner Optical | |
| Andre Surya | .... | digital artist | |
| Jeff Sutherland | .... | compositing supervisor: ILM | |
| Brian Taber | .... | stereoscopic lead: Stereo D | |
| Lionel Taillens | .... | digital artist | |
| Chad Taylor | .... | digital artist: ILM | |
| Huai Yuan Teh | .... | digital artist | |
| Biljana Temelkova | .... | roto artist | |
| Tim Teramoto | .... | digital artist | |
| Kieran Tether | .... | digital artist: ILM | |
| Philippe Thibault | .... | digital compositor | |
| Bryan Thombs | .... | digital compositor: title designer | |
| Meghan Thornton | .... | digital effects artist | |
| Paul G. Thuriot | .... | creature technical director: ILM | |
| Dan Tindell | .... | lead artist | |
| Robert Tobin | .... | stereoscopic conversion artist | |
| Ryan Michael Todd | .... | digital artist | |
| Benoit Touchette | .... | operations manager | |
| Salvador Tovar | .... | digital artist: Ollin Studio | |
| Delio Tramontozzi | .... | associate animation supervisor | |
| Robin Tremblay | .... | matte painter | |
| Gabriel Tremblay-Beauvais | .... | cgi artist | |
| Lazar Trenchev | .... | paint artist | |
| Adrian Tsao | .... | digital artist: ILM | |
| Melissa Tseng | .... | digital artist: ILM | |
| Doug Tubach | .... | digital artist: ILM | |
| Lee Uren | .... | sequence supervisor | |
| Reuben Uy | .... | assistant technical director (as Reuben Bulawin Uy) | |
| Arthur Vail III | .... | stereoscopic lead: Stereo D | |
| Biren Venkatraman | .... | visual effects artist | |
| Aleksandar Vishemirski | .... | roto/paint supervisor | |
| Andres Vitale | .... | senior compositor: ILM | |
| Jani Vournas | .... | visual effects grip: Kerner Optical | |
| Eric Wahlstrom | .... | visual effects production assistant | |
| Kevin Wallace | .... | production manager: Kerner Optical | |
| Kelly Walsh | .... | visual effects artist | |
| Kyle Ware | .... | visual effects coordinator: Svengali FX | |
| Susan M. Weeks | .... | stereoscopic artist: Stereo D | |
| David Weitzberg | .... | digital artist: ILM | |
| Jay Whittet | .... | visual effects production assistant: Kerner Optical | |
| Ryan Wiederkehr | .... | associate production manager: ILM | |
| Ronnie E. Williams Jr. | .... | digital compositor | |
| Barry Williams | .... | digital matte supervisor | |
| Florian Witzel | .... | visual effects technical director: ILM | |
| Alex Wolfe | .... | stereoscopic conversion artist | |
| Amy W. Wong | .... | senior technical director | |
| Gary Wu | .... | creature technical director: ILM | |
| Marvin Yanez | .... | roto artist | |
| Chris Qi Yao | .... | matte painter | |
| David Yee | .... | concept artist: ILM | |
| Gregory Yepes | .... | technical director: ILM | |
| Long Yinghan | .... | digital artist | |
| Mark Youngren | .... | digital artist: ILM | |
| Scott Younkin | .... | sequence supervisor: ILM | |
| Daniel Zamora | .... | previs artist | |
| David Zbriger | .... | technical manager of global production: ILM | |
| Patrick Zentis | .... | digital matte painter: ILM | |
| Xin Zhou | .... | digital artist | |
| Bryan Baker | .... | vfx editor: Dive (uncredited) | |
| Ashley Bettini | .... | visual effects production assistant: ILM (uncredited) | |
| Irfan Celik | .... | lighting/shading (uncredited) | |
| Michael Cordova | .... | digital artist: ILM (uncredited) | |
| Felicia Faden | .... | matte painter (uncredited) | |
| Paul Giacoppo | .... | digital artist (uncredited) | |
| Markus Hagemeier | .... | visual effects (uncredited) | |
| Tim LeDoux | .... | digital compositor (uncredited) | |
| Miguel Lizarraga | .... | matte paint artist (uncredited) | |
| Ed Mendez | .... | digital effects supervisor: Dive (uncredited) | |
| Cyntia Navarro | .... | bidding producer: Ollin Studio (uncredited) | |
| Daniel Keith Raffel | .... | digital compositor (uncredited) | |
| Richard Ramos | .... | digital artist: ILM (uncredited) | |
| Wajid Raza | .... | technical assistant: ILM (uncredited) | |
| Adrian Teng | .... | digital compositor (uncredited) | |
| Lynda Thompson | .... | visual effects consultant (uncredited) | |
| Patrick Timmermann | .... | visual effects coordinator (uncredited) | |
| Pat Tubach | .... | digital artist: ILM (uncredited) | |
| Joni Williams | .... | rotoscope artist: CIS Vancouver (uncredited) | |
Animation Department | |||
| Marc Beaujeau | .... | animator | |
| Jonathan Block | .... | title design and animation | |
| Joseph Kim | .... | animator: ILM | |
| Atsushi Kojima | .... | animator | |
| Glen McIntosh | .... | character animator | |
| Grant Okita | .... | main title animator | |
| Chi Chung Tse | .... | animator | |
| Jeff Vacanti | .... | animator | |
Casting Department | |||
| Henry Russell Bergstein | .... | casting associate (as Henry Russell) | |
| Veronika Lee Daddona | .... | extras casting assistant (as Veronika Daddona) | |
| Deborah Maxwell Dion | .... | casting associate (los angeles ) | |
| Jeremy Gordon | .... | casting associate: Los Angeles | |
| Regina Haigh | .... | casting | |
| Barbara Harris | .... | adr voice casting | |
| Diane Heery | .... | casting: Philadelphia | |
| Colleen Kay | .... | casting associate | |
| Jason Loftus | .... | casting: Philadelphia | |
| Deedra Ricketts | .... | extras casting | |
| Adela Tirado | .... | extras casting assistant coordinator (as Sarah Adela Tirado) | |
| Mariellen Ward | .... | extras casting assistant | |
| Paul Moore | .... | extras casting assistant (uncredited) | |
| Tucker Stewart | .... | extras casting assistant (uncredited) | |
Editorial Department | |||
| Luke Franco Ciarrocchi | .... | apprentice editor | |
| Meagan Costello | .... | assistant editor | |
| Joe Gawler | .... | digital intermediate colorist | |
| Carole A. Kenneally | .... | first assistant editor | |
| Yvan Lucas | .... | colorist: Efilm | |
| Marc Lulkin | .... | digital color assist | |
| Jim Passon | .... | color timer | |
| Eric Stapf | .... | post-production assistant | |
| Larry D. Webster | .... | additional post-production services | |
| Steven Bodner | .... | colorist: dailies (uncredited) | |
| Tricia Chiarenza | .... | color timer (uncredited) | |
Music Department | |||
| Pete Anthony | .... | conductor | |
| Pete Anthony | .... | orchestrator | |
| Robert Danzey-Persaud | .... | technical score advisor | |
| Sandy DeCrescent | .... | orchestra contractor | |
| Mark Graham | .... | head of music preparation | |
| Hollywood Film Chorale | .... | choir | |
| Jim Honeyman | .... | orchestrator | |
| Scott Hosfeld | .... | musician | |
| Jon Kull | .... | orchestrator | |
| Shawn Murphy | .... | scoring mixer | |
| David Olson | .... | music editor | |
| Victor Pesavento | .... | music preparation | |
| Conrad Pope | .... | orchestrator | |
| Peter Rotter | .... | orchestra contractor | |
| Jay Selvester | .... | scoring crew | |
| Fletcher Sheridan | .... | playback singer | |
| Steven L. Smith | .... | music preparation | |
| Pamela J. Sollie | .... | scoring coordinator | |
| Sally Stevens | .... | choral contractor | |
| John Ashton Thomas | .... | orchestrator | |
| Stuart Michael Thomas | .... | musical score arrangements | |
| Marcus Trumpp | .... | orchestrator | |
| Greg Vines | .... | technical score engineer | |
| Jim Weidman | .... | supervising music editor | |
Transportation Department | |||
| Gary Fabiano | .... | transportation | |
| Michael Kelly | .... | driver | |
| Edward Lynch | .... | transportation co-captain | |
| Mikisoq H. Lynge | .... | transportation coordinator: Greenland | |
| Adam Schoon | .... | transportation office assistant | |
| John J. Sullivan | .... | transportation coordinator | |
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| In the Name of the King: A Dungeon Siege Tale | Centurion | Conan the Barbarian | DragonHeart | G.I. Joe: The Rise of Cobra |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
Shyamalan takes a stunningly sophisticated cartoon and reduces it to one of the most insultingly dumb films I've seen in years. From the script to the visuals, the directing, the acting, there is absolutely nothing that did well, either as an adaptation or as a film in its own right.
Characters who were once powerful and spitfire (Katara) or entertainingly sarcastic (Sokka) are now bland and exist solely for the purpose of exposition. In fact, the entire film comes off as exposition, far too much of the dialog serving as "by the way" explanations, never allowing the plot or characters to really take form. The scenes seem episodic and unconnected, and the film never comfortably establishes its universe, always retreading with an "as you know" or "aren't you that guy who..." to establish (often unnecessary) continuity.
The style, too, is disappointing, capturing none of the magic of the series. Most noticeable was the "bending"--while the series took its martial arts seriously, carefully aligning real-world arts with elements and making the benders' movements coincide with those of their elements, the film gives us characters flailing in generic martial arts forms for a few minutes, only to effect one splash, boulder, or blast of fire. In the series, every movement had a meaning; in the film, only about one in ten does.
Many fans of the series who were angry at the "whitewashing" of the cast hoped that it had at least resulted in the best actors for the parts. However, the acting was at best uninspired, and at worst painfully awkward, though part of this can be attributed to a truly atrocious script. Dialog is stilted and unnatural, certain phrases are repeated needlessly throughout ("great library," anyone?), and in all the only chance the script stands of being remembered is through memetic appreciation of its unintentional, awkward hilarity.
Not even the collective will of a devoted fanbase wanting so much for this film to be good could make it even remotely watchable.