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| Index | 130 reviews in total |
115 out of 143 people found the following review useful:
Woody Dostoyevsky, 2 February 2008
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Author:
M. J Arocena from New Zealand
Crime and punishment in a modern, anonymous London. Two perfectly matched, mismatched brothers. Yachts that cannot afford, dreams of Hotels in California and an everyday of losing and losing. An opportunity with a huge catch attached to it and, of course, the inexorable is waiting. Crisp, fast dialogue. Excellent performances by Ewan McGregor and Colin Farrel as the brothers, an outstanding bit by Clare Higgins as the mother and the ubiquitous Tom Wilkinson as the rich uncle from America. There is something endearing about the dimness of the two brothers and we follow their predicament appalled and entertained. The ending feels a bit rushed. I longed to be part of those final instants just to catch a glimpse of that ultimate decision. A morality tale from Woody Allen, what next?
93 out of 132 people found the following review useful:
A Tale of Two Brothers, 19 November 2007
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Author:
mjsinclair from Switzerland
Woody Allen has a genius for creating fully fledged characters in
minimum time. A few minutes into the opening scene which shows the two
brothers buying a boat that they cannot afford, we already understand
that theirs is a genuine, close and mutually supportive relationship
a relationship which will be severely tested later on.
Two brothers aspiring to improve their lives in very different ways:
one hoping to win enough money through gambling on dogs and poker, the
other through investing in restaurants and property in Los Angeles.
Two brothers who both need money for very different reasons: one to
escape the clutches of loan sharks who would break his legs, the other
to escape to LA with the beautiful, sophisticated woman of his dreams.
Two brothers dealing with guilt and remorse in very different ways: one
suffering ever deepening mental anguish and sleepless nights, the other
pragmatically shrugging off "the past" as he ambitiously plans his
future.
Shot in London, with an all British cast, the standard of acting is of
the highest quality. The brothers' contrasting personalities are played
to perfection by Colin Farrell and Ewan McGregor. Hayley Atwell (who
like McGregor, also trained at the Guildhall School in London), would
give Scarlett Johansson a run for her money as the sexy, sultry, siren,
while Sally Hawkins shines as Farrell's homely, happy girlfriend.
With unremarkable, minimalist music from Philip Glass, matched by
minimalist opening and closing credits, and editing which leaves-in
scenes which should have been taken out, the film gives the impression
that it was made in a hurry.
Yes, this is a film from a Woody Allen, who is not at his very best.
However, at nearly 72 years of age and after writing and directing over
40 films, receiving 3 Oscars and over 77 other awards, his genius is
surely entitled to a day off. This time it is the actors who carry the
day.
69 out of 95 people found the following review useful:
A Tragedy in the Classic Tradition, 20 January 2008
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Author:
Brent Trafton from Long Beach, CA
"Cassandra's Dream" is the final installment of Woody Allen's London
trilogy and concludes his best trio of films in over 20 years.
This is a totally uncompromising film. It's all dialog, character
development, and acting. Any "action" takes place off camera and
although there is bloodshed, we do not see a drop of blood on screen.
This is in stark contrast to recent bloodbath type movies like "No
Country for Old Men," "Sweeney Todd," and "There Will Be Blood."
Unlike "Match Point," this film is not overly derivative. The acting is
good and Colin Farrell gives his best performance ever. Philip Glass's
score helps convey the feeling of inevitability. However, the
photography is kind of dull and fuzzy.
If you like old fashioned movies that rely of story, dialog, and
acting; "Cassandra's Dream" is exactly the type of movie you thought
they did not make any more.
60 out of 93 people found the following review useful:
Nothing brilliant, but entertaining nonetheless, 18 November 2007
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Author:
nonsequitur247 from United States
I saw this film yesterday, and went in with no idea what to expect. All
I knew was it was a new Woody Allen movie with Collin Farrell, Ewan
McGregor, and Tom Wilkinson, and supposedly rather dark.
Dark it was, but not overwhelmingly so. Farrell and McGregor play
London brothers who are hard-up for cash, both with love interests that
they're looking to take care of. Their rich Uncle Howard (Wilkinson)
agrees to help them out as usual, if they do him a favor and "get rid
of" a business relation who poses a threat to his finances. Despite
many doubts, their situations are pressing, and the young men agree.
The story then follows the different ways they deal with the factual
immorality of what they have done.
It's not exactly a cheery film, but it isn't quite an intense, ominous
drama, either, like the somewhat similar brothers-in-trouble based
melodrama 'Before the Devil Knows You're Dead' that was recently
released. In 'Dream,' there's a thin layer of dark humor that adds a
refreshing twist here and there.
Everything was good on the acting end, though not mind-blowing; both
McGregor and especially Farrell gave strong performances. The story,
though rather predictable, is still enjoyable. Nice use of London and
the British countryside on Allen's part. Overall, it's a solid film
that will entertain, but that's about it.
47 out of 71 people found the following review useful:
The Crime Of Dreaming, 6 February 2008
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Author:
dboyleukgroup from United Kingdom
This is, perhaps, Woody Allen's darkest tale. No hope, no possibility of hoping. Dreaming seems so meaningless. The "I want" syndrome. Nothing will come out of it and shame on you for wanting it. Colin Farrell and Ewan McGregor are wonderful in performances without frills or shine. Strangely enough, Allen shows a bit of compassion for his characters but no respect. He seems to despise them. It is merit of the two actors that we manage to stay with them without falling in love with them without even like them very much. The ending, I felt, was a bit of a cope out. Woody got to the gates of hell but didn't venture in. He leaves to us the details of all that darkness. The film, however, bears Woody Allen's name but could have been a film by Basil Dearden or J Lee Thompson and I mean that as a compliment.
59 out of 102 people found the following review useful:
Great acting and interesting writing, 28 December 2007
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Author:
arvid-lundin from Sweden
The writing in this film is brilliant, I think. Although you kinda know
whats gonna happen next it never gets boring. It's really a very sad
story for those involved, that deals with death and betrayal, but as a
spectator you cant help but laugh at it. With worse actors the comical
message would probably not reach the audience, but these people really
does a good job. Ewan McGregor I've always trusted and he really
delivers what in my eyes is his best performance up to date. Colin
Farrell on the other hand isn't an actor I've believed in but he
surprised me and is really convincing, and funny, especially when he
turns into a nervous wreck.
Iam in the unique position of not having seen any of Woodys previous
work before seeing this film. Unlike fans of Woody Allen, I can't see
anything bad about this film. It's good entertainment, the best movie
I've seen at the cinema this year, if anything it makes me wanna see
more of Woodys films.
28 out of 41 people found the following review useful:
Suspenseful and engaging film from Woody Allen, 16 February 2008
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Author:
Gordon-11 from Hong Kong
This film is about two brothers having to resort to criminal means in
order to get funds to pay off loans and to pursue dreams.
Continuing with Woody Allen's infatuation with Britain, "Cassandra's
Dream" is set in Britain with a predominantly British cast. Ewan
McGregor is a rising star with great plans for the future, while Colin
Farrell is a messed up guy who drinks and gambles excessively. Both of
these brothers are convincingly introduced and portrayed. Their bond
with each other, their past childhood, hopes and dreams are presented,
making them very believable and real as people. When they are faced
with a moral dilemma, the role seems to be reversed. As a result of
this well written and executed plot, I find this film engaging and
suspenseful.
I particularly like the moral struggle, and the contrast between the
two brothers that play against their stereotype. Colin Farrell is
particularly great in this film, his portrayal of a depressed person is
convincing and moving.
It is also striking that Woody Allen has very much toned down the
paranoia in "Cassandra's Dream". I miss the comedic paranoia such as
"Anything Else". However, "Cassandra's Dream" is still very much a
Woody Allen film, with the same witty and crisp dialogs, and right to
the point scenes.
I find "Cassandra's Dream" very entertaining and gripping.
24 out of 34 people found the following review useful:
Crossing the Line of Morality, 21 September 2008
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Author:
Claudio Carvalho from Rio de Janeiro, Brazil
In London, the loser brothers from a working-class family, Ian (Ewan
McGregor) and Terry (Colin Farrell), buy a second-hand sailboat name
Cassandra's Dream for their leisure. Ian poses of big shot and has big
dreams, saving money to invest in two hotels in California while the
unstable Terry is an alcoholic gambler addicted in pills and mechanic.
When Terry loses a great amount in a card game, Ian lends his savings
to pay part of the sum Terry owes to loan sharks. When their wealthy
uncle Howard (Tom Wilkinson) arrives in London coming from China, the
brothers see the chance to borrow the money they need to quit the debt
with the loan sharks and to invest in the hotel. However, Howard asks
them to get rid of his former associated Martin Burns (Phil Davis) that
is threatening him and his businesses. Ian and Terry have to decide
whether they shall cross the line and help family or face the lack the
money to resolve their issues.
"Cassandra's Dream" is a tragic thriller where the plot point is the
moral decision of two simple but honest brothers whether they should
cross the line, commit murder and live with that later. Colin Farrell
and Ewan McGregor have great performances and their characters are
perfectly developed; Hayley Atwell is extremely gorgeous. However,
Martin Burns is not well-developed, maybe intentionally by the writer
and director Woody Allen, to keep a distance from the viewer the same
way Ian and Terry do in the story. The tension in the plot is limited,
actually prevailing the dramatic moral fight of Terry and Ian later in
this engaging movie. My vote is seven.
Title (Brazil): "O Sonho de Cassandra" ("The Cassandra's Dream")
71 out of 129 people found the following review useful:
TIFF07, review 5: Being rescued is one of my wicked dreams
Cassandra's Dream, 17 September 2007
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Author:
jaredmobarak from buffalo, ny, usa
I went into the Toronto Film Fest screening of Woody Allen's latest
movie Cassandra's Dream completely void of knowing anything about it.
With no other preconception besides the fact that I really enjoyed
Match Point, I sat down to see what was in store this time around.
Would it be a comedy or a drama? Since his last entry, Scoop, was a
comic one, which I have not yet seen, I was ready to be enthralled with
a mystery of dramatic proportions. What a surprise, though, when around
a quarter of the way through, this one turned from serious to amusing.
I need to believe that the laughs are intentional because of the way in
which the performers start to ham it up for the camera. No way would
Woody allow that to happen if he didn't really want it to. Upon exiting
the cinemathe glorious Elgin Theatre that reminded me a lot of
Buffalo's own Shea'smany audience members seemed to be buzzing about
whether they were laughing at good comedy or bad, over-the-top
theatrics. I never second-guessed myself that the laughs were genuine
and by doing so, I found that I loved this film.
Some of you may be aware that Allen had cast and started preproduction
on a film directly before beginning Cassandra's Dream. For some reason
the production fell through and was ultimately scrapped. No one knows
if it was somehow reworked into the movie we see now, but I would guess
that it was not. My first impression, once we discover the true impetus
of the movie, was that this is Match Point with comedy. The plots of
both follow a very similar path and the murder and guilt accompanied
with it are one and the same. In the end, the only real difference
between the two, besides the superficial supporting characters that are
switched around, is the way in which both conclude. Whereas Match Point
stays calm and methodical, Cassandra becomes very much a comedy of
errors. It will really depend on your personal taste for which you feel
succeeds more. Also, if you liked the first, you should like this new
spin, but, if you disliked the first, you may find yourself enjoying
this one because it seems to rectify a lot of what people criticized
Match Point for.
Our entry point into the tale is with two brothers played by Ewan
McGregor and Colin Farrell. The two come from a modest family, whose
father is a restaurant owner attempting to get McGregor's character to
take over the business for him, while Farrell works at a garage fixing
cars when not betting at the neighborhood track. Allen does a wonderful
thing with these characters as he casts both against type. McGregor is
usually the heart on his sleeve type and sympathetic in nature while
Farrell generally plays the ladies-man lothario who is not afraid of a
little scrap. Both are completely flipped on their heads here with Ewan
getting ample opportunity to be cool under pressure, seeing the big
picture at all times and Colin showing some real nice range as the
depressed and conflicted one, unable to wrestle with his conscience.
Much like Terry Gilliam's Brothers Grimm with Matt Damon and Heath
Ledger cast as opposites, I believe this change of pace helps build up
the atmosphere needed for the laughs to work. Farrell's facial
expressions are priceless and McGregor's attempts to stay afloat, while
the world falls apart around him, is top-notch.
The story itself is straightforward, much like Match Point. Both
brothers find themselves in trouble financially, one for gambling debts
and the other for a woman (the beautiful Hayley Atwell). Only their
rich uncle will be able to save them both, however, the time has
finally come where his charity will need to be exchanged for something
he desperately needs. It is the proposition from Uncle Howard, a
wonderful acting job by Tom Wilkinson, which really sets into motion
the underlying plot point that props up the rest of the film. What he
asks is impossible, yet after some persuading and bouts with ego, both
brothers take the plunge and find they can't deal with the pressure it
causes.
Even though I found a few of Woody's metaphors a bit too
heavy-handed"what's your favorite Greek tragedy?" and the
interpretations of dreams occurring left and rightI found the acting
and plot progression to be spot-on. Both leads carry the film on their
backs and without those performances would have left the whole thing
behind to drown. While it could seem a tad lazy that Allen would pretty
much rehash what he did two years ago, it is different enough to
succeed on its own. Cassandra's Dream could be looked on as a very
capable companion piece to Match Point, (I may even go so far as saying
I liked it better), but it also shows that a little comedy can go a
long way. Hopefully Woody will delve more into this mixture of
theatre's two faces and show how working together can create some
wonderful art as well.
21 out of 32 people found the following review useful:
"Cassandra's Dream"- story of two brothers driven by self-ambition, 6 November 2007
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Author:
celine chappert from France
*** This review may contain spoilers ***
I came to the movie theater not knowing what to expect... however,
since it was Woody Allen i decided to give it a try.
Afterwards, when the movie was over, I started to ponder about the
theme of immorality driven by self-ambition. The 2 brothers in this
movie are both very ambitious characters and are both willing to make
sacrifices in order to pursue their dreams. "Cassandra's Dream" might
reminisce you of Shakespeare's play "Macbeth" where the protagonist is
as well manipulated by his own desires. In both cases, ambition
overcomes the characters' moral values and the murders they have
committed hunts them throughout the story: they can neither sleep, nor
trust anyone and are pushed towards isolationism. It seems the blood on
their hands is stained and they will never wash it off as Macbeth dies
regretting his acts and the 2 brothers in Cassandra's dream also die,
completely isolated and full of compunction.
If you haven't seen a good moral film, go check this one out: all the
themes of morality vs. immorality, dehumanization, the power and
ambition etc... are invoked and enrich the plot; however, if you're in
the "popcorn movie" mood, wait until you rent that one :D
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