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A woman takes the law into her own hands after police ignore her pleas to arrest the man responsible for her husband's death, and finds herself not only under arrest for murder but falling in love with an officer.
Director:
Tom Tykwer
Stars:
Cate Blanchett,
Giovanni Ribisi,
Remo Girone
Spike Lee's take on the "Son of Sam" murders in New York City during the summer of 1977 centering on the residents of an Italian-American South Bronx neighborhood who live in fear and distrust of one another.
In Argentina over 8,000 people die in traffic accidents every year. Behind each of these tragedies is a flourishing industry founded on insurance payouts and legal loopholes. Sosa is a ... See full summary »
Director:
Pablo Trapero
Stars:
Ricardo Darín,
Martina Gusman,
Carlos Weber
In Nice, the international police force and the Russian mafia are chasing Anthony Zimmer, an intelligent man responsible for laundry of dirty money in France. Zimmer had extensive plastic ... See full summary »
Based on the true story, two homicide detectives track Martha Beck and Raymond Martinez Fernandez, a murderous pair known as the "Lonely Hearts Killers" who lured their victims through the personals.
Director:
Todd Robinson
Stars:
John Travolta,
James Gandolfini,
Jared Leto
Two London brothers are hard-up for cash, and both have girls to look out for, too. When rich Uncle Howard comes to town and agrees to help them out, he admits his finances are under investigation, and he asks them to do him a favor and "take care of" an old business relation to keep his trouble under wraps - he says that they're family, and since he always takes care of them, the least they could do is help him out this once, as they're the only ones he can trust. The film follows their struggle with the immorality of this request and how each brother chooses to deal with it. Written by
Anonymous
Colin Farrell said in an interview that he "think[s] [he] did as many takes for this whole film as I did for one scene in Miami Vice." See more »
Goofs
The ashtray and the cigarette pack keep appearing and disappearing on the table when Terry is eating with his whole family in the beginning of the movie. See more »
Quotes
[first lines]
Ian:
Ah, she's a beauty! I mean, look her - she's not new, but she looks new. He said the engine needed work.
Terry:
I could do the engine.
Ian:
I can't believe he's asking so little. It's practically a steal.
Terry:
John Anderson said we could keep it at his marina - free of charge - at least for a year till his son comes back.
Ian:
Ah, here he comes. Don't show you're too eager or he won't budge on the price, all right?
Terry:
Right.
See more »
"Giving You My Everything"
Written by Michael Goldwasser, Josh Kessler & Marc Ferrari
Performed by Michael Goldwasser
Courtesy of Marc Ferrari/MasterSource See more »
This is, perhaps, Woody Allen's darkest tale. No hope, no possibility of hoping. Dreaming seems so meaningless. The "I want" syndrome. Nothing will come out of it and shame on you for wanting it. Colin Farrell and Ewan McGregor are wonderful in performances without frills or shine. Strangely enough, Allen shows a bit of compassion for his characters but no respect. He seems to despise them. It is merit of the two actors that we manage to stay with them without falling in love with them without even like them very much. The ending, I felt, was a bit of a cope out. Woody got to the gates of hell but didn't venture in. He leaves to us the details of all that darkness. The film, however, bears Woody Allen's name but could have been a film by Basil Dearden or J Lee Thompson and I mean that as a compliment.
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This is, perhaps, Woody Allen's darkest tale. No hope, no possibility of hoping. Dreaming seems so meaningless. The "I want" syndrome. Nothing will come out of it and shame on you for wanting it. Colin Farrell and Ewan McGregor are wonderful in performances without frills or shine. Strangely enough, Allen shows a bit of compassion for his characters but no respect. He seems to despise them. It is merit of the two actors that we manage to stay with them without falling in love with them without even like them very much. The ending, I felt, was a bit of a cope out. Woody got to the gates of hell but didn't venture in. He leaves to us the details of all that darkness. The film, however, bears Woody Allen's name but could have been a film by Basil Dearden or J Lee Thompson and I mean that as a compliment.