| Photos (See all 12 | slideshow) | Videos (see all 20) |
| Virginia Madsen | ... | Sara Campbell | |
| Kyle Gallner | ... | Matt Campbell | |
| Elias Koteas | ... | Reverend Popescu | |
| Amanda Crew | ... | Wendy | |
| Martin Donovan | ... | Peter Campbell | |
| Sophi Knight | ... | Mary | |
| Ty Wood | ... | Billy Campbell | |
| Erik J. Berg | ... | Jonah (as Erik Berg) | |
| John Bluethner | ... | Ramsey Aickman | |
| D.W. Brown | ... | Dr. Brooks | |
| John B. Lowe | ... | Mr. Sinclair | |
| Adriana O'Neil | ... | Chemo Nurse | |
| Will Woytowich | ... | Cop | |
| James Durham | ... | Matt's Cell Mate | |
| Darren Ross | ... | Paramedic #1 | |
| Sarah Constible | ... | Paramedic #2 | |
| Blake Taylor | ... | 1920's Séance Attendee #1 | |
| Keith James | ... | 1920's Séance Attendee #2 | |
| Kelly Wolfman | ... | 1920's Séance Attendee #3 | |
| Jessica Burleson | ... | 1920's Séance Attendee #4 | |
| Matt Kippen | ... | Strung-Out Guy | |
| rest of cast listed alphabetically: | |||
| Jeny Cassady | ... | 1920's Hero Engraved Corpse #2 (uncredited) | |
| Nicholas Podbrey | ... | Engraved Ghost (uncredited) | |
Directed by | |||
| Peter Cornwell | |||
Writing credits(WGA) | ||
| Adam Simon | (written by) & | |
| Tim Metcalfe | (written by) | |
Produced by | |||
| Paul Brooks | .... | producer | |
| Daniel Farrands | .... | producer | |
| Brad Kessell | .... | co-producer | |
| Phyllis Laing | .... | co-producer | |
| Jeff Levine | .... | co-producer | |
| Scott Niemeyer | .... | executive producer | |
| Lesley Oswald | .... | line producer | |
| Wendy Rhoads | .... | producer | |
| Jonathan Shore | .... | associate producer | |
| Andrew Trapani | .... | producer | |
| Norm Waitt | .... | executive producer | |
| Steve Whitney | .... | executive producer | |
Original Music by | |||
| Robert J. Kral | |||
Cinematography by | |||
| Adam Swica | |||
Film Editing by | |||
| Tom Elkins | |||
Casting by | |||
| Eyde Belasco | |||
Production Design by | |||
| Alicia Keywan | |||
Art Direction by | |||
| Edward Bonutto | |||
Set Decoration by | |||
| Craig Sandells | |||
| Steve Shewchuk | |||
Costume Design by | |||
| Meg McMillan | |||
Makeup Department | |||
| Crystal Biloski | .... | special makeup effects trainee | |
| Joe Colwell | .... | special makeup effects artist | |
| Ken Culver | .... | prosthetics technician | |
| Mike Fields | .... | special makeup effects artist | |
| Alex Ganczar | .... | special makeup effects trainee | |
| Ediena Hawkes | .... | key hair stylist | |
| Steven Kostanski | .... | special makeup effects trainee | |
| Amanda Kuryk | .... | first assistant makeup artist (as Amanda Lesage) | |
| Jennifer Machnee | .... | additional special effects makeup artist | |
| Brenda Magalas | .... | special makeup effects | |
| Todd Masters | .... | prosthetic makeup designer and supervisor | |
| Doug Morrow | .... | makeup department head | |
| Sarah Pickersgill | .... | special makeup effects artist | |
| Nicholas Podbrey | .... | special effects makeup artist | |
| Nicholas Podbrey | .... | special effects makeup coordinator | |
| Dan Rebert | .... | prosthetic makeup designer and supervisor | |
| Catherina Saites | .... | first assistant hair stylist (as Catharina Saites) | |
| Forest Sala | .... | head of hair department | |
| Kyla Rose Tremblay | .... | special makeup effects artist | |
Production Management | |||
| Joanna L. Rees Jones | .... | post production executive | |
| Koah Kruse | .... | post-production supervisor | |
| Lesley Oswald | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Charles Crossin | .... | second assistant director | |
| Richard O'Brien-Moran | .... | first assistant director | |
Art Department | |||
| Ricardo Alms | .... | set designer | |
| Ryan Berzuk | .... | assistant property master | |
| Lloyd Brandson | .... | co-lead scenic artist | |
| Nick Burns | .... | storyboard artist | |
| Joelle Craven | .... | graphics | |
| Jason Gibbs | .... | property master | |
| Janet Kusnick | .... | storyboard artist | |
| Alexis Labra | .... | on-set dresser | |
| Gordon Lebredt | .... | set designer | |
| Bill MacInnis | .... | assistant set decorator | |
| Lisa Manchulenko | .... | key greens | |
| Robb Paraskevopoulos | .... | carpenter | |
| Bill Sinosich | .... | on-set carpenter | |
| Brian Smith | .... | construction coordinator | |
| Khali Wenaus | .... | art department coordinator | |
Sound Department | |||
| Anke Bakker | .... | sound supervisor | |
| Brian Campbell | .... | dialogue editor | |
| Roberto Cappannelli | .... | sound re-recording mixer | |
| Jay Cheetham | .... | background sound editor | |
| Matt Dawson | .... | adr mixer | |
| Dario DiSanto | .... | foley editor | |
| Jesse Dube-Smith | .... | sound trainee | |
| Luke Dunn Gielmuda | .... | sound designer | |
| Jason Gaya | .... | adr mixer | |
| Graeme Hughes | .... | sound re-recording mixer | |
| James Kusan | .... | sound recordist | |
| Christine McLeod | .... | co-sound supervisor | |
| Beauxregard Neylon | .... | adr mixer | |
| Glen Noseworthy | .... | foley recordist | |
| Belinda Pattison | .... | assistant sound editor | |
| Iain Pattison | .... | sound re-recording mixer | |
| Jan Petrov | .... | adr recordist | |
| Christopher M. Ray | .... | assistant re-recording mixer (as Chris Ray) | |
| Adam Sharpe | .... | foley recordist | |
| Paul A. Sharpe | .... | sound re-recording mixer | |
| James Wallace | .... | sound designer | |
| Matthew Wilson | .... | sound effects editor | |
| Tony Wyman | .... | boom operator | |
| Kris Fenske | .... | sound effects editor (uncredited) | |
Special Effects by | |||
| Gideon Hay | .... | special effects makeup | |
| Brian Hillard | .... | special effects makeup: Masters F/X | |
| James Kozier | .... | special effects co-coordinator | |
| Cullen Redekop | .... | special effects assistant | |
| Tim Storvick | .... | special effects coordinator | |
| Hill Vinot | .... | sculptor/fabricator: Todd Masters FX | |
Visual Effects by | |||
| Austin Basile | .... | digital compositor | |
| Ann-Marie Blommaert | .... | visual effects project manager | |
| Landon Bootsma | .... | digital compositor | |
| Dan Brittain | .... | digital compositor | |
| Todd Busch | .... | visual effects editor | |
| Drake Conrad | .... | digital colorist | |
| Pete Dionne | .... | 3d supervisor: Technicolor | |
| Steve Elliott | .... | visual effects I/O: Technicolor | |
| Colleen Jenkinson | .... | visual effects producer: Technicolor Creative Services | |
| Stephen Misek | .... | effects technical director | |
| Erik Nordby | .... | visual effects supervisor | |
| Jeremy Price | .... | visual effects artist | |
| Persis Reynolds | .... | visual effects executive producer: Technicolor Vancouver | |
| Michael Stewart | .... | digital compositor: Technicolor | |
| Tomaso Tartarotti | .... | digital compositor | |
| Patrick Thompson | .... | digital compositor | |
| Matt Yeoman | .... | digital compositor | |
Stunts | |||
| Megan Herkert | .... | wendy stunt double | |
| Alyssa Jantz | .... | mary stunt double | |
| Garth Merkeley | .... | matt stunt double | |
| Chuck Robinson | .... | off camera stunt driver | |
| Kristen Sawatzky | .... | sara stunt double | |
| Dan Skene | .... | on camera stunt driver (as Daniel Skene) | |
| Rick Skene | .... | stunt coordinator | |
| Sean Skene | .... | cop stunt double | |
| Richard Thomas | .... | stunt fireman | |
Camera and Electrical Department | |||
| François Balcaen | .... | key grip | |
| John Clarke | .... | gaffer | |
| Allen Fraser | .... | still photographer | |
| Caley Gibson | .... | camera trainee | |
| Casey Harrison | .... | second assistant camera | |
| Jason Heke | .... | second assistant camera | |
| Junichi Hosoi | .... | steadicam | |
| Jonathan Kennedy | .... | grip | |
| Ryan McGregor | .... | camera trainee | |
| W. James Meagher | .... | lighting technician | |
| William Mills | .... | dolly grip | |
| Doug Petersen | .... | grip | |
| Rebecca Sandulak | .... | still photographer | |
| Ben Stouffer | .... | daily electrician | |
| Terry Thiessen | .... | grip | |
| Brad Vos | .... | camera operator: 'a' camera | |
Casting Department | |||
| Jim Heber | .... | casting: Canada | |
| Kari Rieger | .... | extras casting | |
| Joey Ritche | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Paula Dunfield | .... | key costumer | |
| Amy Sztulwark | .... | costume buyer | |
| Angela Wells | .... | costume truck supervisor | |
Editorial Department | |||
| Adam M. Duthie | .... | first assistant editor | |
| Kate Kroll | .... | post-production coordinator | |
| Jennifer Taylor | .... | post-production assistant | |
Music Department | |||
| Hal Beckett | .... | conductor | |
| Hal Beckett | .... | contractor | |
| Hal Beckett | .... | supervising music editor | |
| William Boston | .... | orchestrator | |
| Meagan Carsience | .... | music editor | |
| Sherri Chung | .... | orchestrator | |
| Greg Hamilton | .... | music preparation | |
| Robert J. Kral | .... | orchestrator | |
| Roger Monk | .... | score mixer | |
| Milton Nelson | .... | orchestrator | |
| Vince Renaud | .... | score mixer | |
| Ellen Segal | .... | music editor | |
| Marissa Steingold | .... | solo vocals | |
| Sandy Taronno | .... | guitar advisor | |
Transportation Department | |||
| Scott Quantrell | .... | driver | |
| Corey Walker | .... | driver: cast | |
Other crew | |||
| Lindsay Affleck | .... | office production assistant | |
| Lesa Andelson | .... | production counsel | |
| Neal Baksh | .... | assistant location manager | |
| Matthew Benson | .... | production executive | |
| Peter Block | .... | production executive | |
| B. Pat Burns | .... | rehearsal actor | |
| Paul Courchaine | .... | first assistant accountant | |
| Laura Daniel | .... | assistant: Mr. Cornwell | |
| Kiran Dhillon | .... | office intern | |
| Chris Doss | .... | executive in charge of finance | |
| Cathie J. Edgar | .... | location manager | |
| Laura Forrest | .... | travel services provided by | |
| Andrew Gallinger | .... | locations key | |
| Suraj Gohill | .... | production lender | |
| Tamara Harland | .... | location production assistant | |
| Jennifer Hoffman | .... | assistant: Mr. Brooks | |
| Cathie Hutfluss | .... | medical consultant | |
| Robb Inniss | .... | assistant production coordinator | |
| Robb Inniss | .... | production coordinator: pre-production | |
| Shannon Jacques | .... | stand-in | |
| Heather Joyce | .... | director of marketing: Gold Circle Films | |
| Mary Catherine Little | .... | assistant: Mr. Niemeyer | |
| Todd Masters | .... | prosthetics supervisor | |
| Tamara Mauthe | .... | production coordinator | |
| Allan McGowan | .... | security | |
| Karly Meola | .... | assistant: v. madsen | |
| Alanna Mills | .... | continuity | |
| Alanna Mills | .... | script supervisor | |
| Nicolas Phillips | .... | lead lighting technician | |
| Nicholas Podbrey | .... | prosthetics coordinator | |
| Nicholas Podbrey | .... | puppeteer | |
| Carmen Reed | .... | creative consultant | |
| Jayson Schimnowski | .... | production assistant | |
| Allen Snedeker Sr. | .... | creative consultant | |
| Dylan Tarason | .... | executive in charge of production | |
| Kevin Waehner | .... | assistant: Mr. Kessell | |
| Adam Wilton | .... | office production assistant | |
| Dylan Woodley | .... | accounting clerk | |
| Sheila Woodley | .... | production accountant | |
| Ryan Wuckert | .... | location scout | |
| Todd Zeller | .... | unit publicist | |
Thanks | |||
| Dalibor Backovic | .... | special thanks (as Dalibor Backovich) | |
| Peter Block | .... | special thanks | |
| Kenny Boyce | .... | we would like to thank: manager of film & special events, city of Winnipeg | |
| Johnny Cash | .... | in memory of | |
| Jason Constantine | .... | special thanks | |
| Abby Elkins | .... | special thanks | |
| Sam Elkins | .... | special thanks | |
| Suzy Elkins | .... | special thanks | |
| Eric Gable | .... | special thanks | |
| Louise O'Brien-Moran | .... | special thanks | |
| Carole Vivier | .... | special thanks | |
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I'm sure it helped that I was in the right mood and the right atmosphere when I saw this movie at a midnight screening at South by Southwest, but The Haunting in Connecticut was a horror movie that really struck a chord with me.
I'm a longtime fan of this genre, getting acquainted with all the old classics and cult films through USA Saturday Night Horror when I was young, and continuing to see and love newer ones, such as The Ring, throughout college. However, when I go on a rant about the current state of horror movies, I tell people that today's movies make you heighten your sense of disbelief too much in order to be scared I call it "fantasy horror." There aren't enough movies like The Exorcist anymore where it absolutely feels real, like something that has always existed but you've just been lucky enough to avoid.
I loved The Haunting in Connecticut, because it is much closer to reality horror than fantasy, and I suppose that's because it's based on a true story. It just doesn't feel like it came straight out of someone's imagination. It was the kind of movie where, not only did I find myself wondering about the true story of the Snedeker family, but when I went to sleep that night, I couldn't help pondering the history of my own home and its previous tenants. If you're the type of person who loves horror movies, I assume that's the exact creepy way you want them to resonate.
Besides the background story, one of the other reasons I think this movie worked was because of the performance of Kyle Gallner. This young man plays a much more complex (and believable) protagonist than most of the ones I've seen in horror films lately, as his character, Matt, has a very familiar (and scary in its own right) disease that makes him question whether the haunting is real, or a symptom of his sickness. I venture to say that his character could have made an interesting movie even BEFORE the paranormal activity starts, but Gallner was exceptional in this role, and I think we'll still be talking about "the boy in The Haunting in Connecticut," 10 years from now.
So for true horror movie fans, I definitely recommend checking this one out. Sometimes there's nothing wrong with a horror movie based completely in fantasyland, like Nightmare on Elm Street, but the creepiest horror usually has a dose of reality. This film will scare you, it will make you think and it will leave a lasting impression.