| Photos (See all 27 | slideshow) | Videos (see all 6) |
| Andy Samberg | ... | Ham (voice) | |
| Cheryl Hines | ... | Luna (voice) | |
| Jeff Daniels | ... | Zartog (voice) | |
| Patrick Warburton | ... | Titan (voice) | |
| Kristin Chenoweth | ... | Kilowatt (voice) | |
| Kenan Thompson | ... | Ringmaster (voice) | |
| Zack Shada | ... | Comet / Nava Boy (voice) | |
| Carlos Alazraqui | ... | Houston (voice) | |
| Omid Abtahi | ... | Dr. Jagu (voice) | |
| Patrick Breen | ... | Dr. Bob (voice) | |
| Jane Lynch | ... | Dr. Poole (voice) | |
| Kath Soucie | ... | Dr. Smothers (voice) | |
| Stanley Tucci | ... | Senator (voice) | |
| Wally Wingert | ... | Splork / Infinity Probe / Pappy Ham (voice) | |
| Jessica Gee | ... | Ship Voice / Infinity Probe / Additional Voices (voice) (as Jessica Gee George) | |
| Tom Kenny | ... | Newsreel (voice) | |
| Jason Harris | ... | Guard (voice) | |
| Jay Keiser | ... | Cloud of Id (voice) | |
| Tom Jacomb | ... | Reporter (voice) | |
| Curtis Augspurger | ... | Reporter (voice) | |
| Jess Harnell | ... | Additional Voices (voice) | |
| Ellie Harvie | ... | Additional Voices (voice) | |
| Caitlin McKenna-Wilkinson | ... | Additional Voices (voice) (as Caitlin McKenna) | |
| rest of cast listed alphabetically: | |||
| Eliza Bayne | ... | Dr. Smothers (uncredited) | |
Directed by | |||
| Kirk De Micco | (as Kirk DeMicco) | ||
Writing credits | ||
| Kirk De Micco | (screenplay) (as Kirk DeMicco) and | |
| Robert Moreland | (screenplay) (as Rob Moreland) | |
| Kirk De Micco | (story) (as Kirk DeMicco) | |
| Jason Mayland | additional screenplay material | |
| Joe Piscatella | uncredited | |
Produced by | |||
| Curtis Augspurger | .... | co-producer | |
| Eric M. Bennett | .... | executive producer | |
| Morris Berger | .... | executive producer | |
| Neil Braun | .... | executive producer | |
| Steve Brown | .... | executive producer | |
| Jerry Davis | .... | executive producer | |
| John W. Hyde | .... | executive producer (as John Hyde) | |
| Tom Jacomb | .... | associate producer | |
| Barry Sonnenfeld | .... | producer | |
| John H. Williams | .... | producer | |
Original Music by | |||
| Chris Bacon | (as Chris P. Bacon) | ||
Cinematography by | |||
| Jericca Cleland | |||
Film Editing by | |||
| Debbie Berman | |||
Casting by | |||
| Matthew Jon Beck | |||
Production Design by | |||
| Bo Welch | |||
Art Direction by | |||
| Matthias Lechner | |||
Production Management | |||
| Clare Howell | .... | production manager | |
| Brynne Orloski | .... | production manager | |
| Liz Roberts | .... | production manager | |
Art Department | |||
| Manuel Arenas | .... | set designer | |
| Peter Chan | .... | concept artist | |
| James Gambino | .... | typesetting | |
| Alex Hill | .... | storyboard artist (as Alex Hillkurtz) | |
| Sylvie Lacroix | .... | visual development | |
| Suzanne MacLennan | .... | art department coordinator | |
| Tom Morgan | .... | storyboard artist (as Thomas Morgan) | |
| Francesca R. Natale | .... | concept artist | |
| Christopher Near | .... | concept artist | |
| Rasoul Shafeazadeh | .... | matte painter | |
| Vitaly Shafirov | .... | storyboard artist | |
| Sterling Sheehy | .... | character designer | |
| Sterling Sheehy | .... | storyboard artist | |
| Cosku Turhan | .... | assistant art director | |
| Young Min Yoon | .... | set designer | |
Sound Department | |||
| James Ashwill | .... | foley mixer | |
| David W. Barr | .... | dialogue recording engineer | |
| Beau Borders | .... | sound re-recording mixer | |
| Hennie Britton | .... | adr recordist | |
| Chris Egert | .... | adr recordist | |
| Simon Ellegaard | .... | sound re-recording mixer | |
| Sean Garnhart | .... | sound effects editor | |
| Sean Garnhart | .... | sound re-recording mixer | |
| Ryan Heiferman | .... | dialogue recordist | |
| Keith Hodne | .... | sound recordist | |
| James Lafferty | .... | assistant dialogue recording engineer | |
| Eric Lewis | .... | dialogue recording engineer | |
| Stefano Mascitti | .... | synchronization | |
| Kevin O'Connell | .... | sound re-recording mixer | |
| Matt Temple | .... | predub mixer | |
| James Wright | .... | sound consultant: dolby (as Jim Wright) | |
| Joel H. Newport | .... | dialog recordist (uncredited) | |
| John Soukup | .... | sound transfer (uncredited) | |
Visual Effects by | |||
| Christopher Ahrens | .... | lighting artist | |
| Shigeki Ao | .... | lead modeler | |
| Cheryl Bainum | .... | executive producer: HATCH | |
| Marco Barbati | .... | lead character technical director | |
| Jenny Basen | .... | software and lighting coordinator | |
| Tim Belsher | .... | lighting artist: Vanguard Animation | |
| Tim Belsher | .... | pipeline architect: Vanguard Animation | |
| Troy Brooks | .... | pipeline supervisor | |
| Cyril Frederick Chu | .... | lighting artist | |
| Cyril Frederick Chu | .... | texture artist | |
| Andrew Coates | .... | digital compositor | |
| Glenn Curry | .... | digital effects artist | |
| Steven Elford | .... | head of layout | |
| Steven Elford | .... | head of visual effects | |
| Marc English | .... | visual effects | |
| Adam Estey | .... | compositor | |
| Deak Ferrand | .... | concept artist: HATCH | |
| Dave Gordon | .... | tools development | |
| Erik Gronfeldt | .... | character shading lead | |
| Erik Gronfeldt | .... | digital compositor | |
| David Hall | .... | compositor | |
| Lawrence Huang | .... | lead lighter | |
| C. Jin Im | .... | lighting lead | |
| Colin Jenken | .... | digital compositor | |
| Colin Jenken | .... | visual effects technical director | |
| Gregory John Jowle | .... | environments & look development supervisor | |
| Gyuri Kiss | .... | effects lead | |
| Sara Jane Kramer | .... | texture & shading artist | |
| Danny Lee | .... | digital compositor | |
| Key Hyung Lee | .... | lighting technical director | |
| Michael Lemon | .... | visual effects artist | |
| Jing Jing Liu | .... | lighting | |
| Manuel Llamas | .... | digital compositor | |
| Daniel Lowenberg | .... | digital effects artist | |
| Russell Lum | .... | digital compositor | |
| Nick Lupinetti | .... | simulation technical director | |
| Scott MacKay | .... | digital compositor | |
| Will McCrate | .... | lighting lead | |
| Paul Mica | .... | texture artist | |
| Saybian Morgan | .... | character look development supervisor | |
| Tony Pelle | .... | pipeline architect | |
| Rudy Poat | .... | visual effects artist | |
| Edwin Poon | .... | lighting artist | |
| Matt Pursley | .... | technical director | |
| Alan Rogers | .... | lead animator | |
| Michelle Rosenthal | .... | junior lighting technical director | |
| Ran Sariel | .... | lighting technical director | |
| Andrew Schwartz | .... | film finisher | |
| Alex Segal | .... | tools development | |
| Heekyung Shin | .... | lighting technical director | |
| John Silander | .... | character modeler | |
| John Silander | .... | character sculptor | |
| Vicki Silva | .... | digital compositor | |
| Angie Young-Ji Sohn | .... | lighting & compositing | |
| George Taylor | .... | compositor | |
| Jenn Taylor | .... | animator | |
| Kieran Tether | .... | lighting and compositing artist | |
| Jeff Tetzlaff | .... | environment modeler | |
| Jeff Tetzlaff | .... | lighting artist | |
| Rolph Thomas | .... | lead compositor | |
| Graeme Tung | .... | lighting artist | |
| Brian van Zanden | .... | rigging td | |
| Ruslan Vasylev | .... | character modeller | |
| Bernie Wempe | .... | lead character modeler | |
| Daniel Wexler | .... | script programmer | |
| Chris Winters | .... | lead lighter: Vanguard Animation | |
Camera and Electrical Department | |||
| Meghan O'Brien | .... | assistant lighting coordinator | |
Casting Department | |||
| Micah Dahlberg | .... | casting associate | |
| Caitlin McKenna-Wilkinson | .... | adr voice casting | |
Editorial Department | |||
| Tom Finan | .... | supervising editor | |
| David Hall | .... | editorial assistant | |
| Paul Klassen | .... | additional editor | |
| Tiffany L. Kurtz | .... | additional editor (as Tiffany Hillkurtz) | |
| Eric Lake | .... | managing director of editorial | |
| Bret Marnell | .... | additional editor | |
| Carl S.G. Moore | .... | digital intermediate producer | |
| Nathan Schauf | .... | first assistant editor | |
| Tony Dean Smith | .... | additional editor | |
| Graham Tucker | .... | additional editor | |
Music Department | |||
| Pete Anthony | .... | orchestrator | |
| Jeff Atmajian | .... | orchestrator | |
| Blue Man Group | .... | composer: additional music | |
| Tom Boyd | .... | musician: oboe soloist | |
| George Doering | .... | musician | |
| Matt Franko | .... | music preparation | |
| Jim Honeyman | .... | orchestrator | |
| Joel Iwataki | .... | music scoring mixer | |
| Kevin Kliesch | .... | orchestrator | |
| Jon Kull | .... | orchestrator | |
| Robert Litton | .... | orchestrator | |
| Larry Mah | .... | digital score recordist | |
| Julia Newmann | .... | additional orchestrator | |
| Matt Novack | .... | technical score advisor | |
| Mike Nowak | .... | conductor | |
| Victor Pesavento | .... | music preparation | |
| Peter Rotter | .... | orchestra contractor | |
| Pieter A. Schlosser | .... | composer: additional music | |
| Andrew Shulman | .... | cello soloist | |
| Joel Sill | .... | music supervisor | |
| Steven L. Smith | .... | music preparation | |
| Curt Sobel | .... | music supervisor | |
| Curt Sobel | .... | supervising music editor | |
| Gad Emile Zeitune | .... | composer: additional music | |
| Matt Fausak | .... | assistant music editor (uncredited) | |
Other crew | |||
| Jeremy Anderson | .... | systems administrator | |
| Tohru Patrick Awa | .... | concept designer | |
| Mic Berends | .... | chief color scientist | |
| Lilian Bravo | .... | production coordinator | |
| Simon Chang | .... | senior systems administrator | |
| Mary Couce | .... | assistant: Mr. Sonnenfeld | |
| Barb Dawson | .... | director of staffing | |
| Venecia Duran | .... | creative executive | |
| Steven Elford | .... | head of layout | |
| Marc English | .... | production coordinator | |
| Laura Garcia | .... | executive assistant | |
| Matthew Hampton | .... | international distribution consultant | |
| Anne Jacobsen | .... | production controller | |
| Krista Johnston | .... | clearances | |
| Ryan Letourneau | .... | systems administrator | |
| Robert Litton | .... | booth: orchestra | |
| Laura Lopez | .... | studio manager: Inc. | |
| Russell Lum | .... | production coordinator | |
| Elizabeth Pellatt | .... | assistant: Mr. Augspurger & Mr. Jacomb | |
| Joi Perle | .... | assistant: Mr. Sonnenfeld | |
| Matt Pursley | .... | systems administrator | |
| James Rose | .... | systems administrator | |
| Suzanne E. Smith | .... | assistant accountant (as Suzanne Clements) | |
| Bill Stevens | .... | production accountant | |
| Ashley Thoms | .... | assistant: Mr. Williams | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Animation section | IMDb USA section |
Have you seen movies that almost wore you out after 45 minutes? Im talking about too much action, too much bickering and yelling between people, too much happening the screen, too loud.....just too much. You want to cry, "enough, already....give us a few lulls!" That's how found this cute-at-first animated film which starts off great but quickly spirals into the "too much" category and never lets go. Maybe I'm just too old for this sort of thing; maybe this is what five or ten-year-olds want....but I'm not surprised this animated film wasn't a hit - with adults or some kids.
Don't get wrong: there are a number of funny lines in here, the animation is great in spots, and some of the characters (i.e. "Kilowatt") are very appealing. It's just that the film feels rushed, right from the start. One can never just settle down and enjoy the stories, character and artwork. This story needed more lulls.
It also need less ("wink" "wink") inside, pretentious remarks by the writers, who tried too hard to get their PC agendas in here throughout. The "heroes," the space chimps, were always bickering among themselves. That led to some funny put-down lines but also got tiring, too, after almost an hour of it. The villain, "Zartog," meanwhile, was just plain stupid. Nobody that silly/dumb, even in science fiction, could rule anyone.
In all, it was just too disjointed and too frenetic - all the while being predictable - to enjoy. Although only 80 minutes in length, I found myself often checking how much time was left in the film.