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Directed by | |||
| Lexi Alexander | |||
Writing credits(WGA) | ||
| Nick Santora | (written by) and | |
| Art Marcum | (written by) & | |
| Matt Holloway | (written by) | |
Original Music by | |||
| Michael Wandmacher | |||
Cinematography by | |||
| Steve Gainer | |||
Film Editing by | |||
| William Yeh | |||
Casting by | |||
| Jennifer L. Smith | |||
| Tricia Wood | |||
Production Design by | |||
| Andrew Neskoromny | |||
Art Direction by | |||
| Martin Gendron | |||
| Jean Kazemirchuk | |||
| Colombe Raby | |||
| Catherine Schroer | |||
Set Decoration by | |||
| Suzanne Cloutier | (key set decorator) | ||
| Shane Vieau | |||
Costume Design by | |||
| Odette Gadoury | |||
Makeup Department | |||
| Chantal Bergeron | .... | hair stylist | |
| Nathalie Garon | .... | hair stylist | |
| Christophe Giraud | .... | makeup artist | |
| Gaétan Landry | .... | key hair stylist | |
| Serge Lavigueur | .... | special makeup effects artist | |
| Sharon Markell | .... | hair stylist: Vancouver | |
| Ladan Mojallal | .... | first assistant makeup artist: Vancouver | |
| Adrien Morot | .... | special makeup effects supervisor | |
| Magali Métivier | .... | key makeup artist | |
| Sabin Paradis | .... | key hair stylist | |
| Melissa Purino | .... | makeup supervisor | |
| Jessica Rain | .... | key hair stylist: Vancouver | |
| Ronald J. Rolfe | .... | hair stylist | |
| Kathy Tse | .... | assistant makeup artist | |
Production Management | |||
| Chris Foss | .... | production manager: Vancouver | |
| Mark McCoy | .... | post-production manager | |
| Curtis A. Miller | .... | production director: Lions Gate Films | |
| Carl Pedregal | .... | post-production supervisor | |
| Philip Stilman | .... | post-production supervisor | |
| Victorine Tamafo | .... | assistant production manager | |
| Jaime Tobon | .... | production manager: second unit and re-shoots | |
Second Unit Director or Assistant Director | |||
| Stéphane Byl | .... | second second assistant director | |
| Doug Coleman | .... | second unit director | |
| Renato De Cotiis | .... | second assistant director | |
| Yanick DiVito | .... | additional third assistant director | |
| Caroline Landry | .... | second assistant director: second unit | |
| Carl Mason | .... | first assistant director: second unit Vancouver | |
| John McKeown | .... | first assistant director | |
| Jacinthe Noreau | .... | second second assistant director | |
| Sinan Saber | .... | additional third assistant director | |
Sound Department | |||
| Michael Babcock | .... | sound re-recording mixer | |
| Bobbi Banks | .... | supervising adr editor | |
| Catherine Bellazzi | .... | boom operator | |
| Louis Desparois | .... | sound recordist (second unit) | |
| Nick Foley | .... | adr mixer | |
| Mark Goebel | .... | foley assistant | |
| Paul Hackner | .... | sound effects editor | |
| Greg Hedgepath | .... | supervising sound editor | |
| Claude La Haye | .... | sound mixer | |
| Michel Lecoufle | .... | sound recordist: second unit | |
| Rudy Michael | .... | adr mixer: Toronto | |
| Chris Navarro | .... | adr mixer | |
| Tom Ozanich | .... | sound re-recording mixer | |
| Simon Plouffe | .... | assistant sound | |
| Mark Purcell | .... | sound mix technician | |
| Francis Péloquin | .... | boom operator | |
| Frank Smathers | .... | supervising sound editor | |
| Mike Szakmeister | .... | dialogue editor | |
| Jussi Tegelman | .... | sound editor | |
| Nickolas Meade | .... | sound (uncredited) | |
Special Effects by | |||
| Andy Antoine | .... | special effects technician | |
| Kevin Carter | .... | special effects contact lenses | |
| Gary Coates | .... | special effects foreman | |
| Ryal Cosgrove | .... | special effects coordinator | |
| Colin Osmond | .... | special effects technician | |
| Jak Osmond | .... | special effects coordinator | |
| James Poulin | .... | special effects crew | |
| Brent Radford | .... | second armourer | |
| Marc Reichel | .... | special effects foreman: second unit coordinator | |
| Sascha Robey | .... | special effects assistant: 2nd unit | |
| George Tucci | .... | special effects technician: break away items | |
Visual Effects by | |||
| Anthony Barcelo | .... | digital compositor | |
| Jamie Baxter | .... | visual effects | |
| Trinh Baxter | .... | visual effects | |
| Rob Blauser | .... | digital matte painter | |
| Danielle Brooks | .... | CG artist | |
| Sarah Coatts | .... | visual effects producer: main title: PIC | |
| Nick Drew | .... | visual effects production manager: CIS London | |
| Chris Ervin | .... | digital compositor | |
| Patrick Flanagan | .... | digital compositor | |
| James David Hattin | .... | digital compositor | |
| Spencer Hecox | .... | digital compositor | |
| Craig Hilditch | .... | digital compositor | |
| Brian Holter | .... | digital compositor | |
| Adam Howard | .... | visual effects supervisor | |
| Geoff Leavitt | .... | visual effects | |
| Sean Lewkiw | .... | technical head of 3D | |
| Hugh Macdonald | .... | digital compositor: CIS London | |
| John R. McConnell | .... | 2D compositor | |
| Ray McIntyre Jr. | .... | visual effects supervisor: Pixel Magic | |
| Roger Mocenigo | .... | compositor: XY&Z | |
| Brad Moylan | .... | digital compositor: Pixel Magic | |
| Erin L. Nelson | .... | digital restoration | |
| Collette Nunes | .... | visual effects editor | |
| Roma O'Connor | .... | executive producer: visual effects | |
| Jonathan Opgenhaffen | .... | cg artist: CIS London | |
| Efram Potelle | .... | digital compositor | |
| David Ridlen | .... | animator | |
| Miso Ristov | .... | lead matchmove artist | |
| Becky Roberts | .... | visual effects producer: CIS London | |
| Glenn Rossney | .... | production assistant: visual effects | |
| Michael Shelton | .... | compositor | |
| Robert Short | .... | senior visual effects supervisor | |
| Wilson Tang | .... | digital restoration | |
| Mike Tosti | .... | production technology | |
| Lazar Trenchev | .... | roto artist | |
| Mike Uguccioni | .... | visual effects supervisor | |
| Norie Varga | .... | digital artist | |
| David Wahlberg | .... | lead digital compositor: CIS London | |
| Izzy Weiss | .... | digital compositor | |
Casting Department | |||
| Samantha Finkler | .... | casting associate | |
| Barbara Harris | .... | adr voice casting | |
| Johanne Titley | .... | extras casting | |
| Erin Toner | .... | casting associate | |
Costume and Wardrobe Department | |||
| Rosalie Clermont-Bilodeau | .... | assistant costume designer | |
| Jean-François Desjardins | .... | key dresser | |
| Sara-Maude Duguay | .... | costume illustrator | |
| Anick Fournier | .... | costumer: extras | |
| Tereska Gesing | .... | assistant costumer | |
| Marie-Maude Grenier | .... | costume buyer | |
| Laurence Lacoste | .... | extras costumer | |
| Valérie Levesque | .... | costumer: extras | |
| Claudia Manseau | .... | costumer | |
| Simonetta Mariano | .... | costume supervisor | |
| Josée Philibert | .... | costumer | |
| Dominic Prevost | .... | wardrobe technician | |
| Michelle Pépin | .... | extras costumer | |
| Myriam St-Louis | .... | extras dresser | |
| Armando Tremblay | .... | wardrobe technician | |
Editorial Department | |||
| Ron Barr | .... | digital intermediate editor | |
| Tony Dustin | .... | digital film colorist | |
| Richard A. Eisenstein | .... | editorial associate | |
| Julie Garces | .... | assistant editor | |
| Eric Gaudry | .... | colorist: dailies | |
| Stéfanie Guadagnino | .... | assistant editor | |
| Carl S.G. Moore | .... | digital intermediate producer | |
| Matt Russell | .... | post-production assistant | |
| Mark Sahagun | .... | digital intermediate editor | |
| Aidan Stanford | .... | color timer | |
| Mark Tuminello | .... | first assistant editor | |
| Larry D. Webster | .... | post-production | |
| Dan Williams | .... | post-production assistant | |
| Ariana Young | .... | post-production coordinator | |
Music Department | |||
| Susie Bench | .... | orchestra conductor | |
| Susie Bench | .... | orchestrator | |
| Tony Blondal | .... | additional orchestrator | |
| Peter Boyer | .... | orchestrator | |
| Mark Curry | .... | score mixer | |
| Jay Faires | .... | music supervisor | |
| Elliott Goldkind | .... | assistant music editor | |
| Daniel Hubbert | .... | music supervisor (as Dan Hubbert) | |
| Simon James | .... | music contractor | |
| Tracy McKnight | .... | music consultant | |
| Joshua Winget | .... | music editor | |
Transportation Department | |||
| Audrey Beuzet Mariane | .... | driver (as Audrey Mariane Beuzet) | |
| Valérie Binette | .... | assistant transportation coordinator | |
| Christian Bourque | .... | driver | |
| Jean Brodeur | .... | driver | |
| Maxime Dufort | .... | driver | |
| Stephane Durocher | .... | transportation captain | |
| Martin Stuart Forbes | .... | driver | |
| Martin Fradette | .... | driver | |
| Katerine Lambert | .... | driver | |
| David Leblanc | .... | driver: ray stevenson | |
| Steve Leblanc | .... | driver | |
| Patrick Legault | .... | driver: swing | |
| Tasso Mathiopoulos | .... | head driver | |
| Valerie Milot | .... | driver | |
| Philippe Montel | .... | transportation coordinator | |
| Marcel Robidoux | .... | driver | |
| Manon Rufer | .... | driver | |
| Bernard Sills | .... | driver | |
| Danny Turgeon | .... | transportation coordinator: second unit | |
| Roger Vaillancourt | .... | driver | |
| Ian Vandewalle | .... | driver: Dominix West | |
| Tania Veri | .... | driver | |
Other crew | |||
| David R. Archibald | .... | security | |
| Stephanie Aubin | .... | assistant art coordinator | |
| Jon Barton | .... | miltary coordinator/actor trainer | |
| Dale Ross Braun | .... | production accountant: Vancouver | |
| Bruce L. Brownstein | .... | location manager | |
| Nickey Chow | .... | second assistant accountant | |
| Ami Cohen | .... | production department coordinator | |
| Bob Corff | .... | dialect coach | |
| Rick Cranford | .... | script coordinator | |
| Carl Crevier | .... | stand-in: Dominic West | |
| Mark Crofton | .... | assistant chef | |
| Michael Cromien | .... | security (as Michael G. Cromien) | |
| Marie-Chantal Crète | .... | script | |
| Puelo Deir | .... | unit publicist | |
| Christine Deita | .... | production assistant | |
| John DeMita | .... | voice-over artist | |
| Charles-David Deschenes | .... | personal assistant to director | |
| Yves Desjardins | .... | production coordinator | |
| Paul Dupont | .... | safety coordinator: pyrotechnics | |
| Julio Ferrario | .... | creative director: main titles | |
| Alex Franklin | .... | development executive | |
| Jocelyne Gagné | .... | first assist accountant | |
| John Galli | .... | assistant: Mr. Arad | |
| Paul Gillot | .... | production assistant: swing unit | |
| Pamela B. Green | .... | main title producer | |
| Robert Harrison | .... | head set medic | |
| Liam Hearne | .... | post-production accountant | |
| Kim Howes | .... | set security | |
| Jess Hunt | .... | assistant to producer | |
| Bill Jacks | .... | manager of business and legal affairs | |
| Jean-Patrick Joseph | .... | special equipment supplier | |
| Nutan Khanna | .... | clearance/product placement coordinator | |
| Nathalie Laporte | .... | key production accountant | |
| Nathalie Laporte | .... | production accountant | |
| Dominique Leroutier | .... | assistant location manager | |
| Jane Lu | .... | location scout | |
| André Nicholas Malouf | .... | production assistant: Montreal | |
| Robert M. Melnik | .... | executive vice president of business affairs | |
| Veronica Miller | .... | first assistant accountant | |
| Rick Nicholson | .... | security | |
| Angel Oquendo | .... | voice-over artist | |
| Jason Pace | .... | voice-over artist | |
| Mylène Papillon | .... | additional production assistant: second unit | |
| Karen Pelrine | .... | assistant production coordinator: Vancouver | |
| Gabriella Pirocchi | .... | assistant chef | |
| Patrick P. Pon | .... | security | |
| Milena Popovic | .... | script supervisor | |
| Eva Quintero | .... | production secretary | |
| Nin Rai | .... | chef | |
| Golan Ramras | .... | production executive | |
| Anthony Sabatini | .... | security | |
| Esteban Sanchez | .... | production secretary | |
| Hugo Schellenberg | .... | security | |
| Charlie Schrodt | .... | location team | |
| Cassius Allen Shuman | .... | business & legal affairs: Lionsgate | |
| Hans Syriste | .... | security | |
| Jarik Van Sluijs | .... | creative director: main titles | |
| Nadia Venesse | .... | dialogue coach: pre-production | |
| David Wallander | .... | security | |
| Ruth Zalduondo | .... | voice-over artist | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
Taken on its own terms, "Punisher: War Zone" is everything it is supposed to be: excessively violent, larger than life, fast paced, and almost always loads of fun. War Zone doesn't take itself seriously and it doesn't ask the audience to do so, like the '90 and '04 films did. It never ponders the morality of its hero any more than necessary; it's The Punisher for gods' sakes.
The casting of Ray Stevenson as Frank Castle is, in a word, perfect. He is commanding, intimidating, and always fun to watch. If you can't enjoy Stevenson as The Punisher, you shouldn't even be watching the damn movie. Though the film is shot tongue-in-cheek, Stevenson stays consistent but is almost always interesting to watch. The supporting cast, led by Dominic West as Jigsaw, also shines in several scenes. There are no weak links in the cast to undermine WZ the way, say, John Travolta undermined the already-suffering Thomas Jane-"Punisher" movie.
There are many reasons to fault the first two Punisher pics for perhaps giving the character a bad rap, because the critics sure seem to be roasting this more than necessary. One perplexing review comes from Roger Ebert, who seems to praise the film in several ways while outright damning it to the same exact two star rating he applied to the first two (far dumber and less entertaining) Punisher movies: "The Punisher: War Zone is one of the best-made bad movies I've seen. It looks great, it hurtles through its paces and is well-acted. The soundtrack is like elevator music if the elevator were in a death plunge. The special effects are state of the art. Its only flaw is that it's disgusting."
I don't see what's wrong with that. This isn't an average mainstream film. This is an extremely gory film, with a level of violence that is rarely seen on the big screen outside of the "Saw" movies. And yet it remains entertaining, even comedic in how far it goes. The superb and colorful cinematography, action choreography, sound effects, score, and editing make "Punisher: War Zone" a must for (dark) comic book fans and action film junkies.