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Directed by | |||
| Bobby Farrelly | |||
| Peter Farrelly | |||
Writing credits | ||
| Mike Cerrone | (written by) and | |
| Bobby Farrelly | (written by) and | |
| Peter Farrelly | (written by) | |
Produced by | |||
| Earl M. Benjamin | .... | executive producer | |
| Robert Benjamin | .... | executive producer | |
| Ellen Dumouchel | .... | associate producer | |
| Bobby Farrelly | .... | producer | |
| Peter Farrelly | .... | producer | |
| Marc S. Fischer | .... | executive producer | |
| Adam McCarthy | .... | co-producer | |
| George Paige | .... | co-executive producer | |
| J.B. Rogers | .... | co-producer | |
| Bradley Thomas | .... | producer | |
| Charles B. Wessler | .... | producer | |
Original Music by | |||
| John Debney | (music by) | ||
Cinematography by | |||
| Matthew F. Leonetti | (director of photography) | ||
Film Editing by | |||
| Sam Seig | (edited by) | ||
Casting by | |||
| Kerry Barden | |||
| Rick Montgomery | |||
| Paul Schnee | |||
Production Design by | |||
| Arlan Jay Vetter | |||
Art Direction by | |||
| Amy Lee Wheeler | |||
Set Decoration by | |||
| Cindy Carr | |||
Costume Design by | |||
| Denise Wingate | |||
Makeup Department | |||
| Maurice Beaman | .... | hair stylist | |
| Char Coats-Crump | .... | makeup artist (as Char Coats) | |
| Veronica Cox | .... | assistant makeup artist | |
| Tony Gardner | .... | special makeup designer | |
| Kimberly Greene | .... | makeup department head | |
| Bill Johnson | .... | makeup artist | |
| Micah Laine | .... | makeup artist | |
| Kelly Muldoon | .... | department head hair | |
| Travis Pates | .... | key makeup artist | |
| Carol Rasheed | .... | makeup artist | |
| Shunika Terry | .... | key hair stylist | |
Production Management | |||
| Adam McCarthy | .... | production supervisor | |
Sound Department | |||
| James Ashwill | .... | foley mixer | |
| Anna Behlmer | .... | sound re-recording mixer | |
| James Bolt | .... | sound re-recording mixer | |
| David V. Butler | .... | supervising dialogue editor | |
| Steve Cantamessa | .... | sound mixer | |
| Michael P. Clark | .... | sound mixer: second unit | |
| Smokey Cloud | .... | first assistant sound editor | |
| Ryan Cole | .... | sound recordist | |
| Blake Collins | .... | foley mixer | |
| John T. Cucci | .... | foley artist (as John Cucci) | |
| Mark DeSimone | .... | adr mixer: New York | |
| John Guentner | .... | foley mixer | |
| R.J. Kizer | .... | key adr editor | |
| Scott La Rue | .... | boom operator | |
| Tom Lalley | .... | sound re-recording engineer | |
| Wayne Lemmer | .... | sound designer | |
| David Lucarelli | .... | adr recordist | |
| Dan O'Connell | .... | foley artist | |
| Erin Michael Rettig | .... | sound engineering | |
| Charleen Richards | .... | adr mixer (as Charleen Richards-Steeves) | |
| Ric Schnupp | .... | adr recordist | |
| Aron Siegel | .... | epk sound mixer | |
| Thomas W. Small | .... | foley editor | |
| John Soukup | .... | sound transfer (uncredited) | |
Special Effects by | |||
| Hank Atterbury | .... | special effects crew | |
| Roland Blancaflor | .... | special effects technician | |
| Peter A. Chevako | .... | puppeteer | |
| Jackie Giovinco | .... | special effects technician | |
| Timothy Huizing | .... | project supervisor | |
| Timothy Huizing | .... | puppeteer | |
| Eric A. Martin | .... | special effects technician | |
| Clayton Martinez | .... | special effects technician | |
| Brendan McHale | .... | special effects technician | |
| Kevin McTurk | .... | special effects makeup: Alterian Studios | |
| Gary Pilkinton | .... | special effects foreman | |
| Elizabeth Ralston | .... | special effects technician | |
| Ken Reid | .... | special effects technician | |
| Reggie Rizzo | .... | fabricator/hair specialist | |
| Matthew Scurry | .... | special effects technician | |
| John Shea | .... | hair technician | |
| Patrick Tantalo | .... | mold shop foreman | |
| Kathleen Tonkin | .... | special effects foreman | |
| Robert Vazquez | .... | special effects supervisor | |
Visual Effects by | |||
| James Albiez | .... | visual effects artist | |
| Jason Arrieta | .... | digital compositor: RotoFactory | |
| Eric D. Christensen | .... | visual effects supervisor | |
| Eric D. Christensen | .... | visual effects supervisor: RotoFactory | |
| Patrick Clancey | .... | digital opticals | |
| Christine Cram | .... | digital paint artist | |
| Erin M. Cullen | .... | roto artist | |
| Ken Dackermann | .... | digital compositor | |
| Scott Dougherty | .... | visual effects executive producer: Furious FX | |
| Rachel Faith Hanson | .... | visual effects coordinator | |
| David Lingenfelser | .... | executive visual effects supervisor: Furious Fx | |
| Allan Magled | .... | visual effects supervisor: Soho VFX | |
| Mitch Paulson | .... | supervising digital colorist | |
| Mark Shoaf | .... | CG supervisor: Furious FX | |
| Doug Spilatro | .... | visual effects artist | |
| Ryan Stafford | .... | visual effects producer | |
| Sarah Swick | .... | visual effects producer: Soho VFX | |
| Radley Teruel | .... | digital artist | |
| Stephen A. Gall | .... | rotoscope artist (uncredited) | |
Stunts | |||
| Kevin Abercrombie | .... | utility stunts | |
| Eddie Braun | .... | stunts | |
| Ben Bray | .... | utility stunts | |
| Emily Brobst | .... | stunt double | |
| Daniel Brule | .... | stunt double | |
| Elizabeth Davidovich | .... | stunt driver | |
| Philip Dido | .... | stunt double: Larry David | |
| Philip Dido | .... | stunts | |
| Derek Graf | .... | stunt double: Will Sasso | |
| Joel Kramer | .... | stunt bus driver | |
| Diana R. Lupo | .... | stunts | |
| Larry Mainland | .... | stunts | |
| Tom McComas | .... | stunt double: Jon Hamm | |
| Rene Mousseux | .... | stunt double: Craig Bierko | |
| David Andrew Nash | .... | stunt performer | |
| Eric Norris | .... | stunt coordinator: 2nd unit | |
| Eric Norris | .... | stunt double: Moe | |
| Natasha Paul | .... | stunts | |
| Sarah Reagin | .... | stunts | |
| Frank Torres | .... | utility stunts | |
| Michael Trisler | .... | stunt double: Sean Hayes | |
| Dain Turner | .... | stunts | |
| Madison Turner | .... | stunts | |
| Tierre Turner | .... | stunt coordinator | |
Casting Department | |||
| Janella Bersabal | .... | extras casting | |
| Shannon Cain | .... | casting assistant | |
| Nick Cotton | .... | casting associate | |
| Susan Deming | .... | additional casting associate | |
| Allison Estrin | .... | casting associate | |
| Michael Fredlund | .... | casting assistant | |
| Johnny Gidcomb | .... | adr voice casting | |
| Kimberly Helms Stewart | .... | casting assistant | |
| Jason James | .... | casting associate | |
| Trey Wilson | .... | extras casting assistant | |
| Nathan Wright | .... | extras casting | |
Costume and Wardrobe Department | |||
| English Benning | .... | costumer | |
| Sandra Collier | .... | key costumer | |
| Sarah Downer | .... | costumer | |
| Kate Duke | .... | key set costumer | |
| Mirren Gordon-Crozier | .... | costume assistant | |
| Elizabeth McEntire Williams | .... | key costumer | |
| Cylinda Nesmith | .... | seamstress | |
| Hope Slepak | .... | costume supervisor | |
| Kenya Ware | .... | set costumer | |
| Sally Wilkerson | .... | set costumer | |
| Keith Hudson | .... | costume ager/dyer (uncredited) | |
Editorial Department | |||
| Eileen Godoy | .... | digital intermediate producer | |
| Laura Holeman | .... | digital intermediate assistant producer | |
| Les Morgan | .... | production assistant | |
| Jim Passon | .... | color timer | |
| John Petersen | .... | colorist: dailies | |
| David Raymond | .... | first assistant editor | |
| Ryan Reeves | .... | post-production assistant | |
| Charlie B. Spaht | .... | assistant editor | |
Music Department | |||
| Fernand Bos | .... | music editor | |
| Jeff Carson | .... | music editor | |
| Sandy DeCrescent | .... | music contractor | |
| George Doering | .... | musician | |
| J.R. Fondessy | .... | singer | |
| Nancy Gassner-Clayton | .... | singer | |
| Tom Hardisty | .... | scoring recordist | |
| Kevin Kaska | .... | supervising orchestrator | |
| Jonathan Leahy | .... | music coordinator | |
| Shawn Murphy | .... | scoring mixer | |
| Victor Pesavento | .... | music preparation | |
| Manish Raval | .... | music supervisor | |
| Fletcher Sheridan | .... | playback singer | |
| Karen Whipple | .... | featured vocalist | |
| Tom Wolfe | .... | music supervisor | |
| Gina Zimmitti | .... | music contractor | |
Transportation Department | |||
| Tim Barker | .... | driver | |
| Arthur C. Chesser | .... | driver | |
| Robert Foster Jr. | .... | transportation coordinator | |
| Pamela Hovies | .... | driver | |
| Michael McMahan | .... | driver | |
| Matt Neel | .... | driver | |
| Vickie Raynor Robison | .... | cast & crew driver | |
| Jonathan L. Scott | .... | special effects driver | |
| Wayne Short | .... | transportation captain | |
| David G. Todd | .... | transportation | |
| Hank Van Apeldoorn | .... | driver: grip truck | |
| Susan Van Apeldoorn | .... | driver: cast | |
| Thomas Van Schaick | .... | unit driver | |
| Rob Verdery | .... | dot supervisor | |
| J. Dennis Wilson | .... | driver: cast | |
| Jack Dennis Wilson | .... | driver: cast | |
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| Three Little Pirates | I'll Never Heil Again | Me, Myself & Irene | Three Little Twirps | Three Missing Links |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
As a big fan of The Three Stooges since childhood, I wasn't sure how to feel about this movie. Was Hollywood selling out a beloved franchise, or was it actually attempting a faithful, big- screen tribute to one of the greatest comedy acts of all time?
This film was everything I had hoped it'd be and more. When we get to see the Moe, Larry and Curly that we all know and love, it feels like running into a couple of old friends that we haven't seen in awhile. While the appearances aren't dead on with the original Stooges, Sasso, Hayes and Diamantopolous manage to capture the very essence and mannerisms behind the original Stooges.
There's some very interesting character development for the character of Moe, something I didn't expect to find in this film. There's also an emotional depth and a light-hearted silliness that are present throughout the film, something which made the originals so great. There's a few questionable scenes here or there that don't quite feel like they fit in the film, but somehow we get the impression that if the Stooges could have gotten away with it back then they would have done the exact same thing.
The eye pokes, slaps and head bonks are all the same as you remember. They look authentic and when they are mixed with the original sound effects, you'll find yourself laughing like you were a 10 year old kid again. The Farrelly's obviously put a lot of work and research into the film, and if their goal was to make a film that the original Stooges would be proud of and that would inspire a new generation of Stooge lovers, then they have succeeded.
Don't go into this film expecting it to top the originals. No one will ever come close to them, and the makers of this film understand that. Moe Howard was a man who always believed that the show must go on. When Curly was replaced by Shemp, naturally the shorts wouldn't be as good as the Curly ones, but they were still great on their own levels. The same thing could be said when Shemp was replaced by Joe Besser, and eventually Joe DeRita. Moe knew that the golden age of the Stooges was the Moe, Larry and Curly era. That didn't stop him though, he always continued the act, because he knew people needed the Stooges. Don't think of this film as an attempt to top the originals, that's just never gonna happen. Look at it was a faithful love letter to the boys, and sit back relax and get ready to laugh like a kid again.