Artie and Diane agree to look after their three grandkids when their type-A helicopter parents need to leave town for work. Problems arise when the kids' 21st-century behavior collides with Artie and Diane's old-school methods.
When a street magician's stunts begins to make their show look stale, superstar magicians Burt Wonderstone and Anton Marvelton look to salvage on their act - and their friendship - by staging their own daring stunt.
In order to gain influence over their North Carolina district, two CEOs seize an opportunity to oust long-term congressman Cam Brady by putting up a rival candidate. Their man: naive Marty Huggins, director of the local Tourism Center.
Dave is a married man with two kids and a loving wife , and Mitch is a single man who is at the prime of his sexual life. One fateful night while Mitch and Dave are peeing in a fountain when lightning strikes and they switch bodies.
While in his teens, Donny fathered a son, Todd, and raised him as a single parent up until Todd's 18th birthday. Now, after not seeing each other for years, Todd's world comes crashing down when Donny resurfaces just before Todd's wedding.
Left on the doorstep of an orphanage run by nuns, newborns Moe, Larry and Curly grow up finger-poking, nyuk-nyuk-nyuking and woo-woo-wooing their way to uncharted levels of knuckleheaded misadventure. Now their childhood home may have to close due to financial difficulties. But Larry, Curly and Moe, employed as the foster home's inept maintenance men, are determined to come to the rescue. Only The Three Stooges could become embroiled in an oddball murder plot - while stumbling into starring roles in a phenomenally successful TV reality show. Written by
Right before the end credits, 2 actors posing as the Farrelly Brothers appear on screen to deliver a "Don't Try This At Home" announcement. Also, towards the end of the closing credits, there is a music video featuring The Three Stooges and 'Jennifer Hudson'. See more »
The Stooge legacy exists apart from time itself I loved them when I was nine for the eye-pokes; I loved them in later life for the knowing humor (and the eye-pokes). I loved them even though they were from a long gone era. And most people I know hold the Stooges in the same high esteem I do. Among goofy guys like me, they are the high priests. They are sacred cows.
There is a great risk in taking on a sacred cow. If nothing else, I admire the courage of the Farrelly brothers, goofy guys themselves, who would know the risks all too well. Die-hard Stooge fans might even wish for the failure of the project, if nothing else but to affirm the irreplaceable nature of the Stooges.
All that said, I admit I approached the movie skeptically. In the end, I was won over. The movie's homage to the Stooges is in getting them right. All of the slapstick humor is there; all of the wisecracks are there. These Stooges capture the craziness and the randomness of the original Stooges without trying too hard to "interpret the role" or any such silliness. It's respectful of the original.
For me, once I was comfortable with these guys as the Stooges, the fun was in seeing the Stooges in the present day, where smacking someone over the head with a sledgehammer is even less acceptable than it was in the 1930's. They goof on all sorts of present day annoyances- Jersey Shore, the Kardashians, just like they goofed on high society and other annoyances of their own time.
The bottom line: I was laughing the whole time. If you're a Stooges fan, there's a lot to like just give the movie a chance.
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