After stretching the truth on a deal with a spiritual guru, literary agent Jack McCall finds a Bodhi tree on his property. Its appearance holds a valuable lesson on the consequences of every word he speaks.
Moe discovers Curly's unknown boxing talent when he knocks out the Champ at a restaurant when Larry plays "Pop Goes the Weasal" on the violin. Moe becomes Curly's manager, and they win ... See full summary »
Left on the doorstep of an orphanage managed by nuns, newborns Moe, Larry and Curly grow up finger-poking, nyuk-nyuk-nyuking and woo-woo-wooing their way to uncharted levels of knuckleheaded misadventure. Now their childhood home may have to close due to financial difficulties. But Moe, Larry and Curly employed as the foster home's inept maintenance men, are determined to come to the rescue. Only the Three Stooges could become embroiled in an oddball murder plot - while stumbling into starring roles in a phenomenally successful reality television show. Written by
When the Stooges are repairing the bell, and especially when they the are talking with Monsignor Ratliffe, their blue overalls change colors/shades of blue - Moe's is most obvious. See more »
Hey, bub, your trousers are falling down. Let me help you.
[Larry yanks up Gangbanger's pants]
Hey, man, you trying to get yourself capped?
Oh, no thanks. I don't wear hats. Why would I with a head of hair like this?
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Right before the end credits, 2 actors posing as the Farrelly Brothers appear on screen to deliver a "Don't Try This At Home" announcement. Also, towards the end of the closing credits, there is a music video featuring The Three Stooges and 'Jennifer Hudson'. See more »
As a big fan of The Three Stooges since childhood, I wasn't sure how to feel about this movie. Was Hollywood selling out a beloved franchise, or was it actually attempting a faithful, big- screen tribute to one of the greatest comedy acts of all time?
This film was everything I had hoped it'd be and more. When we get to see the Moe, Larry and Curly that we all know and love, it feels like running into a couple of old friends that we haven't seen in awhile. While the appearances aren't dead on with the original Stooges, Sasso, Hayes and Diamantopolous manage to capture the very essence and mannerisms behind the original Stooges.
There's some very interesting character development for the character of Moe, something I didn't expect to find in this film. There's also an emotional depth and a light-hearted silliness that are present throughout the film, something which made the originals so great. There's a few questionable scenes here or there that don't quite feel like they fit in the film, but somehow we get the impression that if the Stooges could have gotten away with it back then they would have done the exact same thing.
The eye pokes, slaps and head bonks are all the same as you remember. They look authentic and when they are mixed with the original sound effects, you'll find yourself laughing like you were a 10 year old kid again. The Farrelly's obviously put a lot of work and research into the film, and if their goal was to make a film that the original Stooges would be proud of and that would inspire a new generation of Stooge lovers, then they have succeeded.
Don't go into this film expecting it to top the originals. No one will ever come close to them, and the makers of this film understand that. Moe Howard was a man who always believed that the show must go on. When Curly was replaced by Shemp, naturally the shorts wouldn't be as good as the Curly ones, but they were still great on their own levels. The same thing could be said when Shemp was replaced by Joe Besser, and eventually Joe DeRita. Moe knew that the golden age of the Stooges was the Moe, Larry and Curly era. That didn't stop him though, he always continued the act, because he knew people needed the Stooges. Don't think of this film as an attempt to top the originals, that's just never gonna happen. Look at it was a faithful love letter to the boys, and sit back relax and get ready to laugh like a kid again.
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