| Photos (see all 26 | slideshow) | Videos (see all 2) |
| David Strathairn | ... | Auster | |
| Agnes Bruckner | ... | Megan Denning (Meg) | |
| Margaret Colin | ... | Diane | |
| Frances Fisher | ... | Delia | |
| A.J. Buckley | ... | Pat | |
| Regan Arnold | ... | Lily | |
| Sarah Buehler | ... | Georgia | |
| Dustin Sterling | ... | Rob | |
| Michael Joseph Thomas Ward | ... | Dad (as Mike Ward) | |
| Wayne Armstrong | ... | Don | |
| Aftab Pureval | ... | Boy in Class | |
| Wendy Lardin | ... | Georgia's Mom | |
| Jenn O'nofrio | ... | Blonde Girl | |
| Greg Miller | ... | Priest | |
| Michael Raysses | ... | Mr. Kastran | |
| Amy Benedict | ... | Diner Waitress | |
| Jaime Scheingross | ... | Girl in the Yellow Dress | |
| Julie Schuster | ... | Bank Teller | |
| Jane Mowder | ... | Nurse | |
| David Carroll | ... | Department Store Manager | |
| Jacqueline Childs | ... | Pharmacist | |
| Daniel Buran | ... | Cop (as Dan Buran) | |
| Jeff Gage | ... | Pawn Shop Owner | |
| Kristan Andrews | ... | Florida Oasis Cocktail Waitress | |
| Peer J. Oppenheimer | ... | Diner Customer |
Directed by | |||
| Karen Moncrieff | |||
Writing credits(WGA) | ||
| Karen Moncrieff | (written by) | |
Produced by | |||
| Don Daniel | .... | associate producer | |
| Eric Karten | .... | co-producer | |
| John Mays | .... | associate producer | |
| Peer J. Oppenheimer | .... | producer | |
| Karri O'Reilly | .... | line producer | |
| Kelly Simpson | .... | associate producer | |
| Amy Sommer | .... | producer | |
| Gene Viglione | .... | co-producer | |
| David Waters | .... | producer | |
Original Music by | |||
| Adam Gorgoni | |||
Cinematography by | |||
| Rob Sweeney | |||
Film Editing by | |||
| Toby Yates | |||
Casting by | |||
| Wendy Weidman | |||
Production Design by | |||
| Kristan Andrews | |||
Costume Design by | |||
| Kristan Andrews | |||
Makeup Department | |||
| Keri Clemmons | .... | hair stylist | |
| Keri Clemmons | .... | makeup artist | |
| Deleah Emery | .... | hair stylist: Los Angeles | |
| Deleah Emery | .... | makeup artist: Los Angeles | |
| Josh McEwon | .... | special makeup effects artist | |
| Tammy Mount | .... | assistant hair stylist | |
| Tammy Mount | .... | assistant makeup artist | |
Production Management | |||
| John Goodwill | .... | production supervisor | |
| Karri O'Reilly | .... | production manager | |
Art Department | |||
| Lori Anne Agricola | .... | swing gang | |
| Michele Lockert | .... | on-set dresser: Los Angeles | |
| Beth O'Brien | .... | on-set props | |
| Mike O'Neill | .... | on-set dresser | |
| Johnny Ramos | .... | swing gang | |
| Merje Veski | .... | property master | |
Sound Department | |||
| Chris Bittner | .... | adr editor | |
| Chris Bittner | .... | foley editor | |
| Chris Bittner | .... | foley mixer | |
| Nancy Cabrera | .... | foley artist | |
| Ryan Collison | .... | foley engineer | |
| Gerald Donlan | .... | additional sound editor | |
| Mark Ferrell | .... | production sound mixer | |
| David Ho | .... | post-production sound supervisor | |
| David Ho | .... | sound re-recording mixer | |
| Ryan Holmes | .... | sound mixer: Los Angeles | |
| Jake Keslo | .... | boom operator: Los Angeles | |
| Mick Mahan | .... | additional sound editor | |
| Mario Manti-Gualtiero | .... | adr editor | |
| Mario Manti-Gualtiero | .... | dialogue editor | |
| Mario Manti-Gualtiero | .... | foley editor | |
| Mario Manti-Gualtiero | .... | sound re-recording mixer | |
| Craig Ng | .... | foley artist | |
| Ton Patamasing | .... | additional sound editor | |
| Harry Peck Bolles | .... | additional sound editor (as Harry Bowles) | |
| Reilly Steele | .... | sound re-recording mixer | |
| Leonard Suwalski | .... | boom operator | |
| Peter Waggoner | .... | sound re-recording mixer | |
Visual Effects by | |||
| Erik Anderson | .... | animation camera | |
| Toby Anderson | .... | animation camera | |
| Brian Midkiff | .... | optical camera | |
Camera and Electrical Department | |||
| Ken Armstrong | .... | clapper loader: Los Angeles | |
| Ian Axilrod | .... | key second assistant camera | |
| Chris Cochran | .... | electrician | |
| Russ Faust | .... | best boy electric | |
| Danny Flores | .... | electrician: Los Angeles | |
| Kevin Jones | .... | best boy grip | |
| Scott Lipez | .... | grip | |
| Joanna Maier | .... | third electrician | |
| Frankie Martinez | .... | best boy grip: Los Angeles | |
| Kevin Martt | .... | electrician | |
| John Mays | .... | key grip | |
| Skip McCraw | .... | gaffer | |
| Caleb Nelson | .... | key grip: Los Angeles | |
| Justin Painter | .... | second assistant camera: Los Angeles | |
| Mel O. Scott | .... | third grip | |
| Melanie Smith | .... | camera loader | |
| Cesar Toledo | .... | best boy electric: Los Angeles | |
| Kelly Uchimura | .... | first assistant camera | |
| Andrew Waruszewski | .... | grip | |
Casting Department | |||
| Alison Maier | .... | extras casting | |
| Gail Ramsey | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Susanne Kern Downey | .... | on-set costumer | |
| Josh McEwen | .... | costume supervisor | |
| Heather Schmidt | .... | on-set costumer | |
| Alison Sideris | .... | on-set costumer: Los Angeles | |
Editorial Department | |||
| John Breinholt | .... | assistant editor | |
| Dan Edelstein | .... | editorial consultant | |
| Chris Regan | .... | color timer | |
| Timothy Serda | .... | technician: Final Cut Pro | |
| Matt Solomon | .... | assistant editor | |
| Melissa Zaroff | .... | additional editor | |
Music Department | |||
| Ted Blaisdell | .... | score mixer | |
| Stephen Coleman | .... | music supervisor | |
| Adam Gorgoni | .... | original score producer | |
| Eric Karten | .... | original score producer | |
| Steve Schwartz | .... | music editor | |
Other crew | |||
| Noor Ahmed | .... | assistant to producer | |
| Dave Bogrees | .... | set production assistant | |
| David Bohnert | .... | production assistant | |
| Kevin Carr | .... | key set production assistant | |
| Don Daniel | .... | production consultant | |
| Karisa Darling | .... | set production assistant | |
| Cynthia Garfield | .... | script supervisor | |
| Brian Hall | .... | location manager | |
| Amy Holliday | .... | script supervisor | |
| Kevin Kramer | .... | assistant production coordinator | |
| John Mays | .... | location manager | |
| Kevin Myers | .... | assistant: Karen Moncrieff | |
| Lucille O'Reilly | .... | craft service | |
| Diana Scott | .... | production assistant | |
| Stephen Jeffries Smith | .... | craft service: Los Angeles | |
| Matthew Turner | .... | production coordinator | |
| Bradley Jay Valentine | .... | assistant: Mr. Viglione | |
| Bradley Jay Valentine | .... | assistant: the co-producer | |
| Domenica Vilhotti | .... | set production assistant | |
| Joy Walsh | .... | set production assistant | |
| Ben Wright | .... | key set production assistant: Los Angeles | |
Thanks | |||
| Steven Bognar | .... | special thanks | |
| Julia Reichert | .... | special thanks | |
| Susan Tuan | .... | special thanks | |
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| River's Edge | Little Miss Sunshine | Sideways | The Karate Kid | The History Boys |
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BLUE CAR (2003) **** David Strathairn, Agnes Bruckner, Margaret Colin, Frances Fisher, A.J. Buckley, Regan Arnold, Sarah Beuhler, Dustin Sterling, Mike Ward. Excellent indie festival hit about a teenage girl (Bruckner in a heartbreakingly raw turn) whose only solace from her crumbling domestic life is in her gift as a poet is mentored by her well-meaning but clearly coercive English teacher (Strathairn in one of his best performances) who goads her into a contest. First time filmmaker Karen Moncrieff delivers a truly audacious debut with a gift for character development and strong narrative as well as a shrewd cast (Colin gives her best turn too as Bruckner's downward spiraling mom and young Arnold as her baby sister is absolutely stunning) adds a lift above the norm in coming-of-age flicks that resonates with pitch-perfect depictions of a young woman coming into her own. One of the year's best films.