Ten years ago Sarah Hathaway's gifted and troubled son, Thomas, ran away from their home in Los Angeles. Unable to deal with the doubt and guilt, Sarah's life slowly disintegrates ending in... See full summary »
Brooks Caldwell, (Cary Elwes) an erudite and handsome lawyer, seems to have it all: wealth, social status and a red hot career. His success is, in reality, a product of his marriage to his ... See full summary »
Scott C. Brown
"Rigoletto" retold at Christmas time in Manhattan's corporate world. Rick, an executive at Image, is a jerk to a woman applying for a job. That evening, he's out for drinks with his much ... See full summary »
Based on Edith Wharton's romantic novella, Summer is a heart-breaking, sexy, coming-of-age tale anchored by an unforgettable heroine: Charity Royall. Despite having been rescued as a child ... See full summary »
Gifted 18-year-old Meg has been abandoned by her father and neglected by her hardworking mother. Left to care for her emotionally disturbed younger sister, her world begins to unravel. She finds an outlet in writing poetry and support from her English teacher, Mr. Auster. But what started out as a mentoring relationship begins to get a bit more complex. Written by
A true gem from the indie world:Bruckner is flawless
BLUE CAR (2003) **** David Strathairn, Agnes Bruckner, Margaret Colin, Frances Fisher, A.J. Buckley, Regan Arnold, Sarah Beuhler, Dustin Sterling, Mike Ward. Excellent indie festival hit about a teenage girl (Bruckner in a heartbreakingly raw turn) whose only solace from her crumbling domestic life is in her gift as a poet is mentored by her well-meaning but clearly coercive English teacher (Strathairn in one of his best performances) who goads her into a contest. First time filmmaker Karen Moncrieff delivers a truly audacious debut with a gift for character development and strong narrative as well as a shrewd cast (Colin gives her best turn too as Bruckner's downward spiraling mom and young Arnold as her baby sister is absolutely stunning) adds a lift above the norm in coming-of-age flicks that resonates with pitch-perfect depictions of a young woman coming into her own. One of the year's best films.
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