| Photos (see all 37 | slideshow) | Videos (see all 2 videos ) |
| Alex Palmer | ... | Activist | |
| Bindu De Stoppani | ... | Activist | |
| Jukka Hiltunen | ... | Activist | |
| David Schneider | ... | Scientist | |
| Cillian Murphy | ... | Jim | |
| Toby Sedgwick | ... | Infected Priest | |
| Naomie Harris | ... | Selena | |
| Noah Huntley | ... | Mark | |
| Christopher Dunne | ... | Jim's Father | |
| Emma Hitching | ... | Jim's Mother | |
| Alexander Delamere | ... | Mr. Bridges | |
| Kim McGarrity | ... | Mr. Bridges' Daughter | |
| Brendan Gleeson | ... | Frank | |
| Megan Burns | ... | Hannah | |
| Justin Hackney | ... | Infected Kid | |
| Luke Mably | ... | Private Clifton | |
| Stuart McQuarrie | ... | Sergeant Farrell | |
| Ricci Harnett | ... | Corporal Mitchell | |
| Leo Bill | ... | Private Jones | |
| Junior Laniyan | ... | Private Bell | |
| Ray Panthaki | ... | Private Bedford | |
| Christopher Eccleston | ... | Major Henry West | |
| Sanjay Rambaruth | ... | Private Davis | |
| Marvin Campbell | ... | Private Mailer | |
| Adrian Christopher | ... | Featured Infected | |
| Richard Dwyer | ... | Featured Infected | |
| Nick Ewans | ... | Featured Infected | |
| Terry John | ... | Featured Infected | |
| Paul Kasey | ... | Featured Infected | |
| Sebastian Knapp | ... | Featured Infected | |
| Nicholas James Lewis | ... | Featured Infected | |
| Jenni Lush | ... | Featured Infected | |
| Tristan Matthiae | ... | Featured Infected | |
| Jeffrey Rann | ... | Featured Infected (as Jeff Rann) | |
| Joelle Simpson | ... | Featured Infected | |
| Al Stokes | ... | Featured Infected | |
| Steen Young | ... | Featured Infected |
Directed by | |||
| Danny Boyle | |||
Writing credits | ||
| Alex Garland | (written by) | |
Produced by | |||
| Robert How | .... | line producer | |
| Andrew Macdonald | .... | producer | |
Original Music by | |||
| John Murphy | |||
Cinematography by | |||
| Anthony Dod Mantle | |||
Film Editing by | |||
| Chris Gill | |||
Casting by | |||
| Gail Stevens | |||
Production Design by | |||
| Mark Tildesley | |||
Art Direction by | |||
| Mark Digby | (supervising art director) | ||
| Rod Gorwood | (as Rob Gorwood) | ||
| Patrick Rolfe | |||
Set Decoration by | |||
| Fanny Taylor | |||
Costume Design by | |||
| Rachael Fleming | |||
Makeup Department | |||
| Nuala Conway | .... | additional makeup artist | |
| Lisa Crawley | .... | prosthetic makeup artist | |
| Polly Earnshaw | .... | additional makeup artist | |
| Andy Garner | .... | prosthetic makeup artist | |
| Adrian Getley | .... | prosthetic makeup artist | |
| Barrie Gower | .... | prosthetic makeup artist | |
| Sian Grigg | .... | makeup artist | |
| Alan Hedgcock | .... | prosthetics makeup effects | |
| Kate Hill | .... | prosthetic makeup artist | |
| Kerry Hormbrey | .... | makeup trainee: FT2 | |
| Deborah Jarvis | .... | additional makeup artist | |
| Sallie Jaye | .... | makeup designer | |
| Melissa Lackersteen | .... | additional makeup artist | |
| Ian Morse | .... | prosthetic makeup artist | |
| Anthony Parker | .... | prosthetic makeup artist | |
| Susan Parkinson | .... | additional makeup artist (as Sue Parkinson) | |
| Justin Pitkethly | .... | prosthetic makeup artist (as Justin Pitkethley) | |
| John Schoonraad | .... | prosthetic makeup artist | |
| Robin Schoonraad | .... | prosthetic makeup artist | |
| Tristan Schoonraad | .... | prosthetic makeup artist | |
| Dee Sherwood-Wallace | .... | prosthetic makeup artist | |
| Miho Suzuki | .... | prosthetic makeup artist | |
| Cliff Wallace | .... | prosthetics makeup effects | |
| Norma Webb | .... | additional makeup artist | |
Production Management | |||
| Monika Kintner | .... | production manager: German production crew | |
| Anje Krutz | .... | unit manager: Germany (as Antje Krutz) | |
| Clare St. John | .... | post-production supervisor | |
| Claire Tovey | .... | unit manager | |
| Sara Desmond | .... | production manager: reshoots (uncredited) | |
Second Unit Director or Assistant Director | |||
| Vicki Allen | .... | additional third assistant director | |
| Sara Desmond | .... | second assistant director | |
| Carlos Fidel | .... | third assistant director | |
| Richard Styles | .... | first assistant director | |
| Sallie Anne Hard | .... | second assistant director: re-shoots (uncredited) | |
| Eliot Mathews | .... | third assistant director: re-shoots (uncredited) | |
| Alex Oakley | .... | additional second assistant director (uncredited) | |
| Chris Stoaling | .... | third assistant director (uncredited) | |
Art Department | |||
| Britta Albert | .... | prop buyer: Germany | |
| Bruce Barnes | .... | carpenter | |
| Mark Bewley | .... | plasterer | |
| John Burgess | .... | carpenter | |
| Gillian Campbell | .... | scenic painter | |
| Joe Casey | .... | plasterer | |
| Jamie Churchouse | .... | plasterer | |
| Raymond Churchouse | .... | head plasterer (as Ray Churchouse) | |
| Charlie Cobb | .... | art department assistant | |
| David Cooper | .... | carpenter | |
| Andrea Couch | .... | art department assistant | |
| Dan Crandon | .... | construction manager | |
| Hannah Crick | .... | scenic painter | |
| Quentin Davies | .... | stand-by props | |
| Michelle Day | .... | art department assistant | |
| Sophie Geliot | .... | scenic painter | |
| Rod Gorwood | .... | draughtsman (as Rob Gorwood) | |
| Claire Gould | .... | art department trainee: FT2 | |
| Chris Grace | .... | carpenter | |
| Ben Green | .... | carpenter | |
| Mark Guest | .... | stand-by props | |
| Paul Halter | .... | carpenter | |
| Martin Kelly | .... | art department trainee: FT2 | |
| Tim Leadley | .... | stand-by carpenter | |
| Warren Lever | .... | carpenter | |
| Chris Lightburn-Jones | .... | assistant construction manager | |
| Charlie Malik | .... | storeman | |
| Kam-Lan Man | .... | stand-by art director (as Kam Lan Man) | |
| Jane Matthews | .... | scenic painter | |
| Toby Neville | .... | carpenter | |
| Tim Powis | .... | carpenter | |
| Tim Powis | .... | foreman | |
| Jody Raynes | .... | scenic painter | |
| Beth Roberts | .... | dressing props | |
| Stuart Rushbrook | .... | carpenter | |
| Denis Schnegg | .... | art director: Germany (as Dennis Schnegg) | |
| Simon Scullion | .... | scenic painter | |
| Nick Slater | .... | stand-by carpenter | |
| Matthew Streatfield | .... | art department trainee: FT2 | |
| Paul Tappin | .... | plasterer | |
| Marc Telford | .... | carpenter | |
| Nick Thomas | .... | prop master | |
| Daniel Vernon | .... | art department trainee: FT2 | |
| Kip Walker | .... | dressing props | |
| Kellie Waugh | .... | prop buyer (as Kelly Waugh) | |
| John Weller | .... | supervising rigger | |
| Matthew Button | .... | carpenter (uncredited) | |
| Brendan Houghton | .... | storyboard artist (uncredited) | |
Special Effects by | |||
| Richard Conway | .... | special effects supervisor | |
| Sam Conway | .... | special effects technician | |
| Bob Hollow | .... | special effects supervisor | |
| Andrew Kelly | .... | special effects technician | |
| Stephen Paton | .... | special effects technician (as Steve Paton) | |
| Mark White | .... | special effects technician | |
| Nigel Nixon | .... | special effects senior technician (uncredited) | |
| Terry Palmer | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Peter Bach | .... | digital effects consultant | |
| Matthew Bristowe | .... | producer: MPC | |
| Greg Caplan | .... | visual effects executive producer: Clear | |
| Michael Elson | .... | head of production: MPC | |
| Richard Etchells | .... | Filmtel operator | |
| Simon Fallon | .... | visual effects executive producer: Clear | |
| Symi Fuchs | .... | visual effects production staff | |
| Steve Garrad | .... | digital effects producer (as Steve Garrard) | |
| Josh George | .... | 3D animator | |
| Will Goodchild | .... | visual effects editor: video tape | |
| Tom Harding | .... | digital artist | |
| John Harvey | .... | 3D animator | |
| Jonny Hicks | .... | digital artist | |
| Simon Hutala | .... | digital artist (as Simon Huhtala) | |
| Tony Lawrence | .... | digital effects supervisor | |
| Begoña Lopez | .... | producer: MPC | |
| Andy Merlino | .... | digital artist | |
| Hollie Moreton | .... | visual effects production staff | |
| Ben Murray | .... | digital artist | |
| Olly Nash | .... | 3D animator | |
| Matthew Packham | .... | Filmtel operator | |
| Jim Parsons | .... | digital artist | |
| Damien Raymond-Barker | .... | visual effects production staff | |
| Adrian Russell | .... | 3D animator | |
| Gary Sandbrook | .... | visual effects editor: video tape | |
| Jean-Clement Soret | .... | colourist (as Jean Clement Sorret) | |
| Moriah Sparks | .... | visual effects production staff | |
| Aleks Ugarow | .... | digital artist | |
| Scott Winter | .... | visual effects editor: video tape | |
| Marcus Wood | .... | visual effects editor: video tape | |
| Melissa Agate | .... | data operator (uncredited) | |
| Simon Cox | .... | data operator (uncredited) | |
| Paddy Eason | .... | digital compositor (uncredited) | |
| Rob Hill | .... | data operator (uncredited) | |
| Sally Spencer | .... | data operator (uncredited) | |
| John Van Hoey Smith | .... | data operator (uncredited) | |
| David J. Zimmerman | .... | tape librarian: CLEAR (uncredited) | |
Stunts | |||
| Tom Aitken | .... | stunts (as Tom Aitkin) | |
| Dani Biernat | .... | stunts | |
| George Cottle | .... | stunts (as George Cottle Jnr.) | |
| David Cronnelly | .... | stunts | |
| Richard Dwyer | .... | stunts | |
| Amanda Foster | .... | stunts | |
| Eunice Huthart | .... | stunts | |
| Rowley Irlam | .... | stunts | |
| Charles Jarman | .... | stunts | |
| Kim McGarrity | .... | stunts | |
| Ray Nicholas | .... | stunts fire safety | |
| Peter Pedrero | .... | stunts | |
| Andreas Petrides | .... | stunts | |
| Gary Powell | .... | stunts | |
| Nick Powell | .... | stunt coordinator (as Nicholas Powell) | |
| Seon Rogers | .... | stunts (as Séon Rogers) | |
| Gordon Seed | .... | stunts | |
| Colin Skeaping | .... | stunts | |
| Julian Spencer | .... | stunts | |
| Len Woodcock | .... | stunts (as Lenny Woodcock) | |
Camera and Electrical Department | |||
| Nick Allsop | .... | camera trainee | |
| Bill Bullpit | .... | additional electrician | |
| Ian Chisholm | .... | additional assistant camera | |
| Andrew Cole | .... | best boy | |
| Adam Dale | .... | camera operator: aerial unit | |
| Wayne Mansell | .... | generator operator | |
| Dave May | .... | additional grip (as David May) | |
| Peter Mountain | .... | still photographer | |
| Charlie Muspratt | .... | rigger | |
| Thomas Neivelt | .... | gaffer | |
| Ian Pape | .... | rigger | |
| Neil Paul | .... | rigger | |
| Barry Reid | .... | electrician | |
| Peter Richardson | .... | additional electrician | |
| John Rundle | .... | grip | |
| Bob Shipsey | .... | second camera operator | |
| Simon Tindall | .... | assistant camera | |
| Steve Wallace | .... | additional camera operator | |
| Robert Weller | .... | rigger | |
| Ray Wilson | .... | rigger | |
| Charlie Woodburn | .... | assistant camera: Wescam | |
| Marcel Zyskind | .... | camera operator: "b" camera | |
| Marcel Zyskind | .... | steadicam operator | |
| Brandon Evans | .... | gaffer (uncredited) | |
| Thomas Townend | .... | cinematographer: second unit (uncredited) | |
Casting Department | |||
| Maureen Duff | .... | casting assistant | |
| Louis Elman | .... | adr voice casting | |
| Robin Hudson | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Charlotte Child | .... | costume assistant | |
| Anne Lavender-Jones | .... | wardrobe supervisor | |
| Esme Young | .... | costume maker | |
Editorial Department | |||
| Emanuele Giraldo | .... | editor trainee: FT2 | |
| Nick Packer | .... | assistant editor | |
| Jean-Clement Soret | .... | colorist (as Jean Clement Sorret) | |
| Martin Walsh | .... | color timer | |
| Joanna Garrard | .... | assistant editor (uncredited) | |
| Steve Harrow | .... | post-production consultant (uncredited) | |
Music Department | |||
| Hugo Adams | .... | music editor | |
| Nicole Catino | .... | music coordinator: Avenger Entertainment | |
| Simon Denny | .... | score engineer | |
| Daniel L. Griffiths | .... | score mixer | |
| Daniel L. Griffiths | .... | score producer | |
| Lee Herrick | .... | music editor | |
| Mike Hunter | .... | music recordist: strings and choir | |
| Andrew Price | .... | musician: strings | |
| Barrie Robinson | .... | music coordinator: Avenger Entertainment | |
| Laura Ziffren | .... | music consultant (as Laura Z. Wasserman) | |
Transportation Department | |||
| Mike Beaven | .... | unit driver | |
| Roy Clarke | .... | unit driver | |
| Simon Hudnott | .... | unit driver | |
| Jara Pohnitzsch | .... | driver: Germany (as Jara Pöhnitzsch) | |
| Ceva Ural | .... | driver: Germany | |
| Keith Winyard | .... | stand-by driver: props | |
| Ulrich Bohnefeld | .... | driver: Germany (uncredited) | |
| Mandula Hilf | .... | driver: Germany (uncredited) | |
Other crew | |||
| Jennifer Allen | .... | aerial unit operations | |
| John Almond | .... | paramedic | |
| Tom Bayliss | .... | rushes runner | |
| Carey Berlin | .... | assistant to producer | |
| Sophie Burden | .... | catering manager | |
| Sally Burns | .... | chaperone | |
| Jo Cameron Brown | .... | voice coach | |
| Henry Camilleri | .... | military advisor | |
| Donna Casey | .... | accounts trainee: FT2 | |
| Caroline Chapman | .... | floor runner | |
| Sarah Clark | .... | unit publicist | |
| Matt Dalton | .... | post-production accountant | |
| Emma Dawson | .... | production assistant: DNA Films | |
| Candice Fonseca | .... | production coordinator | |
| Alex Gladstone | .... | location manager | |
| Theodore Goddard | .... | production legal services | |
| Jim Hajicosta | .... | production accountant | |
| Matthew Horrocks | .... | production runner | |
| Sylvia Hudlemaier | .... | chimpanzee trainer | |
| Thomas Hudlemaier | .... | chimpanzee trainer | |
| Christian Hünemörder | .... | production services: Germany | |
| Lisa Inman | .... | continuity trainee: FT2 | |
| Michael Jungfleisch | .... | production services: Germany | |
| Pat Karam | .... | location manager | |
| Ged Lynch | .... | drums & percussion (as Ged 'God' Lynch) | |
| Jill McCullough | .... | voice coach | |
| Sarada McDermott | .... | production secretary | |
| Maggie Murray | .... | accounting assistant | |
| Ben Nicholas | .... | cutting room assistant | |
| Stephen North | .... | helicopter safety engineer (as Steve North) | |
| Dan Palmer | .... | assistant accountant | |
| Nina Pickford | .... | tutor | |
| Elvis Plese | .... | runner | |
| Rima Schmidt | .... | accounts assistant: Germany | |
| Gemma Scott | .... | contact lenses | |
| Faujja Singh | .... | armorer | |
| Cory Smith | .... | catering assistant | |
| Joanne Smith | .... | general manager: DNA Films | |
| Eve Spence | .... | script supervisor | |
| Paul Swann | .... | laboratory contact | |
| Tracey Tucker | .... | assistant location manager | |
| Simon Warne | .... | chef | |
| Sarah Wiener | .... | caterer: Germany | |
| Hayley Williams | .... | production runner | |
| Birgit Wollny | .... | production coordinator: Germany | |
| Dave Evans | .... | armorer: boot camp (uncredited) | |
| Carlton Jarvis | .... | medical advisor (uncredited) | |
| Carlton Jarvis | .... | medical special effects (uncredited) | |
| Oliver Kersey | .... | set production assistant: dailies (uncredited) | |
| Jamie Lengyel | .... | location manager (uncredited) | |
| Ian Lisi | .... | facilities (uncredited) | |
| Christian McWilliams | .... | location manager (uncredited) | |
| Alexander Xavier Ponce-Bonano | .... | production assistant (uncredited) | |
| Paul Ralph | .... | production assistant (uncredited) | |
| Katryna Samut-Tagliaferro | .... | production coordinator (uncredited) | |
| Tom Stourton | .... | location assistant (uncredited) | |
Thanks | |||
| Cornell Chin | .... | thanks | |
| Walter Donohue | .... | thanks | |
| Masahiro Hirakubo | .... | thanks | |
| Alwin H. Kuchler | .... | thanks (as Alwin Kuchler) | |
| Chris Lane | .... | thanks | |
| Elaine Lane | .... | thanks | |
| Lois Lane | .... | thanks | |
| Tom Miller | .... | thanks | |
| Richard Whelan | .... | thanks | |
The key to keeping the sci-fi horror genre alive in the cinemas, as of late, is to make sure the material and techniques the filmmakers present is at least competent, at it's average creative, and at it's best something that we haven't seen before or haven't seen in such a style or form. George A. Romero did that back in prime 60s and 70s era of film-making, bringing forth one of the most memorable trilogies of all time for the genre. While many consider Romero to be on any given list one of the greatest horror directors (I included), it is important to know that he too had his sources for his little independent film in 1968, and after that was when he really got inventive, resulting in a masterpiece and a lackluster. Director Danny Boyle and author Alex Garland know that if they were to cook up a yarn all too similar to Romero it wouldn't be satisfying. So, they've done what is essential to the success of 28 Days Later- they take ideas that have been in practice for many years, turn them fresh, and as the audience we feel repelled, excited, terrified, nauseous (perhaps), and enthralled, but we won't leave feeling like we've seen complete hack work.
What does Boyle and his team set out to do to freshen up the zombie string? By making not in precise terms a "zombie" movie- you never hear "living-dead" uttered in this film, although you do hear "infected" and a new word for what these people have, "rage". Indeed, this is what the infected have in Britain, when a monkey virus gets let loose on the Island, and from the beginning of the infectious spread the film cuts to a man, Jim, lying in a hospital bed, who wanders abandoned streets and views torn fragments of society in front of him. That Boyle implements atmosphere as heavily as he does with the action/chase scenes gives an indication of his dedication to the detail. Jim soon finds a few other survivors, including Selena (Naomie Harris) and a father and his daughter (Brendan Gleeson and Megan Burns) who hear of salvation on a radio and decide to brave it out to find it. When they do, it's a military outpost that's without any true salvation, outside of the various military typos.
Like in Boyle and producer Andrew MacDonald's spellbinding (if that's the proper terminology) adaptation of Trainspotting, the craft is on par (or arguably topping) with the story and characters, and thus it has to captivate us all the more so to care about the plight of Jim