Animal activists invade a laboratory with the intention of releasing chimpanzees that are undergoing experimentation, infected by a virus -a virus that causes rage. The naive activists ignore the pleas of a scientist to keep the cages locked, with disastrous results. Twenty-eight days later, our protagonist, Jim, wakes up from a coma, alone, in an abandoned hospital. He begins to seek out anyone else to find London is deserted, apparently without a living soul. After finding a church, which had become inhabited by zombie like humans intent on his demise, he runs for his life. Selena and Mark rescue him from the horde and bring him up to date on the mass carnage and horror as all of London tore itself apart. This is a tale of survival and ultimately, heroics, with nice subtext about mankind's savage nature.
Written by Claudio Carvalho, Rio de Janeiro, Brazil
Another aspect of rendering the zombie movie more contemporary was the idea that the virus didn't necessarily affect people physically (it doesn't kill them as in traditional zombie movies), but psychologically. Both Alex Garland and Danny Boyle felt that the idea that the virus renders people zombie-like due to uncontrollable rage was a good metaphor for the contemporary phenomenon of social rage (such as road rage, air rage, hospital rage etc). They liked the idea that the virus simply amplifies something already in each and every man and woman, rather than turning them into something entirely Other, as is the traditional route in zombie movies.
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Goofs
Revealing mistakes:
(At 11:00) You can see another person walking up a distant sidewalk. Since Jim is calling out for someone, this person would have heard Jim or Jim would have saw him. Clearly, this is an error and this person is not participating in the movie.
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Other than the Fox Searchlight logo, there are no opening credits whatsoever. The title of the movie, 28 Days Later, only appears as a descriptive subtitle.
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"Whatever Will Be, Will Be (Que Sera Sera)"
Written by Jay Livingston and Ray Evans Published by Jay Livingston Music, Inc. and St. Angelo Music Admin. by Universal-MCA Publishing, a division of Universal Studios, Inc.
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