Six months after the rage virus was inflicted on the population of Great Britain, the US Army helps to secure a small area of London for the survivors to repopulate and start again. But not everything goes to plan.
A man decides to turn his moribund life around by winning back his ex-girlfriend, reconciling his relationship with his mother, and dealing with an entire community that has returned from the dead to eat the living.
With a dead body lying between them, two men wake up in the secure lair of a serial killer who's been nicknamed "Jigsaw". The men must follow various rules and objectives if they wish to survive and win the deadly game set for them.
Animal activists invade a laboratory with the intention of releasing chimpanzees that are undergoing experimentation, infected by a virus -a virus that causes rage. The naive activists ignore the pleas of a scientist to keep the cages locked, with disastrous results. Twenty-eight days later, our protagonist, Jim, wakes up from a coma, alone, in an abandoned hospital. He begins to seek out anyone else to find London is deserted, apparently without a living soul. After finding a church, which had become inhabited by zombie like humans intent on his demise, he runs for his life. Selena and Mark rescue him from the horde and bring him up to date on the mass carnage and horror as all of London tore itself apart. This is a tale of survival and ultimately, heroics, with nice subtext about mankind's savage nature. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Alex Garland and Danny Boyle felt that the notion of the living dead wanting to eat peoples' brains was outdated. One of the original factors behind zombie movies was a fear of nuclear power and its possible effects on people. Garland and Boyle concluded that one of the biggest fears in modern society is fear of disease, especially a viral apocalypse, such as Ebola or Marburg. Garland and Boyle were specifically inspired by such incidents as anthrax and bio-terrorism scares in London and the spread of mad cow disease and foot-and-mouth disease in the UK. See more »
In the night sequences at the mansion, despite torrential rain, thunder and lightning, a full moon is seen shining brightly in a clear sky over the mansion. See more »
The one thing that made this movie effective... well, let me back up. Ever have a nightmare where you're being stalked, or otherwise threatened, and you could die, and it's scary as hell? I mean, the absolute worst? Now, think: have you ever had a nightmare where someone you love was already dead, and you knew it, you saw it?
It's infinitely worse.
This movie recognizes that. There is some action, yes, mostly towards the end, but what makes this movie one of the scariest I've seen is its method of accessing the deepest fears in all of us -- not fear for ourselves, of our own deaths, but for others, our families and loved ones, and the utter, complete loneliness if they were to simply be gone forever. This is a post-apocalyptic movie that really drives in the impact of the idea, to devastating effect. It makes everything more engaging: the characters feel more real (though this is also due to the excellent script), the danger more immediate. But this is not a things-pop-out-and-scare-you horror movie. It's a film that will haunt you.
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