Six months after the rage virus was inflicted on the population of Great Britain, the US Army helps to secure a small area of London for the survivors to repopulate and start again. But not everything goes to plan.
A man decides to turn his moribund life around by winning back his ex-girlfriend, reconciling his relationship with his mother, and dealing with an entire community that has returned from the dead to eat the living.
With a dead body lying between them, two men wake up in the secure lair of a serial killer who's been nicknamed "Jigsaw". The men must follow various rules and objectives if they wish to survive and win the deadly game set for them.
A shy student trying to reach his family in Ohio, a gun-toting tough guy trying to find the last Twinkie, and a pair of sisters trying to get to an amusement park join forces to travel across a zombie-filled America.
Animal activists invade a laboratory with the intention of releasing chimpanzees that are undergoing experimentation, infected by a virus -a virus that causes rage. The naive activists ignore the pleas of a scientist to keep the cages locked, with disastrous results. Twenty-eight days later, our protagonist, Jim, wakes up from a coma, alone, in an abandoned hospital. He begins to seek out anyone else to find London is deserted, apparently without a living soul. After finding a church, which had become inhabited by zombie like humans intent on his demise, he runs for his life. Selena and Mark rescue him from the horde and bring him up to date on the mass carnage and horror as all of London tore itself apart. This is a tale of survival and ultimately, heroics, with nice subtext about mankind's savage nature. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Scriptwriter Alex Garland acknowledges several sources as inspiration for his screenplay, notably John Wyndham's The Day of the Triffids (1963), George A. Romero's "Dead" trilogy (Night, Dawn and Day) and The Omega Man (1971). Direct homages include Jim waking up in the hospital from The Day of the Triffids (1963), the chained infected being studied from Day of the Dead (1985), and the scene in the grocery store (people in the mall from Dawn of the Dead (1978)), the stop for supplies that saw a run-in with infected children (also Dawn of the Dead (1978)), and the military holing up against the plague with outsiders partially to deliberately include females (also Day of the Dead). See more »
Major West's SA80 fires many more rounds than would likely be in the magazine. Most hand-held weapons give less than a minute of fire before they need to be reloaded. See more »
Whatever Will Be, Will Be (Que Sera Sera)
Written by Jay Livingston and Ray Evans
Published by Jay Livingston Music, Inc. and St. Angelo Music
Admin. by Universal-MCA Publishing, a division of Universal Studios, Inc. See more »
The one thing that made this movie effective... well, let me back up. Ever have a nightmare where you're being stalked, or otherwise threatened, and you could die, and it's scary as hell? I mean, the absolute worst? Now, think: have you ever had a nightmare where someone you love was already dead, and you knew it, you saw it?
It's infinitely worse.
This movie recognizes that. There is some action, yes, mostly towards the end, but what makes this movie one of the scariest I've seen is its method of accessing the deepest fears in all of us -- not fear for ourselves, of our own deaths, but for others, our families and loved ones, and the utter, complete loneliness if they were to simply be gone forever. This is a post-apocalyptic movie that really drives in the impact of the idea, to devastating effect. It makes everything more engaging: the characters feel more real (though this is also due to the excellent script), the danger more immediate. But this is not a things-pop-out-and-scare-you horror movie. It's a film that will haunt you.
91 of 120 people found this review helpful.
Was this review helpful to you?