| Photos (see all 7 | slideshow) | Videos |
| James M. Churchman | ... | The Quick Brown Fox (as Jim Churchman) | |
| Sharon Bruneau | ... | Female Victim | |
| Scott Workman | ... | Male Victim | |
| A. Scott | ... | Agent Hanna | |
| Charley Allen | ... | Officer Gaunt (as C.B. Allen) | |
| Rich Kelly | ... | Detective Thomas | |
| Glenn Quinn | ... | Prof. Hal Evans, phd. | |
| Rick Otto | ... | Nick 'The Prick' Collier | |
| Lucas Babin | ... | Jimmy Franklin | |
| Brandi Andres | ... | Jordan | |
| Reno Wilson | ... | Garrett | |
| Jeanne Chinn | ... | Cricket | |
| Bruce Michael Paine | ... | Bartender | |
| Jason Mewes | ... | Terry | |
| Majandra Delfino | ... | Callie | |
| Daniel Joseph | ... | John Skyles | |
| Jonathan Banks | ... | Walter Franklin | |
| Grace Zabriskie | ... | Mary Franklin | |
| Nora Zehetner | ... | Leigh Franklin | |
| Tommy Hoe | ... | Uncle Atticus, MD. | |
| Fernando Quevedo | ... | Xavier | |
| Lindsay Truxell | ... | Sexy Motorist |
Directed by | |||
| Mark Anthony Galluzzo | |||
Writing credits(in alphabetical order) | ||
| Mark Anthony Galluzzo | writer | |
Produced by | |||
| John Boesel | .... | executive producer | |
| Len Combs | .... | executive producer | |
| Mark Anthony Galluzzo | .... | producer | |
| Lee Hanna | .... | associate producer | |
| Alex D. Karvounis | .... | associate producer | |
| Nicholas D. Karvounis | .... | associate producer | |
| James M. Churchman | .... | associate producer (uncredited) | |
Original Music by | |||
| Michael Muhlfriedel | |||
Cinematography by | |||
| Mark Anthony Galluzzo | |||
| Christian Grosselfinger | |||
| Thom Stukas | |||
Film Editing by | |||
| Adam P. Scott | |||
Casting by | |||
| LariAnn Lang | |||
| Shannon Makhanian | |||
Art Direction by | |||
| John Profant | |||
Set Decoration by | |||
| Justin Lindsey | |||
Costume Design by | |||
| Allison Siegel | |||
Makeup Department | |||
| Kerry Lacy | .... | key hair stylist | |
| Dominique Simone | .... | makeup artist | |
| Susan Simone | .... | key makeup artist | |
Production Management | |||
| Larry A. Lee | .... | production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Lisa Hatch | .... | second assistant director | |
| Chris Longman | .... | first assistant director | |
| Athena Pesante | .... | second second assistant director | |
Art Department | |||
| Bill Bittman | .... | props | |
| Jason Coffman | .... | props | |
| Mike A. Martinez | .... | painter (as Mike Martinez) | |
| Matt Stransky | .... | carpenter | |
| Chris Tappy | .... | art department intern | |
| Brian Youmans | .... | art department production assistant | |
| Matthew Bekoff | .... | draftsman (uncredited) | |
Sound Department | |||
| Bryan Du Toit | .... | boom operator | |
| Emile Razpopov | .... | sound designer | |
| Jim Ridgley | .... | sound mixer | |
| Xavier Sol | .... | sound re-recording mixer | |
Special Effects by | |||
| David J. Barker | .... | special effects technician | |
| Kirby Brothers | .... | special effects coordinator | |
Stunts | |||
| Greg Anderson | .... | stunt double: Jonathan Banks | |
| Sharon Bruneau | .... | stunt double: Motorist | |
| James M. Churchman | .... | stunt coordinator (as James W. Churchman) | |
| Mark Anthony Galluzzo | .... | stunt double: Terry | |
| Todd Lester | .... | utility stunts | |
| Allen Robinson | .... | utility stunts | |
| Clark Tucker | .... | stunt double: Nick | |
| Scott Walker | .... | assistant stunt coordinator | |
| Aliza Washabaugh | .... | stunt double: Jordan | |
| Scott Workman | .... | stunt driver | |
Camera and Electrical Department | |||
| Terry Chan | .... | assistant camera | |
| Christina Christensen | .... | second assistant camera | |
| Ron Geary | .... | best boy grip | |
| Jeff Greenwood | .... | electrician | |
| Edward 'Gooch' Gutierrez | .... | key grip | |
| Brady Hallongren | .... | camera supervisor | |
| Gaylan Andrew Hussain | .... | dolly grip | |
| Sal 'Mr. Lucky' Luca | .... | grip | |
| Jeff 'Sparky' Morrison | .... | gaffer | |
| Lynn Nicholson | .... | Steadicam operator | |
| Chris Peterson | .... | electrician | |
| Gary Sauer | .... | dolly grip | |
| Jason Sohn | .... | best boy electric | |
| Paul Wojciak | .... | second assistant camera | |
Costume and Wardrobe Department | |||
| Ethan Salsitz | .... | assistant costume designer | |
Editorial Department | |||
| Nathan Clay | .... | assistant editor | |
Music Department | |||
| Greg Danylyshyn | .... | music supervisor | |
Transportation Department | |||
| Thomas Hoe | .... | transportation coordinator | |
Other crew | |||
| Donna Armstrong | .... | medic | |
| Andre Body | .... | production assistant | |
| Wendy Fitzpatrick | .... | script supervisor | |
| Brady Hallongren | .... | title supervisor | |
| Cynthia Harms | .... | production assistant | |
| Rian Hurd | .... | location manager | |
| Maria Inman | .... | production assistant | |
| Sabrina Mills | .... | production assistant | |
| Amber Pacheco | .... | production assistant | |
| Megin Payne | .... | production assistant | |
| Michael Saleman | .... | production attorney | |
| Cain Tapp | .... | production assistant | |
| Erin Wilkes | .... | production coordinator | |
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| Jimmy and Judy | Deranged | City of Shoulders and Noses | Halloween | Dahmer |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb USA section | Add this title to MyMovies |
This Movie rocks! It's entertaining, funny, well-paced, with interesting characters (I love Grace Z.) and excellent cinematography. Like a good Hitchcock film, Mr. Galluzzo makes a bloodless thriller that pays much attention to the details. So much so, you got to watch it at least twice just to catch half of all the tells embedded in this twisted tale. This is independent film-making at its best.
I'm not much into waxing philosophical about whether or not a movie is all that or not. And I certainly wouldn't want to pretend that I'm the authority on film, but this movie is extremely clever and well done. Bravo to all involved! Hats off to Mark Anthony Galluzzo for consistently demonstrating that quality films can be made without studio backing or 10's of millions of dollars.