| Photos (see all 74 | slideshow) | Videos (see all 14) |
Directed by | |||
| Tim Burton | |||
Writing credits(WGA) | ||
| Washington Irving | (story "The Legend of Sleepy Hollow") | |
| Kevin Yagher | (screen story) & | |
| Andrew Kevin Walker | (screen story) | |
| Andrew Kevin Walker | (screenplay) | |
Produced by | |||
| Francis Ford Coppola | .... | executive producer | |
| Celia D. Costas | .... | line producer: New York (as Celia Costas) | |
| Larry J. Franco | .... | executive producer (as Larry Franco) | |
| Dieter Geissler | .... | associate producer | |
| Mark Roybal | .... | associate producer | |
| Scott Rudin | .... | producer | |
| Adam Schroeder | .... | producer | |
| Kevin Yagher | .... | co-producer | |
| Andrew Kevin Walker | .... | co-producer (uncredited) | |
Original Music by | |||
| Danny Elfman | |||
Cinematography by | |||
| Emmanuel Lubezki | |||
Film Editing by | |||
| Chris Lebenzon | |||
| Joel Negron | |||
Casting by | |||
| Susie Figgis | |||
| Ilene Starger | |||
Production Design by | |||
| Rick Heinrichs | |||
Art Direction by | |||
| Ken Court | |||
| John Dexter | |||
| Andy Nicholson | (as Andrew Nicholson) | ||
| Leslie Tomkins | (supervising art director) (as Les Tomkins) | ||
Set Decoration by | |||
| Peter Young | |||
Costume Design by | |||
| Colleen Atwood | |||
Makeup Department | |||
| Colleen Callaghan | .... | key hair stylist: New York | |
| Tamsin Dorling | .... | hair stylist | |
| Tamsin Dorling | .... | makeup artist | |
| Paul Gooch | .... | chief hair stylist | |
| Paul Gooch | .... | makeup artist | |
| Don Kozma | .... | makeup artist: New York | |
| Bernadette Mazur | .... | key makeup artist: New York | |
| Peter Owen | .... | hair designer | |
| Peter Owen | .... | makeup designer | |
| Susan Parkinson | .... | hair stylist: second unit (as Sue Parkinson) | |
| Susan Parkinson | .... | makeup artist: second unit (as Sue Parkinson) | |
| Astrid Schikorra | .... | hair stylist | |
| Astrid Schikorra | .... | makeup artist | |
| Kirstie Stanway | .... | hair stylist (as Kirsty Stanway) | |
| Kirstie Stanway | .... | makeup artist (as Kirsty Stanway) | |
| Liz Tagg | .... | chief makeup artist (as Elizabeth Tag) | |
| Liz Tagg | .... | hair stylist (as Elizabeth Tag) | |
| Kelly Marazzi | .... | dailies makeup artist (uncredited) | |
| Kate Roberts | .... | make-up/hair artist (uncredited) | |
| Leda Shawyer | .... | makeup artist (uncredited) | |
Production Management | |||
| David Dresher | .... | post-production supervisor | |
| Jan Foster | .... | unit production manager: New York | |
| Ben Link | .... | unit manager: second unit | |
| Ramona Sánchez-Waggoner | .... | production supervisor (as Ramona Diaz-Sanchez) | |
| Dusty Symonds | .... | unit production manager | |
| Chantal Feghali | .... | post-production supervisor (uncredited) | |
Second Unit Director or Assistant Director | |||
| Edward Brett | .... | first assistant director: second unit | |
| Ben Howarth | .... | second assistant director | |
| Patrick Mangan | .... | second assistant director: New York (as Patrick J. Mangan) | |
| Alan Munro | .... | second unit director | |
| Christopher Newman | .... | first assistant director (as Chris Newman) | |
| Janet Nielsen | .... | third assistant director | |
| Trevor Puckle | .... | second assistant director: second unit | |
| Thomas A. Reilly | .... | first assistant director: New York (as Tom Reilly) | |
Art Department | |||
| Terry Apsey | .... | construction manager | |
| Julian Ashby | .... | assistant art director | |
| Ken Bacon | .... | property storeperson | |
| Ravi Bansal | .... | concept illustrator | |
| Bill Boes | .... | assistant art director | |
| Mauro Borrelli | .... | concept illustrator | |
| Daniel Boxer | .... | property master: New York | |
| Mariko Braswell | .... | draughtsperson | |
| Adam Brockbank | .... | concept illustrator | |
| Philip Canfield | .... | lead person: New York | |
| Martin Charles | .... | concept illustrator | |
| Allan Croucher | .... | head plasterer | |
| Stephen Dobric | .... | assistant art director | |
| Lavinia Glynn-Jones | .... | art department coordinator | |
| Paul Hearn | .... | props | |
| Robert Hill | .... | props | |
| Tracey Holmes | .... | draughtsperson | |
| James Hunt | .... | scenic artist | |
| Michael Anthony Jackson | .... | storyboard artist (as Michael Jackson) | |
| Stuart Kearns | .... | draughtsperson | |
| Tina Khayat | .... | art department coordinator: New York | |
| Michael King | .... | property buyer | |
| Bernard Maisner | .... | on screen calligrapher: New York | |
| Jon Marson | .... | props | |
| Kirstin Mooney | .... | art department coordinator | |
| Simon Murton | .... | concept illustrator | |
| Nick Navarro | .... | assistant art director | |
| John New | .... | assistant construction manager | |
| John Ottesen | .... | greens foreperson: New York | |
| Christine Parkin | .... | draughtsperson | |
| Julie Pitt | .... | draughtsperson | |
| Steven Pollecutt | .... | head rigger | |
| Jonathon Rosen | .... | concept illustrator | |
| Robert Butch Samarzich | .... | greensperson: New York (as Butch Samarzich) | |
| Raymond M. Samitz | .... | construction coordinator: New York (as Raymond Samitz) | |
| Debra Schutt | .... | set decorator: New York | |
| Ken Stachini | .... | head stagehand | |
| Adrian Start | .... | head scenic painter (as Adrian Kenneth Start) | |
| John Wright Stevens | .... | art director: New York | |
| Gerald Sullivan | .... | draughtsperson | |
| Steve Taylor | .... | props | |
| Gary Tomkins | .... | assistant art director | |
| Richard A. Ventre | .... | chargehand scenic artist: New York (as Richard Ventre) | |
| Terry Wells | .... | property master | |
| Suzan Wexler | .... | draughtsperson (as Susan Wexler) | |
| Su Whitaker | .... | assistant art director | |
| Will Ayres | .... | props (uncredited) | |
| Dick Budden | .... | sculptor (uncredited) | |
| Jo Budden | .... | sculptor assistant (uncredited) | |
| Kelvin Cook | .... | props (uncredited) | |
| Hillery Cope | .... | construction buyer (uncredited) | |
| Cosmas A. Demetriou | .... | set designer (uncredited) | |
| Gavin Gordon | .... | chargehand carpenter (uncredited) | |
| Emma Harrison | .... | scenic artist (uncredited) | |
| Robin Heinson | .... | painter (uncredited) | |
| Jeffrey Mossa | .... | assistant art director (uncredited) | |
| Peter Pace | .... | illustrator (uncredited) | |
| Addison Pettit | .... | graphic artist: New York (uncredited) | |
| Darren Reynolds | .... | stand-by props (uncredited) | |
| Keith Short | .... | sculptor (uncredited) | |
| Daniel Thompson | .... | carpenter (uncredited) | |
| Dicken Warner | .... | thatcher (uncredited) | |
Special Effects by | |||
| Jonathan Abbas-Klahr | .... | mold maker: KYP UK crew (as Jonathan Klahr) | |
| Eric Acosta | .... | production assistant: KYP USA crew | |
| Tony Acosta Jr. | .... | mold maker: KYP USA crew | |
| Dave Allum | .... | special effects modeller (as David Allum) | |
| Jonathan Angell | .... | special effects technician | |
| Barry Best | .... | mold maker: KYP UK crew | |
| Brian Best | .... | mold maker: KYP UK crew | |
| Stephen Bettles | .... | laboratory technician: KYP UK crew | |
| Evan Brainard | .... | mechanical designer: KYP USA crew | |
| John Brown | .... | special effects technician | |
| Sarah Brunsdon | .... | hair technician: KYP UK crew | |
| Mitchell J. Coughlin | .... | effects supervisor: KYP USA crew (as Mitch Coughlin) | |
| Jill Crosby | .... | hair technician: KYP USA crew | |
| Pamela Cveticanin | .... | feather fabricator: KYP USA crew | |
| Zach Cveticanin | .... | feather fabricator: KYP USA crew (as Zachariah Cveticanin) | |
| Michael Dawson | .... | special effects assistant supervisor | |
| Frank Diettinger | .... | mold maker: KYP USA crew | |
| Manex Efrem | .... | special effects technician | |
| Rebecca Fisher | .... | production assistant: KYP USA crew | |
| Rodney Fuller | .... | special effects technician | |
| Carmila Gittens | .... | special effects coordinator | |
| Ken Gittens | .... | special effects technician (as Kenneth Gittens) | |
| Tamzine Hanks | .... | mechanical designer: KYP UK crew | |
| Shaune Harrison | .... | sculptor: KYP UK crew | |
| Graham High | .... | sculptor: KYP UK crew | |
| Kate Hill | .... | sculptor: KYP UK crew | |
| Andrea Hochgatterer-Kowland | .... | hair technician: KYP UK crew | |
| John Holmes | .... | special effects technician | |
| Matthew Horton | .... | special effects technician | |
| Jonathan Klane | .... | mold maker: KYP UK crew | |
| John Lambert | .... | production assistant: KYP UK crew | |
| Andy Lee | .... | foam technician: KYP UK crew | |
| Grant Mason | .... | laboratory technician: KYP UK crew | |
| Tony Matijevich | .... | laboratory technician: KYP USA crew | |
| David Miner Jr. | .... | mechanical designer: KYP USA crew | |
| Brian Morrison | .... | special effects technician | |
| Day Murch | .... | fabricator: KYP UK crew | |
| Kate Murray | .... | sculptor: KYP UK crew | |
| Roger Nichols | .... | special effects technician | |
| Ron Ottesen | .... | special effects supervisor: New York | |
| Stephen Paton | .... | special effects technician | |
| Justin Pitkethly | .... | laboratory technician: KYP UK crew | |
| Jason Reed | .... | mechanical designer: KYP UK crew | |
| Matthew Roberts | .... | special effects technician (as Matt Roberts) | |
| Johnnie Spence | .... | mechanical designer: KYP USA crew | |
| Howard Swindell | .... | sculptor: KYP UK crew | |
| Derek Tomblin | .... | special effects modeller | |
| Mario Torres | .... | sculptor: KYP USA crew | |
| Gary J. Tunnicliffe | .... | effects supervisor: KYP UK crew (as Gary Tunnicliffe) | |
| Claire Jane Vranian | .... | production assistant: KYP UK crew (as Claire Jane Deacon) | |
| Joss Williams | .... | special effects supervisor | |
| Ian Wingrove | .... | special effects senior technician | |
| Kevin Yagher | .... | creature effects coordinator: KYP | |
| Kevin Yagher | .... | human/creature special effects | |
| Mark C. Yagher | .... | studio manager: KYP | |
| Duncan Capp | .... | special effects (uncredited) | |
| Simon Cockren | .... | special effects technician (uncredited) | |
| Garry Cooper | .... | special effects technician (uncredited) | |
| Dave Crownshaw | .... | snow effects supervisor (uncredited) | |
| Keith Dawson | .... | special effects crew (uncredited) | |
| Marlene Efrem | .... | special effects assistant (uncredited) | |
| Karin Hanson | .... | special effects hair (uncredited) | |
| Toby Hawkes | .... | modeller (uncredited) | |
| Anthony Lucero | .... | special effects assistant (uncredited) | |
| Martin 'Marty' McLaughlin | .... | snow effects technician (uncredited) | |
| Lucien Stephenson | .... | snow effects technician (uncredited) | |
| Neil Toddy Todd | .... | special effects technician (uncredited) | |
| Victoria Williams | .... | special effects (uncredited) | |
| Gareth Wingrove | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Shadi Almassizadeh | .... | digital artist: ILM | |
| Stephen Aplin | .... | digital modeler: ILM | |
| Joel Aron | .... | computer graphics sequence supervisor: ILM | |
| Trang Bach | .... | digital paint & roto artist: ILM | |
| Chris Bayz | .... | digital paint & roto artist: ILM | |
| Randall K. Bean | .... | film scanning: ILM (as Randy Bean) | |
| Rob Blue | .... | digital artist | |
| Barbara Brennan | .... | digital compositor: ILM | |
| Cathy Burrows | .... | digital compositor: ILM (as Catherine Burrow) | |
| Lawrence Carroll | .... | digital artist | |
| Tami Carter | .... | digital compositor: ILM | |
| Lanny Cermak | .... | 3D camera matchmover: ILM | |
| Richard Clarke | .... | 3D animator: CFC | |
| Kyle Clark | .... | computer graphics animator: ILM | |
| Grady Cofer | .... | digital artist | |
| Theresa Corrao | .... | lead visual effects coordinator: ILM | |
| Gail Currey | .... | senior staff: ILM | |
| Julie D'Antoni | .... | visual effects coordinator: ILM | |
| Peter Daulton | .... | computer graphics animator: ILM | |
| Scott David | .... | digital paint & roto artist: ILM | |
| Matthew Davies | .... | computer graphics technical support: ILM | |
| Tabitha Dean | .... | digital editor: CFC | |
| Robert DeHaan | .... | computer graphics technical support: ILM (as Rob De Haan) | |
| Adrian De Wet | .... | visual effects designer: CFC | |
| Michael Di Como | .... | computer graphics artist: ILM | |
| Paddy Eason | .... | supervising visual effects designer: CFC | |
| Raul Essig | .... | CG artist: ILM | |
| Tom Fejes | .... | computer graphics artist: ILM | |
| Ian Fellows | .... | digital paint artist: CFC | |
| Heather Fishlock | .... | studio staff: CFC | |
| Richard Friedlander | .... | visual effects editor | |
| Howard Gersh | .... | computer graphics artist: ILM | |
| Adam Glasman | .... | digital scanning and recording: CFC (as Adam Glassman) | |
| Dan Glass | .... | visual effects designer: CFC | |
| Susan Goldsmith | .... | digital paint & roto artist: ILM | |
| Caroleen Green | .... | digital matte painter: ILM | |
| Howard Green | .... | computer graphics artist | |
| Darrel Griffin | .... | studio staff: CFC | |
| Chris Grottick | .... | studio staff: CFC | |
| Robert Hall | .... | digital editor: CFC (as Rob Hall) | |
| Jonathan Harb | .... | digital matte painter: ILM | |
| Libby Hazell | .... | visual effects line producer: CFC | |
| Christophe Hery | .... | computer graphics artist: ILM | |
| Kela Hicks | .... | Sabre compositing artist: ILM | |
| Jan Hogevold | .... | digital scanning and recording: CFC | |
| John Horn | .... | software engineer: ILM | |
| David Horsley | .... | computer graphics artist: ILM | |
| Christopher Horvath | .... | computer graphics artist: ILM (as Chris Horvath) | |
| Polly Ing | .... | computer graphics artist: ILM | |
| Patrick Jarvis | .... | digital paint & roto artist: ILM | |
| Drew Jones | .... | visual effects producer: CFC | |
| Eleanor Jones | .... | visual effects production assistant: ILM | |
| Louis Katz | .... | digital artist: ILM | |
| Susan Kelly-Andrews | .... | lead digital paint & roto artist: ILM (as Susan Kelly) | |
| Bill Kimberlin | .... | visual effects editor: ILM | |
| Adrian Leaman | .... | technical support: CFC | |
| Scott Leberecht | .... | visual effects art director: ILM | |
| Siobhan Lo | .... | digital paint artist: CFC | |
| Roz Lowrie | .... | digital editor: CFC | |
| Jeff Mann | .... | senior staff: ILM | |
| Robert Marinic | .... | computer graphics supervisor: ILM | |
| Scott Marriott | .... | digital scanning and recording: CFC | |
| Jennifer McKnew | .... | computer graphics artist: ILM (as Jennifer McKnew-Bartels) | |
| Joseph Metten | .... | 3D camera matchmover: ILM | |
| Neil Michka | .... | computer graphics animator: ILM | |
| Mark S. Miller | .... | visual effects producer | |
| Neil Miller | .... | studio staff: CFC | |
| Richard Miller | .... | model maker: ILM | |
| Michael Min | .... | computer graphics artist: ILM | |
| Jim Mitchell | .... | visual effects supervisor | |
| Terry Molatore | .... | digital texture artist: ILM | |
| Jack Mongovan | .... | lead digital paint & roto artist: ILM | |
| Chris Monks | .... | 3D animator: CFC | |
| Stephen Murphy | .... | 3D animator: CFC | |
| Aaron Muszalski | .... | digital paint & roto artist: ILM | |
| Patrick Neary | .... | computer graphics artist: ILM (as Pat Neary) | |
| Mark Nelmes | .... | visual effects designer: CFC | |
| Ken Nielsen | .... | computer graphics artist: ILM | |
| Dominic Parker | .... | 3D animator: CFC | |
| Eddie Pasquarello | .... | lead digital compositor: ILM | |
| Mayur Patel | .... | computer graphics artist: ILM | |
| Alex Payman | .... | digital paint artist: CFC | |
| Alexander Pouchkarev | .... | digital modeler: ILM | |
| Brennan Prevatt | .... | digital artist | |
| Scott Prior | .... | computer graphics artist: ILM | |
| Vishwa Ranjan | .... | software engineer: ILM | |
| Rick Rische | .... | digital matte painter: ILM | |
| Justin Ritter | .... | computer graphics technical support: ILM | |
| Elsa Rodriguez | .... | digital paint & roto artist: ILM | |
| Kim Ross | .... | computer graphics artist: ILM | |
| Jonathan Rothbart | .... | digital artist: ILM | |
| Joe Salazar | .... | digital paint & roto artist: ILM (as Joseph Salazar) | |
| Ellen Schade | .... | assistant visual effects editor: ILM (as Ellen Schade-Bove) | |
| Frederic Schmidt | .... | computer graphics artist: ILM | |
| Sean Schur | .... | computer graphics artist: ILM | |
| Dave Scott | .... | technical support: CFC | |
| M. Zachary Sherman | .... | digital paint & roto artist: ILM (as Zachary Sherman) | |
| Jason H. Snell | .... | 3D camera matchmover: ILM (as Jason Snell) | |
| John Stillman | .... | computer graphics artist: ILM | |
| Chris Stone | .... | studio staff: CFC | |
| David Sullivan | .... | digital paint & roto artist: ILM | |
| Kat Szuminska | .... | visual effects designer: CFC | |
| Catherine Tate | .... | Sabre compositing artist: ILM | |
| Jon Thum | .... | visual effects designer: CFC (as John Thum) | |
| Steve Tizzard | .... | digital scanning and recording: CFC | |
| Gavin Toomey | .... | visual effects designer: CFC | |
| Kate Turner | .... | digital paint & roto artist: ILM | |
| Bruce Vecchitto | .... | digital timing supervisor: ILM | |
| Peter Ward | .... | computer system engineer: ILM | |
| David Washburn | .... | 3D camera matchmover: ILM | |
| Robert Weaver | .... | computer graphics sequence supervisor: ILM | |
| David Weitzberg | .... | computer graphics artist: ILM | |
| Dean Yurke | .... | Sabre compositing artist: ILM | |
| Katharine Baird | .... | digital paint & rotoscope artist (uncredited) | |
| Chris Crowell | .... | digital compositor (uncredited) | |
| Katie Hecker | .... | digital paint artist: CFC (uncredited) | |
| Jiri Jacknowitz | .... | digital paint and roto arist: ILM (uncredited) | |
| Oliver James | .... | research and development (uncredited) | |
| Matt Kasmir | .... | digital effects artist (uncredited) | |
| Matt Linder | .... | digital artist (uncredited) | |
| Joe Pavlo | .... | digital artist (uncredited) | |
| Elbert Yen | .... | digital texture artist: ILM (uncredited) | |
Stunts | |||
| Riky Ash | .... | stunts | |
| Marc Cass | .... | stunts | |
| Danielle da Costa | .... | stunts (as Danielle Da Costa) | |
| Kelly Dent | .... | stunts | |
| Sarah Franzl | .... | stunts | |
| Nick Gillard | .... | stunt coordinator | |
| Paul Herbert | .... | stunts | |
| Jeff Hewitt-Davis | .... | stunts (as Jeff Hewitt Davis) | |
| Sy Hollands | .... | stunts | |
| Rob Inch | .... | stunt double: Headless Horseman | |
| Rowley Irlam | .... | stunts | |
| Vincent Keane | .... | stunts | |
| Luke Kearney | .... | stunt performer | |
| Jo McLaren | .... | stunts | |
| Brian Nickels | .... | stunts (as Brian Sonny Nickels) | |
| Ray Park | .... | fight double: Headless Horseman | |
| Dominic Preece | .... | stunt double: Ichabod Crane | |
| C.C. Smiff | .... | stunts (as CC Smiff) | |
| Ian van Temperley | .... | stunts (as Ian Van Temperley) | |
| William Willoughby | .... | stunts (as Will Willoughby) | |
| Richard Bradshaw | .... | stunts (uncredited) | |
| Charles Page | .... | stunts (uncredited) | |
Casting Department | |||
| Kate Bryden | .... | casting assistant | |
| Brendan Donnison | .... | voice casting (as Brandon Donnison) | |
| Kim Miscia | .... | casting associate | |
| Janice Wilde | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Joanna Brett | .... | wardrobe supervisor: New York | |
| Anthony Brookman | .... | wardrobe master | |
| Lou Durkin | .... | wardrobe mistress | |
| Morgan Elliott | .... | assistant costume designer | |
| Philip Goldsworthy | .... | costumer: "Headless Horseman", second unit (as Philip Goldworthy) | |
| Alex Harwood | .... | costumer: headless horseman (as Alix Harwood) | |
| Ingrid Price | .... | wardrobe supervisor: New York | |
| Suzi Turnbull | .... | costume supervisor | |
| Dale Wibben | .... | costume maker | |
| Dominic Young | .... | assistant cutter/fitter | |
| Katherine Burchill | .... | wardrobe assistant (uncredited) | |
| Richard Cooke | .... | crowd dresser (uncredited) | |
| Sheila Gentile | .... | costumer (uncredited) | |
| Carlos Rosario | .... | costume illustrator (uncredited) | |
Editorial Department | |||
| Glenn Allen | .... | first assistant film editor | |
| Meredith Apel | .... | apprentice editor | |
| Sue Bodnar | .... | assistant editor: UK | |
| Ray Lau | .... | assistant editor: UK | |
| Dana L. Marker | .... | negative cutter | |
| Nadia Naimi | .... | assistant editor: UK | |
| Jim Passon | .... | color timer | |
| Jamie Pearson | .... | first assistant film editor: UK | |
| Dominic Young | .... | assistant cutter | |
| Elise DuRant | .... | editing intern (uncredited) | |
| Kacie Haggerty | .... | negative cutter (uncredited) | |
Music Department | |||
| Craig Anderson | .... | music score coordinator | |
| Steve Bartek | .... | additional orchestrator | |
| Julian Bratolyubov | .... | music preparation | |
| Andy Brown | .... | orchestra contractor | |
| Robert Fernandez | .... | additional music mixer | |
| Vic Fraser | .... | music preparation | |
| Isobel Griffiths | .... | orchestra contractor | |
| Joe Lisanti | .... | assistant music editor | |
| The London Oratory School Schola | .... | musicians: boys choir | |
| Marc Mann | .... | additional orchestrator | |
| Mark McKenzie | .... | additional orchestrator | |
| Shawn Murphy | .... | music mixer | |
| Shawn Murphy | .... | music recordist | |
| Jenny O'Grady | .... | choir contractor | |
| Albert Lloyd Olson | .... | orchestrator (as Albert Olson) | |
| Conrad Pope | .... | orchestrator | |
| Nic Ratner | .... | preview music editor | |
| Liz Schrek | .... | music production coordinator | |
| Ellen Segal | .... | music editor | |
| David Slonaker | .... | orchestrator | |
| Ron Vermillion | .... | music preparation | |
| Graham Walker | .... | music production supervisor | |
| Allan Wilson | .... | conductor | |
| Paul Kegg | .... | musician: cello (uncredited) | |
| Jennifer Nash | .... | music editor (uncredited) | |
| Nicolas Santos | .... | soloist (uncredited) | |
Transportation Department | |||
| James Fanning | .... | transportation captain: New York (as Jim Fanning) | |
| Brian Hathaway | .... | transportation manager | |
| David Rosenbaum | .... | unit driver (uncredited) | |
Other crew | |||
| Declan Baldwin | .... | location manager: New York | |
| Samantha Black | .... | assistant production coordinator | |
| Simon Burgess | .... | assistant location manager | |
| John A. Cohen | .... | assistant: Mr. Rudin | |
| Matt Cooke | .... | production assistant (as Matthew Cooke) | |
| Natasha Coombs | .... | script supervisor: second unit | |
| Michael Culling | .... | animal wrangler: second unit (as Mike Cullin) | |
| Eben Davidson | .... | assistant: Mr. Rudin | |
| Shirley Davis | .... | production coordinator: New York | |
| Robert Dawson | .... | title designer | |
| Christi Dembrowski | .... | assistant: Mr. Depp | |
| Steve Dent | .... | horse master | |
| Deb Dyer | .... | production accountant: New York | |
| Ben Famiglietti | .... | assistant: Mr. Rudin | |
| Sarah Feinberg | .... | assistant: Mr. Rudin | |
| Lorraine Fennell | .... | production coordinator | |
| Derek Frey | .... | assistant: Mr. Burton | |
| Brian Gibbs | .... | production accountant | |
| Edward Goemans | .... | assistant: Mr. Rudin | |
| Richard Goodwin | .... | production assistant | |
| Vicki Harvey-Piper | .... | production coordinator: second unit | |
| Keith Hatcher | .... | location manager | |
| Nathan Holmes | .... | production assistant | |
| Richard Hooper | .... | armorer | |
| Mark N. Hopkins | .... | assistant: Mr. Rudin (as Mark Hopkins) | |
| Kate Jones | .... | production assistant | |
| Flore Michiels | .... | assistant: Mr. Depp | |
| Lucia Murillo | .... | assistant: Mr. Schroeder | |
| Nicky O'Reilly | .... | production assistant | |
| Angelique Palozzi | .... | assistant: Mr. Rudin | |
| Eva Quiroz | .... | assistant: Mr. Burton | |
| Sally Ross | .... | assistant: Mr. Schroeder | |
| Helen Seery | .... | assistant accountant | |
| Derek Skaletsky | .... | assistant: Mr. Rudin | |
| Matthew Spiegel | .... | assistant: Ms. Costas, New York (as Matt Spiegel) | |
| Lauren Beth Strogoff | .... | publicist (as Lauren Strogoff) | |
| Jayne-Ann Tenggren | .... | script supervisor | |
| Cheryl A. Tkach | .... | assistant: Mr. Franco | |
| Jeannie Udall | .... | first aid (as Jeanie Udall) | |
| Tamsin Anstey | .... | first assistant accountant (uncredited) | |
| Heath Jacob Baldwin | .... | production coordinator: New York (uncredited) | |
| Jeff Caron | .... | accounting clerk (uncredited) | |
| James Chasey | .... | stand-in (uncredited) | |
| Jeff Chena | .... | stand-in: Mr Depp, New York (uncredited) | |
| Phil Clarke | .... | production liaison (uncredited) | |
| Dave Evans | .... | assistant armorer (uncredited) | |
| Steve Fletcher | .... | on-set tutor (uncredited) | |
| Steve Ginsburg | .... | assistant production coordinator: New York (uncredited) | |
| Richard Gold | .... | stand-in (uncredited) | |
| Darren Harrison | .... | runner: Leavesden (uncredited) | |
| Nicholas Hopkins | .... | production assistant (uncredited) | |
| Ryan R. Johnson | .... | development associate (uncredited) | |
| Claire L. Kenny | .... | accounting assistant (uncredited) | |
| Deborah Leakey | .... | assistant accountant (uncredited) | |
| Jim McKinney | .... | production assistant: New York (uncredited) | |
| Michael Mendelsohn | .... | financial consultant (uncredited) | |
| Wendy Mooradian | .... | production secretary (uncredited) | |
| Marc Pattavina | .... | production assistant (uncredited) | |
| Cody Smith | .... | animal trainer (uncredited) | |
| Will Sweeney | .... | production intern (uncredited) | |
| Isobel Thomas | .... | production assistant: dailies (uncredited) | |
| Sudi Van Dien | .... | assistant: Casper Van Dien (uncredited) | |
| Michael Vasquez | .... | first assistant accountant (uncredited) | |
| Sarah Wheale | .... | floor runner: dailies (uncredited) | |
| Michelle Wickland | .... | textile artist (uncredited) | |
| Ed Wiles | .... | pre-production intern (uncredited) | |
Thanks | |||
| Tony Costanzo | .... | thanks | |
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SLEEPY HOLLOW (1999) ***1/2
Starring: Johnny Depp, Christina Ricci, Miranda Richardson, Michael Gambon, Casper Van Dien, Jeffrey Jones, and Christopher Walken Director: Tim Burton Running Time: 102 minutes Rated R (for graphic horror violence and gore, and brief sexuality)
By Blake French:
Tim Burton is just about as good as they get in the movie business when it comes to creating an atmospheric world to inhabit specific characters. "Sleepy Hollow" is the perfect kind of movie for his directional Midas touch; it resembles the best of Burton in every way. In the film, an adaptation based on a story by Washington Irving called The Legend of Sleepy Hollow, he captures the slumbering, creepy village of Sleepy Hollow with vivid details and imaginative description. The way everything is presented, the trees look like something out of a fairy tale and the scenery represents deception in a mysterious wonderland, is what makes this production one of the years most captivating and magical film experiences.
Some of the visual credit should also be given to the film's Cinematographer, Emmanuel Lubezki, and the credited production designer, Rick Heinrichs. These elements contribute a great deal of success to Burton's masterpiece. Both the design and Cinematography are some of the best seen all year, and deserve a hard earned Oscar Nomination. They make the film intriguing and visually stimulating.
The film takes place in the late 1700's, in New York. Constable Ichabod Crane, a timid and but smart man played by Johnny Depp, is assigned to investigate a series of grizzly murders in a nearby town called Sleepy Hollow. He's rather concerned about his latest task, however, due to the content of the killings. The victim's heads have been sliced, in one clean sweep, straight from their bodies. He accepts his duties, and travels by horse and carriage to the isolated village.
Once Ichabod arrives, the locals, including Lady Van Tassel (Miranda Richardson), Baltus Van Tassel (Michael Gambon), Brom Van Brunt (Casper Van Dien), and Reverend Steenwyck (Jeffrey Jones), greet him with eagerness. They explain the legend of the headless horseman, who is supposedly causing the murders in their town. At first he is skeptical. Then, after witnessing a victim losing their head personally, he arrives at the conclusion that a headless horseman is responsible for the tragic catastrophes accruing. Ichabod soon meets Katrina Van Tassel, an innocent looking, self spoken young woman who may have some advice, as well as several secrets of her own.
The Headless horseman is a perfect portrayed villain for "Sleepy Hollow." He is brute, oversized, and roughly textured with outwear. The actor who brings him to life when his head is on is perfect for the role; Christopher Walken. For some odd reason, however, popular film critic Roger Ebert reluctantly refused to tell his readers the name of the actor, thinking it would give something away. Well, I am sorry, Mr. Ebert, but it isn't that hard to find this information elsewhere. The filmmakers are not trying to hold Walken as a secret. Stating he stars as the headed horseman gives nothing away. One must see his performance and make up for themselves to even imagine what material the film's bad guy brings forth.
Tim Burton's direction is focused and wonderfully observant here. The murder sequences are gory and violent, but never way over the top. Burton never losses sight of his main characters, has a good idea about what he wants to place in film, and the special effects do not distract his ability to do so. He has a knack for allowing an audience to become involved with his pictures. We must think for ourselves, figuring out nuggets of the plot on our own, without the projectors help. He has demonstrated these techniques before in such films as "Edward Scissorhands," "The Nightmare Before Christmas," and even the best Batman film yet, "Batman Returns."
Johnny Depp offers an Oscar worthy performance as Ichabod Crane. He brings the squeamish role to life effortlessly with striking details and perfect form. He is flawlessly cast, as well as Christina Ricci, who also acts with style and poignancy. Compliments also go out to splendid costuming the actors are permitted to wear.
Although "Sleepy Hollow" offers lots of creepy impressions, the film is far from being very scary. Some moments do generate some minor thrills, but for the most part, the production is not as terrifying as it could have been. Much of it lacks momentum and build-up for the dozen or so graphic beheadings that take place. Burton could have easily loaded his picture with bombarding amounts of shock value, suspense, and tension filled fright, but instead goes for all out violence, plot, and mystery. Not that this effects the overall production. This is more of an atmospheric movie than a scream feast. The atmosphere is certainly above the average.
The conclusion of "Sleepy Hollow" works in a bizarre, but unpredictable fashion. The climax occurs unexpectedly and excitingly, with much surprise and special effects. The film's foreshadowing is effective, but regardless of how experienced of a filmgoer you are, this is one ending that is not meant to be figured out before it takes place. It is one of the preferred closings I've seen in a while. Despite a few personal objections, "Sleepy Hollow" is a brilliantly crafted work of art--one of the years better films.
Brought to you by Paramount Pictures.