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Directed by | |||
| Frank Darabont | |||
Writing credits(WGA) | ||
| Stephen King | (novel) | |
| Frank Darabont | (screenplay) | |
Produced by | |||
| Frank Darabont | .... | producer | |
| David Valdes | .... | producer | |
Original Music by | |||
| Thomas Newman | |||
Cinematography by | |||
| David Tattersall | (director of photography) | ||
Film Editing by | |||
| Richard Francis-Bruce | |||
Casting by | |||
| Mali Finn | |||
Production Design by | |||
| Terence Marsh | |||
Art Direction by | |||
| William Cruse | (supervising art director) | ||
Set Decoration by | |||
| Michael Seirton | |||
Costume Design by | |||
| Karyn Wagner | |||
Makeup Department | |||
| Howard Berger | .... | special makeup effects supervisor: K.N.B. EFX Group, Inc. | |
| Kamar Bitar | .... | office manager: K.N.B. EFX Group, Inc. | |
| Lois Burwell | .... | key makeup artist | |
| Janis Clark | .... | hair stylist | |
| Gino Crognale | .... | sculptor: K.N.B. EFX Group, Inc. | |
| Deborah La Mia Denaver | .... | makeup artist (as Deborah LaMia Denauer) | |
| Justin Ditter | .... | lab technician: K.N.B. EFX Group, Inc. | |
| John M. Elliott Jr. | .... | key makeup artist: present day sequences (as John Elliott) | |
| James Hall | .... | lab technician: K.N.B. EFX Group, Inc. | |
| Steve Hartman | .... | lab technician: K.N.B. EFX Group, Inc. | |
| Chiz Hasegawa | .... | coordinator: K.N.B. EFX Group, Inc. | |
| Garrett Immel | .... | sculptor: K.N.B. EFX Group, Inc. | |
| Harrison Lorenzana | .... | lab technician: K.N.B. EFX Group, Inc. (as H. Al Lorenzana) | |
| Mark Maitre | .... | sculptor: K.N.B. EFX Group, Inc. | |
| Gregory Nicotero | .... | special makeup effects supervisor: K.N.B. EFX Group, Inc. (as Greg Nicotero) | |
| Nina Paskowitz | .... | key hair stylist | |
| Ron Pipes | .... | lab technician: K.N.B. EFX Group, Inc. (as Ron Pipes II) | |
| Brian Rae | .... | lab technician: K.N.B. EFX Group, Inc. | |
| Katherine Rees | .... | key hair stylist: present day sequences | |
| Daniel C. Striepeke | .... | makeup artist: Tom Hanks (as Daniel Striepeke) | |
| Gloria Belz | .... | makeup artist (uncredited) | |
| Linda Boykin-Williams | .... | makeup artist (uncredited) | |
| Chris Hanson | .... | special makeup effects artist (uncredited) | |
| Sandy Jo Johnston | .... | makeup artist (uncredited) | |
| Robert Kurtzman | .... | special makeup effects artist (uncredited) | |
| Alan Tuskes | .... | key special makeup effects studio technician (uncredited) | |
| Beka Wilson | .... | assistant hair stylist (uncredited) | |
Production Management | |||
| Christy Dimmig | .... | post-production supervisor | |
| L. Dean Jones Jr. | .... | unit production manager | |
Art Department | |||
| Michael Craig Adams | .... | construction: Tennessee (as Michael Adams) | |
| Billy Baker | .... | set dresser | |
| John Barbera | .... | construction: Tennessee | |
| Sheila Bartlett | .... | construction: Tennessee | |
| Tom Benardello | .... | construction (as Thomas Benardello) | |
| Melanie S. Chretin | .... | set dresser | |
| J. Gregory Evans | .... | art department buyer (as James Gregory Evans) | |
| Jack Evans | .... | on-set dresser | |
| Maureen Farley | .... | property master | |
| Chris Fielding | .... | set dresser (as Chris F. Fielding) | |
| Andy Flores | .... | stand-by painter (as Andrew R. Flores) | |
| Daniel Gilmore | .... | construction | |
| Rocco J. Hindman | .... | art department production assistant | |
| David Howland | .... | construction (as Dave Howland) | |
| Eric Karas | .... | stand-by carpenter (as Eric Joseph Karas) | |
| Beatriz Kerti | .... | art department coordinator | |
| Edward F. LaLone | .... | construction buyer (as Edward F. La Lone) | |
| Kim Larsen-Santini | .... | assistant props (as Kim Larsen) | |
| Sasha Madzar | .... | construction | |
| Merdyce McClaran | .... | assistant props | |
| Mark McGraudy | .... | construction | |
| Sebastian Milito | .... | construction coordinator | |
| Mike Minor | .... | construction: Tennessee | |
| Scott Mizgaites | .... | construction foreman | |
| Christopher Neely | .... | leadman | |
| Steve Perea | .... | construction | |
| Natalie Pope | .... | set decorator: present day sequences (as Natali Pope) | |
| John Rabasca | .... | construction: Tennessee | |
| Isidoro Raponi | .... | construction (as Isidoro Roponi) | |
| Dixwell Stillman | .... | construction foreman (as Dix Stillman) | |
| Brandon Dale Tarpy | .... | construction: Tennessee | |
| Summer Valdes | .... | art department assistant: present day sequences | |
| Kurt Verbaarschott | .... | set dresser (as Kurt T.V. VerBaarschott) | |
| Pete von Sholly | .... | storyboard artist (as Peter Von Sholly) | |
| Iacopo Wachter | .... | construction production assistant | |
| Dianne Wager | .... | set designer | |
| Donald B. Woodruff | .... | set designer (as Donald Woodruff) | |
| Mark Woods | .... | leadman: present day sequences | |
| Kinney Booker | .... | set dresser (uncredited) | |
| Rick Broderman | .... | paint foreman (uncredited) | |
| Michael W. Chase | .... | propmaker (uncredited) | |
| Thomas Cooper | .... | propmaker foreman (uncredited) | |
| Tom Craig | .... | set dresser (uncredited) | |
| Michael Denering | .... | scenic artist (uncredited) | |
| Shiuvaun Egan | .... | props (uncredited) | |
| Michael Goss | .... | labor (uncredited) | |
| Gordon McVay | .... | set dresser (uncredited) | |
| C.J. Pyles | .... | swing gang (uncredited) | |
| Bruce Richter | .... | art special effects (uncredited) | |
| Larry Sauls | .... | on-set dresser: North Carolina (uncredited) | |
| Jay Smith | .... | drapery foreman (uncredited) | |
| Margaret A. Thigpen | .... | set dresser (uncredited) | |
| Marcel Worch | .... | carpenter (uncredited) | |
Sound Department | |||
| Nancy Barker | .... | assistant sound editor | |
| Todd Bassman | .... | cableman: present day sequences | |
| Willie D. Burton | .... | sound mixer | |
| Rick Canelli | .... | adr recordist | |
| Julia Evershade | .... | supervising adr editor | |
| Julia Evershade | .... | supervising dialogue editor | |
| Howell Gibbens | .... | sound editor (as Howell Gibbons) | |
| Aaron Glascock | .... | foley supervisor | |
| Richard Bryce Goodman | .... | sound mixer: present day sequences (as Richard Goodman) | |
| Robert W. Harris | .... | cableman | |
| Michael Herbick | .... | sound re-recording mixer | |
| Hilda Hodges | .... | foley artist | |
| Ken J. Johnson | .... | special sound effects (as Ken Johnson) | |
| Randall L. Johnson | .... | boom operator: present day sequences (as Randy Johnson) | |
| Mary Jo Lang | .... | foley mixer | |
| Marvin E. Lewis | .... | boom operator | |
| Eric Lindemann | .... | sound designer (as Eric Lindeman) | |
| Robert J. Litt | .... | sound re-recording mixer | |
| Mark A. Mangini | .... | supervising sound editor (as Mark Mangini) | |
| Thomas J. O'Connell | .... | adr mixer | |
| Sonny Pettijohn | .... | assistant sound editor | |
| John Pospisil | .... | special sound effects (as John P.) | |
| John Roesch | .... | foley artist (as John B. Roesch) | |
| Solange S. Schwalbe | .... | foley editor (as Solange Schwalbe) | |
| Marsha Sorce | .... | sound recordist | |
| David E. Stone | .... | sound editor (as Dave Stone) | |
| Carolyn Tapp | .... | foley recordist | |
| Elliot Tyson | .... | sound re-recording mixer | |
| Kevin Webb | .... | sound recordist | |
| Kat Craig | .... | utility sound: present day sequences (uncredited) | |
| Oscar Mitt | .... | sound (uncredited) | |
| Andrew Somers | .... | Fairlight conforming editor (uncredited) | |
Special Effects by | |||
| Hiroshi 'Kan' Ikeuchi | .... | puppeteer: K.N.B. EFX Group, Inc. (as Hiroshi Ikeuchi) | |
| Marc Irvin | .... | puppeteer: K.N.B. EFX Group, Inc. | |
| Luke Khanlian | .... | puppeteer: K.N.B. EFX Group, Inc. | |
| Louis Kiss | .... | puppeteer: K.N.B. EFX Group, Inc. | |
| Scott Patton | .... | puppeteer: K.N.B. EFX Group, Inc. | |
| Corey Pritchett | .... | special effects | |
| Darrell Pritchett | .... | special effects coordinator (as Darrell D. Pritchett) | |
| Jason Gustafson | .... | special effects foreman (uncredited) | |
| Steven D. Jensen | .... | special effects technician (uncredited) | |
| Christine Onesky | .... | special effects (uncredited) | |
| Ron Pipes | .... | special effects makeup technician (uncredited) | |
Visual Effects by | |||
| Craig Barron | .... | visual effects supervisor: Matte World Digital | |
| Thomas Clary | .... | digital effects associate producer: POP Film and Animation (as Tom Clary) | |
| Pat Conran | .... | digital artist: ILM | |
| Michael Degtjarewsky | .... | digital effects compositor: POP Film and Animation | |
| Krystyna Demkowicz | .... | visual effects producer: Matte World Digital | |
| John Dietz | .... | lighting artist: Rhythm & Hues | |
| Brian Dowrick | .... | animator: Rhythm & Hues | |
| Christopher Evans | .... | chief digital matte artist: Matte World Digital (as Chris Evans) | |
| Carl N. Frederick | .... | CG supervisor: ILM (as Carl Frederick) | |
| Joe Gareri | .... | executive producer: POP Film and Animation | |
| Charles Gibson | .... | visual effects supervisor | |
| Stephanie Hornish | .... | visual effects producer: ILM | |
| Jiri Jacknowitz | .... | digital artist: ILM | |
| Eileen Jensen | .... | lighting supervisor: Rhythm & Hues | |
| Nancy Kato | .... | animator: Rhythm & Hues | |
| Bill Kroyer | .... | animation supervisor: Rhythm & Hues | |
| Tom Lamb | .... | digital effects compositor: POP Film and Animation | |
| Lawrence Littleton | .... | digital effects compositor: POP Film and Animation | |
| Jodie Maier | .... | digital artist: ILM | |
| Chad Merriam | .... | visual effects producer: Rhythm & Hues | |
| Brett Northcutt | .... | digital matte artist: Matte World Digital | |
| Khatsho John Orfali | .... | digital artist: ILM (as Khatsho Orfali) | |
| Betsy Paterson | .... | 2D supervisor: Rhythm & Hues | |
| Ellen Poon | .... | visual effects supervisor: ILM | |
| Bob Powell | .... | digital artist: ILM | |
| Paul Rivera | .... | digital composite supervisor: Matte World Digital | |
| Michael Root | .... | digital compositor/animator: Matte World Digital (as Mike Root) | |
| Thomas Rosseter | .... | CG supervisor: ILM (as Tom Rosseter) | |
| Kenneth Smith | .... | film and editorial: ILM | |
| Todd R. Smith | .... | digital compositor: Matte World Digital | |
| David Sosalla | .... | visual effects supervisor: POP Film and Animation | |
| David Valentin | .... | visual effects production: ILM | |
| David Weitzberg | .... | digital artist: ILM | |
| Leah Anton | .... | digital compositor (uncredited) | |
| Ken Bryan | .... | digital modeler (uncredited) | |
| Daniel Aristoteles Collins | .... | systems/operations: Rhythm & Hues (uncredited) | |
| Brandon Craig | .... | render coordinator (uncredited) | |
| Beth D'Amato | .... | digital paint and roto artist (uncredited) | |
| Camille Eden | .... | visual effects production assistant: ILM (uncredited) | |
| Christian Foucher | .... | digital effects artist (uncredited) | |
| Adrian Graham | .... | digital artist: ILM (uncredited) | |
| Royce Hager | .... | motion control rigger (uncredited) | |
| Phil Holland | .... | scanning & recording operator (uncredited) | |
| David Latour | .... | animator: ILM (uncredited) | |
| Mike Leben | .... | motion control operator (uncredited) | |
| Paul Maples | .... | motion control operator (uncredited) | |
| Ian McCamey | .... | editorial technical assistant (uncredited) | |
| Evan A. Nesbitt | .... | visual effects unit director of photography (uncredited) | |
| Jaime Norman | .... | production assistant: ILM (uncredited) | |
| Rick O'Connor | .... | CG animator (uncredited) | |
| Jim Rider | .... | motion control cameraman (uncredited) | |
| George Sakellariou | .... | production engineering: ILM (uncredited) | |
| Todd Sarsfield | .... | scanning and recording operator (uncredited) | |
| Morgan Trotter | .... | 3D artist (uncredited) | |
| R.D. Wegener | .... | 3D camera matchmove artist: ILM (uncredited) | |
| Len White | .... | visual effects (uncredited) | |
| Bob Wiatr | .... | digital effects compositor: POP Film (uncredited) | |
| Ellen Williams | .... | effects assistant editor (uncredited) | |
Stunts | |||
| Clay Boss | .... | stunts | |
| Danielle Burgio | .... | stunts | |
| H.D. Burton | .... | stunts | |
| Steven Chambers | .... | stunts (as Steve Chambers) | |
| Tim A. Davison | .... | stunts (as Tim Davison) | |
| Tommy J. Huff | .... | stunts (as Tom Huff) | |
| Jeff Imada | .... | stunt coordinator | |
| Ray Lykins | .... | lead stunt double: Tom Hanks | |
| Ray Lykins | .... | stunts | |
| Boone Narr | .... | stunt coordinator: animals | |
| Kerry Rossall | .... | stunts | |
| Clark Tucker | .... | stunt double: Sam Rockwell | |
| Jay Caputo | .... | stunts (uncredited) | |
| Jimmy N. Roberts | .... | stunts (uncredited) | |
Animation Department | |||
| David Latour | .... | animator (uncredited) | |
| Rick O'Connor | .... | animator (uncredited) | |
Casting Department | |||
| Barbara Harris | .... | adr voice casting | |
| Charlie Messenger | .... | extras casting | |
| Kim Petrosky | .... | extras casting: Tennessee Crew | |
| Emily Schweber | .... | casting associate | |
| Maureen Whalen | .... | casting associate | |
| Kim McCray | .... | extras casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Lis Bothwell | .... | costumer | |
| Marsha Bozeman | .... | costumer: Tom Hanks (as Marsha L. Bozeman) | |
| Paula Lynn Kaatz | .... | costume supervisor (as Paula Kaatz) | |
| Heather Pain | .... | key costumer | |
| Gilda Texter | .... | costume supervisor: present day sequences | |
| Vincent Lapper | .... | costumer (uncredited) | |
| Stephen K. Randolph | .... | set costumer: Tennessee crew (uncredited) | |
| Kelly Anne Ross | .... | set costumer (uncredited) | |
Editorial Department | |||
| Tracy Adams | .... | assistant film editor | |
| Alan Edward Bell | .... | assembly editor | |
| Matt Boatright-Simon | .... | editorial assistant | |
| Andrew Dickler | .... | assistant film editor | |
| Toby Francis-Bruce | .... | apprentice film editor | |
| Mo Henry | .... | negative cutter | |
| David C. Horton Jr. | .... | apprentice film editor | |
| Robert C. Lusted | .... | first assistant film editor (as Robert Charles Lusted) | |
| Jennifer Mangan | .... | Avid assistant film editor | |
| David Orr | .... | color timer | |
| James Schermerhorn | .... | assistant film editor (as Jim Schermerhorn) | |
| Jim Schulte | .... | assistant film editor (as James Schulte) | |
| Keith Shaw | .... | colorist: mastering | |
| Smith Timsawat | .... | editorial assistant | |
Music Department | |||
| Bill Bernstein | .... | music editor | |
| Julian Bratolyubov | .... | music preparation | |
| Jordan Corngold | .... | assistant music editor | |
| Arlene Fishbach | .... | music consultant | |
| Tom Hardisty | .... | music scoring recordist | |
| David Marquette | .... | music scoring recordist | |
| Leslie Morris | .... | music contractor | |
| Thomas Pasatieri | .... | orchestrator | |
| Dennis S. Sands | .... | music scoring mixer (as Dennis Sands) | |
| John Beasley | .... | composer: additional score (uncredited) | |
| Jeff Coopwood | .... | composer: additional music (uncredited) | |
| John Rodd | .... | orchestral scoring recordist (uncredited) | |
| Dennis Sager | .... | engineer (uncredited) | |
Transportation Department | |||
| Johnny Bartlet | .... | production driver (as JB Bartlett) | |
| Jeff Couch | .... | transportation captain | |
| Ronald Wm. Cowan | .... | production driver | |
| David Garris | .... | production driver | |
| Ben C. Giller | .... | production driver | |
| Dave Haldeman | .... | production driver (as David Haldeman) | |
| Dave Hodgin Jr. | .... | transportation captain: Tennessee | |
| Jim Johnson | .... | production driver | |
| Jack Kilgore | .... | production driver (as Jack C. Kilgore) | |
| A. Welch Lambeth | .... | transportation coordinator (as Welch Lambeth) | |
| Randy Lovelady | .... | production driver | |
| Michael Ralph Price | .... | production driver | |
| Lowell D. Smith | .... | production driver | |
| Andy Straub | .... | transportation captain (as Andy R. Straub) | |
| Chris McDade | .... | driver (uncredited) | |
| Tom Moore | .... | picture car coordinator (uncredited) | |
| Molly Proctor | .... | transportation production assistant (uncredited) | |
Thanks | |||
| Stephen King | .... | special thanks | |
| Robyn Smith | .... | acknowledgment: the appearance of Mr. Fred Astaire has been arranged through a special license with (as Mrs. Fred Astaire) | |
| Don Sundquist | .... | the producers wish to gratefully thank (as Governor Don Sundquist) | |
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| Dead Man Walking | Mystic River | Blood In, Blood Out | Freeway | Capote |
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THE GOOD:
--The story to the film on the outside appears astoundingly simple, though once inside the film and into the plot, there is a lot more to the eye than what appears. Death Row in the olden days might sound like a boring setting for a film, but there are many intricate webs of storyline and a number of surprises and twists along the way, many which had me gasping aloud.
--"The Green Mile" is easily one of the most dramatic films I've ever seen. It's because we care so much for these characters (even a mouse!) that the events of the film are so affecting. I cared about everyone (who's not a bastard) so much and I was enthralled to see how the film would be resolved. Mix this with a number of absolutely tear-inducing scenes (the final 15 minutes especially) and you have what is nothing less than a masterfully constructed drama.
--Death Row is the setting for this film, and death row is not a place where bunnies dance around singing happy-happy joy-joy. Darabont knows the audience is aware of this, and makes the old death row set gritty and atmospheric, dripping with dread just as it should. The execution sequences are not taken lightly either, in fact many will find them extremely hard to watch, as they are very graphic.
--Characterisations and performances are a definite good point of this film, a lot of the time the performances are what drives the story. Tom Hanks is terrific as usual, injecting a lot of emotion into the character. I especially liked the way he played his character's silent suffering with God's judgement of his life. David Morse was very underrated for his performance here, personally I thought he was extremely effective and added a little something to many scenes. Patricia Clarkson was moving, Bonnie Hunt was lovely, James Cromwell was good as always.but there's no secret that the real revelation here is within Michael Clarke Duncan's absolutely fascinating performance as John Coffey (like the drink, only not spelt the same). His child-like manners are so touching to watch, the character is so sweet, but Duncan makes him so much more memorable. He does more than just cry in the film, he transfixes you with every glance as the gentle giant John. Damn, if it weren't for Haley Joel, Duncan would easily be my favourite supporting actor performance of 1999.
--This movie just proves how much director Frank Darabont can do with such little setting. For example, how many neat camera angles and cinematography techniques can you think of for the setting of death row? Not many.but Darabont utilises his setting and pulls off some truly wonderful cinematography that catches the sometimes magical and at others truly horrific feeling of the green mile. The performances by the cast also show how much effect a great director can project on a performance, or several.
THE BAD:
--At just over 3 hours, "The Green Mile" is a little over-long, and you get the feeling a few scenes could've been cut down to make the film run a little smoother pace-wise.
RATING:
9/10 - Frank Darabont's second outing is a profoundly moving film experience.
IF YOU LIKED THIS MOVIE I RECOMMEND:
Forrest Gump (10/10) Frailty (9/10) The Hurricane (9/10) Monster's Ball (9/10) The Shawshank Redemption (10/10)