Rodney Barnes was Michael Clarke Duncan's stand-in. According to Barnes, he sneaked onto the set by hiding in the paddy wagon. He surprised director Frank Darabont and asked for a job. Darabont was impressed with Barnes' effort and hired him. Barnes wanted to work on the film so that he could meet his favorite author, Stephen King. See more »
During prison scenes the guards are wearing sidearms. Real prison guards would not wear sidearms in the prison population for fear that one of the inmates might grab it and hold the guard hostage or kill the guard. See more »
[while tapping Arlen's burned face after being electrocuted]
Adios, Chief! Drop us a card from Hell, let us know if it's hot enough...
Brutus "Brutal" Howell:
[Brutus grabs Percy's arm and pushes him away from Arlen's body]
He's paid what he's owed; he's square with the house again, so keep your goddamn hands off him!
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There are no opening credits after the title has been shown, followed by the opening scene for place of film. Although it is now commonplace for films to not have opening credits, in 1999 it was somewhat rather unusually and it was considered for a trademark of director Frank Darabont. See more »
--The story to the film on the outside appears astoundingly simple, though once inside the film and into the plot, there is a lot more to the eye than what appears. Death Row in the olden days might sound like a boring setting for a film, but there are many intricate webs of storyline and a number of surprises and twists along the way, many which had me gasping aloud.
--"The Green Mile" is easily one of the most dramatic films I've ever seen. It's because we care so much for these characters (even a mouse!) that the events of the film are so affecting. I cared about everyone (who's not a bastard) so much and I was enthralled to see how the film would be resolved. Mix this with a number of absolutely tear-inducing scenes (the final 15 minutes especially) and you have what is nothing less than a masterfully constructed drama.
--Death Row is the setting for this film, and death row is not a place where bunnies dance around singing happy-happy joy-joy. Darabont knows the audience is aware of this, and makes the old death row set gritty and atmospheric, dripping with dread just as it should. The execution sequences are not taken lightly either, in fact many will find them extremely hard to watch, as they are very graphic.
--Characterisations and performances are a definite good point of this film, a lot of the time the performances are what drives the story. Tom Hanks is terrific as usual, injecting a lot of emotion into the character. I especially liked the way he played his character's silent suffering with God's judgement of his life. David Morse was very underrated for his performance here, personally I thought he was extremely effective and added a little something to many scenes. Patricia Clarkson was moving, Bonnie Hunt was lovely, James Cromwell was good as always.but there's no secret that the real revelation here is within Michael Clarke Duncan's absolutely fascinating performance as John Coffey (like the drink, only not spelt the same). His child-like manners are so touching to watch, the character is so sweet, but Duncan makes him so much more memorable. He does more than just cry in the film, he transfixes you with every glance as the gentle giant John. Damn, if it weren't for Haley Joel, Duncan would easily be my favourite supporting actor performance of 1999.
--This movie just proves how much director Frank Darabont can do with such little setting. For example, how many neat camera angles and cinematography techniques can you think of for the setting of death row? Not many.but Darabont utilises his setting and pulls off some truly wonderful cinematography that catches the sometimes magical and at others truly horrific feeling of the green mile. The performances by the cast also show how much effect a great director can project on a performance, or several.
--At just over 3 hours, "The Green Mile" is a little over-long, and you get the feeling a few scenes could've been cut down to make the film run a little smoother pace-wise.
9/10 - Frank Darabont's second outing is a profoundly moving film experience.
IF YOU LIKED THIS MOVIE I RECOMMEND:
Forrest Gump (10/10) Frailty (9/10) The Hurricane (9/10) Monster's Ball (9/10) The Shawshank Redemption (10/10)
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