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Directed by | |||
| Clint Eastwood | |||
Writing credits(WGA) | ||
| David Webb Peoples | (written by) | |
Produced by | |||
| Clint Eastwood | .... | producer | |
| Julian Ludwig | .... | associate producer | |
| David Valdes | .... | executive producer | |
Original Music by | |||
| Lennie Niehaus | |||
Cinematography by | |||
| Jack N. Green | (director of photography) | ||
Film Editing by | |||
| Joel Cox | |||
Casting by | |||
| Phyllis Huffman | |||
Production Design by | |||
| Henry Bumstead | |||
Art Direction by | |||
| Adrian Gorton | |||
| Rick Roberts | |||
Set Decoration by | |||
| Janice Blackie-Goodine | |||
Makeup Department | |||
| Stan Edmonds | .... | assistant makeup artist | |
| Iloe Flewelling | .... | head hair stylist | |
| Michael Hancock | .... | head makeup artist (as Mike Hancock) | |
| Carol Pershing | .... | hair stylist: Sonora | |
Production Management | |||
| Lynne Bespflug | .... | unit manager | |
| Bob Gray | .... | production manager | |
| David Valdes | .... | production manager: Sonora | |
Art Department | |||
| Edward Aiona | .... | property master | |
| Dean Goodine | .... | assistant property master | |
| George Griffiths | .... | stand-by painter | |
| Jan Kobylka | .... | construction coordinator | |
| Chuck McSorley | .... | assistant property master: Sonora | |
| James J. Murakami | .... | set designer | |
| Gary Clayton Ripley | .... | head painter (as Gary Ripley) | |
| Bruce Robinson | .... | construction foreman | |
| Michael Sexton | .... | assistant property master | |
| Ron Trost | .... | construction coordinator: Sonora | |
| Doug Wilson | .... | head painter | |
| Tim C Campbell | .... | scenic painter (uncredited) | |
| Bill Merrett | .... | carpenter (uncredited) | |
| Ken Wills | .... | assistant set decorator (uncredited) | |
Sound Department | |||
| Rick Alexander | .... | sound re-recording mixer (as Dick Alexander) | |
| Neil Burrow | .... | sound editor | |
| Gordon Davidson | .... | sound editor | |
| Michael Evje | .... | sound mixer: Sonora | |
| Les Fresholtz | .... | sound re-recording mixer | |
| Devon Heffley Curry | .... | adr supervisor (as Devon Curry) | |
| James J. Isaacs | .... | dialogue editor (as James Issacs) | |
| Cindy Marty | .... | sound editor | |
| Michael Mirkovich | .... | assistant sound editor | |
| Alan Robert Murray | .... | supervising sound editor | |
| Walter Newman | .... | supervising sound editor | |
| Kim Nolan | .... | assistant sound editor (as Kimberly Nolan) | |
| Vern Poore | .... | sound re-recording mixer | |
| Michael Ruiz | .... | assistant sound editor | |
| Karen Spangenberg | .... | supervising dialogue editor | |
| Karen G. Wilson | .... | dialogue editor | |
| Marshall Winn | .... | sound editor | |
| Butch Wolf | .... | sound editor | |
| Rob Young | .... | sound mixer | |
| Kelly Zombor | .... | boom operator | |
| Mary Jo Lang | .... | foley mixer (uncredited) | |
| John Roesch | .... | foley artist (uncredited) | |
Special Effects by | |||
| John Frazier | .... | special effects coordinator | |
| Maurice Routly | .... | special effects foreman (as Maurice Routley) | |
| Harold Selig | .... | special effects best boy: Sonora (as Hal Selig) | |
| Paul Healy | .... | special effects assistant (uncredited) | |
| Bill Merrett | .... | special effects assistant (uncredited) | |
Stunts | |||
| Alex Green | .... | stunts (uncredited) | |
| George Orrison | .... | stunt double: Clint Eastwood (uncredited) | |
Camera and Electrical Department | |||
| Bob Akester | .... | still photographer | |
| Mark Anderson | .... | second assistant camera: Sonora | |
| Marco Ciccone | .... | second assistant camera: "a" camera | |
| Douglas Craik | .... | first assistant camera: "b" camera (as Doug Craik) | |
| Peter N. Green | .... | loader: Sonora (as Peter Green) | |
| Jim Gregor | .... | assistant chief lighting technician | |
| Dan Heather | .... | second assistant camera: "b" camera | |
| Hal Nelson | .... | best boy grip: Sonora | |
| Víctor Pérez | .... | assistant chief lighting technician: Sonora (as Victor Perez) | |
| Tony Rivetti | .... | first assistant camera: "a" camera (as Anthony J. Rivetti) | |
| Charles Saldana | .... | key grip | |
| T. Daniel Scaringi | .... | dolly grip: Sonora (as T.D. Scaringi) | |
| Stephen St. John | .... | camera operator: "a" camera | |
| Tom Stern | .... | chief lighting technician | |
| Randy Swanson | .... | best boy grip | |
| Carey Toner | .... | dolly grip | |
| Roger Vernon | .... | camera operator: "b" camera | |
Casting Department | |||
| Stuart Aikins | .... | casting: Canada | |
| William Haines | .... | casting assistant (as Bill Haines) | |
| Nadene Katz | .... | casting assistant | |
| Lorelei Kuchera | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Joanne Hansen | .... | wardrobe supervisor: women | |
| Carla Hetland | .... | wardrobe supervisor: men | |
| Valerie T. O'Brien | .... | set costumer: Sonora (as Valerie O'Brien) | |
| Glenn Wright | .... | wardrobe department head | |
Editorial Department | |||
| Donah Bassett | .... | negative cutter | |
| Michael Cipriano | .... | assistant film editor | |
| Phil Downey | .... | color timer | |
Music Department | |||
| Robert Fernandez | .... | scoring mixer (as Bobby Fernandez) | |
| Donald Harris | .... | music editor | |
| Laurindo Almeida | .... | musician: guitar solo (uncredited) | |
| Tommy Johnson | .... | musician: tuba soloist (uncredited) | |
| Lennie Niehaus | .... | conductor (uncredited) | |
| Lennie Niehaus | .... | orchestrator (uncredited) | |
| Patti Zimmitti | .... | orchestra contractor (uncredited) | |
Transportation Department | |||
| Ray Breckenridge | .... | transportation captain | |
| Keith Dillin | .... | transportation coordinator | |
| Randy Luna | .... | transportation co-captain | |
Thanks | |||
| Sergio Leone | .... | dedicated to (as Sergio) | |
| Bill Marsden | .... | the producers acknowledge the invaluable help and cooperation of: film commissioner of Alberta | |
| Murray Ord | .... | the producers acknowledge the invaluable help and cooperation of: IATSE | |
| Don Siegel | .... | dedicated to (as Don) | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb top 250 movies | IMDb Western section |
| IMDb USA section |
I just watched Unforgiven, and I would like to say as a younger film-buff, I appreciate the classics (such as this film), more than most new releases today. Unforgiven takes the sometimes mediocre western genre and introduces the moral questions of life. Eastwood and Freeman are brilliant together, and you can also see their vibrant yet melancholy energy also conveyed in the more recent Million Dollar Baby.
This film is definitely deserving of it's ranking in the top 250. Although I found the musical score at times a tad soppy, the startling settings will compensate for any loss in that part. As previous users have mentioned, the running time may seem arduous at first, but the gripping action interspersed throughout the film contrasted with the reflective traveling scenes will keep you engaged. 10/10.