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Directed by | |||
| Clint Eastwood | |||
Writing credits(WGA) | ||
| David Webb Peoples | (written by) | |
Produced by | |||
| Clint Eastwood | .... | producer | |
| Julian Ludwig | .... | associate producer | |
| David Valdes | .... | executive producer | |
Original Music by | |||
| Lennie Niehaus | |||
Cinematography by | |||
| Jack N. Green | (director of photography) | ||
Film Editing by | |||
| Joel Cox | |||
Casting by | |||
| Phyllis Huffman | |||
Production Design by | |||
| Henry Bumstead | |||
Art Direction by | |||
| Adrian Gorton | |||
| Rick Roberts | |||
Set Decoration by | |||
| Janice Blackie-Goodine | |||
Makeup Department | |||
| Stan Edmonds | .... | assistant makeup artist | |
| Iloe Flewelling | .... | head hair stylist | |
| Michael Hancock | .... | head makeup artist | |
| Carol Pershing | .... | hair stylist: Sonora unit | |
Production Management | |||
| Lynne Bespflug | .... | unit manager | |
| Bob Gray | .... | production manager | |
| David Valdes | .... | production manager: Sonora unit | |
Art Department | |||
| Edward Aiona | .... | property master | |
| Dean Goodine | .... | assistant property master | |
| George Griffiths | .... | stand-by painter | |
| Jan Kobylka | .... | construction coordinator | |
| Chuck McSorley | .... | assistant property master: Sonora | |
| James J. Murakami | .... | set designer | |
| Gary Clayton Ripley | .... | head painter (as Gary Ripley) | |
| Bruce Robinson | .... | construction foreman | |
| Michael Sexton | .... | assistant property master | |
| Ron Trost | .... | construction coordinator: Sonora | |
| Doug Wilson | .... | head painter | |
| Tim C Campbell | .... | scenic painter (uncredited) | |
| Bill Merrett | .... | carpenter (uncredited) | |
| Ken Wills | .... | assistant set decorator (uncredited) | |
Sound Department | |||
| Rick Alexander | .... | sound re-recording mixer (as Dick Alexander) | |
| Neil Burrow | .... | sound editor | |
| Gordon Davidson | .... | sound editor | |
| Michael Evje | .... | sound mixer: Sonora | |
| Les Fresholtz | .... | sound re-recording mixer | |
| Devon Heffley Curry | .... | adr supervisor (as Devon Curry) | |
| James J. Isaacs | .... | dialogue editor (as James Issacs) | |
| Cindy Marty | .... | sound editor | |
| Michael Mirkovich | .... | assistant sound editor | |
| Alan Robert Murray | .... | supervising sound editor | |
| Walter Newman | .... | supervising sound editor | |
| Kim Nolan | .... | assistant sound editor (as Kimberly Nolan) | |
| Vern Poore | .... | sound re-recording mixer | |
| Michael Ruiz | .... | assistant sound editor | |
| Karen Spangenberg | .... | supervising dialogue editor | |
| Karen G. Wilson | .... | dialogue editor | |
| Marshall Winn | .... | sound editor | |
| Butch Wolf | .... | sound editor | |
| Rob Young | .... | sound mixer | |
| Kelly Zombor | .... | boom operator | |
| Mary Jo Lang | .... | foley mixer (uncredited) | |
| John Roesch | .... | foley artist (uncredited) | |
Special Effects by | |||
| John Frazier | .... | special effects coordinator | |
| Maurice Routly | .... | special effects foreman | |
| Harold Selig | .... | special effects best boy: Sonora unit (as Hal Selig) | |
| Paul Healy | .... | special effects assistant (uncredited) | |
| Bill Merrett | .... | special effects assistant (uncredited) | |
Stunts | |||
| Alex Green | .... | stunts (uncredited) | |
| George Orrison | .... | stunt double: Clint Eastwood (uncredited) | |
Camera and Electrical Department | |||
| Bob Akester | .... | still photographer | |
| Mark Anderson | .... | second assistant camera: Sonora | |
| Marco Ciccone | .... | second assistant camera: "a" camera | |
| Douglas Craik | .... | first assistant camera: "b" camera | |
| Peter N. Green | .... | camera loader: Sonora (as Peter Green) | |
| Jim Gregor | .... | assistant chief lighting technician | |
| Dan Heather | .... | second assistant camera: "b" camera | |
| Hal Nelson | .... | best boy grip: Sonora | |
| Víctor Pérez | .... | assistant chief lighting technician: Sonora | |
| Tony Rivetti | .... | first assistant camera: "a" camera (as Anthony J. Rivetti) | |
| Charles Saldana | .... | key grip | |
| T. Daniel Scaringi | .... | dolly grip: Sonora (as T.D. Scaringi) | |
| Tom Stern | .... | chief lighting technician | |
| Stephen St. John | .... | camera operator: "a" camera | |
| Randy Swanson | .... | best boy grip | |
| Carey Toner | .... | dolly grip | |
| Roger Vernon | .... | camera operator: "b" camera | |
Casting Department | |||
| Stuart Aikins | .... | casting: Canada | |
| William Haines | .... | casting assistant | |
| Nadene Katz | .... | casting assistant | |
| Lorelei Kuchera | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Joanne Hansen | .... | wardrobe supervisor: women | |
| Carla Hetland | .... | wardrobe supervisor: men | |
| Valerie T. O'Brien | .... | set costumer: Sonora | |
| Glenn Wright | .... | wardrobe department head | |
Editorial Department | |||
| Donah Bassett | .... | negative cutter | |
| Michael Cipriano | .... | assistant film editor | |
| Phil Downey | .... | color timer | |
Music Department | |||
| Robert Fernandez | .... | scoring mixer (as Bobby Fernandez) | |
| Donald Harris | .... | music editor | |
| Laurindo Almeida | .... | musician: guitar solo (uncredited) | |
| Tommy Johnson | .... | musician: tuba soloist (uncredited) | |
Transportation Department | |||
| Ray Breckenridge | .... | transportation captain | |
| Keith Dillin | .... | transportation coordinator | |
| Randy Luna | .... | transportation co-captain | |
Thanks | |||
| Sergio Leone | .... | dedicatee (as Sergio) | |
| Don Siegel | .... | dedicatee (as Don) | |
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In 1992, Clint Eastwood created the last and greatest western; 'Unforgiven'. A tribute to the previous masters, Sergio Leone and Don Siegel, who died within a mere 3 years before this brutal masterpiece.
Eastwood stars as William Munny a retired gunslinger with a guilt-filled past. He lives alone with his two children and grave of his young wife outside. One day a young cowboy, The Schofield Kid (Jaimz Woolvett), comes in need of his service to hunt down some men who cut up a whore. William reluctantly accepts and with the help of Ned Logan (Morgan Freeman) they work together to track down the criminals. Meanwhile, the sheriff of the town, Little Bill Daggett (Gene Hackman) is also looking for them. This then leads to a bloody showdown climax, welcoming back a sort of 'Man With No Name' character to the genre.
William Munny is a cold-blooded killer. The Schofield Kid wants to be one. But, all the murders and sins Munny used to commit has affected him in an extraordinary way. He takes no hesitation in killing. In the climax he just walks past a man he shot who didn't die and shoots him dead. It may sound like nothing now, but he just took a life for no apparent reason. When the Kid kills his first man, of which deserved it, he hesitates. This is The Kid who is so eager to kill people as he thinks it will make him a man. But after the assassination, he breaks down. He realized what he had done. He had wiped another man of the earth. And Munny does it with ease. So does Little Bill. He is a violent and brutal cop who uses torture to get what he wants from the prisoners. Logan also finds it hard to take lives.
The film studies on how much a life is worth. Sometimes it is worthless (see Tarantino or Scorsese films) and sometimes it is a major feature. Usually a film only does one. Unforgiven does both. A life isn't worth the same amount to each person. When a life is taken, it is the killer who decides how much it is worth by how much it affects him. Whether he just lets it slide (Munny and Little Bill) or kills someone and calls it a day (Kid and Logan), because they can't bring themselves to forgetting it. This is the most thought-provoking thing for me personally, ever.
Unforgiven in my opinion is the greatest western. Actually, its the greatest film of all-time. It shows how violent it was back then, and the fact everybody was beaten. It is more realistic than any of Leone's 'Man With No Name' films (though I will admit they were set in a sort of fantasy land). But, Munny is not proud of his violent nature. He blames it on alcohol; which his wife persuaded him to quit to explain why he also gave up being a murderer. The film shows the cowboys as they really are, either cowards or killers. The choice of word 'coward' is to say that they should be killers, as that is apparently what a man is (an exaggeration) as most westerns glorify violence, but the men can't handle it.
Clint Eastwood did an amazing job as William Munny. He showed how he regretted his past very well by admitting to it in a shameful way; like when asked if he killed women and children he replied "I've killed just about anything that walked or crawled at one time or another, and I'm here to kill you ". He even admits that he will meet Little Bill in Hell. Gene Hackman delivers one of the greatest performances of the decade, the tension he makes is incredible. Woolvett and Freeman remain in solid above average performances throughout.
The script, written by David Webb Peoples, buzzed around Hollywood for nearly 20 years, even being rejected by some of the cast, before Eastwood picked it up. Clint Eastwood deserved his Oscar for best direction. The plot flowed fluently with some surprises and memorable lines. An instant classic. The cinematography is much different that of 'The Good, The Bad and The Ugly' or the others westerns Eastwood appeared in. It is a much cleaner and crisp view, yet also being extremely raw. The score, though not used often is very refreshing and moving.
'Unforgiven' is an unforgettable look on life, man and the real west. One of the most powerful films of the '90s. A true triumph exploring important morals. Do not miss it.
10/10