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Directed by | |||
| Clint Eastwood | |||
Writing credits(WGA) | ||
| David Webb Peoples | (written by) | |
Produced by | |||
| Clint Eastwood | .... | producer | |
| Julian Ludwig | .... | associate producer | |
| David Valdes | .... | executive producer | |
Original Music by | |||
| Lennie Niehaus | |||
Cinematography by | |||
| Jack N. Green | (director of photography) | ||
Film Editing by | |||
| Joel Cox | |||
Casting by | |||
| Phyllis Huffman | |||
Production Design by | |||
| Henry Bumstead | |||
Art Direction by | |||
| Adrian Gorton | |||
| Rick Roberts | |||
Set Decoration by | |||
| Janice Blackie-Goodine | |||
Makeup Department | |||
| Stan Edmonds | .... | assistant makeup artist | |
| Iloe Flewelling | .... | head hair stylist | |
| Michael Hancock | .... | head makeup artist | |
| Carol Pershing | .... | hair stylist: Sonora unit | |
Production Management | |||
| Lynne Bespflug | .... | unit manager | |
| Bob Gray | .... | production manager | |
| David Valdes | .... | production manager: Sonora unit | |
Art Department | |||
| Edward Aiona | .... | property master | |
| Dean Goodine | .... | assistant property master | |
| George Griffiths | .... | stand-by painter | |
| Jan Kobylka | .... | construction coordinator | |
| Chuck McSorley | .... | assistant property master: Sonora | |
| James J. Murakami | .... | set designer | |
| Gary Clayton Ripley | .... | head painter (as Gary Ripley) | |
| Bruce Robinson | .... | construction foreman | |
| Michael Sexton | .... | assistant property master | |
| Ron Trost | .... | construction coordinator: Sonora | |
| Doug Wilson | .... | head painter | |
| Tim C Campbell | .... | scenic painter (uncredited) | |
| Bill Merrett | .... | carpenter (uncredited) | |
| Ken Wills | .... | assistant set decorator (uncredited) | |
Sound Department | |||
| Rick Alexander | .... | sound re-recording mixer (as Dick Alexander) | |
| Neil Burrow | .... | sound editor | |
| Gordon Davidson | .... | sound editor | |
| Michael Evje | .... | sound mixer: Sonora | |
| Les Fresholtz | .... | sound re-recording mixer | |
| Devon Heffley Curry | .... | adr supervisor (as Devon Curry) | |
| James J. Isaacs | .... | dialogue editor (as James Issacs) | |
| Cindy Marty | .... | sound editor | |
| Michael Mirkovich | .... | assistant sound editor | |
| Alan Robert Murray | .... | supervising sound editor | |
| Walter Newman | .... | supervising sound editor | |
| Kim Nolan | .... | assistant sound editor (as Kimberly Nolan) | |
| Vern Poore | .... | sound re-recording mixer | |
| Michael Ruiz | .... | assistant sound editor | |
| Karen Spangenberg | .... | supervising dialogue editor | |
| Karen G. Wilson | .... | dialogue editor | |
| Marshall Winn | .... | sound editor | |
| Butch Wolf | .... | sound editor | |
| Rob Young | .... | sound mixer | |
| Kelly Zombor | .... | boom operator | |
| Mary Jo Lang | .... | foley mixer (uncredited) | |
| John Roesch | .... | foley artist (uncredited) | |
Special Effects by | |||
| John Frazier | .... | special effects coordinator | |
| Maurice Routly | .... | special effects foreman | |
| Harold Selig | .... | special effects best boy: Sonora unit (as Hal Selig) | |
| Paul Healy | .... | special effects assistant (uncredited) | |
| Bill Merrett | .... | special effects assistant (uncredited) | |
Stunts | |||
| Alex Green | .... | stunts (uncredited) | |
| George Orrison | .... | stunt double: Clint Eastwood (uncredited) | |
Camera and Electrical Department | |||
| Bob Akester | .... | still photographer | |
| Mark Anderson | .... | second assistant camera: Sonora | |
| Marco Ciccone | .... | second assistant camera: "a" camera | |
| Douglas Craik | .... | first assistant camera: "b" camera | |
| Peter N. Green | .... | camera loader: Sonora (as Peter Green) | |
| Jim Gregor | .... | assistant chief lighting technician | |
| Dan Heather | .... | second assistant camera: "b" camera | |
| Hal Nelson | .... | best boy grip: Sonora | |
| Víctor Pérez | .... | assistant chief lighting technician: Sonora | |
| Tony Rivetti | .... | first assistant camera: "a" camera (as Anthony J. Rivetti) | |
| Charles Saldana | .... | key grip | |
| T. Daniel Scaringi | .... | dolly grip: Sonora (as T.D. Scaringi) | |
| Tom Stern | .... | chief lighting technician | |
| Stephen St. John | .... | camera operator: "a" camera | |
| Randy Swanson | .... | best boy grip | |
| Carey Toner | .... | dolly grip | |
| Roger Vernon | .... | camera operator: "b" camera | |
Casting Department | |||
| Stuart Aikins | .... | casting: Canada | |
| William Haines | .... | casting assistant | |
| Nadene Katz | .... | casting assistant | |
| Lorelei Kuchera | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Joanne Hansen | .... | wardrobe supervisor: women | |
| Carla Hetland | .... | wardrobe supervisor: men | |
| Valerie T. O'Brien | .... | set costumer: Sonora | |
| Glenn Wright | .... | wardrobe department head | |
Editorial Department | |||
| Donah Bassett | .... | negative cutter | |
| Michael Cipriano | .... | assistant film editor | |
| Phil Downey | .... | color timer | |
Music Department | |||
| Robert Fernandez | .... | scoring mixer (as Bobby Fernandez) | |
| Donald Harris | .... | music editor | |
| Laurindo Almeida | .... | musician: guitar solo (uncredited) | |
| Tommy Johnson | .... | musician: tuba soloist (uncredited) | |
Transportation Department | |||
| Ray Breckenridge | .... | transportation captain | |
| Keith Dillin | .... | transportation coordinator | |
| Randy Luna | .... | transportation co-captain | |
Thanks | |||
| Sergio Leone | .... | dedicatee (as Sergio) | |
| Don Siegel | .... | dedicatee (as Don) | |
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| The Proposition | Appaloosa | C'era una volta il West | Pat Garrett & Billy the Kid | The Outlaw Josey Wales |
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I enjoy the transformation of Clint Eastwood's character throughout the movie. In the beginning he reluctantly becomes a gunfighter but as the movie progresses you see how he slides down the slippery slope of wickedness to become the cold-blooded killer needed for the task. Morgan Freeman's reaction to the transformation is well played also. Richard Harris' character is colorful as is his sidekick. Gene Hackman's sheriff is pleasantly atypical of the role. All these actors and their characters effectively leave the viewer with a myriad of directions from which the movie expertly entertains. If you are expecting anything like Clint's "spaghetti westerns" you will be disappointed. If you are looking for an excellent story with characters that all have varying degrees of wickedness, you will be satisfied when its all said and done.