| Photos (See all 37 | slideshow) | Videos (see all 3) |
| Toshiyuki Amagasa | ... | Kanta (voice) | |
| Paul Butcher | ... | Kanta (voice: English version) | |
| Pat Carroll | ... | Nanny (voice: English version) | |
| Cheryl Chase | ... | Mei (Troma version) (voice: English version) | |
| Shigeru Chiba | ... | Kusakari-Otoko (voice) | |
| Lara Cody | ... | Farm Girl (Troma version) (voice: English version) | |
| Natalie Core | ... | Nanny (Troma version) (voice: English version) | |
| Tim Daly | ... | Professor Kusakabe (voice: English version) (as Timothy Daly) | |
| Dakota Fanning | ... | Satsuki (2005 Disney version) (voice: English version) | |
| Elle Fanning | ... | Mei Kusakabe (2005 Disney version) (voice: English version) | |
| Kenneth Hartman | ... | Kanta (Troma version) (voice: English version) | |
| Noriko Hidaka | ... | Satsuki (voice) | |
| Akiko Hiramatsu | ... | (voice) | |
| Masashi Hirose | ... | Kanta no otôsan (voice) | |
| Shigesato Itoi | ... | Tatsuo Kusakabe (voice) | |
| Alexandra Kenworthy | ... | Mother (Troma version) (voice: English version) | |
| Tanie Kitabayashi | ... | Kanta no obâsan (voice) | |
| Steve Kramer | ... | Farmer (Troma version) (voice: English version) | |
| Chie Kôjiro | ... | (voice) (as Chie Koujiro) | |
| Melanie MacQueen | ... | Kanta's Mom (Troma version) (voice: English version) | |
| Yûko Maruyama | ... | Kanta no okâsan (voice) | |
| Lisa Michelson | ... | Satsuki (Troma version) (voice: English version) | |
| Yûko Mizutani | ... | (voice) | |
| Daiki Nakamura | ... | (voice) | |
| Tomohiro Nishimura | ... | (voice) | |
| Katelin Petersen | ... | Girl / Additional Voices (2005 Disney Version) (voice: English version) | |
| Ashley Rose | ... | Girl / additional Voices English Version (voice: English version) (as Ashley Rose Orr) | |
| Yvonne Russo | ... | Various Voices (voice: English version) | |
| Evan Sabara | ... | Boy / Additional Voices (2005 Disney Version) (voice: English version) | |
| Chika Sakamoto | ... | Mei (voice) | |
| Lea Salonga | ... | Mrs. Kusakabe (voice: English version) | |
| Sumi Shimamoto | ... | Yasuko Kusakabe (voice) | |
| Brianne Siddall | ... | Michiko (Troma version) (voice: English version) | |
| Gregory Snegoff | ... | Dad (Troma version) (voice: English version) | |
| Reiko Suzuki | ... | Rôba (voice) | |
| Hitoshi Takagi | ... | Totoro (voice) | |
| Tarako | ... | (voice) | |
| Naoki Tatsuta | ... | (voice) | |
| Machiko Washio | ... | Sensei (voice) | |
| Frank Welker | ... | Totoro (voice: English version) | |
| Ikue Ôtani | ... | (voice) |
Directed by | |||
| Hayao Miyazaki | |||
Writing credits | ||
| Hayao Miyazaki | (written by) | |
Produced by | |||
| Rick Dempsey | .... | executive producer (US version) | |
| Toru Hara | .... | producer | |
| Ned Lott | .... | producer (2005 Disney Version) | |
| Eiko Tanaka | .... | line producer | |
| Yasuyoshi Tokuma | .... | executive producer | |
Original Music by | |||
| Joe Hisaishi | (as Jô Hisaishi) | ||
Cinematography by | |||
| Mark Henley | (English version) | ||
Film Editing by | |||
| Takeshi Seyama | |||
Casting by | |||
| Ned Lott | (2005 version) | ||
Art Direction by | |||
| Kazuo Oga | |||
Production Management | |||
| David Candiff | .... | post-production manager (2005 Disney Version) | |
Second Unit Director or Assistant Director | |||
| Tetsuya Endo | .... | assistant director | |
Art Department | |||
| Hayao Miyazaki | .... | storyboard artist | |
| Nobuko Mizuta | .... | color designer | |
Sound Department | |||
| Petra Bach | .... | supervising adr editor (2005 Disney Version) | |
| Randy Coppinger | .... | adr recordist (2005 Disney Version) | |
| Tom E. Dahl | .... | sound re-recording mixer | |
| Doc Kane | .... | adr mixer (2005 Disney Version) | |
| William Komar | .... | adr recordist (2005 Disney Version) | |
| Kazutoshi Satou | .... | sound effects editor | |
| Shigeharu Shiba | .... | sound director | |
Special Effects by | |||
| Kaoru Tanifuji | .... | special effects | |
Camera and Electrical Department | |||
| Hisao Shirai | .... | production camera supervisor | |
Editorial Department | |||
| Hiroshi Adachi | .... | assistant editor | |
| Chris DeLaGuardia | .... | color timer | |
| Cory Hansen | .... | post-production coordinator (2005 version) | |
Music Department | |||
| Kaiulani Kidani | .... | music transfer | |
| Eugene H. Saburi | .... | music transfer | |
Other crew | |||
| Cindy Davis Hewitt | .... | adaptation: English version | |
| Rick Dempsey | .... | dialogue director | |
| Donald H. Hewitt | .... | adaptation: English version | |
| Ned Lott | .... | additional voice director (2005 version) | |
| Carl Macek | .... | english producer | |
| David Midthunder | .... | voice | |
| Kazuo Oga | .... | executive background stylist | |
| Hideo Ogata | .... | planner | |
| Tatsumi Yamashita | .... | planner | |
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| Grave of the Fireflies | Spirited Away | Don't Look Now | Castle in the Sky | The Disappearance of Haruhi Suzumiya |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb top 250 movies | IMDb Animation section |
| IMDb Japan section |
Like all Miyazaki films, this one is absolutely sacred. Some parts are reminiscent of Laputa: Castle in the Sky and Spirited Away (and Alice in Wonderland by extension), but Totoro stands out as probably the most unique of them all.
The premise is nice and simple, which works brilliantly because the plot is established as a foundation without hindering the experience of the movie itself. The viewer is allowed unrestricted access and exploration of the messages offered by the film.
In addition, Totoro is not bound by any rules of traditional storytelling. Instead, it presents occurrences that touch on a fundamental human level that is so deep and profound that it will have you feeling a range of emotions. There are so many layers to this movie, each one meaningful and special. From community building to the love of a family to sibling relationships to facing the unknown; everyone can take away something personal from this movie.
Perhaps the most sacred aspect of the film, however, is that it reminds us that life is magical. Not all of us have a neighbor like Totoro, but we are all fortunate in different ways. Each of us has something to treasure, something that brings joy and comfort.
Totoro is special in that it frees the viewer to be a child again and to contemplate the world through a perspective that we have perhaps forgotten. Everything is new and interesting and beautiful, from a crumbling porch to an acorn seed. We live in a magical world, and it is definitely worth taking the time to appreciate this.