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Directed by | |||
| Joel Schumacher | |||
Writing credits | ||
| Janice Fischer | (story) & | |
| James Jeremias | (story) | |
| Janice Fischer | (screenplay) & | |
| James Jeremias | (screenplay) and | |
| Jeffrey Boam | (screenplay) | |
Produced by | |||
| Harvey Bernhard | .... | producer | |
| Mark Damon | .... | co-executive producer | |
| Richard Donner | .... | executive producer | |
| John W. Hyde | .... | co-executive producer (as John Hyde) | |
Original Music by | |||
| Thomas Newman | |||
Cinematography by | |||
| Michael Chapman | (director of photography) | ||
Film Editing by | |||
| Robert Brown | |||
Casting by | |||
| Marion Dougherty | |||
Production Design by | |||
| Bo Welch | |||
Art Direction by | |||
| Tom Duffield | |||
Set Decoration by | |||
| R. Chris Westlund | (as Chris Westlund) | ||
Costume Design by | |||
| Susan Becker | |||
Makeup Department | |||
| Brent Baker | .... | effects crew: Cannom | |
| Everett Burrell | .... | effects crew: Cannom | |
| Greg Cannom | .... | prosthetic effects: vampires | |
| Keith Edmier | .... | effects crew: Cannom | |
| Earl Ellis | .... | effects crew: Cannom | |
| Bill Forsche | .... | effects crew: Cannom (as Bill Foertsch) | |
| Dino Ganziano | .... | hair stylist | |
| Chris Goehe | .... | effects crew: Cannom | |
| Morton Greenspoon | .... | contact lens consultant (as Morton K. Greenspoon O.D.) | |
| Steve LaPorte | .... | makeup artist (as Steve Laporte) | |
| Ve Neill | .... | makeup artist | |
| Larry Odien | .... | effects crew: Cannom | |
| K.G. Ramsey | .... | hair stylist | |
| John Vulich | .... | effects crew: Cannom | |
Production Management | |||
| William L. Young | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| M. James Arnett | .... | second unit director (as James Arnett) | |
| William S. Beasley | .... | first assistant director | |
| Patrick A. Duffy | .... | first assistant director: second unit (as Patrick Duffy) | |
| Eric Jewett | .... | second assistant director | |
| Jennifer Kingry | .... | second second assistant director | |
| Kalai Strode | .... | second assistant director: second unit (as Woody K. Strode) | |
Art Department | |||
| Donald R. Abblett | .... | stand-by painter | |
| Cheryl Carasik | .... | lead person | |
| Ray Chambers | .... | construction foreman | |
| Jack Johnson | .... | illustrator | |
| Larry Lennert | .... | greens assistant | |
| Dan Ondrejko | .... | greens foreman | |
| William A. Petrotta | .... | property master (as Bill Petrotta) | |
| Anne Sidaris-Reeves | .... | assistant property master | |
| Michael J. Smith | .... | construction coordinator (as Michael Smith) | |
| John Warnke | .... | set designer | |
| Ron Ashmore | .... | painter gang boss (uncredited) | |
| Lindsay Dawson | .... | storyboard artist (uncredited) | |
| Michael Denering | .... | scenic artist (uncredited) | |
| Robert Misetich | .... | paint foreman (uncredited) | |
| Victor M. Shannon | .... | plasterer (uncredited) | |
Sound Department | |||
| Rick Alexander | .... | sound re-recording mixer (as Dick Alexander) | |
| Jeff Bushelman | .... | sound editor (as Jeffrey L. Bushelman) | |
| Charles L. Campbell | .... | supervising sound editor | |
| Larry Carow | .... | sound editor | |
| Craig Clark | .... | sound editing assistant | |
| Robert Crosby | .... | boom man | |
| Louis L. Edemann | .... | supervising sound editor | |
| Richard C. Franklin | .... | sound editor (as Richard C. Franklin Jr.) | |
| Les Fresholtz | .... | sound re-recording mixer | |
| Chuck Neely | .... | sound editor | |
| Mel Neiman | .... | processed sound effects | |
| Alan L. Nineberg | .... | adr editor (as Alan Nineberg) | |
| Vern Poore | .... | sound re-recording mixer | |
| Rod Rogers | .... | assistant adr editor | |
| David M. Ronne | .... | production sound mixer (as David Ronne) | |
| Robert Scarborough | .... | cable man | |
| Larry Singer | .... | supervising adr editor | |
| Stephen Mackey | .... | boom operator (uncredited) | |
| John Roesch | .... | foley artist (uncredited) | |
Special Effects by | |||
| Donald Elliott | .... | special effects | |
| Sam Marquez | .... | special effects | |
| Tim Moran | .... | special effects (as Timothy J. Moran) | |
| Doyle Smiley | .... | special effects | |
| Bob Stoker | .... | special effects | |
| Lucinda Strub | .... | special effects | |
| Richard Stutsman | .... | special effects (as Richard W. Stutsman) | |
| Matt Sweeney | .... | special effects coordinator | |
| Fred Tassaro | .... | special effects foreman | |
| Mike Wever | .... | special effects (as Michael Wever) | |
| Tony Gardner | .... | special makeup effects artist: Greg Cannom's crew (uncredited) | |
| D. Kerry Prior | .... | special effects artist: Dream Quest Images (uncredited) | |
| Shamu | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Michael Bigelow | .... | motion control supervisor | |
| Eric Brevig | .... | visual effects designer | |
| Eric Brevig | .... | visual effects supervisor | |
| Charles Chiodo | .... | visual effects design consultant | |
| Michael Ferriter | .... | optical compositor | |
| James Green | .... | motion control technician | |
| Robert Hall | .... | optical supervisor | |
| Clint Hutchison | .... | visual effects element controller | |
| Justin Klarenbeck | .... | motion control technician | |
| Doug Lefler | .... | visual effects design consultant (as Douglas Lefler) | |
| Tim McHugh | .... | special effects photographer | |
| Daniel P. Moore | .... | video operator: visual effects unit | |
| Richard Rippel | .... | optical compositor | |
| Robert Scifo | .... | matte artist | |
| Keith Shartle | .... | visual effects production manager | |
| Michael Shea | .... | motion control technician | |
| Chuck Shuman | .... | special effects photographer (as Charles Schuman) | |
| James Balsam | .... | motion control camera operator (uncredited) | |
| Jeff Nicholson | .... | optical camera (uncredited) | |
Casting Department | |||
| Judith Bouley | .... | location casting (uncredited) | |
Costume and Wardrobe Department | |||
| Robert Chase | .... | costume supervisor (as Bob Chase) | |
| Rosemarie Fall | .... | costume supervisor: women | |
| Jerry Herrin | .... | costume supervisor: added scenes and retakes | |
| Stephen P. Shubin | .... | costumer (as Stephen Shubin) | |
Editorial Department | |||
| Tracy Granger | .... | assistant editor | |
| Tracey McCampbell | .... | assistant editor | |
| Jim Prior | .... | assistant editor | |
Music Department | |||
| Kenneth Karman | .... | music editor (as Ken Karmann) | |
| Michael Papale | .... | music consultant | |
| George Doering | .... | musician (uncredited) | |
| James Thatcher | .... | musician: french horn (uncredited) | |
Transportation Department | |||
| Whitey Ellison | .... | transportation coordinator | |
| Bob Nielson | .... | transportation captain | |
| Lief Sand | .... | driver | |
| George Zimmerman | .... | driver | |
Other crew | |||
| Robert A. Daly Jr. | .... | production office assistant (as Bob Daly Jr.) | |
| Huw Davies | .... | location manager (as T. Huw Davies) | |
| Geno Escarrega | .... | production associate | |
| Anthony Goldschmidt | .... | title designer | |
| Dennis Grisco | .... | animal trainer | |
| William Shane Grisco | .... | animal trainer (as Wm. S. Grisco) | |
| Jodi Guber | .... | production office assistant | |
| Donna Hart | .... | secretary: Joel Schumacher | |
| Phyllis Gardner Hirsen | .... | unit publicist | |
| Paul Kaplansky | .... | assistant: Joel Schumacher | |
| Jan Kemper | .... | script supervisor | |
| Tom Lassally | .... | production office assistant | |
| Andrew Lauren | .... | production office assistant | |
| Robert H. Lemer | .... | location manager (as Robert Lemer) | |
| Jennie Lew Tugend | .... | executive assistant: Richard Donner (as Jennie Lew) | |
| Joe Madalena | .... | location manager | |
| Gail Martin-Sheridan | .... | production accountant (as Gail Martin) | |
| Marie Melendez | .... | assistant: Harvey Bernhard | |
| Grant Olson | .... | craft service | |
| Travis Powell | .... | production office assistant | |
| Ross Reynolds | .... | helicopter pilot: second unit | |
| Laurie Ryan | .... | secretary: Richard Donner | |
| John D. Sarviss | .... | helicopter pilot | |
| Ilyse Selwyn | .... | production secretary | |
| Alan Simon | .... | production office assistant | |
| Jane Stewart | .... | researcher | |
| Jack Tice | .... | welfare worker | |
| Sheila A. Warner | .... | production secretary (as Sheila Warner) | |
| Laurie Arnow-Epstein | .... | construction accountant (uncredited) | |
| Pam Ellington | .... | assistant accountant (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Without a doubt, among the most brilliant of vampire movies ever made, in the modern film era. Jason Patric and Kiefer Sutherland are destined to blow away all audiences of this visual masterpiece. However, the twist at the end, which I plan not to give away, was made slightly obvious, though well hidden at the same time. Joel Schumacher does a splendid job directing this true work of art. The frog brothers did a great job of adding humor to this otherwise, mainly serious film, without spoiling the suspense. That made the film far more enjoyable to people with interests in multiple genres. Jami Gertz looks absolutely attractive in her role as Star. However, the show is undoubtedly stolen by Kiefer Sutherland, in the role of David, the rebellious, dangerous, rude and rambunctious, teenaged vampire, who seduces Michael (Jason Patric) into joining his gang of vampires. The story is of a woman (Dianne Wiest), and her two sons, Sam (Corey Haim) and Michael (Patric), who move to a small Californian town, called Santa Carla, often referred to as the murder capital of the world, to live with her father after getting divorced. Little to their knowledge, the town happens to be inhabited by a motorcycle gang of Jim Morrison obsessed, teenage vampires. While the mother begins to fall in love with her boss from the video store, where she has been employed, Sam spends his time reading vampire comics, which were given to him by two brothers (Corey Feldman, Jamison Newlander), who claim the town is infested by vampires. He does not believe them, but grows to almost immediately, upon realizing that his brother, Michael, has been seduced by the beautiful half-vampiress, Star (Gertz), and joins the gang, led by David (Sutherland). He realizes that neither Star nor Michael are true vampire until they make their first kill, and they will not become normal again until the head vampire is killed. So, he calls up the brothers Frog, and gets them to come in and help him solve the job, though he is scared that he might have to kill his brother. Overall, a cinematic masterpiece. The directing, acting, writing, camera work, special effects, stunts and, of course, the epic cinematography work with the astounding score to bring together one of the most loved films of all time. The story is in fact an allegory to that of the lost boys of Neverland, from Peter Pan. A contemporary, without the temporary, classic.