| Photos (See all 93 | slideshow) | Videos (see all 17) |
| Sigourney Weaver | ... | Ellen Ripley | |
| Carrie Henn | ... | Rebecca 'Newt' Jorden | |
| Michael Biehn | ... | Cpl. Dwayne Hicks | |
| Paul Reiser | ... | Carter Burke | |
| Lance Henriksen | ... | Bishop | |
| Bill Paxton | ... | Pvt. Hudson | |
| Jenette Goldstein | ... | Pvt. Vasquez | |
| William Hope | ... | Lt. Gorman | |
| Al Matthews | ... | Sgt. Apone | |
| Mark Rolston | ... | Pvt. Drake | |
| Ricco Ross | ... | Pvt. Frost | |
| Colette Hiller | ... | Cpl. Ferro | |
| Daniel Kash | ... | Pvt. Spunkmeyer | |
| Cynthia Dale Scott | ... | Cpl. Dietrich (as Cynthia Scott) | |
| Tip Tipping | ... | Pvt. Crowe | |
| Trevor Steedman | ... | Pvt. Wierzbowski | |
| Paul Maxwell | ... | Van Leuwen | |
| Valerie Colgan | ... | ECA Representative | |
| Alan Polonsky | ... | Insurance Man | |
| Alibe Parsons | ... | Med Tech | |
| Blain Fairman | ... | Doctor | |
| Barbara Coles | ... | Cocooned Woman | |
| Carl Toop | ... | Alien Warrior | |
| John Lees | ... | Power Loader Operator |
Directed by | |||
| James Cameron | |||
Writing credits | ||
| James Cameron | (story) and | |
| David Giler | (story) & | |
| Walter Hill | (story) | |
| Dan O'Bannon | (characters) and | |
| Ronald Shusett | (characters) | |
| James Cameron | (screenplay) | |
Produced by | |||
| Gordon Carroll | .... | executive producer | |
| David Giler | .... | executive producer | |
| Walter Hill | .... | executive producer | |
| Gale Anne Hurd | .... | producer | |
Original Music by | |||
| James Horner | |||
Cinematography by | |||
| Adrian Biddle | (director of photography) | ||
Film Editing by | |||
| Ray Lovejoy | |||
Production Design by | |||
| Peter Lamont | |||
Art Direction by | |||
| Terry Ackland-Snow | (supervising art director) (as Terence Ackland-Snow) | ||
| Ken Court | |||
| Bert Davey | |||
| Fred Hole | |||
| Michael Lamont | |||
Set Decoration by | |||
| Crispian Sallis | |||
Costume Design by | |||
| Emma Porteus | (as Emma Porteous) | ||
Makeup Department | |||
| Elaine Bowerbank | .... | chief hair stylist | |
| Peter Robb-King | .... | makeup supervisor | |
| Everett Burrell | .... | special makeup effects (uncredited) | |
| Tony Gardner | .... | Stan Winston's creature effects crew (uncredited) | |
| Melissa Street | .... | assistant makeup artist (uncredited) | |
Production Management | |||
| Mo Coppitters | .... | unit production manager | |
| Hugh Harlow | .... | production supervisor | |
| Gil Whelan | .... | unit production manager | |
Art Department | |||
| Ron Cobb | .... | conceptual designer | |
| Bert Hearn | .... | property master | |
| Syd Mead | .... | conceptual artist | |
| Sid Palmer | .... | production buyer (as Sidney Palmer) | |
| Vic Simpson | .... | construction manager | |
| Janice Body | .... | graphics artist (uncredited) | |
| Michael Boone | .... | draughtsman (uncredited) | |
| Mick Chubbock | .... | plasterer (uncredited) | |
| Tony Gardner | .... | artistic supervisor: miniature effects unit (uncredited) | |
| Mark Harris | .... | technical set dresser (uncredited) | |
| Paul James | .... | supervising plasterer (uncredited) | |
| Simon Lamont | .... | art department assistant (uncredited) | |
| Maciek Piotrowski | .... | sketch artist (uncredited) | |
| Tony Rimmington | .... | draughtsman (uncredited) | |
| Colin Thurston | .... | prop storeman (uncredited) | |
Sound Department | |||
| Michael A. Carter | .... | dubbing mixer | |
| Roy Charman | .... | sound recordist | |
| Dev Goodman | .... | sound editor | |
| Graham V. Hartstone | .... | chief dubbing mixer | |
| Peter Horrocks | .... | sound editor | |
| Jack T. Knight | .... | sound editor (as Jack Knight) | |
| Nicolas Le Messurier | .... | dubbing mixer | |
| Archie Ludski | .... | dialogue editor | |
| Alan Paley | .... | sound editor | |
| Rocky Phelan | .... | foley editor | |
| Don Sharpe | .... | supervising sound editor | |
| Chris Blunden | .... | assistant sound editor (uncredited) | |
| Scott Brose | .... | sound editor (uncredited) | |
| Deveril Goodman | .... | sound editor (uncredited) | |
| Jeffrey Perkins | .... | sound re-recording mixer (uncredited) | |
| Otto Snel | .... | sound re-recording mixer (uncredited) | |
| Lionel Strutt | .... | adr mixer (uncredited) | |
Special Effects by | |||
| Norman Baillie | .... | workshop supervisor | |
| Nigel Booth | .... | creature effects crew | |
| Ron Burton | .... | senior special effects technician | |
| Trevor Butterfield | .... | creature effects crew | |
| Julian Caldow | .... | creature effects crew | |
| Ron Cartwright | .... | senior special effects technician | |
| Philomena Davis | .... | creature effects crew | |
| Michael Dunleavy | .... | senior special effects technician | |
| Greg Figiel | .... | creature effects crew (as Gregory Figiel) | |
| Nick Finlayson | .... | senior special effects technician | |
| Alec Gillis | .... | creature effects coordinator | |
| Matthew Harlow | .... | special effects technician | |
| Graham High | .... | creature effects crew | |
| Dave Keen | .... | creature effects crew (as David Keen) | |
| Richard J. Landon | .... | creature effects coordinator (as Richard Landon) | |
| Rick Lazzarini | .... | creature effects crew | |
| Ray Lovell | .... | creature effects crew | |
| Lindsay MacGowan | .... | creature effects crew (as Lindsay McGowan) | |
| Shane Mahan | .... | creature effects coordinator | |
| John Morris | .... | senior special effects technician | |
| Stephen Norrington | .... | creature effects crew | |
| Christine Overs | .... | creature effects crew | |
| Peter Pickering | .... | senior special effects technician | |
| John Richardson | .... | special effects supervisor | |
| John Robertson | .... | creature effects crew | |
| Ian Rolph | .... | creature effects crew | |
| Matt Rose | .... | creature effects crew | |
| John Rosengrant | .... | creature effects coordinator | |
| Bill Sturgeon | .... | creature effects crew | |
| Willie Whitten | .... | creature effects crew | |
| Paul Whybrow | .... | senior special effects technician | |
| Joss Williams | .... | senior special effects technician | |
| Mark Williams | .... | creature effects crew | |
| Stan Winston | .... | alien effects creator | |
| Tom Woodruff Jr. | .... | creature effects coordinator | |
| Howard Berger | .... | sculptor (uncredited) | |
| Michael Burnett | .... | miniature effects unit (uncredited) | |
| Dave Chagouri | .... | special effects (uncredited) | |
| Simon Cockren | .... | special effects assistant (uncredited) | |
| Edward J. Franklin | .... | special effects crew (uncredited) | |
| Julian Parry | .... | effects crew: Los Angeles (uncredited) | |
| Tim Turner | .... | miniature effects assistant (uncredited) | |
| Andy Williams | .... | special effects technician (uncredited) | |
| Steven Woodcock | .... | model maker (uncredited) | |
Visual Effects by | |||
| Michael Anderson | .... | camera operator: visual effects unit | |
| Jonathan Angell | .... | senior special effects technician: visual effects unit | |
| Doug Beswick | .... | mechanical armature design: visual effects unit | |
| John Brown | .... | senior special effects technician: visual effects unit | |
| Leslie Dear | .... | camera operator: visual effects unit | |
| Paul Frift | .... | assistant director: visual effects unit | |
| Robert Gavin | .... | special effects editor: visual effects unit | |
| Richard Hewitt | .... | video effects supervisor | |
| Brian Johnson | .... | visual effects supervisor: post production | |
| Christopher Knowles | .... | assistant director: visual effects unit (as Chris Knowles) | |
| David Litchfield | .... | camera operator: visual effects unit | |
| Pat McClung | .... | miniatures technical supervisor: visual effects unit | |
| Digby Milner | .... | senior special effects technician: visual effects unit | |
| Roy Moores | .... | process photographer: visual effects unit | |
| Phil Notaro | .... | mechanical armature design: visual effects unit | |
| Harry Oakes | .... | camera operator: visual effects unit | |
| Peter Russell | .... | art director: visual effects unit | |
| Barry Saunders | .... | construction manager: visual effects unit | |
| Dennis Skotak | .... | visual effects supervisor | |
| Robert Skotak | .... | visual effects supervisor | |
| Brian Smithies | .... | miniature floor effects supervisor: visual effects unit | |
| Sarah Spooner | .... | production secretary: visual effects unit | |
| Charles Staffell | .... | process photographer: visual effects unit | |
| Paul Tivers | .... | unit production manager: visual effects unit | |
| Wally Wheeler | .... | gaffer: visual effects unit | |
| Tony White | .... | titles and video graphics design: visual effects unit | |
| Larry Arpin | .... | visual effects (uncredited) | |
| Steven Begg | .... | model effects (uncredited) | |
| Suzanne M. Benson | .... | visual effects (uncredited) | |
| Martin Body | .... | rotoscope artist (uncredited) | |
| Zoe Cain | .... | visual effects trainee (uncredited) | |
| Alan Church | .... | optical camera operator (uncredited) | |
| Andrew Coates | .... | rotoscope artist (uncredited) | |
| Andrew Eio | .... | motion control programmer (uncredited) | |
| Tony Gardner | .... | cosmetic supervisor: miniature effects unit (uncredited) | |
| John Lee | .... | model maker (uncredited) | |
| Alan G. Markowitz | .... | visual effects supervisor (uncredited) | |
| Jay Roth | .... | model maker (uncredited) | |
| Tony Rowland | .... | camera grip (uncredited) | |
| Adrian Trent | .... | assistant visual effects editor (uncredited) | |
Stunts | |||
| Elanor Bertram | .... | stunts | |
| Simon Crane | .... | stunts | |
| Sue Crosland | .... | stunts | |
| Steve Dent | .... | stunts | |
| Stuart Fell | .... | stunts | |
| Louise Head | .... | stunt double #1: Carrie Henn | |
| Jazzer Jeyes | .... | stunts | |
| Sean McCabe | .... | stunts | |
| Eddie Powell | .... | stunts | |
| Kiran Shah | .... | stunt double #2: Carrie Henn | |
| Stuart St. Paul | .... | stunts: Queen Alien - right-hand side | |
| Malcolm Weaver | .... | stunts: Queen Alien - left-hand side | |
| Chris Webb | .... | stunts | |
| Bill Weston | .... | stunts | |
| Paul Weston | .... | stunt coordinator | |
| Jason White | .... | stunts | |
| Clive Curtis | .... | stunt double: Frost (uncredited) | |
| Tom Delmar | .... | stunts (uncredited) | |
| Nick Gillard | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Martin Hume | .... | camera focus | |
| Martin Kenzie | .... | camera focus | |
| Shaun O'Dell | .... | camera operator | |
| Bob Penn | .... | still photographer (as Robert Penn) | |
| Jack Thetford | .... | gaffer | |
| David Worley | .... | camera operator | |
| Kevin Brookner | .... | video operator (uncredited) | |
| Pete Cavaciuti | .... | Steadicam operator (uncredited) | |
| Michael Condro | .... | first assistant camera (uncredited) | |
| Stewart Hadley | .... | generator operator (uncredited) | |
| Paul Kenward | .... | focus puller (uncredited) | |
| Michael McDermott | .... | gaffer: second unit (uncredited) | |
| Pat Miller | .... | electrician (uncredited) | |
| Jan Pester | .... | Steadicam operator (uncredited) | |
| Nigel Seal | .... | assistant camera (uncredited) | |
| Chris Warren | .... | video assist operator (uncredited) | |
Casting Department | |||
| Jane Feinberg | .... | casting: USA | |
| Mike Fenton | .... | casting: USA | |
| Mary Selway | .... | casting: UK | |
| Judy Taylor | .... | casting: USA | |
Costume and Wardrobe Department | |||
| Tiny Nicholls | .... | costume supervisor | |
Editorial Department | |||
| Peter Boita | .... | associate editor | |
| Simon Harris | .... | second assistant editor | |
| Phil Sanderson | .... | first assistant editor | |
| Robert Hambling | .... | assistant editor (uncredited) | |
| Brian Q. Kelley | .... | editor: additional material for special edition (uncredited) | |
| Steve Maguire | .... | assistant editor (uncredited) | |
Music Department | |||
| Robin Clarke | .... | music editor | |
| Michael Clifford | .... | music editor | |
| Randall Frakes | .... | synthesizer effects | |
| Robert Garrett | .... | synthesizer effects (as Robert Garret) | |
| Greig McRitchie | .... | orchestrator (as Greg McRitchie) | |
| Eric Tomlinson | .... | music recording engineer | |
| Ian Underwood | .... | synthesizer effects | |
| Otto Snel | .... | music pre-dub mixer (uncredited) | |
Other crew | |||
| Polly Apostolof | .... | assistant to producer | |
| Jill Bennett | .... | production accountant | |
| Diana Dill | .... | script supervisor | |
| Geoff Freeman | .... | unit publicist | |
| H.R. Giger | .... | original alien designer | |
| Jay Roberts | .... | location auditor | |
| Paul Tucker | .... | production controller | |
| Joyce Turner | .... | production coordinator | |
| Simon Atherton | .... | armorer (uncredited) | |
| James Cameron | .... | queen alien designer (uncredited) | |
| Terry English | .... | armor designer (uncredited) | |
| Andrew Fletcher | .... | armorer (uncredited) | |
| J. Randolph Harrison | .... | production assistant (uncredited) | |
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| Alien | Alien³ | Alien: Resurrection | Avatar | Terminator 2: Judgment Day |
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Seven years after barely surviving events on board the Nostromo in Ridley Scott's classic sci-fi horror ALIEN, Sigourney Weaver reprised her role as Warrant Officer Ripley for one of the most compelling and critically-acclaimed sequels of all time. Canadian director James Cameron had already struck gold with the Arnold Schwarzenegger starring vehicle THE TERMINATOR (1984), after his somewhat inauspicious feature film directorial debut with the long-forgotten, Dutch-backed PIRANHA II: THE SPAWNING 3 years earlier. ALIENS would further cement Cameron's growing reputation as a first-rate director of high-tech, fast-paced, adrenaline-pumping action thrillers, from which there would normally be no let-up once they got going.
When Ripley is rescued from drifting aimlessly through deep space, she is horrified to learn that not only has she been asleep for 57 years, but the planet on which she had encountered the original alien all that time ago has since been colonized. At first no-one will heed her warnings or completely believe the story she gives at an official enquiry as to what happened to her and her fellow Nostromo crew members. But then contact is lost with LV-426, and despite initially throwing Ripley "to the wolves" (as she herself puts in), The Company, through representative Carter J. Burke (Paul Reiser), suddenly finds itself in a position of having to ask Ripley for help, finally persuading her to return to the planet that still consumes her every nightmare, as an advisor to a motley group of very tough colonial marines expecting this to be just another run-of-the-mill "bug-hunt". But how wrong that assumption turns out to be!
I would argue that ALIENS far surpasses its celebrated predecessor in almost every aspect. Obviously the sheer spectacle of what is basically a Vietnam war movie in space is particularly awe-inspiring - the impressive sets, the many excitingly-staged combat sequences, the aliens themselves (interestingly enough, although through fast cutting and appropriate camera placement it seems as though there are hundreds of aliens being blasted to kingdom come - or else picking off the gung-ho marines one by one - in reality no more than 6 aliens are ever seen in any one shot). But the human drama element of this sequel is also greatly heightened, primarily by the introduction of "Newt" (wonderful little Carrie Henn, in her only film role), who turns out to be the sole survivor of recent events on LV-426, becoming a kind-of surrogate daughter to Ripley, which leads to several touching moments and gives the story a surprisingly effective emotional core in the midst of all the otherwise pre-eminent carnage.
Amongst the talented supporting players are Cameron regulars Michael Biehn (THE TERMINATOR, THE ABYSS) and Bill Paxton (bit part in THE TERMINATOR, TRUE LIES, TITANIC), and Cameron's punchy dialogue includes such suitably macho wisecracks as - Hudson (Paxton): "Hey Vasquez, have you ever been mistaken for a man?" Vasquez (a pumped-up Jenette Goldstein): "No, have you?" Nominated for 7 Oscars, including Weaver as Best Actress (again this confirms the general class on display, as it is fairly rare for the Academy to recognize the acting qualities inherent in this type of predominantly action-driven movie), the film went on to win for Best Visual Effects and Best Sound Effects Editing. Further, almost inevitable sequels followed in 1992 and 1997, but I prefer to think of the terrifying perils of Ellen Ripley as ending on this high note.