A human-looking indestructible cyborg is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all costs.
Dr. Bruce Banner, thanks to a gamma ray experiment gone wrong, transforms into a giant green-skinned hulk whenever his pulse rate gets too high. Meanwhile, a soldier uses the same technology to become an evil version of the original.
Fifty seven years after Ellen Ripley survived her disastrous ordeal, her escape vessel is recovered after drifting across the galaxy as she slept in cryogenic stasis. Back on earth, nobody believed her story about the "Aliens" on the planet LV-426. After the "Company" orders the colony on LV-426 to investigate, however, all communication with the colony is lost. The Company enlists Ripley to aid a team of tough, rugged space marines on a rescue mission to the now partially terraformed planet to find out if there are aliens or survivors. As the mission unfolds, Ripley will be forced to come to grips with her worst nightmare, but even as she does, she finds that the worst is yet to come. Written by
Producers David Giler and Walter Hill were keen to work with James Cameron after having read his script for The Terminator (1984). Cameron went in for a meeting with the two producers and pitched several ideas at them, none of which they were that receptive to. As he was leaving, however, they did mention that they were thinking of doing a sequel to Alien (1979), and immediately Cameron's interest was piqued. Cameron submitted a 40-50 page treatment of what he would do for an "Alien" sequel which contained a lot of ideas for an existing treatment he had done for a script called "Mother". Giler and Hill loved Cameron's treatment and commissioned him to write a screenplay. Cameron got the good news the same day he landed screenwriting duties for Rambo: First Blood Part II (1985). See more »
When Ripley is preparing the M41 rifle with the flamethrower she is seen loading a new cartridge of ammo in the rifle as the counter runs up to 95. Once the elevator doors open the counter reads 42. She hasn't yet fired a shot. See more »
Salvage team leader:
Bio-readouts are all in the green, looks like she's alive. Well, there goes our salvage, guys.
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The ALIENS title forms slowly during the opening credits. The full title isn't seen until the opening credits are finished, and the "I" illuminates brightly. See more »
I am just going to add my voice to the chorus of praise for this movie. It is as near to being perfect as any I have ever seen. I will not say that it is much better than Alien - which is just about near to being perfect also. But I do love all the characters in this movie. I have rarely seen a movie where all the characters were so well developed. Even most serious dramas seldom develops each character so completely. None of these characters are stereotypes even Paul Reiser as Burke, although the slimy company/government man villain is a prerequisite in disaster type movies. I would almost say that my favorite is Michael Beihn as Hicks, just because I like his work & consider him to be underrated. But I also like Lance Henriksen as Bishop, William Hope as Lt. Gorman, Bill Paxton as Hudson, and of course, Jenette Goldstein as Vasquez. I liked all of these characters. I cared about their lives & deaths. The final scene for Gorman & Vasquez still chokes me up after seeing it many times.
I am not ignoring Sigourney Weaver or Carrie Henn. Ripley is the template for the modern action heroine. In the 24 years since Alien, few have been able to measure up to Sigourney Weaver's Ripley. Even in Alien 3 & 4, Ripley was still powerful, despite the 3ed rate quality of the movies. As for Carrie Henn as Newt, she was the emotional heart of Aliens. Cameron's ability to develop well rounded characters does not detract from his ability to create great action scenes or to scare the audience out of a several years of growth.
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