After a space merchant vessel perceives an unknown transmission as a distress call, its landing on the source moon finds one of the crew attacked by a mysterious life-form, and they soon realize that its life cycle has merely begun.
After her last encounter, Ripley crash-lands on Fiorina Fury 161, a maximum security prison. When a series of strange and deadly events occur shortly after her arrival, Ripley realizes that she brought along an unwelcome visitor.
Charles S. Dutton,
A seemingly indestructible humanoid cyborg is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all costs.
After a daring mission to rescue Han Solo from Jabba the Hutt, the rebels dispatch to Endor to destroy a more powerful Death Star. Meanwhile, Luke struggles to help Vader back from the dark side without falling into the Emperor's trap.
Luke Skywalker joins forces with a Jedi Knight, a cocky pilot, a wookiee and two droids to save the galaxy from the Empire's world-destroying battle-station, while also attempting to rescue Princess Leia from the evil Darth Vader.
Fifty seven years after Ellen Ripley survived her disastrous ordeal, her escape vessel is recovered after drifting across the galaxy as she slept in cryogenic stasis. Back on Earth, nobody believed her story about the "Aliens" on the moon LV-426. After the "Company" orders the colony on LV-426 to investigate, however, all communication with the colony is lost. The Company enlists Ripley to aid a team of tough, rugged space marines on a rescue mission to the now partially terraformed moon to find out if there are aliens or survivors. As the mission unfolds, Ripley will be forced to come to grips with her worst nightmare, but even as she does, she finds that the worst is yet to come. Written by
When Fox execs saw an early cut of the film, they complained to producer Gale Anne Hurd that it looked like the money had all been spent on sets rather than special effects. Hurd took great delight in telling the execs that a majority of the sets that they were seeing in the film were indeed miniatures or optical effects (eg, special effects). The artists behind these images were very pleased that their work had fooled the money men. See more »
The Marines in the film wear US Army stripes. A fictional military service in the future can have whatever insignia the filmmakers want it to. See more »
Salvage Team Leader:
Bio-readouts are all in the green, looks like she's alive. Well, there goes our salvage, guys.
See more »
The ALIENS title forms slowly during the opening credits. The full title isn't seen until the opening credits are finished, and the "I" illuminates brightly. See more »
Compelling, far superior sequel to sci-fi classic (8/10)
Seven years after barely surviving events on board the Nostromo in Ridley Scott's classic sci-fi horror ALIEN, Sigourney Weaver reprised her role as Warrant Officer Ripley for one of the most compelling and critically-acclaimed sequels of all time. Canadian director James Cameron had already struck gold with the Arnold Schwarzenegger starring vehicle THE TERMINATOR (1984), after his somewhat inauspicious feature film directorial debut with the long-forgotten, Dutch-backed PIRANHA II: THE SPAWNING 3 years earlier. ALIENS would further cement Cameron's growing reputation as a first-rate director of high-tech, fast-paced, adrenaline-pumping action thrillers, from which there would normally be no let-up once they got going.
When Ripley is rescued from drifting aimlessly through deep space, she is horrified to learn that not only has she been asleep for 57 years, but the planet on which she had encountered the original alien all that time ago has since been colonized. At first no-one will heed her warnings or completely believe the story she gives at an official enquiry as to what happened to her and her fellow Nostromo crew members. But then contact is lost with LV-426, and despite initially throwing Ripley "to the wolves" (as she herself puts in), The Company, through representative Carter J. Burke (Paul Reiser), suddenly finds itself in a position of having to ask Ripley for help, finally persuading her to return to the planet that still consumes her every nightmare, as an advisor to a motley group of very tough colonial marines expecting this to be just another run-of-the-mill "bug-hunt". But how wrong that assumption turns out to be!
I would argue that ALIENS far surpasses its celebrated predecessor in almost every aspect. Obviously the sheer spectacle of what is basically a Vietnam war movie in space is particularly awe-inspiring - the impressive sets, the many excitingly-staged combat sequences, the aliens themselves (interestingly enough, although through fast cutting and appropriate camera placement it seems as though there are hundreds of aliens being blasted to kingdom come - or else picking off the gung-ho marines one by one - in reality no more than 6 aliens are ever seen in any one shot). But the human drama element of this sequel is also greatly heightened, primarily by the introduction of "Newt" (wonderful little Carrie Henn, in her only film role), who turns out to be the sole survivor of recent events on LV-426, becoming a kind-of surrogate daughter to Ripley, which leads to several touching moments and gives the story a surprisingly effective emotional core in the midst of all the otherwise pre-eminent carnage.
Amongst the talented supporting players are Cameron regulars Michael Biehn (THE TERMINATOR, THE ABYSS) and Bill Paxton (bit part in THE TERMINATOR, TRUE LIES, TITANIC), and Cameron's punchy dialogue includes such suitably macho wisecracks as - Hudson (Paxton): "Hey Vasquez, have you ever been mistaken for a man?" Vasquez (a pumped-up Jenette Goldstein): "No, have you?" Nominated for 7 Oscars, including Weaver as Best Actress (again this confirms the general class on display, as it is fairly rare for the Academy to recognize the acting qualities inherent in this type of predominantly action-driven movie), the film went on to win for Best Visual Effects and Best Sound Effects Editing. Further, almost inevitable sequels followed in 1992 and 1997, but I prefer to think of the terrifying perils of Ellen Ripley as ending on this high note.
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