| Photos (see all 53 | slideshow) | Videos (see all 7) |
| Jack Nicholson | ... | Jack Torrance | |
| Shelley Duvall | ... | Wendy Torrance | |
| Danny Lloyd | ... | Danny Torrance | |
| Scatman Crothers | ... | Dick Hallorann | |
| Barry Nelson | ... | Stuart Ullman | |
| Philip Stone | ... | Delbert Grady | |
| Joe Turkel | ... | Lloyd the Bartender | |
| Anne Jackson | ... | Doctor | |
| Tony Burton | ... | Larry Durkin | |
| Lia Beldam | ... | Young Woman in Bath | |
| Billie Gibson | ... | Old Woman in Bath | |
| Barry Dennen | ... | Bill Watson | |
| David Baxt | ... | Forest Ranger #1 | |
| Manning Redwood | ... | Forest Ranger #2 | |
| Lisa Burns | ... | Grady Twin Daughter | |
| Louise Burns | ... | Grady Twin Daughter | |
| Robin Pappas | ... | Nurse | |
| Alison Coleridge | ... | Secretary | |
| Burnell Tucker | ... | Policeman | |
| Jana Shelden | ... | Stewardess | |
| Kate Phelps | ... | Receptionist | |
| Norman Gay | ... | Injured Guest | |
| rest of cast listed alphabetically: | |||
| Vivian Kubrick | ... | Smoking Guest on Ballroom Couch (uncredited) | |
| Derek Lyons | ... | Overlook Hotel Bellhop (uncredited) | |
| Glenn Rinker | ... | Himself / Television news anchor (uncredited) | |
Directed by | |||
| Stanley Kubrick | |||
Writing credits | ||
| Stephen King | (novel) | |
| Stanley Kubrick | (screenplay) & | |
| Diane Johnson | (screenplay) | |
Original Music by | |||
| Wendy Carlos | |||
| Rachel Elkind | |||
Cinematography by | |||
| John Alcott | (photographed by) | ||
Film Editing by | |||
| Ray Lovejoy | |||
Casting by | |||
| James Liggat | |||
Production Design by | |||
| Roy Walker | |||
Art Direction by | |||
| Leslie Tomkins | (as Les Tomkins) | ||
Costume Design by | |||
| Milena Canonero | |||
Makeup Department | |||
| Barbara Daly | .... | makeup artist | |
| Leonard | .... | hair stylist | |
| Tom Smith | .... | makeup artist | |
Production Management | |||
| Douglas Twiddy | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Brian W. Cook | .... | assistant director (as Brian Cook) | |
| Terry Needham | .... | assistant director | |
| Michael Stevenson | .... | assistant director | |
Art Department | |||
| Barry Arnold | .... | property man | |
| Michael Boone | .... | draughtsman | |
| Karen Brookes | .... | property buyer | |
| Tessa Davies | .... | set dresser | |
| John Fenner | .... | draughtsman | |
| Len Furey | .... | construction manager (as Len Fury) | |
| Fred Gunning | .... | head carpenter | |
| Peter Hancock | .... | property master | |
| Michael Lamont | .... | draughtsman | |
| Philip McDonald | .... | property man | |
| Edward Rodrigo | .... | property buyer | |
| Del Smith | .... | head painter | |
| Peter Spencer | .... | property man | |
| Thomas Tarry | .... | master plasterer (as Tom Tarry) | |
| Bob Walker | .... | decor artist (as Robert Walker) | |
| Barry Wilson | .... | drapes | |
| Norman Dorme | .... | additional art director (uncredited) | |
| Vivian Kubrick | .... | art department (uncredited) | |
Sound Department | |||
| Michael Charman | .... | boom operator | |
| Richard Daniel | .... | sound recordist | |
| Dino Di Campo | .... | sound editor | |
| Jack T. Knight | .... | sound editor (as Jack Knight) | |
| Bill Rowe | .... | dubbing mixer | |
| Ivan Sharrock | .... | sound recordist | |
| Ken Weston | .... | boom operator | |
| Rodney Glenn | .... | assistant sound editor (uncredited) | |
| Winston Ryder | .... | sound editor (uncredited) | |
| Lionel Strutt | .... | foley mixer (uncredited) | |
Stunts | |||
| Jack Cooper | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Maurice Arnold | .... | focus puller | |
| Lou Bogue | .... | gaffer | |
| Garrett Brown | .... | Steadicam operator | |
| James Devis | .... | camera operator | |
| Dan Grimmel | .... | video operator | |
| Jim Kelly | .... | head rigger | |
| Martin Kenzie | .... | assistant camera | |
| Dennis Lewis | .... | grip | |
| Douglas Milsome | .... | focus puller | |
| Douglas Milsome | .... | photographer: second unit | |
| Kelvin Pike | .... | camera operator | |
| Peter Robinson | .... | assistant camera | |
| Danny Shelmerdine | .... | assistant camera | |
| Larry Smith | .... | gaffer | |
| Ray Andrew | .... | Steadicam operator (uncredited) | |
| Ted Churchill | .... | Steadicam operator (uncredited) | |
| Paul Kenward | .... | assistant camera (uncredited) | |
| Greg MacGillivray | .... | helicopter photographer (uncredited) | |
| Jimmy Worley | .... | electrician (uncredited) | |
Costume and Wardrobe Department | |||
| Ron Beck | .... | wardrobe supervisor | |
| Ken Lawton | .... | wardrobe supervisor | |
| Veronica McAuliffe | .... | wardrobe assistant (uncredited) | |
Editorial Department | |||
| Eddie Gordon | .... | color grader | |
| Steve Pickard | .... | second assistant editor | |
| Gill Smith | .... | assistant editor | |
| Gordon Stainforth | .... | assistant editor | |
| Adam Unger | .... | second assistant editor | |
| George Akers | .... | assistant editor (uncredited) | |
Music Department | |||
| Brian Rust | .... | music advisor: 20's music | |
| John Wadley | .... | music advisor: 20's music | |
| Jorge Calandrelli | .... | orchestrator (uncredited) | |
Other crew | |||
| Margaret Adams | .... | secretary to producer | |
| Marlene Butland | .... | production secretary | |
| Murray Close | .... | location researcher | |
| Emilio D'Alessandro | .... | production assistant | |
| Andros Epaminondas | .... | assistant to producer | |
| Giancarlo Giannini | .... | voice dubbing: : Jack Nicholson | |
| Jo Gregory | .... | production accountant | |
| Katharina Kubrick | .... | location researcher | |
| Tad Michel | .... | hotel consultant | |
| Pat Pennelegion | .... | production secretary | |
| June Randall | .... | continuity | |
| Jan Schlubach | .... | location researcher | |
| Leon Vitali | .... | personal assistant to director | |
| Paul Cadiou | .... | assistant production accountant (uncredited) | |
| Anthony Frewin | .... | assistant: Stanley Kubrick (uncredited) | |
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What can I say about the scariest movie I have ever seen that has not already been said by others more articulate than yours truly? Do not view this film expecting to see a screen version of the Stephen King novel. Rather, this is a Stanley Kubrick film, and to fully appreciate it one should judge it within the context of Kubrick's entire body of work as a serious filmmaker. Thematically, THE SHINING relates most closely to 2001: A SPACE ODYSSEY, though flourishes of PATHS OF GLORY, A CLOCKWORK ORANGE and BARRY LYNDON do manage to figure prominently in the film's overall technique.
In a nutshell (no pun intended), Jack Nicholson and Shelly Duvall co-star with Oregon's Timberline Lodge - enlisted to portray the exterior of the Overlook Hotel - in a story that appears on the surface to be about ghosts and insanity, but deals with issues of child abuse, immortality and duality.
What the film might lack initially in terms of coherence is more than made up for in technique. Garrett Brown (the male voice in those old Molson Golden commercials), inventor of the Steadicam, chases young Danny Lloyd through hotel corridors and an amazing snow maze, providing magic-carpet-ride fluidity to scenes that ten years earlier would have been impossible to accomplish. If the film starts off too slow, remember who the director is. This man likes to take his time, and the results are well worth it: incredible aerial shots of the Overlook Hotel; horrific Diane Arbus-inspired twins staring directly at us; portentous room 237 and its treasure trove of terrible secrets; elevators that gush rivers of blood in slow-motion; Jack Torrance's immortality found via the hotel (akin to David Bowman's journey through the Space Gate); and some of the best use of pre-existing music ever assembled for a motion picture.
It would take a book to examine and defend the film's strong points and drawbacks. If you've never seen it, you owe it to yourself to watch it alone with the lights off, with no interruptions, and make sure that it's raining. This is a cinematic experience that changed my life at the age of 14. Makes a great double feature with Robert Wise's 1963 thriller THE HAUNTING.