The Shining (1980)

Director:

Stanley Kubrick

Writers:

Stephen King (novel)
Stanley Kubrick (screenplay) ...
(more)

Release Date:

23 May 1980 (USA)

Genre:

Horror | Thriller

Tagline:

The tide of terror that swept America IS HERE[UK Poster]

Plot:

A family heads to an isolated hotel for the winter where an evil and spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.

Plot Keywords:

Hotel | Caretaker | Ghost | Insanity | Colorado

Awards:

1 win & 5 nominations

Cast

Jack Nicholson	...	Jack Torrance
Shelley Duvall	...	Wendy Torrance
Danny Lloyd	...	Danny Torrance
Scatman Crothers	...	Dick Hallorann
Barry Nelson	...	Stuart Ullman
Philip Stone	...	Delbert Grady
Joe Turkel	...	Lloyd the Bartender
Anne Jackson	...	Doctor
Tony Burton	...	Larry Durkin
Lia Beldam	...	Young Woman in Bath
Billie Gibson	...	Old Woman in Bath
Barry Dennen	...	Bill Watson
David Baxt	...	Forest Ranger #1
Manning Redwood	...	Forest Ranger #2
Lisa Burns	...	Grady Twin Daughter
Louise Burns	...	Grady Twin Daughter
Robin Pappas	...	Nurse
Alison Coleridge	...	Secretary
Burnell Tucker	...	Policeman
Jana Shelden	...	Stewardess
Kate Phelps	...	Receptionist
Norman Gay	...	Injured Guest
rest of cast listed alphabetically:
Vivian Kubrick	...	Smoking Guest on Ballroom Couch (uncredited)
Derek Lyons	...	Overlook Hotel Bellhop (uncredited)
Glenn Rinker	...	Himself / Television news anchor (uncredited)

Directed by
Stanley Kubrick

Writing credits
Stephen King		(novel)
Stanley Kubrick		(screenplay) &
Diane Johnson		(screenplay)

Produced by
Robert Fryer	....	associate producer: The Producer Circle Organization
Jan Harlan	....	executive producer
Mary Lea Johnson	....	associate producer: The Producer Circle Organization
Stanley Kubrick	....	producer
Martin Richards	....	associate producer: The Producer Circle Organization

Original Music by
Wendy Carlos
Rachel Elkind

Cinematography by
John Alcott		(photographed by)

Film Editing by
Ray Lovejoy

Casting by
James Liggat

Production Design by
Roy Walker

Art Direction by
Leslie Tomkins		(as Les Tomkins)

Costume Design by
Milena Canonero

Makeup Department
Barbara Daly	....	makeup artist
Leonard	....	hair stylist
Tom Smith	....	makeup artist

Production Management
Douglas Twiddy	....	production manager

Second Unit Director or Assistant Director
Brian W. Cook	....	assistant director (as Brian Cook)
Terry Needham	....	assistant director
Michael Stevenson	....	assistant director

Art Department
Barry Arnold	....	property man
Michael Boone	....	draughtsman
Karen Brookes	....	property buyer
Tessa Davies	....	set dresser
John Fenner	....	draughtsman
Len Furey	....	construction manager (as Len Fury)
Fred Gunning	....	head carpenter
Peter Hancock	....	property master
Michael Lamont	....	draughtsman
Philip McDonald	....	property man
Edward Rodrigo	....	property buyer
Del Smith	....	head painter
Peter Spencer	....	property man
Thomas Tarry	....	master plasterer (as Tom Tarry)
Bob Walker	....	decor artist (as Robert Walker)
Barry Wilson	....	drapes
Norman Dorme	....	additional art director (uncredited)
Vivian Kubrick	....	art department (uncredited)

Sound Department
Michael Charman	....	boom operator
Richard Daniel	....	sound recordist
Dino Di Campo	....	sound editor
Jack T. Knight	....	sound editor (as Jack Knight)
Bill Rowe	....	dubbing mixer
Ivan Sharrock	....	sound recordist
Ken Weston	....	boom operator
Rodney Glenn	....	assistant sound editor (uncredited)
Winston Ryder	....	sound editor (uncredited)
Lionel Strutt	....	foley mixer (uncredited)

Stunts
Jack Cooper	....	stunts (uncredited)

Camera and Electrical Department
Maurice Arnold	....	focus puller
Lou Bogue	....	gaffer
Garrett Brown	....	Steadicam operator
James Devis	....	camera operator
Dan Grimmel	....	video operator
Jim Kelly	....	head rigger
Martin Kenzie	....	assistant camera
Dennis Lewis	....	grip
Douglas Milsome	....	focus puller
Douglas Milsome	....	photographer: second unit
Kelvin Pike	....	camera operator
Peter Robinson	....	assistant camera
Danny Shelmerdine	....	assistant camera
Larry Smith	....	gaffer
Ray Andrew	....	Steadicam operator (uncredited)
Ted Churchill	....	Steadicam operator (uncredited)
Paul Kenward	....	assistant camera (uncredited)
Greg MacGillivray	....	helicopter photographer (uncredited)
Jimmy Worley	....	electrician (uncredited)

Costume and Wardrobe Department
Ron Beck	....	wardrobe supervisor
Ken Lawton	....	wardrobe supervisor
Veronica McAuliffe	....	wardrobe assistant (uncredited)

Editorial Department
Eddie Gordon	....	color grader
Steve Pickard	....	second assistant editor
Gill Smith	....	assistant editor
Gordon Stainforth	....	assistant editor
Adam Unger	....	second assistant editor
George Akers	....	assistant editor (uncredited)

Music Department
Brian Rust	....	music advisor: 20's music
John Wadley	....	music advisor: 20's music
Jorge Calandrelli	....	orchestrator (uncredited)

Other crew
Margaret Adams	....	secretary to producer
Marlene Butland	....	production secretary
Murray Close	....	location researcher
Emilio D'Alessandro	....	production assistant
Andros Epaminondas	....	assistant to producer
Giancarlo Giannini	....	voice dubbing: : Jack Nicholson
Jo Gregory	....	production accountant
Katharina Kubrick	....	location researcher
Tad Michel	....	hotel consultant
Pat Pennelegion	....	production secretary
June Randall	....	continuity
Jan Schlubach	....	location researcher
Leon Vitali	....	personal assistant to director
Paul Cadiou	....	assistant production accountant (uncredited)
Anthony Frewin	....	assistant: Stanley Kubrick (uncredited)

Production Companies

• Warner Bros. Pictures (presents)
• Hawk Films (made by)
• Peregrine
• Producers Circle (in association with) (as The Producer Circle Company)

Distributors

• Warner Bros. Pictures (1980) (USA) (theatrical)
• Warner Home Video (2000) (USA) (DVD)
• Warner Home Video (2001) (USA) (DVD)
• Warner Home Video (2007) (USA) (DVD) (Blu-ray)
• Warner Bros. (1980) (Italy) (theatrical)
• Warner-Columbia Film (1980) (France) (theatrical)
• Warner-Columbia Film (1980) (Sweden) (theatrical)
• Warner-Columbia Filmverleih (1980) (West Germany) (theatrical)
• American Broadcasting Company (ABC) (1983) (USA) (TV) (broadcast premiere)
• Argentina Video Home (19??) (Argentina) (VHS)
• Most Video (????) (Russia) (DVD)
• RCA/Columbia Pictures Home Video (19??) (USA) (VHS)
• Warner Home Video (1986) (Japan) (VHS)
• Warner Home Video (2007) (Sweden) (DVD)
• Warner Home Video (2007) (Sweden) (DVD) (Blu-ray)
• Warner Home Video (1990) (USA) (VHS)
• Warner Home Video (1996) (USA) (video) (laserdisc)
• Warner Home Vídeo (????) (Brazil) (DVD)
• Warner Home Vídeo (????) (Brazil) (VHS)

Other Companies

• American Motors Co.  with special acknowledgement to (as American Motor Company)
• Carl Zeiss  with special acknowledgement to
• Chapman Beauvais  titles
• Cherry Leisure  with special acknowledgement to
• Colorado Motion Picture and Television Advisory Commission  with special acknowledgement to (as State of Colorado Motion Picture Commission)
• Continental Airlines  with special acknowledgement to
• Dolby Laboratories  sound post-production
• Harrods of London  with special acknowledgement to
• JVC  with special acknowledgement to
• KBTV  with special acknowledgement to
• KHOW  with special acknowledgement to
• MacGillivray Freeman Films  helicopter photography
• MacGillivray Freeman Films  second unit photography
• Music Hire Group  with special acknowledgement to
• National Screen Service  titles
• National Vendors  with special acknowledgement to
• Norank Engineering Ltd.  engineering
• Post Logic Studios  digital film mastering
• Timberline Lodge  with special acknowledgement to
• WPLG  with special acknowledgement to

Also Known As:

Stanley Kubrick's 'The Shining'

Runtime:

142 min (cut) | 119 min (cut) (European version) | 146 min (original version)

Country:

UK | USA

Language:

English

Color:

Color

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono

Certification:

New Zealand:R16 | Spain:13 | Italy:VM14 (re-rating) | Italy:VM18 (original rating) | Finland:K-15 (DVD rating) | Iceland:16 | Portugal:M/16 | Canada:14A (Manitoba/Nova Scotia/Ontario) (re-rating) (2007) | Canada:R (Manitoba/Nova Scotia/Ontario) (original rating) | Brazil:14 | UK:15 (re-rating) (2007) | Ireland:15 (re-rating) (2007) | Denmark:15 (DVD rating) | Denmark:16 (video rating) | Malaysia:U | USA:R (Rated R for intense sequences of violence and terror, language, and graphic nudity) | UK:18 (video rating) (1986) | Argentina:18 | Australia:MA (DVD rating) | Australia:M | Canada:18+ (Québec) | Denmark:15 | Finland:K-18 | France:-12 | Hong Kong:III | Ireland:18 | Netherlands:16 | Norway:18 | Singapore:M18 | South Korea:(Banned) (original rating) | South Korea:18 (DVD rating) (2004) (uncut) | UK:X (original rating) | West Germany:16 | Philippines:X | Japan:R-15 | USA:R | Sweden:15

Filming Locations:

Colorado, USA

Company:

Warner Bros. Pictures

Trivia:

Wendy Carlos and Rachel Elkind wrote and performed a full electronic score for the film, but Stanley Kubrick discarded most of it and used a soundtrack of mostly classical music. Only the adaptation of Hector Berlioz's "Symphonie Fantastique" during the opening credits, the music during the family's drive to the hotel, and a few other brief moments (such as Halloran's plane trip) survive in the final version. Wendy Carlos once noted that she'd like to see the original score released on CD, but there were too many legal snags at the time. As of 2005, Carlos' score for the film has been remastered, and is a part of "Rediscovering Lost Scores Volumes 1 and 2".

Goofs:

Revealing mistakes: When Wendy is doing the dishes just before Jack calls to tell he got the job, the electricity socket near the sink is clearly a British three-pin socket. A few seconds into the dish washing scene, the scene cuts and shows Tommy in the bathroom, to the right of the sink there is another British three-pin socket. The Torrances don't live in Britain.

Quotes:

[first lines]
Jack Torrance: Hi, I've got an appointment with Mr. Ullman. My name is Jack Torrance.

Movie Connections:

Referenced in Dark Water (2005)

Soundtrack:

Kanon for 52 string orchestra and tape

Amazing achievement in filmmaking and the art of terror.

Chilling, majestic piece of cinematic fright, this film combines all the great elements of an intellectual thriller, with the grand vision of a director who has the instinctual capacity to pace a moody horror flick within the realm of his filmmaking genius that includes an eye for the original shot, an ice-cold soundtrack and an overall sense of dehumanization. This movie cuts through all the typical horror movies like a red-poker through a human eye, as it allows the viewer to not only feel the violence and psychosis of its protagonist, but appreciate the seed from which the derangement stems. One of the scariest things for people to face is the unknown and this film presents its plotting with just that thought in mind. The setting is perfect, in a desolate winter hideaway. The quietness of the moment is a character in itself, as the fermenting aggressor in Jack Torrance's mind wallows in this idle time, and breeds the devil's new playground. I always felt like the presence of evil was dormant in all of our minds, with only the circumstances of the moment, and the reasons given therein, needed to wake its violent ass and pounce over its unsuspecting victims. This film is a perfect example of this very thought.

And it is within this film's subtle touches of the canvas, the clackity-clacks of the young boy's big wheel riding along the empty hallways of the hotel, the labyrinthian garden representing the mind's fine line between sane and insane, Kubrick's purposely transfixed editing inconsistencies, continuity errors and set mis-arrangements, that we discover a world guided by the righteous and tangible, but coaxed away by the powerful and unknown. I have never read the book upon which the film is based, but without that as a comparison point, I am proud to say that this is one of the most terrifying films that I have ever seen. I thought that the runtime of the film could've been cut by a little bit, but then again, I am not one of the most acclaimed directors in the history of film, so maybe I should keep my two-cent criticisms over a superb film, to myself. All in all, this movie captures your attention with its grand form and vision, ropes you in with some terror and eccentric direction, and ties you down and stabs you in the heart with its cold-eyed view of the man's mind gone overboard, creepy atmosphere and the loss of humanity.

Rating: 9/10